New Britain Herald Newspaper, July 19, 1928, Page 14

Love’s Awakening By Adele Lillian Tells Madge of the Paradoxi- cal Characteristics of Samuel Brixton As 1 laid down the letter which Lillian had asked me to read aloud to her 1 was conscious that the fan tastic premonition she had had was gripping mie. It was as if the shect of paper with its bold chirog which was lying in my lap was a li ing sinister t with powers evil coiled 1 eves from Brixton, gaze. “You feel it too,” she with the touch of the psychic which I so often have noticed i her. 1 feel that 1 nor the writer 1 1 retorted, furious 1 should have to touch of 1 which my fected. “You're always cross when your brain has to coms r of your imagination,” st ed, putting out her har ter. I watched b glanced quickly over its pages again, and then, crumpling it into a ball, threw it violently across the room. “Let's forget it she 4 wouldn't tour y money Sam Brixt if his offer wery doubt. In all th have touched a j amount— Tom— —all mine. was shaken, T she was relivir arid years when ber husband kept her child from her for a long minute before 1 her, waited until 1 saw th ness fade out of her face “I know,” 1 soid “and it you were the only one concerned, 1 should agree you that the waste basket was the only place for that letter. But—I ast remember Marion child. Have you any from her what may be—--— She threw up ber Lead as if T had | of my “Samuel intent the and 1 iture Lillian’s said with « admit tic hys ! was patent even iich 1 I never small on. She years cous, the had 1 waited | Hian— T no lor Ition in Samucl Brixton's office, and The Heart Story of a Steadfast Woman Garrison struck her, and there was in her face the quick resentment with which she involuntarily meets un- welcome advice, But the next in- t her eyes had softened, and her voice held disarming contrition. “No, you are right, she said. *Marion is entitled to anything nay come to her through her I haven't any faith in this @ trick in it somewhere, I'm sure, ! but at least, I must hear what the man has to “fud crossed the room, retrieve® tter and looked at the heading gain. “Cles ird he'd gone to the Middle West, w where, a queer combination of went on, with a restless ot the letter against her 1 which told me how tense was r nervous strain. I dom't sup- pose it was so unusual either. Many t the same paradox. le rly upulous, ruthless ss, but a devoted husband ffather. No,” at any ry look of surprise, for the the letter had given on that the boy and Ar. Brixton spoke cre his own children. “Neither 141d nor Carolyn are his children. father, who, incidentally, - Helen thoroughly unhappy, «d when Ronald was two aend Carolyn a baby, leaving his family 1lmost destitute. She found a posi- eland, Ohio,” she said. 1! l men exii b unsc refercrices in me the impres: girl of whom er they were married. They al- ways have hcen devoted to each other and the children wers given his name and never have been made to feel for an instant that he is not their own father. If it were not for ier knowledge of his shady business deals and her consequent mental {suffering, she would be a very hap- by woman. Wha ¢ come of ! this T shall be v glad to see 1 in. She was my dearest days, but, of course, you."” Copyright, Ieature ver like 1928, Newspaper Service, Ine. Whitey Discovers Something Queer | By Thornton W. Burgess Discontent desire And this in turn awmbition spurs, —0ld Mother Nature Sinee Whitey's return to th Old Briar-patch life there very simple and quiet, The little or no excitement i dear Old Briar-patch. Aft Mra. Peter had safely reac and found that Wh she made him promise that he would never, never run away again. And for a time Whitey had had no | desire to. He had had enough of the | Great World. He was even a bit| timid about venturing out to the| sweet clover patches near the dear | 014 Briar-patch. But after a time Whitey discontented. 