Evening Star Newspaper, July 5, 1923, Page 38

' WOMAN'S PAGE, Concerning the “Best Dress” RY ANNE RITTENHOUSE. The people who write and talk and think about clothes have taken the word formal and its opposite, “in- formal,” and made them their own. They have given them a connotation that you cannot find in” the dictionary and probably never will be able to. Some one speaks of the return of short skirts and says: “Skirts will be not less than nine inches from the ground save for most formal wear.” Again some ond writ “For formal occasions organdie frocks are worn over sllver cloth slips,” “elaborate sport frocks are to wear on formal occasions.” u have heard often enough that the bouftant skirt is considered * priate only for formal wear.' use these words really because we have no other words to use for them —we use them much the way the grandmothers of some of us would have used “Sun and “every day" mon.” ‘We hesitate to speak of a best hat and an everyday hat even when that is exactly what wé mean. The sales- ‘woman who asked a customer if she wanted a hat for “best or every day.” would annoy or amuse or offend her customer and probably loss a sale. So #he says instead: “Do you wish some- thing formal or informal, madam?* Interestingly enough, there is one smart shop where the old-fashioned word has been revived, and certain coats sold there are definitely spoken of as “every day.” The trouble with these words is that our habits of living and of dress- ing have changed much since they wore used more generally. To thou- sands nd thousands of city dwellers —or suburb dwellers who work in the city—Sunday clothes the knockabout, ~easy-going sort—soft collars and knickers, smocks. slip- on blouses, whatever you don for lounging or puttering around your house, porch or garden. And the clothes of every day are the other sort. We do not look forward to Sun- day as did the sweetheart of Sally in Our Alley as a time when we shail be “dressed all in our best,” but very often as the one day in the week when we dress in clothes for which we don't give a hang—clothes in which we can do what we choose— 1ie dosing in a hammock, walk in the woods or climb trees, if the spirit and “com- v a part in sional life of S0 many women, that their idea of a real holiday is a time when they need give the clothes question no consid- eration A popular and successful actress who changes her clothes twenty-two times a day in the theater, not to mention the times at home, says that she is looking forward to a vacation as a time when she can spend her days with a sack tied around the middle with a rope. She BEDTIME STORIES The Little Grouse Finds a Friend. Give me the friend who is never afraid When I'm in trouble to proffer me aid. —Mrs. Grouse. The first of the little Black Shadows came creeping out from the Purple Hills through the Green Forest. The lost little Grouse had not been found by her mother. She was quite as much lost as ever. Always befors at the approach of the Black Shadows #he had had Mother Grouse to crawl SOME ONE WAS LOOKING IN AT THAT OPENING. under or to creep close to. Never in her short life had she been all alone. So perhaps it is not to be wondered at that as she saw the first little Black Shadows creeping through the Green Forest she shivered with lone- liness and fear. She knew now that she would have to spend the night all alone, the Black Shadows to come. looked for a hiding place and pres: ently she found an old log which was hollow and open at one end. She crept into this and did her best to make herself believe she wasn't afraid. But she was afrald. Yes, sir, she was afraid. She was very much afrald. Everv little sound that she Summer Manners. Manners are the outward signs of inward grace. The teacher used to tell us that very often and very often we forgot or else the inward grace Was not stored in sufficient quantity to_meet the demands. There must be something of the same sort wrong with the children who leave their winter homes and summer in the country. They leave all manners behind them. And many of their parents accept the situation as right and as it should be. A man who loves gardens planted a hillside in rye and poppies. That required great skilt and patience and hard work. Poppy seed is very, very tiny, as fine as sand. R away or beat nto the rye must be started ear popples sown between. gardening prob! e rye was ripenin ples blooming in bet n the fardener was rejolelng at the ploture is labors had painted on the cold mountainside, when a car loaded with children ang ladies drove along. *‘Oh, look, look! Ah-h-h-h! 