Evening Star Newspaper, August 9, 1937, Page 34

B—1lo x In Which Mr. AMUSEMENTS. Carmody Runs Into Mr. Benchley And Is Impressed With His Rare Talent for Escaping Work and for Clowning on the Set With Bob Montgomery. BY JAY CARMODY. OLLYWOOD, Calif., August 9.—Mr. Robert Benchley, the critic-actor- writer, was sitting in the only comfortable chair in Mr. Robert Montgomery's dressing room on the set of “Live, Love and Learn.' “Benchley,” said Mr. Montgomery, “is a genius. When they tell successful man in the movies. He is the most him he is cast for a certain part, he tells them that they can’t do that to him because he's a writer, not an actor. Then when he finallys: takes the part and they suggest his writing talent might come in handy for doctoring the script, Benchley sim- ply tells them he's an actor, not a writer.” Benchley, lolling back in his chair, slternately yvawning and wearing & harrassed look (the latter because he bhad a radio program to write and eouldn’t work up any spirit for it) was &t the moment being neither. He was being a critic. Maybe because he did not feel like acting just then, he was figuring that M-G-M could save $5,000 by leaving out the scene altogether. “It will never get to the cutting room,” said Benchley, “and I'll never get that radio script written.” Montgomery looked unsympathetic. “This scene,” he said, “will make the picture. See, I'm changing shirts. I thought I shouldn't change shirts, but they said change shirts and now I can see where they were right. It's bound 0 make the picture.” ‘Then, while Montgomery literally had to keep his mouth shut so they could fix his make-up, Benchley forgot his worry over the scene and the script long enough to admit that being a eritic-actor-writer is not such a bad way to spend the years. Making pictures six months a year, then going back to the New Yorker for six months and writing about the drama for quite another audience is pleasant work. The man who rolled vaudeville audiences in aisles with his “Treas- urer's Report” a dozen years ago and later did the same thing to filmgoers with “How to Sleep,” seems quite happy ‘about it all. He and Mont- gomery and Rosalind Russell and every one else connected with “Live, Love and Learn” are working on what must be the happiest sound stage in Hollywood. A picture of their antics, informal dialogue between actual ehots, might even be gayer, more eophisticated comedy than the one built around the script. The prin- cipals are merry, intelligent persons. Montgomery says bright things. Benchley is clever. Miss Russell, who never looks as beautiful on the screen as she is when eating luncheon or poring over & script, has a flair for comedy. If audiences laugh as | hard at the picture as the players, camera crews, spectators and even publicity men have in its making, “Live, Love and Learn” will be wow- sh The picture puts Montgomrey back in the old groove, the sophisticated comedy mood which he doffed to choke elderly ladies in “Night Must Fall.” He may not enjoy about-face. He did enjoy being a whimsical murderer. One suspects, however, that his audi- ence is going to be pleased seeing him in something that indicates crime didn't pay. One leaves the Montgomery-Bench- ley-Russell stage to go to the office of one of Hollywood's most interesting characters. Pete Smith is his name. He's the voice in those Pete Smith Bhorts. He is more than the voice, plus the he is the chap who figures out every detail of the subjects, down to the point of just how they shall be photo- graphed. Smith turns out to be a small chap. He definitely is not handsome. He looks more like “Popeye” than he does like Robert Taylor. But he is pleas- ant to the ear, more so than boys of the glamor school. He sits in his modernistic office with his knees drawn up under his chin and likes to talk about the days when he was head of M-G-M'S press