Evening Star Newspaper, December 7, 1935, Page 32

AMUSEMENTS. Miriam Hopkins Stars In Rachel Crothers’ Film “Spendor” Reveals Some Expert Acting. “Mr. Hobo” Remains and “Mutiny on the Bounty” Comes Back. BY E. de S. RACHEL CROTHERS, Sam Goldwyn and Miriam Hopkins conspire neatly in “Splendor” to make rich family going broke and trying to marry money, seem like new. The fact that they succeed is due to Miss Crothers’ nimble wit, Mr. Goldwyn's lavish production, and to Miss Hopkins' agreeable acting. . While the ladies will get a greater kick out of it than the men, the public “at ng" will find that “Splendor” is a pretty$— . interesting film in spite- of the Fox’s small-boy cheering section which at yesterday’s first show laughed aloud in the more dra- s matic moments. r Miss Hopkins, " as a matter of fact, is getting to the top of the lad- der—if she isn't there already. No chore seems too tough for her — and one minute she can be grinning like an eel, the next slaying the boys on the Barbary Coast, and the next playing sor- row in an expensive parlor—all with the same devastating effect. In “Splendor” she is not allowed to un- leash her most tempestuous emotions, but she does crack out with a little fire, a couple of tears, and a pretty steady cannonading of love-in-the- eyes for Joel McCrea. At the beginning of the picture Mr. McCrea has floored his .mother by marrying a girl with no money. In spite of the fact that she’s a world- beater like Miss Hopkins mamma (played superbly by Helen Westley) has forty fits over the marriage and sulks in her living room as she thinks of the glorious past and the inglorious future—with no money. Her waking and dreaming thoughts are devoted to the hope that she can break up this marriage—and when she finds that this is about imposible she cheers for the “friendship” which Miriam suddenly develops with her rich cousin, Paul Cavanaugh. From there on things get a little more com- plicated—a scandal creeps in—Miss Hopkins creeps out—and everything is a little difficult until the dawn sud- denly pops up like thunder. Nobody, however, is going to leave Miss Hopkins in the lurch—and so Miriam Hovkins, Capital’s Drama Groups Montgomery Players Do “Bird in Hand” Tonight—Other Plays This Week. Theater in Chicago. Marvin Beers BY HARRY MacARTHUR. 6 IRD IN HAND,” John B Drinkwater’s comedy- drama about the inn keep- er who didn't want his daughter to marry the son of the village squire, is the second play on the Montgomery Players’ schedule, to Dbe presented tonight at Leland Junior High School, Forty-fourth and Leland streets, Chevy Chase, Md. The cast includes Doris Dewey Day, one of the founders of the play- ers; J. A. Bishop, present president of the group; Betty Chase and How- ard Bandy, who made their first ap- pearance with the players in last year’s “Counselor at Law,” and Clif- ton Whyte, Robert Warfield, Fred M. Kerby and David Wollhaupter, all of whom are making their first appear- ance with the Montgomery County group. Mrs. Ailene Sanford is directing and the two settings have been designed and executed by Ralph S. Fowler, Dr. Fulton Sheen delivered the ad- dress of the evening at the social night held by the Blackfriars Guild Thursday night in St. Paul's audi- torium. His remarks, according to report, had to do with the cleaning up of the stage and the premise that this was up to actors themselves and not the clergy and were, according to the same report, extremely in- teresting. Rev. Louis O’Leary spoke on “The First Legion,” religious drama which is the next play on the guild’s sched- ule, and Clarence Wittler, president of the group, outlined its aims and ideals. The musical portion of the program was furnished by Dr. Ed- ward P. Donovan, professor of music at Georgetown University, who played & number of piano selections, and by Frances Shea, who