The New York Herald Newspaper, May 2, 1873, Page 9

NEW YORK HERALD, FRIDAY, MAY 2, 1873—QUADRUPLE SHEET. VIENNA. Herald] Special Reports from the Austrian Capital. OPENING THE EXPOSITION. Austria’s Great Day of Jubilee and Hope, TWIN STORIES OF THE FESTIVAL. How the City by the Danube Looked in Her Pride. IMPERIAL AND ROYAL POMP. Gathering of the Nations at the Shrine of Industry and Art. THE OLIVE BRANCH ABOUT THE SWOLD. Gorgeous Pilgrims in Their Thou- sands Witnessing. THE IMPERIAL PROCESSION. | Magnificent Reception of the Kaiser by the People. NO SOLDIERS ON GUARD. Scenes in the Streets and at the Exhibition Gates. ’ THE BUILDING AND THE GROUNDS Arrival of the Visitors, Officials and Quests. UNDER THE DOME. A Forty Thousand Multitude of Many Colors Sketched. ENTER THE KAISER. ET EAE The Significant Sextet that Stood Upon the Dais. The Austrian Emperor and Empress, the Prussian Crown Prince and Princess. TWO IMPERIAL HEIRS, The Chants of the German Peoples Sung. Address by the Protector, the Archduke Charles. THE EMPEROR'S REPLY. An Echo Speech by Von Auers- perg and Other Nobles. THE CEREMONIES IN FULL. of Color Blending with Masses of Sound on the Senses. THIRTY-NINE NATIONALITIES REPRESENTED The Exhibition Declared Formally Open to the World. THE AMERICAN DEPARTMENT CLOSED. Réturn of the Imperial and Royal Cortege. THE OMEN OF AUSTRIA’S FUTURE, “The opening of the World’s Exposition at “Vienna yesterday is an occasion of the highest importance to civilization. Witnessing as it does a gathering of the peoples in the interest of the progress of industry and art, the Henatp has presented its story in fall. Tho i event of the day is graphically sketched in tf vivid colors for the English-reading public by two well known writers of ability—the one an ‘American, the otheran Englishman—Messsrs. John Russell Young and Edmund Yates. French and German, Prussian and Austrian, met with sheathed swords beneath the great dome of the goodly edifice, and, as it was a fentival of neace. ita omen of good to humanity will be keenly felt by all. The day will long be remembered, and the Hzraup shows appre- ciation of the occasion’s historic value by the space it surrenders to describing it to-day. JOHN RUSSELL YOUNG'S ACCOUNT. The Great Day and the Great Ceremonies Seen by American Eyes—Brilliant Picture of the Opening Scene—The Speeches and Ceremonies. TELEGRAM TO THE NEW YORK HERALD. Vienna, May 1, 1873. Vienna was shrouded this morning in cold, unfriendly skies, which did not contribute to the splendor of the festival of peace. The clouds threatened rain, and the Danube was ruffed by sharp, piercing winds; but in spite of the disagreeable weather the Viennese were out carly and gayly honored the long- expected day. EARLY IN THE MORNING. The guests who were invited to witness the opening ceremony of the great Exposition were bidden to be in the Exhibition building atten o'clock, as the royal guests were ex- pected at twelve. The people who could not gain entranceto it crowded the avenueg near it. THE MULTITUDE. Under the noble trees of the ancient forests of the Prater Park, as well as all the way from the Hofburg, the palace of the Emperor, to the Exposition building, the Palacé of the World, were eager, hurrying throngs. _ NO SOLDIERS AT THE FEAST OF PEACE. As became a day of peace, no soldiers were in line and only an occasional guardsman, in dark, Hungarian costume, was employed to point the way. A thin line of citizens, in holi- day dress, fringed the path of the procession. Smiling faces, coyly peering into the imperial carriage, were greeted witha welcoming smile in return. THE UNION OF FLAGS—OUBS UNION DOWN. Over the different wings of the gigantic edi- fice the flags of all nations fluttered in the winds and mingled their colors in friendly contrast, our own, as seemed fit, considering recent events, Union down. FILLING THE EXPOSITION BUILDING. As soon as the vast hall, the size of which comes slowly on you, with a full sense of its immensity, was opened, the surging multi- tude began to fill it, crowding from