't they pretty? Stop and we'll get some.” ‘hey were well in the middle of the garden, tramping down the rye and tearing up the poppies that would die In their hands in a few minutes, when the owner found them and shooed them away with bitter words and brandishing stick. oy scampered gayly down to the car and as they snuggled themselves 1in, the oldest little girl sald in a piping ble that traveled over the moun~ like & bell, “Didn't we get the goat?” an tmn those children . would . not ave ufht of entering & nalgh- premises and robbing him. But in thé country they didn’t consider it tru..?.-“ and robbery, just “getting She didn't walt for more of | e, q WHITFE CREPE DE CHINE CAPE BOX PLAITED. WITH A WHITE CARACUL COLLAR. really needn’t bother with the rope for complete beltlessness is rumored to be one of the features that French dressmakers are going to show for autumn. So far we have wandered from the subject—of clothes, formal and in- formal. best and every day. And it all began with looking at the sketch ot a cape of white crepe de chine sald by the dressmaker who made ft to be for “formal wea: The cape is, as you see, box plaited, and the col- lar is of white caracul. A small hat of white net embroldered in white silic braid is worn with it. By Thornton ‘W. Burgess., { heard made her tremble. Sounds that she had heard often enough and paid no attention to when she had mother with her now seemed strange and frightened her. You see, she was not yet old enough to know the meaning of each sound. She tried to go to sleep, but couldn't. It was not vet quite dark when she heard the sound of little claws on_ the log in which she was hiding. She crouched as far back in that oid log as she could get, and her heart beat very fast with fright. She kept her eyes fixed on the opening at the end of that old log. Her worst fears were realized. Some one was looking in at that opening. The little Grouse held her breath. Never in all her life had she been Qquite so frightened. For perhaps half a minute this stranger stood looking in. To the little Grouse he looked very big and terrible. Would he see her? Would he come In to get her? She wished then that she hadn't hidden in a place from which she could not fly. She felt that she had made a great mistake in crawling into that hollow log. Now, there was no way out. The stranger moved. Would he go away or would he come in? How terrible he looked! For just a second the little Grouse shut her eyes &0 a8 not to aee him. When she opened them again he was inside, and coming straight toward her. She wanted to cry out, but she was too frightened to. Never before had she had such a dreadful feeling. You see, never before had she been so helpless as she now was. The stranger was almost to her, and he looked bigger than ever. ~And then for the first time he saw her. “Well, well, well! Who is this?" said a squeaky little voice, The little Grouse didn't reply. She was so frightened she couldn’t have found her voice to save her life. The stranger had stopped, and was 100k- ing at her with a pair of bright eyes, which, if she had only known it, were also soft eyes. They must have seen the dreadful fright of the little Grouse, for they began to twinkle. “Don’t be afraid,” said the squeaky voice. 'm Whitefoot the Wood Mouse, and I won't_hurt you. What are You doing here>” Now, the little Grouse had seen Whitefoot the Wood Mouse before, | and Mother Grouse had told her what a timid, harmiess littls fellow he was. | The instant she knew who he was, h, {3y, longer looked blg and terrible | He was a friend. At least he seemed |to be friendly. | (Copyright, 1023, by T. W. Burgess). When apples are piled on a fruit stand and children take them they | are promptly told that they are steal- ing and punished accordingly. But parents and children join in strippi the farmers' ‘trees as they fringe the | roadside. They call that “taking a few apples. Stingy old thing!" At home children would never think of Invading their neighbor's kitchen and asking what they were to have for dinner and why, and how much and who glve it to them. But in_the country that is proper because their parents are paying for the privilege of mtaying at the farmhouse. TS e outward sign inward gras f course, if th{n 1: no grace there can be no manners. Are our country friends to get the impression that nothin, but the mounted police keep us from break- ln, all bounds of human intercour: f not, it would be well to talk things over with the family before Starting out this summer and decide that manners in the city are in good stead In the country, that fires should not be built where the fancy seizes you, that trees are not to be hacked or stripped of their bark, that picnic parties are not to be held on a stranger’s premises without his per- mission. A few little things like that would help. And a word of thanks to those whose hospitality you have enjoyed, outdoors, is always in order. (Copyright, 1928.) Summer Squash au Gratin. Cut the squash into