department. He was & stunt man then. Some of his stunts were perfect in their effec- tiveness. Some of them flopped so egregiously that Smith still shudders when he is reminded of them. There was one which you may remember, of Smith shipping & lion by airplane from Los Angeles to New York. Martin Jensen, Dole flyer, was the pilot. Jensen and the lion came a cropper in & canyon in Arizona while 20,000 or 50 persons waited for them in New York. The press shouted hoax. The public screamed that Jensen and the lion never took off. Animal lovers called Smith a beast for treating a lion that way, intimated they'd have his neck if the lion was damaged. He still thinks it funny that no one ap- peared to care what happened to Jensen. Everything finally worked out all right, but Smith would much rather be making short subjects. He never had any intention of doing | s0. A chap named Farnum started the subjects for M-G-M. He died when | 10 of the 12 remained to be done. The | company didn’'t know where to turn until Louis B. Mayer, who had gone around the country once with Smith, remembered that he was just the lad for the job. But he also was just the chap for the publicity job, so he had to do both for a while. He is a shorts specialist exclusively today and wouldn't be anything else If you have wondered where he gets his subjects, like the one of the Jon- keer diamond, for instance, he gets them out of the newspapers. The story of the dog lobbyist who Washington not so long ago (re- member when the dog bowled over that congressional committee as no lobbyist ever did before?) was another speci- men, The press to which he used to be good except when transporting lions is being good, in turn, to Pete today. So are his fans. They are not the kind who write gaga letters, the man who used to drive people gaga admits —and appreciates. They give him suggestions constantly. Most of the subjects offered have to be rejected, but not all of them. But if the sub- jects are not always suitable, Smith gets a great many ideas of production technique and sound criticisms. He likes his fans, he likes his job, he likes most of his memories (except those having to do with lions), in fact, he likes nearly everything but the in- somnia he’s been having lately. And he’s the kind of person you couldn't help liking. Where and When Current Theater Attractions and Time of Showing. Keith's—"The Toast of New York,” Jim Pisk makes and loses millions, at 11:26 am, 1:25, 3:25, 5:25, 7:25 and 9:25 pm, Palace—"“The Good Earth.” superb translation of Pearl Buck's novel to| the screen, at 11 am,, 1:35, 4:10, 6:45 and 9:30 pm. Capitol—"Topper,” the cinema goes | hilarious with a Thorne Smith novel, at 11 am, 1:40, 4:25, 7:05 and 9:45 pm. Stage shows at 12:45, 3:30, 6:10 and 8:55 p.m. Earle—"San Quentin,” drama in a prison and a tough criminal is tamed, at 11 am, 1:35, 4:25, 7:15 and 10:05 pm. Stage shows at 12:40, 3:30, 6:20 end 9:10 pm. Columbia—"Easy Living,” full of eomedy just for the fun of it, at 11:45 am, 1:45 3:45 5:45, 7:45 and 9:45 pm. Metropolitan—"Ever Since Eve,” Marion Davies' latest venture into the fields of modern movie humor, at 11:20 a.m, 1:25, 3:25, 5:30, 7:35 and 9:40 pm, Rialto—“Under the Red Robe” swashbuckling adventure in the day of Cardinal Richelieu. at 11:45 am, 1:50, 3:55, 6, 8:10 and 10:20 p.m. Little—"‘Rose Marie,” revival of the popular MacDonald-Eddy musical, at 11 am, 1:05 3:15, 5:25, 7:30 and 9:40 pm. Trans-Lux—News and shorts. Show runs 1 hour and 15 minutes, continu- ous from 10 am. until midnight. Ambassador—"'San €:15, 8 and 9:50 p.m. Penn—"The Singing Marine.” Dick Powell's latest musical, at 2:05, 3:55, 6:45, 7:35 and 9:30 p.m. Sheridan—"‘Captains Courageous,” guperb transcription to the screen of Kipling's story, at 2:25, 4:45, 7:10 and 9:30 pm. Tivoli—The Emperor's Candle- sticks,” spies, romance and adventure, at 2, 3:50, 5:45, 7:35 and 