1t was perfectly ural that he should. It is the of the young. There w do there but eat and brothers and sisters were Whitey his own aes der about unea had been doing when he had dis- | covered Farmer Brown's Boy and Bowser the Hound. He had n Bowser before, because Bowser had | visited the o1d v-patch | alone; but he ver seen any of | those two. colled men until | Brown's Boy. The very sizit of creature fri kept himselt And then Fariner s b hrown a stick that 1 f Gloat 1o where Whitey was He had jumped and run rm had come from th B er Brown's Hound hal Green M Tt was t was the r o little d home was safe, way o ¥ His gone and as lone s of s wan- hat he 1 had 1 such a str: he Guattin Lut no h and over Gr Whitev kept himeelf hi he kept hime) t he oo ' Boy and : the latter reached the dear Briar-p: <0 v o1l him uid hear r g e could peck out of the dear | teh Brow: 101088 the Farmer vay Green Whit Brow the distance Meadows ey watche urtil F: ne X in started for t whire ¥ st the entrar P Rablit's private littls out near of s clover. W Wt end of the . < path he discovercd neer to ittle Ariner n's Boy | a spec place 3ro ar ter ths that led For staring at it A path. lock seemed to be it, tor 1t d. He b “Il of somethin i noge, It w Yes, sir, 1F W right at 1 faet h little pie 1t tasted at one The into med to be ope 4 ltile nearer carrot And liscovered a carrol, He nibbled it. H nihbled more. Pro n that pices rot had 4 But it leave Whitey satisficd, There heen fust enouz it 1o make inside that t it was! didn had him queer 1 1red of a want more. ar little house he could see sorue more. | en | nat- | ¢y | Knocked Over.” Farmer Brown's Boy was tramping away across the Green Meadows at thin said he to himself. “All 1 Lave to do is to reach in and take one of thosc picces. There certainly 'an be no harm in that. My, Lot ince I was Lorn have I tasted any- thing nicer. T'11 look this thing over | tirst though.” (Copyright, 1928, by T. W. Burgess) next story: “Whitey 1Is 1. Health f'lints BY or DR. MORRIS FISHBEL Journal of the American e Health Magazine 1 their interesting volume on the | . 1 Whys of Cooking,” pub- |2 the University of Chicago Misses Evelyn G. Halliday T. Noble of the depart- uomics deal parti- questions—chemi- | 30. nd botanical—that {31. A i methods of cooking |32, tlavor 4 preserve ents of vegetablea, d morc human beings are | 1 to the special qual t vegetables, such as the vita- the mineral salts. As (39, flavors of |40 amily, in- [42. cauli- likely ieat flc to be da are azcd in cooking. Strong Jufces tables, along nmonly ¢ dle They contain which are onsible for the taste. ler unfavorzble condi- the sulphur compounds are | deeomposed with the resultant disa- able and smell 1f the vegetables are cooked for | ton long a time, particularly in the | T of little acid, as happens | when vegetables are cooked in | 1 amounts of water, there i5 2 tendency ot the sulphur compounds to breaic down. most irnips, pounds {10 This happens when the vegetables |12, allovwed to heat slowly, or when |15, in pressure eook- such de- |12 vegeta- | o1 water |22 the lowed to cook The way to prevent position s to eook the s in a large amount of in an uncove kettls shortost possible time, Oniom Plavor he onion flavor is due or gaseous constituents pass off rapidly when he on- 1on is pecled. Onions should be cooked until tender and no longer, terably in amount fo 57 rapidly boiling water. B ctables those of |41 | the 4 ouions, are 43 e sl that is witl of 147 water in a for to cor tain volatile a large except amonunt ‘“. are of working from Nos. 1 and 51 horizon- tal down and un. NEW BRITAI Once Overs Registored T 8. Patont 0ffice By C. D. Batchelor “This financial situation’s gettin’ terrible.” “T'll say so. My hotel is calling for more margins.” Long Center Word the five-letter Horizontal Most of the words in this puzzle kind. Try What §s an image formed by dispersion of a beam of light called? What is the name of the con- stellation which contains the stars forming the dipper. Female horses. Scarlet. Preposition of place. Door rug. Habitual drunkara. Paid publicity. To annoy. Bwift. Baseball team. The handle of a jug. Into what sea does the Jordan river flow. Decem. Beer. Organ of hearing. Which of our United cenators has his Kansas City Affirmativ Snow coaster. Dressmaker Sailor. Above. Drone bre apuchin monke: Therefore. Eon. To think Shert letter. home | States in What famous American patr was the founder of “The € Evening Post”? Vertical urday Ozden H