twenty opening doors. Without and within the scene was exceedingly animated—in some respects exceedingly pictaresque—and Vienna, though its welcoming day of Spring has often been celebrated with great pomp and magnificence, never before witnessed a pilgrimage to the Prater so brilliant or so magnificent. THE GATHERING OF THE NATIONS. All the world had gathered in the Austrian capital. The Orient and the Occident had met at the centre of a nation whose bounda- ries are on the threshhold of two worlds. From the West came the phlegmatic and philosophical German, the versatile and bril- liant Frenchman, the burly, jovial and insular Englishman, and the practical and energetic American; from the East representatives of the ancient civilizations, Asiatics coming from every land between the Euxine Sea and the Japanese Empire in the Pacific. Austria herself was represented by a people speaking ten different tongues. All the world was in this comparatively meagre space to witness the gathering of the nations. THE EFFECT INSIDE THE BUILDING. The effect produced on the mind of the visitor by a first glance at the inside of the Exposition brfilding was not agreeable. The raw frescoed walls seemed to weep with oozing frost and raiff The high organ obtraded moked metal pipes, which well-meant banks of greenery would not hide. Everywhere everything seemed misplaced. GROTESQUE GROTESQUENESS. There were statues, castings, groups and canopies hung with cloths and carpets, pro- ducing a most grotesque effect. France, asa solemn and preposterous lion, stared hungrily down from an imperial dais, and confronted the famous Lake Leman group, which cele- brates the return of Geneva tothe arms of Switzerland. This colossal group became o point of attraction for American sight-seers, a cluster of these astonishing the Austrian Chamberlain by their agility and courage. APPEARANCE OF THE AUSTRIAN CHAMBERLAIN. As His Excellency the Chamberlain entered the vast space seemed spotted with black masses in evening dress gathered im patches and slowly increasing in number. Then a wave of beanty and color surged into the ladies’ boxes in the diplomatic quarter, each beauti- ful grandee provoking a ripple of wondering comment as she floated to her place. MAGNIFICENCE OF THE SCENE. Ata single glance one saw the courtliness and splendor of an ancient throne surrounded by quaintand innumerable costumes, decora- tions, insignia of the variety of races which obey the decrees of the Kaiser. The multitude took every form and color. Swarthy warriors in the rich apparel of the Danube; Poles, Hungarians and Bohemians in the costumes ef their coun- try, and the dress of the armies and navies of the world, our own genuine blue being neither absent nor forgotten, helped to complete the picture. A SEA OF COLOR, The whole scene was a surging sea of color. At every turn the eye was met by a great dis. play of raiment black, orange, green and brown: velveta, laces. waving vlumes, rich en- folding furs and gold and silver braids, until the sombre multitude took life and seemed banks of lilies and roses, tinged with the deep rich color of the South, ‘THE VIEW FROM THE DOME. From the high-galleried dome, its three tiers rising one above the other, the first at the height of seventy-five feet, the second fif- teen feet higher and the third twenty-one feet higher still, adventurous spirits looked upon the multitude in the rotunda below, thirty or forty thousand in number, moving to and fro like the ebb and flow of the sea. This sight was grand beyond description, and well re- paid the courage and nerve which were its price. THE ROTUNDA. The diameter of the rotunda, from pillar to pillar, is 104-5 metres; the height up to the imperial crown is 270 feet, a height surpassed only by a few church towers. The imperial Austrian crown which surmounts the domé is intended to be a faithful copy of the origi- nal, _ and studded with colossal “precious stones’’—amethysts and opals, rubiesand sap- phires, mountain crystals and carneols, The Austrians call it ‘he crowning of the edifice,” Bad