sang, accompanied by Kathryn Latimer. Julian Zier acted &s master of ceremonies. “That Guy, Winkler,” Frank Baer’s latest, opens its one-day road tryout Monday night in Riverdale, Md., then moves into Pierce Hall to be played Tuesday and Wednesday. The cast includes Ted C. Gardner, Yerby Pan- nill, Felice Lloyd, George Allinson, ‘William Austin Davis, Mary Lillian Garretson, Edmund Evans, Francis S, Koonce, Evelyn Schweizer, Lois Alex- ander, Bob Sonen, Neota Silvers and Charles A. Bell. The setting for the Baer play was designed by Ina Hawes and executed by her with the help of Rose Ellen Mattern, Virginia Blackford, John Isaac, Peggy Varian, George Roth- fuss and Georgella Hefty, Mrs. Viadimir Romm, wife of the local correspondent of a Moscow news- paper, has been attending Studio of Theater Arts rehearsals of “Squaring the Circle,” assisting with costumes and the two incidental songs and, co- operating with Constance Connor Brown in making sure that production details are authentic. Mrs. Romm, an actress herself, saw the Moscow Art Theater’s production of the Soviet farce. The play, to be presented next day and Wednesday at the Wardman Park Theater, has in its cast Adele G Norman Rose, Sonje Nord- holm, Robert Duke, Ralph Howen- stein, Karl Gay, Ethel Gottlieb, Frank ‘Westbrook, Jean McClellan, Elinor Evans, Margery Rice, Louise Shaw, Florence Morin, Jehanne Burch, George McMorris, Consuelo Tellez, Dorothy Bolton and Vernon Lyden. The Cue and Curtain Club of George Washington University makes this year’s bow Friday and Saturday at Roosevelt High School with Howard Lindsay’s “She Loves Me Not.” This is the first rion-professional produc- tion of the farce and the major roles are to be taken by Betty Crawford, Charles Hoyt, Sue Slater, Hamilfon _ Coit, Austin Cunningham, Joseph Ru- MELCEER. that old, old story, the one about the. | there is that final clinch, that final forgiveness, that final understanding. which nobody can do so well as this new firm of Crothers-Goldwyn-and- | Hopkins. But some day won't some- | body please come along and give Billle Burke a role that makes a little sense. | * k¥ K JED SULLIVAN'S revue at the Fox has a swell entertainer called Ella Logan, for whom we predict great | things. We'd say the same about Mr. Sullivan if ft wasn't old stuff. His “Water Under the Bridge” comments | are among the hits of the show. Other hits include Jay Seiler, whose “Skii Jumper’s Nightmare” is a knockout; Bill Brady, with a cold, poor guy, singing very well in spite of it, and Goff and Keer, who are better than Julia Sanderson and Frank Crummit. Mr. Sullivan wanders in and amongst these talented people making adroit remarks and having the time of his life with Dave Vine—“stooge.” He seemed to be enjoying himself yesterday and so was the audience. He has a good show and knows how to sell it. He writes, too, you know. * k¥ % “NAR. HOBO"—which is really Ar- liss in one of his mellower moods—may still be seen at the Be- lasco. Patrons have taken this philo- sophic ragamuffin to their hearts and it is rumored that certain nice ladies have seen the film mot only once but twice and thrice. This is the one in which Arliss gets rich quick because his name is Rothschild and then chucks it all for the sake of tramping | around the country with a knapsack on his back. Most of it is pretty | amusing. Thin, but pleasant enter- tainment. * ok X % NE of the best films of the year, “Mutiny on the Bounty” is back at the Columbia. Shame on you if you haven't seen it. And that’s all the review it's going to get. It's too good to need a review. Players from “A Tale of Two Cities,” which is to be shown here at one of the Loew theaters around Christmas time, were caught by the camera- man as they strolled across the M-G-M lot, where the Dickens novel was filmed. They are (left to right) Claude Gillingwater, Henry