Evening Star Newspaper, June 11, 1930, Page 24

MODEST SSURELY, I'LL GO WITH YOU. MAIDENS OF COURSE, WE GIRLS ALWAYS LUNCH TOGETHER."” BY MOLLIE HOLLYWOOD, June 11 (N.AN.A).— When Hollywood kiddies elope their parents give them a blessing, but take away their spending money. ‘That's one way of making the course of true love all that it should be. And that is precisely what Mrs. Tom Mix decided to do yesterday morning when she welcomed her eloping daughter back to_the fold. | Ruth Jane Mix, 17, pretty and viva- elous, went for a drive Sunday night in her car with a 27-year-old lad named Douglas Gilmore. Mamma grew sus- mcio\u when they did not return, and en the word leaked out that they had started for Yuma. Ariz, and a minister. At home we have the trouble of the three-day intention to wed notice. Mrs. Mix had several objections. It ‘was the lad’s secend matrimonial ven- ture, and he is 10 years her daughter's senior. But her attorneys arrived on the scene in Yuma 40 minutes too late. She heard yesterday morning that the newly-weds were arriving back in Holly- wood. She simply waived all her early | mutters of an annulment. ‘They will find & warm welcome await- ing them, but on the first of the month no allowance for Ruth Jane. | Here in the heart of studioland it is| ed “Ingagi” was first | wn_ it didn't seem possible to me! t the civillans who argued so froth-, really believed that it was the whole truth and nothing but the truth. ‘ One gayly believes the publis is m-‘ N y low comes the Hays office to make formal statement to the effect that| ” 18 being saccepted as| from resl life they have| withdraw the film, for the & record business. fact t & huge gorilla woman into the depths jungle under the very noses of | horrified villagers, who flee in ter- (and while brave white cameramen are busily grinding ‘out the epic, it should be remembered), the local public| ot least are giving realism a break. Of eourse, the whole thing is rather hard| . Disposing by will. . Coniferous tree. . Japanese cotn. . Dine. ormer Russian ruler . Swedish inventor. . Let it stand. . Sign in magic. | Seed covering . Leopards: archalc . Forest in “As You Like It.” . Laical . Fencing swords. . Descendant . Trigonometrical functions. . Story. . Ornamental buttons ANSWER TO YESTERDAY'S PUZZLE. | 25 SESME A (X[ /|7] |ElC it /=1 TIS € |C O SIC '3 NTLBUR : A/ 7 Sllecs 1 TIC i et S EN | skin, with a few hundred Central MERRICK. on the gallantry of Hollywood camera- men, directors and directors’ assistants. But apparently we are not so far from the gladiatorial games in our enter- tainment efforts as we thought we were. Packed houses have been watching this proceedings, fully believing that the white men who were photographing the picture were allowing a native woman to be sacrificed to give the world a genuine record of what fun in the | jungle really might be, Recalling the film works quite a hard- ship on theaters over certain circuits which have booked it ahead and who have been looking forward to record- making business. There is a certain percentage of dis- aster unavoidable in the making of big war films. You cannot explode tons of dyna- mite, drop shells—even blank ones—on hundreds of men, and really give the convincing picture of War as we now do it without encountering a depress- ing number of fatalities. The public have doubtless watched these things unmoved, feeling that a kindly Providence and solicitous pro- ducers looked after the fate of the extra lads. But Charles Geromo, the “ape-man”™ of the movies, sewed up in a gorilla ave- nue colored