they 01 cry out i in ecstasy, ‘‘Austria’s crown protects a mighty work, which wos greoted tg the honor of the Empire and to he’ ‘Tenown of the fatherland.” THE MULTITUDE IN THE ROTUNDA. The view from a dome so magnificont was even more magnificent because of the living spectacle it revealed. Looking down upon the multitude waiting long and weary hours, it was seen to be a cheery, pleasant, grave, sedate crowd. It indulged in no “chaff.” Vivacity seemed out of place with these patient people quietly waiting for the coming pageantry, but to the observant it was an as- semblage full of awe and inspiration. Espe- cially inspiring was the ever-present marvellous murmur of many voices gathered together in friendship, but sounding like the roar of far- distant seas. In this respect it was electric, magnetic, almost religious, like those strange voices of nature which men sometimes hear as the voice of God. A BREAK IN THE MARVELLOUS MURMUR. A fow minutes before twelve this strange electric murmur, no longer monotonous, broke into a louder roar, sounding like break- ers dashing upon the shore. Officials hurry their gteps, and the always late dowager runs panting to her place. The Chamberlain waves his handkerchief, and the crowd rocks itself into position. For the moment the dome and all its wonders are forgotten. The view from the outside, though it reveals almost a pan- oramic revelation of the Austrian Empire, is mere dross now in comparison with the ex- pected pageant. Even the marvellous murmur which broke so recently into a sounding roar has lost itself in silence, and in its place the Austrian national air, merging into the Prus- sian and English anthems, takes its place. “THE SUPREME MOMENT. A broken lusty cheer comes, like a tempest, rocking the multitude with its uneasy force. Slowly pacing round the parterre, under green hanging branches and cunningly placed shubbery, the Imperial party is seen exactly as the hour strikes noon. ENTRANCE OF THE EMPEROR. The Emperor walks with hesitation, leading the German Princess Victoria, faintly bowing. Behind is the Imperial German Prince Frederick William, in white Austrian uniform, striding along with a stalking gait, and es- corting the Empress Elizabeth. Then comes the Prince of Wales, who smiles and bows, especially as his ears catch the lusty home cheer from the British group. Following his royal brother are Prince Arthur, his fine blue eyes beaming with pleasure ; the mem- bers of the Imperial family, and the great Officers of State and of the Household, in gorgeous array, with fringed flunkeys frail- ing after them. ON THE DAIS. They move on to the dais, where, in a pleased, smiling grdup, they form a marvel- lous combination of light, jewels, laces and superb costumes. ll rise as the Imperial party ascends the steps, cheer follows cheer and then the whole multitude is still. The quiet continues while the Emperor turns from side to side making a grave, serious bow, and the music changes into Handel’s grand an- them, exquisitely rendered. Then there is another rock and surge of the crowd right into the Imperial quarter. It is with the utmost difficulty that order is preserved, even within the sacred limita. The music lulls, and the opening address is made to the Emperor. It is clearly spoken in a few gentle phrases, but no one hears it, and it will be read in New York almost as soon as in Vienna. THE IMPERIAL PATRON. The opening address was made by His Imperisl Highness tne Agchduke Charles Louis, the patron of the Exposition. It was as follows: — THE OPENING ADDRESS. “Most Gracious Sme—It is with the deepest joy I congratulate Your Majesty in these halls devoted to the peaceful progress of mankind through culture and labor. We who, possess- ing the confidence of Your Majesty, have been required to co-operate in carrying out the design, are not qualified to judge the results; but, being thoroughly acquainted with tho requisites of the work demanded, having recognized the motives actuating Your Majesty and the intelligent spontaneous co-operation of the eR