B. Walthall, Elizabeth Allan, Edna May Oliver, Ronald Colman, the star of the photoplay, and Jack Conway, its director. Mr. Powell CroonsWay Into Office “Thanks a Million” at Palace Gives New Campaign Design. BY ROBERT B. PHILLIPS, Jr. IN “THANKS A MILLION,” we find Dick Powell running for Governor Kay Francis “Stella Parish” is the tale of a Dramatic Role at Earle “I Found Stella Parish” Has Excellent Cast Which Presents Good Popular Attractions. OU can sit and pick out flaws in the story of “I Found Stella Parish” ’/ as long as you like, but you can't alter the fact that the Earle’s new cinema is almost sure-fire box-office, especially for the matinee trade, and that there are rather fine acting performances in the film. {for her child and this mother-love theme will find plenty of takers at Has Fine mother ready to make any sacrifice anybody's ticket window. The principal<- The postponed production of “Three Wise Fools” by the Little Theater of Takoma Park will see the light of | day this coming Friday and Saturday. | The cast includes Dr. E. Clyde Shade, who also is directing; H. M. Smythe, ‘Will Carleton, Ralph S. Fowler and Janet Coon. The time is 8 pm. and the place is Presbyterian Hall, Maple and Tulip avenues, Takoma Park, Md. CAST IS ALL-FEMININE Marjorie Webster Pupils Appear CASTE" comedy by T. W. Robert- son depicting the bridging by love of the gap between two social planes, was offered last evening at the | | Marjorie Webster School by an all- feminine cast. In demonstrating the triumph of affection, Mr. Robertson has one Hon. George D’Alroy, gentleman soldier, be- come enamoured of, and marry, one Esther Eccles, ballet dancer, with his aristocratic mother expressing lorg- netted horror at this disgrace to the family escutcheon. Soon after, O’Alroy is called to war, a son is born to on a platform of songs, short speeches and honesty, three elements so refresh- ing to the political scene that they might be seriously recommended to our native campaign managers. The possibility made even more remote by the presence of Fred Allen, who is quaintly billed as “Radio’s Fred Allen.’ Since Mr. Allen was slaying them in the aisles many a year before radios were more than static boxes, this may seem a quixotic introductjon to his film career. As a matter of fact, it doesn’t matter very much, for he is still the sharpest zany in show busi- ness. His solemn preoccupation with Mr. Powell’s political and theatrical ventures lend them a humorous fla- vor also usually lacking in elections, and lead one to the wnore or less whimsical conclusion that the film people really hit on something when they demonstrated these methods of appealing to the electorate. This is especially true since the ‘Twentieth Century Pictures technique | includes Rubinoff, his violin and Paul Whiteman's band as campaign issues, and handsome women at every ballot box. The feminine lure consists of Ann Dvorak, Margaret Irving and Patsy Kelly, the last named particu- larly fetching in her scenes of mad passion with Don Juan Allen. Ray- mond Walburn dons a collar at least 8 inches high to give an hilarious im- personation of what a candidate should not be, while the others in the cast are Allen Dinehart, Andrew ‘Toombes and, occasionally, the Yacht Club Boys and the Radio Rogues. picture at the Palace this week does| not, however, take itself seriously, a| Esther, and, after her husband is re- ported killed, she resigns herself to a return to the stage. D’Alroy, how- ever, comes home in an excellent state of preservation, and the course of true love is presumed to run smoothly thereafter. For her authentic characterization of the haughty marquise, individual honors to Dorothy Reid. In her brief appearances, Miss Reid displayed a refreshingly complete understanding of how one should speak and act upon a stage. /Ruth Eadie furnished