Evening Star Newspaper, January 29, 1926, Page 24

! 24 [ inted lier o * to zo to Leipsig but when their number grows, the vertised the first plays and players|over the world. In the file with pro- mplete her musical education. environment becomes artificial and in the United States. Down throukh | graing at Madison Square Garden are She became a pupil of Kiengel and useful arts and inventions are born. the 60s are represented the plays, e I 3/ Covent G | s » employed in teac made her triumphal debut by playing y y Without the acquisitions of arts pop- press clippings, portraits of the more Ry e eyt Bar nglis iany schools in the |a ler_the direction of the Mlation could not have increased prominent of the actor folk, their sig-|dens and Drury Lan London, that | Philippine division, that of i L concerto u t o e 3 | "’“"m"““f"(-.g.;\lmffic'retlnt"ihtrz:‘x It is thought that the human race | natures and bits of personal writings. | date back as far as 17 There is a | N 5 e e | marriage to Casals 2 stood still at one time, in the age | 5 z | o ot B S 8 3 22 central | public life for « number of years. Atter B hreseuted by isomeNot thetciut Glimpses of Star st edition of Phineas Fletcher 5 : barrio schools. Sduca |her return to the concert smsg tools that have been fqund. But man Here are glignpses of Edwin Booth, | “Sicelides, a Piscatory,” a drama in |tional authorities in the islands desire | the i Portuguese government In 192 with his simple art persisted through Edwin Forrest, Mrs. Lotta Crabtree, ! verse printed in 1631 j) : English spoken shall be as B S Joe Jefferson, the Sotherns and their| e 4 . ¢ L | Thiako u. : celebrated Those early editions, eariy copies of r gua - E 2 = ! o upvn the count calebralo essed, slowly at first and then at a cotemporaries who S 3 s im Wilhelmina Suggi 0l0n- | daughter Dr. - | rapid rate, to the pres AT ’ = |infehe ahrantoresiot the stage’ . | theatrical fournals and the bills are to empl usands of Suggia, Violon Regina Puccini, the noted Portu- Hough Says Tools Re 1§ bacoratag aman "l’}:r";":’éh"afi,,‘ actar Workman’s Hobby Is Gather: are yellowing reminde ) worth more, in cold cash, with each an te B i aticcan o WO IIEEONCR ' son Square Garden and Niblo's Gar- | passing year, yet Tom Conolly, pick- about, the use of . : guese P Dr. H - s . red K Cellist, and Regina Pac- iicit. “She nossesses one ot the| QUIFing Force to Use Were [DfHoushsald - eats ing Theatrical Bills and |den, " “New - York: MeViekers, | ing over musty hurgain shelves in |Phonographs with correct American e &, Jhut thelmntlc . tribes have a slow i : Hooley's and the old Haymarket the | out-of-thesway book stores here and | English records is strongly advocated cini, Singer, Stars. i sy First Employed. bt that. agricnltor : Signatures. aters, In Chicugo, and dozens of play |abroad, bougiht them with the pocket = e - WHBGURN BRI - it e o) thes ke b el o gl T e Ay araatel (i the | LTI ag | That Considerate Waiter. : . history of drama through his collec- | specimens from lim From the Adelaide Obgerver. | de "Alvear, President of Argentina. was_primitive root culture. Tribes | . . EOITIIN by il ',‘:‘"‘\,‘,]"," s apie] Tt SR ke o etie, Draol AR o e 1S g 1y such as ”’(.‘l‘fi"f’\‘t‘fk’)‘lflfl;‘:‘.. $9—For twol| 00 oL rareibooks, came (o Chi to | buoks; t ginal b “Waiter, my bill i violon- | * '} o artistlc career began in Jone Wwhich it. requires force to use | the Negritos, Veddahs and Austra- AGQ, e WO | help decorate the’ new Auditorium in | London’s y ; > | lings: vou've made it 14 <h - s artis Er Jn vere the first und most profound mod- | lians, increase but slowly and bave | ¥ears an English plasterer carried|1889, and has been with the Audi-|copies of the S “Yes, sir; 1 thought you might be s where she was born and where ians f - Doty s S . / _thoy stage of | her family, igin, ifiers of man in many ways is the| VerY few arts. around in.hik pocket &n odaly.n|ioriuniiever wince He has the pro-jof, 0o, She Lble! & superstitious, sir. S ’f'"'}“",‘:,“\fi". e tana n”m,f"' prominent s first | gpinion of Dr. Walter Hough of the Stone Age Changes. 