peoples of your own and foreign countries, it behooves us to bear testimony to the strong frrepressible might of progress and culture. One result is patent. Aided by this creation of Your Majesty, this day, with all its noble associations, will be regarded as a worthy in- heritance by a grateful posterity. “May it please Your Majesty graciously to receive this catalogue and to declare the Exhi- bition open.” BECEIVING THE CASKET. Tho Emperor, receiving the casket contain- ing the catalogue, replied: — THE EMPEROR'S REPLY. “It is with the greatest delight that I behold the fulfilment of this undertaking, the mo- mentous significance of which I fully recog- nize. “My trust has been in the patriotism and capabilities of my people. The sythpathy is appreciated with which foreign nations have sustained me in the accomplishment of the great work to which my imperial counten- ance has been given. My grateful acknowl- edgments will come at the close, *T declare the World’s Exposition of 1873 open,” LOOKING FOR AN EOHO. The opening ceremony ay being +e thera {s more muaio aoa s then there Ts a seco - dress from an orator who can scarcely be seen and whose voice the crowd regards as an echo. Strained eyes seek it high up in the dizzy lantern of the dome. Other bursts of music follow, Handel all this time being the inspira- tion of the musicians. THE SPEECH OF THE ECHO. Prince von Auersperg, President of the Council of the Empire, advancing to the foot of the throne, addressed the Emperor as fol- lows:— “Smz—With feelings of modesty, and at the same time of exultation and pride, the people of Austria gaze upon a work which testifies to the increasing power of, and grow- ing esteem for, the Fatherland, and to its active participation in the great task of culture. We owe this work entirely to you. Itis the embodiment of your motto, ‘Power and respect come from union, which is strength.’ We, therefore, lay our efforts at the foot of the throne.”’ SPEECH OF THE DURGOMASTER. The Prince was followed by Dr. Folder, the Burgomaster of Vienna, who expressed the gratitude of the people of the capital to His Majesty, and added:—‘“Under your govern- ment Vienna has become a metropolis. You now confer the highest consecration upon an undertaking whose noble purpose is to show what the human mind in every zone is capable of achieving in mechanics, science and art, so that progress may become common property, and be fostered and furthered by the co-operation of all the rivalries of invention and dexterity. With the blessing of peace among nations this sublime creation has arisen, immortalizing the history of culture in Austria, The city of Vienna, whose lot it is to welcome hospitably visitors from all quar- ters of the globe, feels proud and elated under the gracious imperial protection, and, in- spired with gratitude, rings forth the words, “God protect Your Majesty! Long live the Emperor !’’ THE IMPERIAL TOUR THROUGH THE BUILDING, The Emperor then descends, and, followed by his illustrious guests, makes the tour of the building. He turns from flower to flower, fol- lowing the path leading to the American quar- ter, always bowing sadly, his Queen, with radi- ant air, leaning onthe arm of the Crown Prince of Germany. One wonders if among all this pageantry whetber the heir to the German Empire is thinking of Sadowa. The Prince of Wales is in the sunniest humor, and the princes and noble ladies form a gorgeous illumination to the train; generals, ministers, and diplomates corruscating in the gallery like stars borrowing light from the sun to make the universe more beautiful. In all this throng our own Minister is con- spicuous for the plainest céstume. The commissioners are dismally dark in their evening dress, which contrasts curiously with the pageantry and magnificence of the court. INCIDENTS OF THE IMPERIAL JOURNEY. As the Prussian prince passes the German section loud cheers are heard for Fritz and the Princess, which he answers with laughing eyes. So section after section is slowly seen. THE AMERICAN DISGRACE. The American department