a close second, playing Polly, Esther’s sister, with bouyant elan, while Miriam Snyder gave a sympatheitc rendition of Mrs. D'Alroy. Reserved for special mention are the young ladies who essayed the male roles. Sam Gerridge, gas fitter and suitor to Polly, was ably executed by Mary Wells, with Janet Stratton giv- ing a good accounting as pappy Eccles, inebriate, man of leisure and social revolutionist. Mary Harris played, and well, Capt. Hawtree, friend of D'Alroy and firm believer in the fu- tility of defying “caste.” Jean Klein was adequate as D’Alroy. Allowing expression to a larger quota of histrionic talent, “Caste,” directed by Florence L. McCracken, will be played this evening by a differ- ent cast. The time, 8:15, C. A. M. —_— THREE PLAYS OFFERED TEREE Christmas,” “The Opera Matinee” and “Catherine Parr"—were presented last night by students of Holton Arms School, under the direction of Miss Jane Plummer Rice. They will be re- peated tonight, ~ ‘mm HIGH'S Glee successfully present You may note that Mr. Powell (or Eric Land, as he is called), did not invent the idea of crooning his way to the Governor’s mansion, but merely agreed to it as a publicity stunt to further his singing career. In adtuality, the latter seems to become less and less important in the Powell history as time passes, for he is at present more effective as an actor than as a singer. preved greatly in the last two seasons, His voice has im- but certain mannerisms, perha; hangovers from the “Gold Digger” days, spoil his delivery, at least for us. On the other hand, handsome Dick is developing daily as a light comedy performer, an improvement answering the fervent prayers of his friends. If you relish Fred Allen on the radio by no means miss him in this pic- ture. He is another comedian who in- variably is funnier when seen, being greatly assisted in his art by what Miss Kelly affectionately describes as a “pickle puss.” least a reasonable amount of good material in “Thanks a Million” He is allotted at Except for the title song and a rather amusing ditty about the alpha- bet bureaucracy, the tunes in this film are only moderate. The auxiliary embraces a program Chick Sale short subject, which is more than we could do; travel talk, and a news reel. GLEE CLUB SINGS OPERA Western High Cast Successful in Music of “Martha.” Club ‘quite ted “Martha,” 8 reproduction of the famous opera, in the school suditorium last evening. The setting, replica of Queen cause for all the suffering in the film | | (and Kay Francis does plenty of that) | | never is removed, however, and thus it | | would seem that the photoplay does | not accomplish what it sets out to do. Stella Parish is an actress whose | daughter was born in the penitentiary, while she was wrongly there, after | being implicated falsely in a murder committed by her husband, a cheap | vaudeville performer. Naturally Stella | does not wish her daughter to know { her birthplace was Auburn Peniten- | tiary, so she goes to England, changes her name, and becomes famous. * % * % AF'!'ER a few years hubby turns up to send poor Stella off on her career of much suffering, but tne film only allows him to appear once, then in silhouette, and he never is heard from again. He probably is still run- ning around loose, and you will have | to figure out for yourself just why he did not talk at the time and why Otella’s flight back to America pre- vented him from spilling the beans about Stella’s daughter’s birthplace, | since that seemed to be his main idea in hunting her up. ~ Since there was nothing to prevent this worthless chap from letting the world know about Stella and her child, her flight from him and her struggle to keep the child from know- ing seem rather pointless, though, of course, she sent the child away to be raised by some one else when she was discovered by the world. Aside