sections, re- move the seeds, boil, rub through a colander. _sosgon . pepper -and salt, moisten with cream and put into & buttersd baking dish or cook the pulp in the squash shell. Sprinkle with crumbs and cheese and bake uatll browan. THE Fred Feernot’s Modesty. Scene, home. Mrs. Feernot. Well Fred Feernat, if voure not a site! Wat do you meen Ly coming home soaking wet and dripping all over the dry carpit? Freq Feernot. Werse things than that could happin. Mr. Feernot. Wy dont you come home dry like other peeple? Its all rite for you, all you get is a cold but I get the docter ixpense Fred Feernot. Werse things than that could happin Mrs. Feernot. Enybody that says You aint aggervating dont know you very good. Who's that ringing the door bell so_ persistent? Reporter. Im a reporter. Wich one Fred Feernot, If eny? . and Mrs. Feernot. Him. Fred Feernot. Wy? Reporter. Becauss youre a hero and Id like your pickture to put in the paper wen we tell all about you s: ing 8 diffrent peeple from drownd- ing this aftirnoon. Youre still wet, aint you? M Feernot. Well for goodniss sakes, Fred, wy didont you say some. thing? How did we know wy you was wet? Mrs. ~Feernot. vating? Fred Feernot. est if I wunt to? The End. ashiony orecdst lzzent he agger- Aw, cant T be mod- This charming frock can be made as illustrated or with short sleeves, which are also popular. The pat- tern cuts in sizes sixteen years, 36, 38, 40 and 42 inches bust measure. Size 36 , :quires two yards of 36-inch material with two yards of 36-inch contrasting material. The original model was made from paisley cloth and plain crepe de chine, but you could also make this up very nicely and with little ex- pense in figured foulard and plain voile or a contrasting of gingham. Made of the latter material this pretty dress would cost you only a little_ more than $1 and the making :{ould take only a half & day of your me. Price of pattern, 15 cents, in pos- tage stamps only. Orders should be addressed to The Washington Star Pattern Bureau, 22 East 18th street, New York city. Please write name and address clearly. COLOR CUT-OUT A Bucking Pony. “What & dear little pony!™ cried the children, who were watching the Cut-outs’ circus. A dapper white animal was dancing into the ring. Nancy, who led him, beamed upon the audience. “This pony, ladies and gentlemen, is Lightning! He used to in a circus till he got too old. When he heard we were going to have this show, he got all young in the joints again and will perform some fine ric Nancy cracked a whip. The pony tossed his mane, kicked his little heels, and went through_ his antics merrily. At the end Burt came swaggering in, not in tights aay longer, but as & olanking Wild Weat rider, ready for another stunt. 1little eircus horse should bridle, se the color in your box for it, an: make the bit and rivets shiny gold. s mane and hoofs and tail are gray. a (Copyright, 1933.) N\ R 'EVENING | STAR, 'WASHINGTON, D, C, THURSDAY, ¥ BY GLADYS HALL. Tables Slightly Turned. Today I had luncheon with Hug Ballin. That fsn't an ordinary mat- ter, for Hugo Ballin isn’t the ordinary man. I can't go into all the reasons why he is not, because that would mean & blography and a list of achievements, thoughts, philosophies and metaphysics far too detafled for my space. But he does think, and | HUGO BALLIN., PRODUCER OF ¥ FAIR," BLINGS A 1TY LITTLE SHOT. he does talk, and he does do-things & step or two, at least, above aver- age. Life to him is a spectacle. He says so himself. “I am the per- petual spectator,” he told me. “I'm always in the audience. I think it is all a Jolly jJoke. Tremendous! T'm shocked at nothing. because I do not participate. If 1 had children, which I have not. I might not feel uite so detached about it. Probably wouldn't. But as it is, I'm inter- ested In everything. in everybody and in all phases of living. Mabel (Mrs. Ballin) and read extensively; like to travel int strange place we like to work when the work ap- peals to us. We have a sense of humor, and that is to say all. “I don't suppose I ever get what is popularly known as ‘gore’ at any- or anything. I wish that I did. I like to be a little bit naughty and take a sly shot or two at the gentle- men who wield their pens in order to take equally sly shots at me and my brothers-in-production. Some- times I make up little symbolic say- ings about them. Little paragraphic falry uch as: ‘The critio is the tick-bird of motion pictures’ “Matthew Arnold defined criticism as ‘a disinterested endeavor to learn and propagate the best that is known und thought in the world’ Matthew Arnold wae right, but few are there Wwho have taken heed to what he said Criticlsm is fundamentally correct, of course. But I believe that critics should the pl something worth while, inspirational and