is closed and looks battered and dingy, like an abandoned railway town on the plains. END OF THE PAGEANTRY. As the royal party goes out of each depart- ment the military band plays the national hymn of the country, constructively visited by the Emperor. In less than an hour this ceremony is over, and now the angry clouds have their will, and a flurry of rain and high blasts of wind salute the imperial party re- crossing the threshold. Loyal Vienna is not to be dismayed by a mero shower, howover, and the long line of tidy citizens await the Emperor's return under the Prater trees. RETURN TO THE PALACE. As the chariot of the Emperor, drawn by six horses, rolled toward the palace, its imperial occupant and his guests were loudly cheered, none more~ generously than the Prince whose sword—breaking the old superstition that Vienna should become the capital of Germany andan Austrian Prince be at the head of the German veovle—brought humiliation and de- vie mes. Pats ne RIOTS = re feat upon the Emperor who is now his host, Never was there a more splendid career, and with this thought many persons looked upon the magnificent pageant, and prayed that an achievement for art and industry so grand and enduring would also prove a harbinger of Peace and prosperity to the mighty Empire of the Danube. JOHN RUSSELL YOUNG. EDMUND YATES’ ACCOUNT. Scenes and Sights Without and Within as Glanced at by British Eyes—ihe Stroets, the People, the Prater, the Building and the Imperial Pageant. TELEGRAM TO THE NEW YORK NERALD. Vienna, May 1, 1873, The Vienna Universal Exposition’was offi- cially opened to-day with a series of brilliant ceremonies, the culminating point being the solemnities beneath the high and vast dome of the rotunda. A DULL SEY. This morning opened with a dull, gray sky, and the clouds seemed perpetually threaten- ing rain on the capital. To the eye of the foreigner there ‘seemed | .Soarcely anything to indicate that thia was a festivity which ail tho world a dnd hte wif ‘wife had agreed to honor. A LONG FILE OF VEHICLES, filled with Exhibition sight-seers, wound slowly along the Ringstrasse. The Austrian police- men, with brand-new hats and in their best uniforms, stood by to marshal the extempore procession, and all their good offices were needed. A first symptom of the interest taken by the Viennese appeared in the fact, strange at first, that the faces of the passers-by were all turned in THE ONE DIRECTION—EXPOSITION-WARD. But I cannot believe that the holiday was universal, as the laboring classes seemed, in many cases, to be following their ordinary occupations. Every now and then the vehi- cles would come toa dead halt. This would invariably happen as IY was preparing, avec effusion, to gush over the glories of exhibition openings in general. COCKED HATS OF EVERY AGE and style, and shakos with and without pompous, loomed up like ghosts through steamy cab windows. The sight of a mili- tary man looking in a melancholy manner through foggy glass is not a cheering sight to the beholder. 4 COURT DAY REMINISCENCE. In the old times, when Queen Victoria gave her immense ‘levées at St. James’ Palace, it was alwoys a beautiful and ennobling study to walk quietly up St. James street and down Piccadilly to Hyde Park Corner. There, ina mile or so of car riages and cabs, could be seen half the nota- bilities of the kingdom, looking stolidly miserable behind the carriage windows, like figures in a wax works. Life has its compen- sations, even in a cab on the Ringstrasse this morning. Charming, enchanting VISIONS OF AIRY TULLE AND CAMBRIC MUSLIN are visible in the cabs and carriages. Momentary glimpses of fair faces, gleaming shoulders and shining tresses are obtained amid the gauzy clouds. With all youth’s abandon I begin to dream of where all this beauty comes from. It begins to spit rain, and the vehicles manage to become involved ina deadlock. Under these discouraging cir- cumstances I contemplate the mounted police- men who gallop here and there with FACES LIKE SCOTCH SABBATARIANS. While allowing time for the vehicles to be