from this bothersome point of Stella’s hus- band, which you may be able to over- look completely, “I Found Stella Parish” is well handled by both the cast and the production staff. Kay Francis does nobly in the title role, displaying a lot of ability by Where and When Current Theater Attractions and Time of Showing. National—“Anything Goes,” at 8:30 pm. - Belasco—“Mr. Hobo,” at 11:36 am., 1:42, 3:48, 5:54, 8 and 10:06 p.m. Metropelitan—“Crime and Pun- ishment,” at 11:25 am, 1:25, 3:25, 5:30, 7:30 and 9:30 p.m. Loew’s Fox—"Splendor,” at 11 am., 1:45, 4:30, 7:25 and 10:10 p.m. Stage shows, with Ed Sullivan in person, at 12:25, 3:10, 6:05 and 8:50 p.m. Earle—“I Found Stella Parish,” at 10 am. 12:25, 2:50, 5:20, 7:45 and 10:10 p. Stage show at 11:30 am., 2, 4:25, $:55 and 9:20 p.m. Palace—“Thanks a Million,” at 11:05 a.m,, 1:10, 3:15, 5:25, 7:30 and 9:40 p.m. R-K-O Keith’s—“The Melody Lin- gers On,” at 11:15 am, 1:21, 3:27, 5:33, 7:39 and 9:45 pam. Columbia—“Mutiny on the Bounty,” at 11:20 am, 1:55, 4:25, 7 and 9:30 p.m. Tivoli—“Charlie Chan in Shanghai,” at 2, 4:05, 6:10 and 9:45 pm. Ambassador—"Big Broadcast of 12 noon, 12:30, 3:45, 7 2:30, |1t finally gets going. There’s some portraying both a young woman and | an aging, bespectacled aunt. She has & new hairdress, too, which is some- thing of a knockout. * ok x ¥ IS§ FRANCIS' supporting cast| includes Ian Hunter, who does | well as the crack London reporter who | trails Stella Parish to America and| discovers her identity; Sybil Jason, who is very charming as the young daughter, and Jessie Ralph and Paul Lukas, both of whom do incidental roles to perfection. Mervyn Le Roy directed, building the story gradually and smoothly after attractive camera work, too. Ted Weems and his pand are back to headline the Earle stage bill with bright, sophisticated rhythms and, while most of the Weems fans could do with more straight Weems dance music on these stage appearances, no, one will say Ted does not put on a very fine bit of entertainment. In addition to smart music the ‘Weems portion of the program fea- tures the excellent acrobatic dancing of Frieda Sullivan, an attractive young lady who does difficult stunts with surprising ease; Elmo Tanner, whose whistling causes many a huzzah; Red Ingle, who does a dizzy :kit with Elmo, and several others. Lela Moore, late of “Life Begins at 8:40,” does a solo, “Dance of the Lov- ers,” which is mighty interesting and mighty entertaining. ~H. M. “CASTE” IS PLAYED National City Organization Pre- sents Comedy. "THE newly organized National City Players of National City Christian Church made their debut last night at the social hall of the church, with T. W. Robertson’s “Caste,” a comedy said to have been very popular in its day. The players performed smoothly, though at times they did so rather spiritlessly, it seemed, merely stand- ing upon a stage and repeating words some man wrote instead of saying things a group of people would be | in Josephine Hutchinson's role to| | hysterical, is the attic scene in Fran- "~ Memory of Other Lives Closs Wednesday, 8:15 P.M. Library Open Tues. and Thurs.,5 te 6; Sat,2 to § Hill. Building 17th and Eye Sts. N.W. SincereRole Givven Miss Hutchinson “Melody Lingers On”| at Keith’s Is Play of High Courage. Tflm is a universality of negative qualities in “The Melody Lingers On,” but there is sufficient sincerity make one analyze the intellectual mo- tivation in the better-than-average | problem play which currently flickers | at R-K-O Keith's. Without plattering platitudes, with- out endless philosophizing, Miss Hut- chinson lives her life in Durant’s spirit of “Be strong my comrade— that you may stand unshaken when I fall” And if there is sentimental- ism in this film it is due only to Argentina’s Dance Skill Shows Dramatic Force Spain’s Greatest Perfo to Understanding ground rmer