Evening Star Newspaper, March 18, 1925, Page 19

THE EVENING STAR, WASHINGTON, D. C., WEDNESDAY, MARCH 18, 1925 19 dedi- [ accensus” and ends in a chorus that is a veritable benediction. In the version given, the “Inflammatus” was made the finale, the last chorus was Forge's “Flanders Requiem,” cated to Mme Schumann-Heink. Karolyn Wells Bassett, already well-established as an American MUSIC “A Lanier Sym Strube, well known conductor and prof; in Baltimore, was t terday's program p: New Tork Symphony Poli's Theater before a large and di criminating audience. | Through the Ry °| Myerbeer “Shadow Song." T, is winning new laure. t artist Tostl's “Comin’ and the famous Group of Nerwegian Songs. Nora Frauchauld, lyric soprano, gave a group of quaint Norwegian songs, with Mana Zucca's Irish “Top o' the not glven at all, and the quartet, “Hear Us, Oh, Lord,” was sung out of its uusal place in the score. The accompaniment was played in loping fashion that had no dignity whatsoever. Evidence of the religlous fervor of the great theme, the sor- rowful Mother Mary standing at the foot of the cross at the Crucifixion, A Delicious Lunch at Any One of Our Sanitary Soda Fountains for Only a Few Cents! Sale Regular $2.50 Value Surprise Candy Value! was totally absent in both solo parts and choruses. Moreover, a short pro- gram of light concert pieces and pop- ular songs preceded the “Stabat Mater,” giving no semblance of re- ligious mood and atmosphere to any part of the evening. In the quartet Thelma Smith de- Rose,” | served special consideration because mberg's | of the fact that the original contralto. Mrs. ‘Willlam T. Reed. was {ll of The work is dedicated to the great | MOrnIng” as a timely encore. The poet and musician of Baltimo: d- | sroup included “Norwegian Echo ney Lanier, who died before ri 8 a folk song arranged by two score years. Mr. Strube himself |’ and three Grieg songs conducted his work at this, the first “A Vislon,” and “The performance ever given. It is to be repeated tonight in Baltimore. Strube stated that he tried @ blg musical setting for t poetie | Messaget's thoughts of Lanier. There is an un-|E D'une Priso; dercurrent of rich melody that would | “A 1 he French Buggest calm, , such|to Heidelberg” ana laryngitis, and Miss Smith had to at- #s rings through th ns of the | P’aris.”” The last-mentioned was s gz | tempt th feat of learning the part, nature-loving nier, but there are|for the first time in public. which includes the exquisite “Cava- many uninteresting p es. The|from the new opera by Henry Had-|!ina,” in less than two days. The first movement, “allegro moderato” |ley, the American composer, and is to| ¢horus was unusually small and in- Written in two-two tempo in the key|be produced at the Metropolitan |€ffective. Opera House, New York In the vocal divertissement that Elsie Theide Moulan, dramatic so-|preceded “Stabat Mater,” Florence 0, gave the last group of songs,|Sindell, who possesses a remarkably supposed to interpret the climaxes in|individual soprano voice of much vol- the life of a peasant girl of the Slavic sang Germa “Charming tries. Moussorgsky’ B Beac! he Year at B E particularly intere he ell. Miss Smith sang The scherzo movement, In A ¢ 190 Sang Rimsky-Korsakoft’s “Song sch’s “Farewell” and Mrs. and the same tempo as the|Of the Shepherd Lel,” Tschaikowski's s “The Moon Path” with nice seems to treat the theme in/|Dbeautiful “Was I Not a Blade of Grass but considerable nervousness. more vivacious manner and | on the Plain” and Burleigh's *“The | William Raymond, tenor, showed good sts the modern school in the ‘(er\' Wolf." polise and excellent enunciation in “On NiR8" oFf MissonanEs ere are some| Ileanor Starke Stanley was at the |the Road to Mandalay,” “Macushla” unusual harp bits that are delightful. [ Piano for all the singers. and “Mother Machree.” John Marvlile, U'he finale, in the original key, but| E who rich basso