extricated, amid much remonstrance from cab drivers and much insistancé by the police, I may tell you y WHAT THE PRATER IS LIKE. The Prater isa remarkable Viennese insti- tution, an extensive park of meadow and wood belonging, by imperial courtesy, to the people; but to-day its beauties and advan- tages are not revealed to their full extent. The Prater is some distance from the central part of the city. Starting from the Opera House, down the magnificent Ringstrasse, built on the ground of the old fortifications, over the suspension bridge over the Danube Canal, then to the right into the broad Praterstrasse, and a quarter mile drive brings you to the entrance of the Prater. THREE ROADS ENTER THE PARK, radiating from one point, and each passes under a slightly ornamental railroad bridge pf the Nordbahn Railroad, which here cuts di- rectly across. The road to the right leads you into the principal avenue of the Prater, lined by two rows of stately trees, under whose shade the procession of to-day winds slowly along. The middle road leads to what the Viennese term THE WUERSTEL PRATER, a little city of Swiss cottages, restaurants, builtin the Swiss style; circuses, marionette theatres, indeed having all the characteristics of s German fair, artistically planned and carried out. This part of the Prater was opened with great festivities on Monday, the 14th of April, as is done every year. Ameri- cans, who managed to wedge their way through the crowd to get to the western en-' trance of the Exposition, were not a little amused at the sights. One of the great objects of attraction is a stable connected with Carré’s Circus, This stable is built IN THE SHAPE OF A STEAMSHIP, painted brown; it has a smokestack, and bears the name of Washington. The style of the whole thing is ludicrons in tho extreme. The model of the bow seems to have beet taken from a Dutch brig of some long past century. Indeed, it seems like @ revived Noah's ark adapted to modern steam require. ments. A show containing, as the inscrip- tion tells us, ‘Darwin and Vogt’s Primitive Man,” is an object of attraction, calling out the insulted feelings of our humanity. HISTORY OF THE PRATER. Before going into a description of the fos- tivities I would add a few words on the general appearance of the Prater, and some- thing about its history. Since 1570 it be- longed to the Imperial Court, where, in the extended meadows and among the forests, it loved to hold ita festivals, its hunts, prome- mades and fireworks. The people were excluded from it until 1766, for before that time only the nobility and high-blooded strangers were permitted to drive in the Park during the months of May and June. THE EMPEROR JOSEPH IL, whose memory still lives in Austria, first opened the Prater to tho people by an ordinance of the 7th of April, 1766, granting free permission to the public to wander in the Park at all times, and amuse themselves therein in their favorite sports, Booths for refreshment and coffee-houses were then erected, and Kaiser Joseph IL lived to see his people enjoy to the fullest extent the priv- ileges he had granted them. Under his govern- ment were built those structures, already de- scribed, on the Wiirstel Prater—beer-restau- rants, coffee-houses, carousels, ninepin alleys and clown theatres—for here it was that HANS WUERST, THE GERMAN CLOWN, found refuge, after being banished from tho stages of the large theatres. From Hans Wiirst this part of the Prater took its namo— the Wiirstel Prater. This part belongs to the people—the principal avenue belongs to the upper tendom. THE HAUPT ALLEE. The principdl avenue of the Prater, lined with two rows of trees, is the Corso of Vienna, taking the place of the Rotten Row of London, the Bois de Boulogne of Paris, the Blooming- dale Road of New York, the Thiergarten Corso CONTINUED ON TWELFTH PAGE. THE WEEKLY HERALD. The Cheapest and Best Newspaper in the Country. The WERKLY HERALD of the present week, now © ready, centains an original Story, entitled ‘Leslie Wyndham,” Medora,’ together with the very Latest News by