people for background, evi- dently makes the most convincing Afri- can jungle stuff yet filmed. And for knockout pygmies the kinds of the local black belt do better than the real thing. Yet a couple of earnest cameramen spent much time, money and hazard a few years ago shooting scenes among the pygmies. They were probably shown while the audience slept. Bootleg thrills are best; the real thing lacks the terrific kick. So Congo Pic- tures, Inc.,, of Hollywood village wisely felt when they made “Ingagi.” But they reckoned without their host. The publli: swallowed it, lock, stock and (Copyright, 1930, by North American News- paper Alliance.) o ‘With the exception of the southwest- ern of the country, South Africa will have large crops this year. . Choke up . Philippine tribe. Mine: Sp. fem. Tagalog term for one of the abo- rigines of the mountains. 5. Feminine name. . Trap. | 58 Relate in storylike fashion. . Interminable. More eminent. Chair vehicles. Those who reclaim from the primi- tive. Down. Small farms. . Pay another call on. . Ordinary. Russian” community. 5. Take part. English trout. Pillage. Trial High in the scale. . Accursed. . Mediterranean sailing vessels. . Builds. . Pointed out. | 15. Pilot. . Fishcrmen's tackle, Good: French. . Knight's title. . Musical instruments. . Genus of trees. 2. Chess figures. . Lumberman's boot. Emitting. . A crystailine phosphate of lime. Akin. | ‘ Scott river, . French coin. Fleur de lis in heraldry. . Enliven. . Narrator. French storehouses. . Put off: coll. . Cattle. . Wince. . Famous American educationist. . Extent of surface, . Brother, Butt igte. THE EVENING music plays Tt isn't hept Ffrom: MER WYTH THAT POVGH = WHERE \S \T? FORK \T OVER QU\CK \F MUH KNOW WHET'S GOO® FOR v - Anem: T cAn WHIP THe MAN WHO SAYS THAT SHARKEY can'Tt wiip SCHMELING! ARE You BERUTIFUL ? FELLOWS 1 YOUR GIRL FRIEND BEAUTIFUL 7 % MOTHERS K S YOUR DRUCHTER » KENKLING BEAUTIFUL 7 BF vou THINK SO WY NOT ENTER. THE WINDY RWEY BERUTY CONTEST BY SENDING N R PHOTO CARE OF Twis PAPER ' BE SURE NAME AND ADDRE 55 OF CONTESTANT ON THE PHOTOCRAPH A Sample of That Guy’s Work. Just Another Hazard, MAN WHO GETS | LONDON ON HIS RADIO ALLATIME! “]IInuuu NOW, WHAT WaS THE FORMER ) RULER OF RUSSIA | WAS TH 8y SLHUNTLEY It Sounds Fishy. STAR, WASHINGTON, NOW WE MUsST DI UP SOME JUDGES 7 FoR THE CONTEST D. C, WEDNESDAY, AR-R-R-R ! OuT O MM WBN, QLD MAm, OR VL TAKE MOL APART AN SCATTER Muw AL OVER TS WHARFE " T CAN WHIP T™E MAN WHO SAYS THAT SHARKEY CAN'T WHIP SCHMELING! STRANGER, DO You MIND REPEATING LISTEN - 1 HAVE R FRIEND WHO 1s R MOVING PICTURE PRODUCER - - - THEY SRY HE'S A GRERT JUDGE OF BERUTY ! BY GOSH, HERE HE COMES' ONE OF THe EXPERIENCE JUNE 1], HELLO, MR SMILTZ - L WAS JUST TALKING ABOUT MAKING YoU IN OUR BEAUTY CONTEST! YOU'NE HAD SO MuCH 1930. So You LosT Your JoB, YoU'RE <OT oF THE MOVIES? Nou SAID IT! 1 PERSONALLY SELECT ALL THOSE HOLLYWO00D BATHING BERUTIES YOU SEE IN MY PICTURES ! Jupees IN THAT LINE 7 /N FORTY NERRS AT\ LEARP\N \SER, MISS. WE LEARN| L\ZaRDS! I li i L LN OM, BY THE wm—F MEET MY WIFE DON'T_You KNOW THE RULES ? You CAN'T REMOVE GRASS AND, TWICS To PLAY JUS" A LIV FOUR DOLLAR AN’ SEVENY-F1’ CENT ONE! OF THOSE MILLION DOLLAR bdgresasd , L 1 WAS LOOKING FOR MY FALSE TEETA. WHEN I WAS ADDRESSING MY BALL THEY FELL OUT AND DROPRED RIGRT BACK OF THE THE RULE IS ON FALSE TEETR WOULD HE LET US LISTEN IN SOME TIME 2 L I waL,AsT ME || THREE 1S CWHAT WERE IN TW' HEAD AT e et CHILDREN | CALLED? LEAVE THEM ThERE UNTIL 1 SEE WRAT IF YOU'D GO TO HIS HOUSE HE WOULD! THE ONEY TROUBLE 1S HE LIVES IN ENGLAND!