can ambassador country? to Hammond 1s Ameri- | what Standard of type measure Eccentric wheel Street car. To rot flax by You and me. Abbreviation Ocean. Totalled. To walk on one foot Danal Wise men E Toints of the lege King. Apportioned as cards Finighed Stratum. Tegions In what Toan stake? To perish hy Cirlef. Principal Opposed ta “con Mineral spring. Writing fluid Praposition of place. Correlative of efther. Defty. exposure. for city Arc burned water. “railroad.” b and flow of water (pl.) in France | at the — AlT[e[SPLTALT] HERD/ DhE [c[A[D[E[TRgNIE]R {Menus of the Family Y SISTER MARY Breakfast — Chilled cantaloupe, | ready-t rve cereal, cream, cream- ed cottage ham with broiled toma- |toes, toast, milk, coffec. Lunchoon—Deviled crabe, lettuce sandwiches, filled cup cakes, lemon- or iced fea. nked bass, shoe string cottage cheese pudding, (AlR[MZ ade | Dinner—F | potatoes, wax beans salad rawberry ta milk, coftee pioca Deviled Crabs N fres ta . 1 teaspoon Wor- 1-4. teaspoon spoon minced 1 hard cooked buttered crumbs, One-half espoon butter, 1 4 cup thin ere ershire round sauce mace, TS ALo U8 PAT. OPF. 1928 BY NEA SEAVICE. IhE. No matter how badly a girl necds |new shors, they're not much good in ia pinch. h crabs, 1 ta-| spoon flour, | | ook crabs in boiling, salted wa- {ter for 30 minutes. Plunge into cold ater. Let stand until cold and drain. Pull off claws close to the body, crack them with a hammer or nut cracker and pick out the meat. A nut pick is handy. Pull shell from body and remove gills and the dark streak that runs through |the center and the fat found in the |cavity between the halves. Discard 'any soft spongy material found. | Pick out the meat from the sec- | tlons, taking care to exclude all the | bone-like parts. Scrape soft white substance from shell and add to | meat. Wash the hard upper shell | well and set aside to dry. Melt but- |ter, stir in flour and add mace and | parsley. Add cream slowly, stirring | constantly. Bring to the bolling | point and stir in elightly beaten egg yolk. Remove from fire and add Worcestershire sauce, crab meat and hard cooked egg. both chopped. Fill four shells rounding full, cover with buttered crumbs and bake in a moderately hot ovven until erumbs are brown. It will take about fifteen minutes. Serve garnished with a |sprig of parstey, | (Copyright 1928, NEA Service, Inc.) TIERED SKIRTS Many of the smartest tiered skirts scoop up in front, but show a close- 1y molded belt and hip line, the belt much lower in the back than in the front, PLAIDS AND DISCS New materfals for fall feature large plaids and very huge disc motifs. DAILY HERALD, THURSDAY, JULY 19, 1928 Nature Works With a System Nothing Haphazard In Child’s Development. Nature vorks as methodically in her development of a human being after birth, as before. It is a mis- take to think that a child's activi- ties are haphazard affairs without rhyme or reason. Following are a few interesting statistics of a child’s development from one to three years of age. Chil- dren are different and there may be some variation, but the table will help to show parents the regularity with which progress is made. Compare your child to this table and see how nearly it fits the case. At 14 to 16 months he can put a spoon into his mouth although he cannot carry food with it. At this time he can carry small ob- jects, if he is able to walk. Some children 4o not walk until they are 18 months old. Others even later, At 18 months he can eat with a small spoon without spilling, or drink frem a cup held in both hands. At this time he can push things on wheels or pull toys on a string. At 18 or 19 months he has enough control of his hands to cut paper with scissors. He will not be able to cut forms, of course, but the act of cutting is controlled. I should net, however, advise such a play- thing for so young a child. At this time he can play with dishes, or mark with a pencil. He can find a picture in a plcture-book if he hears its mame, or point out simple ob- jects in the picture, such as boy, girl, kitty, cow, ete. At about this time he understands most of the common everyday words sald to him, and will use many of them himself, although the time for talking