Telegraph from All Parts of the World up to the hour of publication; special despatch from Edmund Yates, one of the HERALD correspondents at Vienna; full particulars of the last Modoc Slaughter; the Atlantic National Bank Defalcation; Tainter Eclipsed by a Philadelphia Banker: Death of James Brooks; Grand and Im- pressive Consecration Ceremonies in the Cathedral at Baltimore; Sublime Lodge of Sorrow at the Brooklyn Academy; Capture of Briceland, tha Murderer; Fiendish Outrage and Murder of @ Young Girl at Saltsburg, Pa.; the Atlantic Wreck, and the Pittsburg Bond Robbery. It also contains the Latest News by Telegraph from Washington; Political, Religious, Artistic and Sporting Intelli- gence; Obituary Notices; Varieties; Amusements; Editorial Articles on prominent topics of the days Our Agricultural Budget; Reviews of the Cat tle, Horse and Dry Geods Markets; Financiag and Commercial Intelligence, and accounts ef all the important and interesting events of the weck. TaRMS:—Single subscription, $2; Three copies, $5; Five copies, $8; Ten copies, $15; Single copies, five centseach. A limited number of advertisements inserted in the WEEKLY HeRa.p. Speckled Faces at Breakfast Are Ine dexes of bug-haunted beds, which no a ee a de- sires to be thought neat would wish to very bod knows that fifly cents expended in KROWwLBS INSE\ Vener will suffice to clear any house of insect vermin. A.—For Elegant and Stylish Hats Go direct to the manufacturer. ESP’ BCHEID, 118 Nassau street. A.—Herald Branch Office, Brooklyn, corner of Fulton avenue and Boerum street. ‘Open from 8 A. M, to 9 P. M. On Sunday from 3 to 9 P.M. A Warwick or Elmwood Collar Will fit better and wear longer than any other. Try them. A.—Herring’s Patent CHAMPION SAPES, 251 and 262 Broadway, corner of Murray street, A.—Who Wants a Hat? Go to Dougan, manufacturer, 102 Nassan, corner of Ann street. A.—Lyon’s Insect Powder Is Used by all ocean steamers, hot nd restaurants for clearing them of bugs, fleas, wot id ants. Birch Dale Sprin; monary, Kidney, Uterine an samples free. 30 Broadway. Braunsdorf wf & Metz Have Removed their large stock ( £) class CABINET FURNITURE, DRAPERIES, &c., from 125 Rivington street to their new and elegant bi gs, 433 and Seventh avenue, near Thirty-iourth Bargains in Watches and Jewelry= Selling off, great reduction. GEO. C. ALLEN, Broadway, near Fourteenth street. Cristadoro’s Excelsior Hate I Dye Trans forms hoary hei into youthful ones instantancously. Sold everywhere. David.—E' 29034 Broadway, Waters Cure Pul« Blood Diseases. Books and Havana Lottery Drawings on File Circulars sent free; orders promptly filled. JOSEPIE Barre Agent, 19% Broadway, room 4; Chatham Banik Royal Havana Lottery—Prices Rew dueed Y sirculars sent and informations given. We sold pril O00 prlze In the Paint pri #8 wan street, Post afte box 4689, New York. rene a argo bo Scheme intormation f Mes ped tor tor Spanish vill, bills, i Bankers, 15 Wallstreet, New York. Special Notice to Ladies.—Do You Want ageing machine? If so, dont fall to look af the Wit re purchasing. 6 perfect did rooms, 6 fs Broadway. sii bedbtanasaaal AR NEW ‘PUBLICATIONS. Gor oF MONTE-CRISTO. 0 » COUNT OF ‘MONTE-cRISTO. THE COUNT OF MONTE.C ORISTO, By. Dumas. New and beautitul edition. With ‘a u page ie trations. Price $1 Win paper o cover, or $1 75 EDMOND DANTES. The sequel to “The Count of Sones Cristo,” Price Téc. in paper cover, of « finer edi~ tion in cloth for $1 75. wun, COUNTESS OF MONTE-CRISTO. A Sompenion, to “The Count of Monte-Cristo,” by Alexander Duin: and fully equal to it, with a portrait of “The Countess Monte-Cristo” on the cover. Complete in one la Pay ome paper cover, price $1, or bound in for * ks are for sale b: by all bookseller: be emt Dont pat on remitting prige tot to the csi 206 ‘Chestnut street, itaetphias Ponnnnn hha Al he N° READY—THE wae, ORIGINAL CHROM og oF ie to. every c staan He) aN uns mane ‘Mi MO: "* all for ErstitNG oom ao bee Toe th street, New wentrelhth York. A ‘Meats: a for city and coant JpRavy SATURDAY, R A ‘ tt OMILLAN & ~ sw slocsker sae Hew Vaey