quality, sang Gena in waltz tempo, does not seem wholly | i s . Branscombe's “I Send My Heart Up to Batistying. ‘if.:":f',',,. e syeram Thee” well. “Dear Little Girl, Good- Mozart's “Concerto in E Flat,” With | my. ywachington Choral Society, | 5N s e. A smasterplece of the afternoon. Mozart, | some ‘commendable thinss mustcaiiy, | C 0cd ib his numbers. S wiofta | but Jast night's performance at Cen- 7o > 2 tral High School of Rossini’s “Stabat she was able to keep her Mater” was not one of them. employer's business secrets, Miss Ber- This work has beautiful music and | nardina Hachemelster has been re- a great religious theme that rises|warded with a $20,000 bequest in the to an inspiring pinnacle of song In|will of Arnold W. Brunner, a Brook- the justly famous “Inflammatus et|lyn architect. Phone Main 5215 (Made by Eastman Kodak Co.) - 2 swia $1.59 Milk Chocelate o Many enjoyable moments may be spent with this Braztl Nuts attractive Hawy-Eye Camera. It takes clear, clean whole Brazil Nuts, 59clb. baritone, showed fine ©of G major, is full of seething, strug- Eling counter melodies that terminate in a tranquil finale. The second movement, in four-four tme and the ke: , has ;. autiful p; e pictures; % inches. Fresh, smothered in rich, tasty, milk chocolate. Constructed of the very best materials by skilled workmen in the Eastman Kodak factory. —The Better to Serve You Exceptionally pretty and durable case, black grain e A special purchase enables us finished metal, and just think—the price is only $159, to quote the extra low price of— One Roll of Films Developed and Printed Free! - Every customer purchasing a Hawk-Eye Camera during this sale will be entitled to one roll of films FREE! Samuel Dusskin and Lionel s rtis were the setent soloists. card here in re- | nd Mr. Tertis | Richard Hudnut ital earlier thi Jlays the viol ondon String | nartet, hington has not| had the ure of hearing. rticularly interesting were the dis- &onances in the duets of the two solo instruments. Both played with fine | precision and good bowing. Mr. Ter- | tis perhaps drew a more eloquent tone from the viol; The orch | ellent ba and Bruno W work inte: Raleigh Haberdasher Spring Value Wee elebrating Two Years at Thirteen-Ten F Street Romeo and Juliet, work but lengthy to be sandwiched in | between a_symphony and a Mozart | concerto. There are wonder ages In the composition. They were cellently emphasized by the or- tra | This was the last appearance of the | » e w York organization here this sea- | y ” = \ 60c Size Y romenade Concerts Have Colorful Inaugural. ‘The promenade concerts of the Mayflower Hotel were inaugurated with a colorful “costumed musical yevue” In the ballroom of the hotel Monday night The entertainment was under the auspices of the music department of the National Council | ©f the Women of the United States, of which Mrs. David Allen Campbell is the chairman. Washington was fittingly repre- sented by the Choir Invisible which opened the program ging “Awake,” from Wagner's die Meister singer,” and Taneyef's “Sunrise.” The idea was to give the effect of volces | coming from the ship Mayflower, an- chored off Plymouth Rock in 1620. e choir was concealed behind cur- tains. Then, following these selec- tions, James Stanley, basso, garbed as the Pilgrim, sang Kaun's “My Native Land,” Clarke’s “The Plough- man” and Martin's “Come to the Bromo Seltzer .. 36¢ This Dainty, Useful Acquaintance Package FREE! This attractive package ' contains five acquaintance size Three Flowers Toi- letries — Vanishing Cream, Cleansing Cream, Skin and Tissue Cream, Face Pow- der and Perfume. This package is easily worth fifty cents. Artistry In Color! Fashionknit Ties E'RE not a Rembrandt nor a ‘Whistler, but we’ve been told we did a mighty good job of it when we selected the colors in Fashionknit Neckwear for our Spring Value Week. 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