varies greatly in different children. At 2 vears he can huild with blocks. He begins to take delight in simple little stories and he shows an unbounded interest in pic- tures. At this age of 2 years he begins to make words into little sen- tences. At 2 1-2 vears he begins his im- aginative little plays, pretending that he is a dog or cat or another member of the family. he can remember easy little rhymes or parts of them. At 3 years of age or even before, he can play by the hour alone if objects are furnished t¢ arouse his interest. The simplest thing will sometimes amuse him indefinitely. At 3 he can hegin to learn to dress and undress. He will be awk- At this time | New York May Be Sweltering But It Remains Well Dressed Printed Chiffons and Crepes Are Order of the Day. Miss Dorothy Rosen BY BETSY SCHUYLER tailorcd one with very low back tha New York, July 19 ¢P——Manhat- | has been copied in every language,| those days is a garden of flm\'-iand with varying degrees of authen.| ers—or frocks. Ilower printed chif- | ticity. fons and crepes are the order of t) A favorite color of the moment § day—not a n style, but certainly | evening attire ,particularly in tull an appropriate one, and a cheery |gowns, is brown—the dark brow one in this city with o little of a |rather than the golden brown, often flower garden abeut it {lighted up with beige or lighte Naturally Gotham's smartest | siades of brown, daughters are not in the city, ex-| I noticed too that yellows and Icept for a day's shopping now and | greens have stepped right up to the then. With Southampton, Newport. [front in the color schemes. The and all the points betwe:n doing a |transparent velvet evening coat wa rushing business, and with every |almost unanimous choice. steamer leaving New Yori filled to | Mrs. T. Hunt Dickinson | | ward at first and need a great deal | of help but by 4 he can manage very son for styles. well, But a tour of any of the roof gardens will reveal smartly eowned Fashion Plaque 2 will us- orc strolls |tourists, and Vark aven vally reward the eye if |there about Juncheon t A Checked Tafe capacity, this is not the omcn sea- | women, thouga many o2f them are | Navy is Gaining Navy blue, it scems 10 me, is giv ing this bright, hard blue, a good fight. The first part of the season, navy seemed completely behind, bud it has gaincd tremendously. ‘ Of course the navy blue foulard with the white dots has had a {enormous vogue, and the polk dotted suit is ccen in all versions. A black felt hat with feather trim- ming in front shows the Egyptian influence coming into next season’s Learn Slowly | Bernice Zitenfield photographed in We have sald that your count for the crawl is three-six. This means | that while putting your left arm forward, down, back and your right |arm back, up, forward, you kick six times. | This one complete revolution of | the arms to six kicks gives about |the most perfectly co-ordinated | thythm for the average person. There 12 one place in this rhythm | when your arms are exactly epposite each other. 1t is when your for- ward arm goes down and"your baek- ward arm comes up. | During this part of the stroke, | your head still is turned slightly | from the side where you have just | been breathing. One Arm Rests While both of your arms look in | about the same pesition when pic- {tured, thers is a great difference in the feel of them to the swimmer. One is relaxed, being brought up to strike out for the next stroke. Its fingers are easy, even loosely apart. It is the moment of rest for that arm. The other one is poised for action. Fingers are close together, prepared to scop the water and foree the body THE STROKE — But Right. the crawl stroke. On the backward stroke of her left arm, her hcad is turned to the right. forward. The arm is gathering force for pushing. 