Improving, rather than being sure beforehand that they are going to be illy regaled with a stale, profitle: tasteless hour or two. ‘A_critic should not be permitted to judge a picture on an empty | stomach. “There is more rot written about motion pictures than there is about rcjuvenation, facial lotions and re- duction pills. “Critiolsm should not be censure; picking holes. That is unjustifiable and hurtful. Only recently one of the bright particular stars of the screen told me that she has lost her faith in human nature, her Interest in_life, and her hope in her art simply because of the cruel, unneces- sary things that have been sald about her. Several of the stars 1 know, | in the interests of melf-preservation, won't read any of the reviews, criti- clvms or interviews printed about them. If a criticism is well-founded and substantially based, well and ®o00d. If the point can be taken and proven, all right. But there is no picture critic who can judge the pro- ducer’'s intention. If critics were to familiarize themselves with the sub- ject of their criticism, if they were to approach thelr subject with a breadth of sympathy and good faith as well as b, then the producer would peruse their writings with re- | spect, the public would; be conscien- | tiously informed and something would be learned by all. “Most reviewers do not know good photography from bad. If the aver- age reviewer were asked what the matter with a negative or positive was he couldn’'t tell. There isn't a | roviewer who has ever written u | good motion-picture scenario, and i know very few of them who have ever | written usable titles. Not because | they haven't tried to, for they hav | When wit, humor or satire enliven | these writings, it is always at the ex- pense of the producer, &tory or actor, and the greatest aim seems to be to | glve the reviewer material whereby | he can support himself, rather than {to glve hopeful and informative points of view about the matter in It might amuse me. Now and then WRITTEN AN, isten,World! hand. 1 LUSTRATED Bv Clsre Tobunson VHuh!" snorted Dorothy, with a shake of her bobbed head, “don't talk to me about the old-fashioned girl! The poor simp didn't know she was liv- ing. Her only ambition was to marry and wait on some man. She never for- got that future husband for a second. She planned for him, dressed for him, | dreamed of him—and when she got him he planted his heel firmly on her neck and kept it there. The one qualifica- tion of a lady when mother was a girl was that she register meekn Look These are the days! Suf- at us now. ' offices, careers—every- political thing!’ So I'm looking at us now. Surely we should be very different from the old fashioned girl who lived but to marry Wae have suffrage, indeed—political offices, careers, everyth Smail ex- cuse, {8 there, for us to “register meek- ness” in our search for some man? Well, what do we reglster? the preoccupations of the new-fash- foned sports-model girl which prove her ®o vastly different from the old-fash- ioned variety? All freedoms are lald at the feet of tunities, the merchand What does she register as she makes her _cholce? ‘Well, as far as I can judge at present, she registers earrings. Now I've nothing against earrings. Colored glass and brass are much pret- tier arranged in an earring than ar- ranged in plumbing fixtures, for in- stance. And if you haven't a other use for an ear, you might as well hang an earring on It. So I'm not consider- Safeguards From the Sun. It's tempting. when one is on a modest fortnight's holiday, to see how much sunburn can be acquired. It's so nice to go back to town look- ing gorgeously tanned and healthy, just as though one had been away two months instead of two weeks. But it's quite different a week later when the brown begins to tone into | a sickly yellow! Bleaches can be used then, to has- ten the return of the normal color. But, even so, there are jaundiced weeks to be gone through. It's bet- ter, If you hate this transition period. to avoid burning as much as you can. to use your bleaches while away as well as after you return. too. 1 think a little of both every year is a tonio for the skin. Vanishing cream is good to use be- fore going boating, or for a long tramp in the wind, or out for golf or tennis. Ordinarily, I do not advise Vanishing cream for the face, but at these times, with a thick coating of powder, it {s useful. A thick cold Sream or petroleum jelly can be used ou go bathing. b.nr:nr:oyu Some cucamber lotion be- ou leave on your holiday, and {In'l;ot);“- at night. ~ Chop up several ripe cucumbers, put in an enamel pan w! Pistory of Pour Name. BY 'PHILIP FRANCIS NOWLAN. SELLERS VARIATIONS—Seller, Seeler, Sadler. RACIAL ORIGIN—English. SOURCE—Occupations. 