9:30 p.m. Uptown—"Captains Courageous,” 8:25, 4:45, 7:10 and 9:30 pm. Roadside—"The Haunted Mill,” an- Quentin,” &t at other old-time melodrama brought to life, at 8:30 p.m. Relief For The Itching of Eczema 2t's wonderful the way soothing, cooling Zemo usually brings relief to itching, burning skin. Often in severe cases itch- ing is relieved when Zemo touches tender and irritated skin. To comfort the itching of Bimple Rashes, Ringworms. Eczema and Pimples, always use clean, soothing Zemo. It should be in every home. Insist on genulne Zemo. Approved by Good House- keeping Bureau. 35c, 60c, $1. All drus- ZEMO “ROSE MARIE” RETURNS FOR REVIVAL AT LITTLE Songs by Jeanette MacDonald and Nelson Eddy Make Film a Musical Treat. 'HE second musical made by Jean- ette MacDonald and Nelson Eddy, and the one still considered by many the best of the lavish tuneful produc- | tions in which the two have appeared, “Rose Marie,” is the current revival attraction at the Little Theater. Di- rected by W. S. Van Dyke and adapt- | ed from the stage production by Ar- thur Hammerstein, “Rose Marie” is a cinema packed with entertainment. The two stars were in fine voice and their singing of the familiar Friml songs is a musical treat of the highest order. In addition to the popular “Rose Marie” and “Indian Love Call” there are splashes of oper- atic arias to help make “Rose Marie” a film to see and hear. It's rich, too, in romance and humor. You remember the story, but you might be reminded that this is the piece wherein Jimmy Stewart did the acting bit that brought him his later breaks, and that Allan Jones was on hand for some of the musical se- quences. H. M. Real Autograph Hunter. When Wayne Morris, featured play- er in “Submarine D-1,” was struck with a pitched ball during & noon- came 10| ge's glso clad in kilts, hour game between members of the cast, a Chicago exhibitor's wife vis- iting the studio took possession of the ball and asked him to autograph it. Just a Pool-Side Gag. Pat O’'Brien, Warner Bros. star, has a special chair on the edge of his Westwood swimming pool. Under- neath is a hole in the cement through | Wwhich at the proper moment a plunger rises, tilting the chair's occupant into the pool. This comprises initiation into the O'Brien Tank Corps. Do Y B You Can Dine on the Best for as Little as Cotfee, AIR COOLED v THE EVENING STAR WASHINGTON Movie Making Is Fun in This Case The Star’s roving drama critic discovers the happiest sound stage in Hollywood, with iliosa- lind Russell, Bob Montgomery and Robert Benchley having a gay time in the making of “Live, Love and Learn.” Shirley Temple Has Role In Her First ‘Epic’ Film “Wee Winnie Winkle” Trains, Tribesmen Surrounded by Camel and Elephants in Costly Movie. BY HAROLD HEFFERNAN. OLLYWOOD, August 9 (N.AN. A).—Facts, figures and personality sidelights on some of the new pictures: “Wee Willie Winkie —8-year-old darling of box office sur- rounded by hundreds of soldie “ferocious” as part of her first “epic” picture on Afghan frontier in Santa Susanna < Range, 40 miles from Hollywood, and | there it scattered over 5 square miles 34 sets, including foits, tribal lookout towers, warrior camps and palaces for | savage chieftains . , . Outdoor sets alone cost $100,000. Shirley plays bonnie little High- | lander in this Rudyard Kipling classic . Victor McLaglen, academy award winner in 1935 (“The Informer”) | creates character of Sergt. McDuff . leading High- landers in charges—a real life role he played on several British frontiers | during days as soldier of fortune . . . Shirley’s young widowed mother played by June Lang, recently separated from groom-of-a-month Victor Orsatti . . .| Michael Whalen is June's soldier- | admirer—and thus the all-essential | romance formula established . . . A wee bit of romance invades Shirley’s screen life, too, in person of young | Douglas Scott, who becomes her first leading man. Director John Ford and Shirley got on well after forbidding start . . .