Leads Audience of Humaq Back- in Art, BY ALICE EVERSMAN. dance recital by La Argentina, yesterday afternoon at the Naf ‘Theater, was & vital presentation of a great variety of Spanish dances from those of the people to the more modern inventions of the present day. to enjoy her portrayals as much as did ‘While La Argentina’s recitals are ‘The dancer herself was in exceptionally good form and seemed her enthusiastic audience. exclusively devoted to a national type, she gives so much extra in the way of pantomime and picturization that one is -— both amused and instructed in a most. deilghtful manner. Her program con- tained several new dances, mostly of the folk order, and her great dramatic versatility was evident in her varied characterizations. * ok x % Hm instinct for comedy is used with skillful restraint, yet is the | motive power carrying over her inter- | pretations to register a picture of time | and place, even though such is for- | eign to the greater part of her public. She develops her patterns from a human angle and with a rare clarity | of projection. Particularly was this the element in her suite of dances from the Argentine, “Bailecito,” “Zamba” and “La Pirmeza” and the suite of - Andalusian dances, “Sevil- lanas, “Peteneras” and “Bulerias.” Spanish folk dances are improvisa- tions, grown out of the mood of the moment and a natural expression of | these dance-loving peoples. This spontaneous character was not lost in the formal presentation of yesterday, for La Argentina’s dramatic sense at | once captures the spirit of the mo- ment and infuses it with realness. Her dancing of the native dances is | not merely correct in character but | an entire story cleverly mimed. | La Argentina's reputation as Spain’s greatest dancer is not based alone on her knowledge of the intricate steps | of the Spanish form and the variations that are peculiar to each province. | Her art is more embracing than that, | including her understanding of the | sentiments through which the dances | were created. | In her first group alone she showed ‘ the extraordinary range of her talent from the elegant “Cordoba,” danced to music by Albeniz; the gauche | “Dance of the Miller's Wife” from de | Falla’s ballet, “The Three-Cornered | Hat,” to her intensely dramatic pres- entation of the “Pire Dance” from de Falla’s “El Amor Brujo.” Each| totally different theme was sketched | with complete conviction and with a theatrical feeling that was drama it- | self. An especially lovely number was her “Goyescas,” graceful and digni- fied, and given with a delicate author- ity. “Madrid, 1890” (“La Chula™), which was on her program last season, shoddy writing, not poor playing. | & Miss Hutchinson plays Ann, a pro- tege of Francesca Manzoni, who falls in love with George Houston, as Sal- | vini, the star of a benefit performance i at La Scala. He soon leaves Milan | for active duty but meets Ann once more. Reminiscent of the garden scene in “Farewell to Arms” though less cesca’s mountain villa, where Ann and Salvini meet. When her baby is a few months old Ann leaves him in a convent, while she is sent to a concentration camp. After her release she goes for heri child to find that the mother superior, | unaware of the child's identity, refuses | to give him up. Ann serves as & no- vitiate, tries to run away with her babyy and is caught. She enters the world she was ready to renounce and, years later, becomes a famous concert pianist. She spends much time and money searching for her child, and learns that he has been adopted by the wealthy Turinas. Signor Turina, played by reticent John Halliday, adores his son and, unhappily, falls in love with Ann. Guido denounces Ann for breaking up the placid do- mesticity of the Turinas, and Ann re- veals her identity to Turina mere after very nicely straightening Guido's sense of values. And