1t is not possible to tell with accu- racy in the individual case which of two sources these family names have come from, with the exception of the last named. It may be taken for granted, how- ever, that, ltke Sadler, the rest of them In the vast majority of oal come from the occupation of making saddles. The assumption that there is any connection with our modern’ word “seller,” or salesman, is erro- neous, for the medieval English did not use this word to designate tradesmen. Sadler is a form of the name trace- able to the Anglo-Saxon word. “Sell’ however, was the word most often used by the Normans in the early period to denote a saddle, and it en- dured for & long time. In fact. it did not become obsolete until after Spen- ser wrote: ,'.‘Mt his loftey steed '!fl golden selly ‘The forms Bellers, Seller and Sesler, however, may also be derived fro the old word “seler,” which was the appellation of those craftsmen who [ manufactured seals, What are | BEAUTY CHATS , them from sticking while they begin ! Personally, | though, I 1ike sunburn and freckles, ith only enough water to keep' m{ample in | ing earrings as ornaments, but as argu- ments—arguments for the new-fashion- ed girls as against the old-fashioned girl. And as an argument 1 protest that the earring is a melted gum drop. | Heap the advancements and opportu- nities of all civilization on her, give her | her choice of a million careers, all of | which lead far, far away from the bond- | age of marriage and the frivolity of sex, { and what will she do? | She’ll register earrings So there’s hope for the “world after ail. BY EDNA KENT FORBES { to cook, cook to a mushy state, strain | off the liquid. To eight ounces of this { {add as much tincture of benzoin as | goes in_a_small teaspoon. ounce of alcohol, if you can get it. | Let this dry on the skin: or If it is | too sticky iet it dry on half an hour {and wash off. | “"A good powder to cool a hot skin is plain starch, laundry starch, sifted to make a powder. Brown Eyes—With some people the hands indicate the condition bf health when the face does not. This is par- ticularly so when there is under nour- ishment. In such cases build up the system and watch for an improvement in the hands. If they soon do not be- ome firm and, therefore more youth- ful, consult a doctor. Whatever is causing this trouble with your hands 1s also affecting that of your legs, &0 improved health will correct this difficulty also. V. T.—M.C.—In the case of grow ing children the weight should not be considered too seriously, the conditlon of the health is the only thing that should influence. A girl of fourteen vears, height five feet five and a half inches, has likely attained her aduit height. If her health s good her welght will ra_fulale itself in a few more years. The eruptions on the #skin at this age usually disappear if the digestion is not overtaxed. “Just Hats” An Advance Fall Note— wdvance fall models are fe the roll brim. Here i» an ex- satin with & high roll and a of ostrich. At this early dat. rter of the autumn models are along this line. ‘ . The turing and an | JJULY 5, 1923. Your Home and You BY HELEN KENDALL. A @arden of Friend The hostess and her guest were walking through the garden, where tall hollyhocks and larkspurs bloomed beside foxgloves and gorgeous lilies. The hostess was touching different blossoms in a friendly way, and pres- ently she stopped beside a splendid gladiolus, saying: “How do you do, Mrs. Armstrong? Oh, you are opening out beautifully!" And a little farther on she saluted a mass of phlox with the gay word: “Oh, my friends, the Taylor girl Aren't you looking your best, though?" The visiting friend laughed over this personification of the garden flowers. and the hostess explained: “Well, you see, practically thing in my garden has been given to me by friends. The Taylor girls start- ed me with a sample of each of their fine phloxes, and each has spread un- family looms in my garden. My dear old friend, Mrs. Armstrong. sent me one ot her choicest gladiolus bulbs, and so, of course, T have named it for her. garden of every one of my friends and neighbors represented in my garden, and I, in turn, want mine to be rep- resented in theirs; so, grow anything particularly fine, I give them all cuttings or roots or seeds of it." Just then she paused on the edge of her vegetable garden and exchanmed greetings with a great rhubarb plant, owering above all the others near it. My friend, Bob Cummings.” she in- troduced her guest, solemnly. “The finest one he grew last year, zo he sent it over to pay its respects to my kitchen garden.”" The friend twin- e “1 should think vou'd hate it!" she challenged; but the had a come-back: “Oh, it alw: to cut hostess The Guide Post By Henry van Dyke Music for the Journey. Songs in the house of my pilgrime age.