| Ford is sharp-tongued, two-fisted man of action—not exactly type a little | girl would choose as playmate . . - but | long before finish they were pl&)mg gags on each other. “Super Sleuth” — another behind- Pathan tribesmen—and atmosphere thick with menace . | born in Sedalia, Mo.; rs, camel trains, donkeys, elephants, . all . Studio found mountain amnlflr to that scenes glimpse of a Hollywood screen star, features Ann Sothern and ! | Jack Oakie . . . Latter in role of movie actor who specializes in depicting high-powered detective roles lice fail to run down mysterious killer who murders victims from ambush, | de- | termines to use his screen methods of | . almost | leaving no trace of identity . . . deduction to solve crime . . loses life in attempt and is rescued by Miss Sothern, who plays studio pub- licity girl . . . Many popular town night spots appear with own identity, among them Brown Derby, Trocadero. Vendome . .. also glimpses of homes of various stars in Beverly Hills . Business girl gets suggestion of what's | correct for office wear from six en- sembles worn by Miss Sothern in studio scenes . . . Alan Bruce, Mar- quette College boy who won national | | reputation as commercial nd\'fltlsmg model plays role in film. Oakie cackles over distinction of having four “home towns.” ... Was went to grade school in Muskogee, Okla.: attended | grammar school in Kansas City and was graduated from high school and worked in Wall street in New York City . . . Once the most carelessly She’s on Her Way to Stardom JANE WYMAN, Whose work in a small part i. n “The King and the Chorus Girl” won her much favorable notice, takes another step toward the high movie ranks in a leading role in “Mr. Dodd Takes the Air.” Earle Theater Friday. You're what_yo nuu!ve e at the E. MORRISON FAPER CO. 1009 r..OA:‘m Phone NA. 2045 —and what a meal! many tempting selections to please all. Air-cooled—conven- ient—dine with us tonite. Always CAFETERIA National Press Building 14th AT F STREET N.W. 4 The new comedy, starring Kenny Baker, is due at the . Gets | all fussed up because Los Angeles po- | dressed star in Hollywood, he's become fashion-plate since his marriage. Miss Sothern, skilled pianist, wrote | a symphony when she was 15 that was | played by Minneapolis Symphony Or- chestra . but she's never yet had chance to rattle keys in a movie, “Meet the Missus”—a celluloid trip along famous Atiantic City Boardwalk | . Wheel chairs, concessions and that white sandy beach are all there . . . Comedy based on adventures of mid- dle-aged couple who find selves in- volved in Nation-wide contest to se- lect “Mrs. America,” the ideal house- | wife . . . thus introducing Victor Moore | and Helen Broderick as co-. :\Brnng» funsters . . . Ada Leonard, one of | “strip tease” delegation from Bur- D. C, MONDAY, AUGUST 9, lesque, makes screen debut—present- ing perfectly proper and well-dressed | novelty dance. | Moore just completed “rumpus” room in new house and has papered | walls with photographs from all plays in which he's appeared in 40 vears of show business . . . His wo, children, Ora, 18, and Rt)b?rl 15, made screen debut in this picture, but were heartbroken at discovery their parts had been edited out—two more tragedies of the “cutting room floor.” | Number “13" continues pursuit of Miss Broderick . married name (Helen Crawford) has 13 letters . . . auto license number adds up to 13, | house number does same, mail box number is 535, meaking another 13 total—and “Mect the Missus” is an- | | other 13 combination, Cynthia Westlake got role as re- | sult of promise made 18 years ago by Director Stanley .. . As small child, she was brought to him when he was | appearing in Los Angeles in musical | comedy . . . told mother, if he ever | | was able, he'd give her a part . . . kept | his word and now Cynthia, & real | beauty at 20, has won term contract | at R-K-O. (Copyright, 1937, by the North American Newspaper Alliance, lnc.) PROFESSIONALS Dixie Dunbar, Twentieth Century- Fox actress, built a barbecue pit in the back yard of her home and set about to give an initiation party. | When she first tried to start a blaze, | though, the fire smoldered and sent | great clouds of smoke into the air. Some one turned in an alarm and the firemen. obligingly, came to show | Dixie how to start a real fire. | Dinner, S200 Sar. 3225 55¢. Sat & Hol. 3110 N1 Addittonal Cover for Dinner Guest Cover, 1107 Sth S('N W ME 23387 If Your Dentist Huris You Try DR. FIELD PLATE EXPRRT Beuble h=] Suction ;-y Mouth tee & Tigh yorrhes et ke rreimment for "DR. FIELD 406 Tth St. N.W. MEt. 9356 Over Woeolwerth 5¢ & 10¢ Stere Any Garment " Clbansds Teortdl Ladies’ Dresses, Coats Men’s Suits, Topcoats (Exeept Whites, Ladies’ r-ney and 2-Piece) VOGUE CLEANED AND PRESSED Cash and Carry 1744 Col mbll m N.W 1735 Conn. Ave. N.W. 324 Third St. N.E. 826 3107 39~ IBIU =« V& 7313 Gl. A‘Ve. N.w. - 1418 Wis. Ave. N, 34th St. (Mt. Rainler, Md.) Bladensburg Rd. N.E. lePrompt Service 1937. Annabella at the Rialto In “Under the Red Robe” AMUSEMENTS. “Going Natlve” Dance Director, Harry Cros- ley, Likes His Work but Not the Heat— New Melodrama at Roadside Tonight, BY HARRY MacARTHUR. N CASE you wondered how Annabell color on her cheeks, you may stop wondering right now. French star of “Wings of the Morning’ Red Robe” at the Rialto, and witl is completely charming, deliciously bea 8ince color has been brought into after all, plenty of it in “Under the Red: Robe.” 1t is in the story, however, and not on the film—the color of swash- buckling melodrama of the days when sword-play was & common form of quiet discussion, when men rode fast, Xought hard and loved enthusiastically. “Under the Red Robe,” adapted from the novel by Stanley J. Weyman and the play by Edward Rose, probably owes more of the vitality of its vivid adventure as & film to the playing and | to the direction than to its sources. Victor Seastrom did the directing and he has built some fine suspense, wast- ing no time and giving the picture a | Hollywood instead of a British pace. He's done a deft job of counterpointing his melodrama with comedy, too. In additon to Annabella, the cast is | headed by Conrad Veidt, Romney Brept and Raymond Massey, and all four turn in sterling performances. Annabella doesn't slip in any of her moments, light or seriously dramatic, and she tops any number of Holly- | wood's best for appearance, personality, acting ability or what have you. It is 10 easy task for her to win top honors for her performance here, either, for | Veidt, opposite her, comes through with one of the best jobs he's done, playing the adventurous chap known as “the black death,” girl he loved. Massey has less to do than him he paints a vivid and convincing picture of the ruthlessness of Cardinal Richelieu. Brent is responsible for tne | comedy, and he produces it, as the light-hearted rogue who accompanies Veidt on the mission that brings tne adventure. “Under the Red Robe” has been handled well from all angles and it packs plenty of romantic excitement. * xox X ’l‘HERES & short subject on the new Rialto program that almost is a supplementary feature. It's the| Marquis Henri de la Falaise's “Le- gong,” fllmed in technicolor in that paradise of handsome native women and beach combers, the Island of Bali. | | Not a travalogue, but a story of quiet and rather remote beauty, based upon the Balinese legend that the gods will frown and disgrace will fall upon a girl who chooses a man who doesn't re- turn her love. There's a rather at- tractive lass named Poutou, who falls thusly in love, only to have the man | | of her choice’ come across her sister | taking her morning ablutions at