1t should not be strain- | €d, but nevertheless ready for that drive that will send the body to- ward its goal. During this part one should watch the line of the body in the water. Arch your back. | In fact, the easy and good swimmer | keeps his back arched all the time. This brings the water up to about the bridge of your nosec if you hold your head naturally. Keep your eye out of the water but get used to having the rest of your face in until you turn to breathe again. Keep Stroke Slow You may have a hard time keep- ing your stroke slow bccause of your lack of wind, until you learn (to breathe properly. But it is far better to learn carefuly and cor- rectly and try to go very, very slowly until you can sense by the windmill revolutions of your arms and the paddling motion of your feet that vour extremitics are in ac- cord. Keep your kick steady. Never let it lag. Speed 1s an unimportant thing until your stroke is perfect. And for this perfection you have four things to consider: stroke of your arms, position of your body, kick of your feet, and breathing. of the atroke.; It was on this smart thororghfare that I gaw Mrs, T. Hunt Dickinson {in one of the smart checked | attractive white ensemble with affeta frocks with a surplice neck- | long coat, pleated skirt, and a scarf |line and a skirt with diagonal ruf- of white with wide stripes of na fles across the front, and a smart, | tlue. I piquant bow fastening. Her hat was the smartest possi-| With her was Dorothy Resen, Ible black ballibuntf, with just the wearing an interesting silk froel correct size of brim, for vrims arc With three rows of tucks about thi {larger than they were. Tut a pre- | Waistline, and smart embroiders| | view of winter styles at one of the |on the collar and the front tab of most exclusive courturfers made me | her frock. The skirt was quitd wondcr for the future of the brim.|novel being a circular top over For nearly all the Paris imports he |straight _underslip, and a narros brought back were brimless, and band of fine pleating outlined thi they contrived to give the fashion- | circular section |able oval line by revealing a great| On the Avenue I also had a fleet deal of forchead. |ing glympse of Gwendolyn Ror Most of them were very cloce tur- | whose engagement to John W, Mae: bans, with practically no width at kay, son of Clarence Mackay, W the sides and a slight height in the been announced and she was a mosf front, to get the oval line. T saw | pleasing picture. Her frock of other hats that sccmed to be printed crepe had three pleated jturned up and cut up in the front. |flounces forming the skirt and | At the opening of the “Scandals,” | pleating of white chiffon edging th {1 noticed many tulls gowna: these |surplice closing. which revealed seem to have grown steadily in favor | chemisette of lace. Her hat was since Chanel Jaunched that famous 'simple cloche of felt, I saw Mrs. Robert Honeyman, Jr., at the Huntington horse show in Tucks and Flounces is of using the outside to advantage) “She applies all the knowled Passing Away, e b ‘:-mclrancy begins with her .pper There Will Be No More In Fifty Years. “With her the pursuit of beau is not only a manifestation of vanit; but of her will to succeed. She § | setting & new and fascinating pas i!or women.” “Fifty years from now there will | be no homely women,” said Helena | Rubinstein, famous beauty special- ist. | “Woinen are now intelligent about | beauty, and are bringing up their | daughters to ohzorve rules of health and beauty. They understand that Helena Rubinstein |the foundation of all beauty is health, and that if they keep their health, they can keep their looks. “And not only are they interested in their faces, as they used to be, but in their bodies as well. They take time for gymnastics, sport and rest, and they realize they must control their nerves and their emo- tions if they are to remain beauti- ful.” The college girl is doing much to bring on the age of beauty, Madame Rubinstcin believes. “Because,” she points out, ‘“she does not follow the accepted etyles and fads, but has definite ideas of her own. She believes in personality and is anxious to study her own type and make the most of it. “And the more she uses the inside of her head, the more capable she Paris, July 19 (A—Crisp collal and cutfs, tucks and pleating maki a simple light wool daytime froe! purchased by Helen Wills fro Jean Patou. The blouse, set on plain yoke, has fine tucks whicl extend finto the skirt. Diago pockets on the skirt have a seal] loped heading and slightly them the skirt becomes box pleats