—Ps. 119.54. How wonderfully the old Hebrew hymn book has been used. ‘With the music of psalms the shep- herds and plowman cheered their toil in ancient Palestine; and to the same music the Gallic boatmen kept time as they rowed their barges against the swift current of the Rhone. St. Chrysostom fleeing into exile; Martin Luther going to meet all pos- sible devils at Worms; George Wis- hart facing the plague at Dundee; Wyclif on his sick bed. surrounded by his enemles; John Bunyan in Bed- ford gaol; William Wilberforce in a crisis when his noble plans hearts with verses from the psalm The Huguenots at Dieppe mi ito victory chanting the sixty-ei psalm; and the same stately war- sounded over the fleld of Dunbar. The motto of England's proudest university is a verse from the psalms and a sentence from the same book written above the loneliest grave earth, among the snows of the Arctic lctrele. It was with the fifth verse of the | thirty-Arst peaim coiimended His soul into the hands of {God: and_ with the same words S ! Stephen, St. Louis. Huss, Columbu | Luther 'and Melanchthon and many {more_saints of whom no man know and their welcome to heaven. (Copyright, 1923.) IMOTHERS AND THEIR CHILDREN Making the Best of It. ys I never tell my well I don't like it. task is dishwashing, for with and not fu then do someth! (Copyright, 1628.) —_— Pineapple Punch. Make & syrup by bolling about it, we like better. ‘water. When it d sl orou, add sufficlent water to This syrup and fruit stand betore adaing the Pplain or d water may be every- ! til now you see how large the Taylor | T am trying now to have the | whenever T | threatened with ruin—all stayed their j on | that Jesus Christ | eth have bid their farewell to earth | child a task is pleasant when she has heard me complain about it and knows very I tell her, if the instance, that we'll hurry up and get it over 0 we can two of granulated sugar with a ins 1ike Add s & ly chilled, lute accord- s better if made s to be used and re allowed to ‘water. Bither used. | i | i i Cuticura Soap), A Soap.Ointmeat Talcum, FPEAT URES. Alkali in Soap Bad for Washing Hair Many soaps and prepared sham-| poos_contain too much free alkal [ which is very injurious, as it drics the scalp and makes the hair briulc.l The best thing o use is Mulsified | cocoanut oil shampoo, for this is pure | and ‘enlirely greaseless. It i pensive and beats anything e! pieces. You can get this at an inex- al drug | Ito store, and a. few ounces will last| the whole family for months. Two or three teaspoonfuls is all that is required. Simply moisten your | hair with water and rub it in. It makes an abundance of rich, crcamy lather, which cleanses thoroughly, and rinses out easily. The hair dries quickly and evenly, | |fluffy, wavy, and easy to manage. Besides, it loosens and takes out every and is soft, fresh looking, bright, | particle of dust, dirt and dandruff. Complexions re Health s Laboriterios et & S | i “The World's Finest” E ED. PINAUD'S a¢ Liluc Tale . Exquisite quality PINAUD'S | comple; enetone 5. Lilac Talc Parfumerie ). PINAUD .. New York DON'T twist yourself around a washboard; stop fussin’ and fumin’ over hot steaming tubs. Soak your clothes clean in 15 minutes with Chase-O flakes. and bar soap—powder or No more washboard rub- bing. Use less soap. Makes hard water soft. Blues as it washes. Won't streak. A-1 MANUFACTURING CO., Philadelphia Use Chase-O in Your Washing Machine Shell Fish Time Broiled Lobster Soft Shell Crabs Steamed Clams Hard Shell Crabs The most delightful foods the ocean produces. And now they are at their best. Try them a new way. Have them served with a dressing made of three parts melted butter and one part LEA & PERRINS’ SAUCE THE ORIGINAL WORCESTERSHIRE It’s a picnic necessity Take the handy bottle along the deviled eggs. the piquant taste this mustard a bottle along for those who flavoring. A little leafict of recipes i Spread_the sandwiches with French’s Mustard. Put it into the potato or chicken salad and dressings for the ch needs gives. Take like lots of Every picnic lut packed with bottle and paddle in every carton. Madeonlyby The R. T. French Ce i Rochestés N, ¥, ) man who says it B Serve Mueller’s Egg Noodles to the s s0 hot he “can’t bear the thought of food.” The joke will be on him when he passes his plate for a second helping! *The kind that made Mother stop making her own” EGG NOODLES CUSTARD Cook one package Mueller's Wide Egg Noodles according to directions on label. Add % cup grated cheese, 3 eggs slightly beaten, 3 cups milk, 3 tablespoons sugar, % teaspoon salt, - Method: Mix an turn into buttered fireproof dish and bake in a moderate oven for half hour, or until custard is set, then serve. MUELLER tempring Summer Racipes Jeliciolls EGG NOODLES \ Since 1867 C. F. MUELLER CO., Jersey Ciry, N.