the | town pump, and immediately be smit- | ten with the wrong girl. It's pretty | s8d. It also is picturesque, with a lot of native ceremony intermingled with the plot. X ok X MR HARRY CROSLEY does not like his hotel because it louldn‘t lend him any money Saturday night; | he does not like the heat because he | does not like the heat; he does like the girls Gene Ford has rounded up | for him to work with, because they're nice kids, attractive and can dance Mr. Crosley chorus numbers for the forthcoming “Going Native” revue. The girls don't | seem to be giving him any p.ruculnr trouble at the moment and he got along without the money, so the heat remains his biggest problem. Tracked e CIRCRE THEATRE PARKING 6P.M.TO 3 s P 1AM. CAPITAL GARAGE ;3,3 % & M.L.WEISS CO. DECORATORS No Better Work Done Most Reasonable CO. 6725 Papering, Painting ummer under prepared. e 0) * M. A. LEESE OPTICAL C0. ™ 614 8th ST. N.W. Personal Appearance Cruise Gapt. ARCH MeDONALD Skigper ARTHUR GODFREY FREE DANCING Round Trip Tiekets. ake ~Reservations Now. Ticket Sale Limited. © VAUDEVILLE © ENTERTAINMENT © ADDED FEATURES ‘@ DECK ATTRACTIONS Washington's and WIlSON LINE TTh STREET WhaR,§ DANCING. a4 mool wma a National mnuuou" 10,000 Pupils in I)ol Hamll Slldlos Those who dance interestinoly never meed worry about their popularity. waltz, foxtrot, tengo, rumba, tap. Ten Patient. Talented Teachers Beginners Advanced Private Lessons Air-Conditioned! Low Rates! 1811 H St. N.W. Nat. 3767 Martini_comducts this branch.” BE A CONFIDENT DANCER Learn the newest steps taught by Ethel tere. formerly with Arthur Mur- Baonrn oo or s who happily | | faced a rope about his neck for the | the | others, but in the brief footage allotted | is here producing the | a would fare without the tint of techni- The delightful * is with us again, in “Under the h no color to guide her Annabella still utiful and an actress of the first water. this it may be well to menuon there s, ¢ Bt down Saturday n(bemoon in his re- hearsal lair on the top floor of the Joe Brown Studios over on G street, Harry was discovered draped lan- guidly over & bench, giving the im- pression that he'd beeri thrown at it | and had stayed where he hit, and all | he could do for some time was mutter | “Where can we rehearse that's cool?" Watch Mr. Crosley in action for awhile and you'll discover the reason for his concern. This weather isn't s0 | bad, he admits, 1f you don’t move, but | as s00n as you start a little action— | oh, boy. And Harry moves when he | works. The two most overworked phrases in his vocabulary are “hold | it!” and “let's take it again.” And when he takes it again he usually is up in front of the girls, practically knocking himself out with the action of showing them how the steps should be done. He, knows, too, how the steps should be done. You can tell that by watching him dance and by watch- | ing him as he runs over a chorus of music in his mind, fitting routines to | it. Background for his knowledge comes from a long term of vaudeville when vaudeville was something to be | | in, from dance production work for New York musicals and from a two | and & half year session in the film- musical factories in Hollywood. Mr. Crosley is not one of those chaps | | whose appearance belies his job. He looks as though he might be an actor, | a director, a dance director or some-, body connected with the theater. Dragged away from his labors at 6 o'clock to give the girls an hour and a half to rest, he talks of many things. | Hollywood he likes, because of the | weather, the scenery and the eternal intrigue that is the picture business He likes dance directing for films, too, because sound stages give him so much scope for the expression of his ideas. He also can be induced, at the proper _hour, to delve into those dis- | : }\] Waine 8o “ EARLE Numphrey ; n'hl‘\“ BOGART ol .,..