she goes away, having attained a spiritual bravery and some few gray hairs. The quiet ending would be cheered by the most ardent classicists, were it not that classicists do not go to the cinema. Mr. Meakin's playhouse is showing another Maj. Bowes group, which includes yodeling cowboys and a dog as huge as Wendy's Nana. There are several shorts—one about “critters” which live in the ocean, our favorite being a crab fashioned so grotesquely that it is qualified to at- tend the Beaux Arts ball. Pathe presents an all-America team . cE* !D STA Au AND His B1C REVUE!L &2/ B1LL BRADY WASHINGTON'S RN G PPN TG ge..DUKE ELLINGTON & Hi§ ORCHESTRA LACE 3 | RESARLE oY TonE KAY_FRANCIS | | Y Sl i TED WEEMS And His Orchestra selected by coaches of renown. 3 M. W. Gandhi Getting Shimmer. Gandhi’s new diet is making him more slender than ever. For years the leader of thousands in India has lived on goat’s milk and raw fruit, but he says he feels “very fit” in his attempts to live on leafy vegetables, WE need. Come in or phone your order. E. Morrison Paper Co. 1009 Pa. Ave. Phone NA. 2045 COAL 2,240 Pounds to the Ton Blue Ridge Va. Hard Stove Coal, $10.75 s, BRSPS B sin Buckwheat, $7.25 can supply the Blank Books you Mat. 25c- Eve. 25¢ I§I5"C A Washington Institution See this picture with someone you love TheMELODY LINGERS ON end MAJOR BOWES AMATEURS [ had to be repeated and also her vivid ‘Impressions of a Bull Fight.” Other numbers received with outbursts of enthusiasm were two new additions to her repertoire, “La Fregona” and “Polo Gitano.” Her very excellent accompanist, Luis Galve, who plays the program entirely from memory, was heard in several piano solos, winning a personal recognition for his fine rendition of Spanish numbers. b — AMUSEMENTS. GAXTON o - AMERICA No./ MUSICAL HIT amm-nmmuuml" SEATS SELLING ONE WEEK ONLY—Before Broadway Beginning Mon. Eve., Dec. 9 GEORGE WHITE'S $CLHMDALS 35 Dazzling Scenes Cast of 100 AUDY SERT WILLE £ EUGENE VALLES - LAHR - HOWARD CHft (Ukulele Ik Gracle BARRIE-Jane COOPER™ > and Hal FORDE. i5—George White Beauties—75 ves., § to $3.30. Wed. Mat., Sat. Mat., $1.10 to SUN. AFT. AT 3 P.M. NEWMAN Traveltalks—Color Views—Motion Pictures SOUTH SEAS Seats selling—$1.10. 85c and 53e. | | | ACADEMY ©f Pertect Sound Photooiay 8ib 3t G S.E. ELawrence Phillivs' Theatre Beautiful Coatiguots From 100 P n “THE MAN ON THE PFLYIN e GEORGE O'BRIEN. 13 T L2E- “THE RAINBOW TRAIL." ‘National 4376, BING CROSBY and NG CROSBY and JOAN' BENNETT in ASHTO! CLARENDON. VA LEN in |CAROLINA_ *1ins 3¢ ave 52 N GAre. SE. | “BRIGHT EYES" b | T EYES" and T 08 TFiSH NG (NEW) CIRCI.HEM Phone. West 0953, 100 P.M R. SOCRATES.” Com- Ave. . toon. DUMBARTON 747, "iemss IROWN 9th Between F Acousticon E LE A FRANZ LEHAR’S “MERRY WIDOW,” wuhjg\l«vmc: CHEVALIER and | ——_JEA E MacDONALD. | PRINCESS EDDIE NUGENT in WILLIAMS in 100 R TR RNAR RAYTHES™ W AM BOYD d PAULA STONE "HOPATONG CRESTOY " 3 Added Attractions and 'CALL OF ;l“'xl'l(‘i\? SA GE. 3 Chapter 8. STANTON BILE BOYD in THACING LUCK BILL CODY in “THE CYCLONE RANGER.* STATE RK G. Mickey Mouse and News Even TAKOMA 4h ana ‘Buiternut Sts. arkin Continuous Prom 1:00 ;.;'I..hk' “WOMAN WANTED.” ZA LY} “Winderer (')? t?n?fi’saitel‘andz HIPPODROME X Year o LAUREL and HARDY in “BONNIE SCOTLAND.” 2 Buek Jones. “Th: @ | Jack_Hulbe: % | ARCADE EBdmund Lowe RICHMOND Atexa Jack Oakie. ‘Big Broad MILO HYATTSVILLE. MD. Double Peature Thunder in Nig! ds on = -8 = i ROCKYILLE. ¥D. E Kermit Maynard, “Code of Mounted.* JACK OAKIE and CROS: “BIG BROADG mgor 103 Coming . .7 KEYS TO BALDPATE" and 9th Issue "MARCH of TIME™ GAYETY BURLESK SPECIAL ANNOUNCEMENT HELD OVER AS AN ADDED ATTRACTION PR barot Ser Hinda Wausau WITH THE ALL NEW “Dainty Dolls Barlesquers” FEATURING “SUNYA (Smiles) SLAYNE” And Thirty-Five New People iy H in TESSE THEATER ™ . V. Tst & B T Ave N.W. Double Peature