2‘\‘1:11':\0‘1 (ily:;‘eda‘:ronnko 5)‘.‘0':\'-‘: ml‘(":.‘,m}h: ftalian Opera Co. with Mme. Patii, { Mussian Bible and one in 1 TSicien et faciities: v United States National Museum here. [ In the latter part of the Stone Age |librarian of the British Mscum and | Sang “Romeo and ' Julfet” on Decem: |records of the Athenian Society in men of Portugal have { g “The crude tools required attitudes, | & profound change occurred, believes |learned the volume was a rure “short- | ber 10, 1889. London, in 1630; d o petten Dr. Hough, for the primitive arts and | hand” Bible, engraved in phonetics in| Many of the famous “ters_of | copies of the suppressed politl ! es ‘were elaborated. In fact, the stage are his personal friends. For | social satires of Great Britain, the Neolithic, or New Stone Age, was ¢ the plasterer, still following | them he seeks old programs « | rare copy of Charles Dicken the daw rial Age. Top- |that trade, {s a bibliophile known the | first nights and each Christi - day Under Three Heads ulation <ed far beyond the | world over and possessor of a great | them little mementos of the pr His stamp collection includes, 2 ted tools and tmple- | sparse peopling of older times, which | collection of theatrical and operatic | Slon and players who h nis rare foreign stamps, the posta T i : Ovation at Debut. e skill, IU IS POS- | quggests thut means of sustenance 1. He knows books and the | answered their 1 ul the colonial villages before there wa »proaching perfe b cdented scenes of enthu <t . R . - Bt S| had been nized and agriculture | s late y s he h e e a national mail vi and the pony S Many musical critics credit | followed her debut and the Portuges 5 1 developed as well as transportation book, now bearing the o { | express stamps of later days, many on her with having an even greater ex- |royal family, with whom she became I 1 and commerce. mate history of the legitimate Robert Mantel H. und Julin Mar- | letters addressed to Abraham Lincoln t of the Spanish v special 1 e, warmly congratu- 3 tCopyright. 1926.) which dates back as far as the lowe Sothern, Eddie Foy. Lily Lang-|and with notations in his hand | sals, whom Su lated b ntracts were offered L L A p part of the seventeenth centus it | try, Enrico Caruso, i, Ellen| Eventually the treasures will prob- | soon after her debut in 1906, | from all parts of the world and the ntion Cited. e the collection also is most c Terry, Squire Bancroft, ” s ahly go to historical societies. 3, he -, she separated | Young singer became the Portuguese < of invention, Dr The Salvation Army is now estal |: luable in its record of American | hardt, David Belasco and s —_— = rom her husband and.again took up | prima de ¥ Hough said, is linked with the growth | lished in 81 countries and colonies and | drama and opers sthers. Torches guided -coal men 4 r brilliant career | Her pertolre included all of population. When people are few, | proclaims its messages in 58 lar L playbills, 1 | operas sung by Adelina P conditions tend to remain natural. ! gu y b 4 she is frequently com; 5 ange of | bestowed the grand } geological changes and both pro- 10 employ their talents in scientific or < e e SR s | cxmitpess an nen-tlions hot & political work. But many succeed ar- andience W St G e e el e tistically, with Suggia and Paceini the | and a singer who received its appro Hough safl liey, Diaitaradls s anis most shining exampl | might safely face all other m 5 ¢ for the use of other With complete mastery of technique | crities, _ inger, but by an agree hushand, who also i 3 bequeathed her 4 the attention of | weal ‘her mother, who lives in ‘04, Queen Marie Amelie ! Lisbon. Chas. Schwartz & Son PERFECT — AMONDS [ semp “Puying a Diamond” demands consid- erably more than the mere desire to make a purchase. You might pay more— vou might pay less—price alone does not regulate diamond value. 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