( o 1 sANOUE on are B umm & ORCH. | \ Lawrence Phillips. Continuous From JEAN HARLOW and ROBERT MAYLOR 1n SONAL PROPERTY * _VIRGINIA LOVE 1S YOUNG TAYLOR and WALTER T)ln TAve SE. CARO”N | 11th and N BING CROSBY and BOB BURNS in NI Wenbivg CIRCLE Home of Mirrophonic huma Penna 1t Li ELANORE _WHIT- OFF 'THE MOON. Special! “Day With the Dionnes.” Quin Picture. D JMBARTON '3%% Wisconsin Ave. Carrier_Air-Conditioning SPENCER TRACY. FRANCHOT TONE In THEY GAVE HIM A GUN.' News and Comedy. ?MRMWN T J.!.‘u.,!.‘...”; CLARK GABLE and MYRNA LOY. 715 and 9:15. latest 5:15, a2 M CN.W. "”5:%""&&5115 1 FRED ASTAIRE GING 51 n HALL WE DANCE?" Also “SBRV- ANTS Gp THE FEOPLE FRNCESS 1119 H St. NE Double Feature SPENCER TRACY in 'THEY GAVE HIM A UN " Also CHARLIE RUGGLES, ALICE Bflmv “MIND YOUR OWN BUSI- 3 T SECO Silver Spring. Continuous From 600 P.M “Wings of the Moxmhg," ANNABELLA. JOHN McCORMACK. HEN- RY FONDA. STANTON Continuous Fro “THE TEXAS ~RA M Mo M 6th and C Sts, N.E. Finest Sound Equipment 30 E. NGERS” with FRED cMURRAY, JACK OAKIE and JEAN TS GET_MAI b IDA LUPINO WALTER CONNOLLY and RALPH BELLAMY TA OMA " 4th_and Butternut No Parking T | ROBERT TAYLOR and BARBARA STAN- | WYCK. “THIS IS MY AFFAIR.” Selected Short Subjects. STATE.BETHESDA % CLAUDETTE COLBERT and MELVYN DOUGLAS in “I MET HIM IN PARIS.” Popular Science and News. HIPPODROM| Ricardo Corter MT, RAINIER. MD. CAMEO Today-Tomor Bob Burns-Martha Raye in ‘MOUNTAIN MUSIC’ ARCADE Clark Gable, M!rnl Loy, RICHMOND “5yomis, v - IACK L OAEIE UPER 8! K Near 9th Double Feature “Her Husband L “Ambassador_Bil ed. Franchot Tone-Virginia Bruce in “BETWEEN TWO WOMEN.” Parking Space—R00 Cars. P mpletely. Air-Conditioned VILLE. MD. y-Tomor. MILO oo mka BROS in “DAY AT THE RACES.” AIR-CONDITIONED. Pree Parking. Direction of SlDNEY l.UST < cussions of philosophies of life which arise over a cold hottle, but that prob- ably has nothing to do with dancing or “Going Native,” his job at the moment. * ok % % 'HE town's avid hissin@ and booing enthusiasts now have another tempting item dished up for them by the Roadside Theater. Tonight comes another old-time melodrama, “The Haunted Mill,” opening a two-week engagement at the red barn theater out un the Rcckvilie pike. New tare get for the hisses is Rudulph Watson, and the cast includes John Rappol Betty Byers, Fred Haskin, Mimi Nor ton, Ralph Patton, Betty Rice, Ralph) Fowler and Wilma Flood. oews CAPI‘I‘OI. C/cf;“/ e”‘" anc! = CinGRANT AN YOURG |||.th BURKE \ B NASHINGT o, The TOAST of NEW YORK" ARRING CARY GRANT @ FRANCES FARMER JACK OAKIE and EDWARD ARNOLD Coming . .. BOBBY BREEN AKE A WISH" “Under the ufl\ca :P\obe TONITE ONLY LADIES WILL BE ADMITTED FREE GLEN ECHO BALLROOM 18th St. & Col. Rd.. Col. 5505 th rv O'BRIEN s AMBASSADOR QUENTIN _and HUMPHF d (wuu PA\Z in TAIN rUste : " Mickey wny.‘pA Ninth §t. N.W. CENTRAL ‘33,Nimp s any FREDDIE BARTHOLOMEW. SPEN. CER Tl COLONY BOB BURNS .\mLN[uN m-'RT YOUNG TV N FARTS THEATERS in BERGEN AR- IF \!r(‘U(TH\ snd CH SAVOY %0 raes DON AMECHE _ANN soTHmN n *FIFTY ROADS TO TOWI SHERIDAN ¢ mmvfl:w sP ONEL . BARRY- AC Sore CAPTAING COORAL: EOUS TIVOL[ Phon Matinee WARNER BROS. 00 Pw) Air Conditioned. WILLIAM "POWELL _ T.UIS] in “EMPEROR'S (‘ANDLEST(CK< UPTOWN Conm Aue- and Newark Clev. 5100 atinee 200 PM. FREDDIF BAR HOLOMEW. _ 8PE| TRA| LIONEL 'BARRY- Mo CAPTAINS COURAG- YORK P MYRNA LOY a . ™ CLARK GABLE | __“PARNELL. il Oartoon. te “THE SINGING * MARINE™ with DICK POWELL. Also Popere “WAY OU' WEST," LAUREL and HARDY. JESSE THEATER '*, 5zt Carrier Air-Conditioned 3 ‘Manhattan Melodrama, __CLARK GABLE. MYRNA LOY SYLVAN '&. 208 X Conaritonsa” “I Met Him in Paris,” CLAUDETTE COLBERT. MELVYN DOUGLAS BERNHEIMER'S PALM THEATER °% =+ “ANOTHER DAWN,” —1__ERROL FLYNN. ARLINGTON, VA. 1720 Wilson BI MARX Bn_o'mmgnm DAY AT THE RACES. ASHTON oo sttt o FALLS CHURCH, VA, STATE “GJMtBRe LEE BOB_BURNS and | BING CROSBY ia ] “WAIKTKT ml 7y ‘WEDDING."” 4