The Daily Worker Newspaper, February 14, 1935, Page 5

By MICHAEL GOLD NE of these days, somebody is going to write a truthful book on William Ran- dolph Hearst. It will make the old drool- ing monkey shut up for the rest of his few years of life. There must be millions of Americans who have repeated some of the facts of his private life. It is a juicy story. America reads the Hearst papers, it is true, but few Americans have much use for Dirty Willie. The sex filth and scandal by which he has made his fortune has clung to him like a bad smell. Willie has had many political ambitions in his worthless ‘life. Once he ran for the office of Mayor of New York; another time for Congress. He also had the Presidential bee in his bonnet. But the American people, though they have been betrayed into “elect- ing” every kind of demagogue and grafter to office, have never elected Willie to even the office of dog- catcher. The stink was too awful. And now this man, with his long record of sSex- mongering, war provocation, faked news, sensation- alism, yellow dirty journalism, business racketeering, political treachery, exploifation of labor, personal luxury of the most vulgar variety, and skirt-chasing, is trying to tell us he is our leading patriot. Yes, this unspeakable Hearst, this vast dirty joke of gutter journalism and gutter riches, this slum- intellectual, this degenerate son of a millionaire, this heartless playboy who has trifled with the lives and liberty of the American people— This deformed monster born of the diseased loins of a corrupt system is trying to teach the decent people of America the meaning of patriotism. It is to laugh or weep. Is this the best that America can do? Is this moral leper the voice of America? Of course, not; any more.than Nero was the voice of Rome, America is finer, better, and grander than William Hearst. America is contained in the hearts and minds of millions of unknown miners, engineers, sailors, farmers and housewives, who have not yet been heard from. When they learn at last to speak and act, William Randolph Hearst and his like will join the Russian Czar, who was as much the voice of the Russian masses as our own yellow Hearst. Let not the accidents of time fool us. Let us not mistake these temporary puppets for the nation. ‘They will vanish, leaving their names only as mem- ories of the animal origin of mankind, the jungle nightmare in which man once lived before his brain was formed. . For You But not for Me T one time Hearst began a hypocritical patriotic campaign, “Buy American!” It is amusing to recall that in the midst of his shrill clamor for autarchy he himself was importing his newsprint paper from Canada, and importing Italian workers and materials at enormous expense to build himself a regal Roman swimming pool. His slogans are meant to fool the workers; his patriotism is not meant for himself. * When Thieves Fall Out URING the first world war, Hearst was originally pro-Kaiser. He used the mask of a snivelling, hypocritical pacifism to cover his sympathies for the Kaiser, who was his personal friend. His economic interests were also involved in Germany. But when J. P. Morgan and Ambassador Page and 2 host of bankers and businessmen tied up with the allies made Woodrow Wilson see the light, and the George Creels inflamed with lies and atrocity stories the mind of the American masses, fooling some, and blackjackink the rest, Dirty Willie made a quick and nasty flop. He became a super-patriot overnight, and the most rabid German-baiter and lyncher of them all. His newspapers were peppered with hundreds of American flags. His hired brain prostitutes, includ- ing the oily Brisbane, turned out rafts of hate-edi- torials, shrieking for the blood of Germans. What a disgusting exhibition of bald-faced hypoc- risy! It was at this time that the New York Herald- Tribune, probably for competitive business reasons, printed a series of exposures of Dirty Hearst's rec- ord, entitled, “C-c-coiled in the Flag Hearst.” He was cartooned as a venomous rattlesnake, coiled in the American flag to hide his face, and spitting poison and betrayal on the American people. When capitalist thieves fall out, they often tell the truth about each other. . Save America from Hearst tT rotary with interests in Cuba, egged on the American people to hatred of Spain, and an im- Perialist war to seize Cuba. He was accused of in- spiring the assassination of President McKinley, because McKinley was slow about declaring war. * Hearst’s papers in the South approve of the lynch- ing of Negroes. On the West Coast they have led the lynchers against innocent Japanese farmers and workers. Today he is leading his foul pack of bought brains and dollar patriots against the Soviet Union and the American radical workers and farmers. Where- ever there is hate, wherever there is a war on the people, this degenerate millionaire is in the fore- front. And he is the patriot, he says, and he is saving America. But it is our America, and we promise him we will yet save this beautiful land from such despoilers as William R. Hearst. MILITARISM AND FASCISM IN JAPAN By O. Tanin and E. Yohan Introduction by Karl Radek, who says: “The present work is of great scientific and polit- ical value. . .. It uncovers International Publishers, 381 Fourth Avenue, New York. the fuse which leads to the | Gentlemen: explosives in the Far East I am interested in your hidden in the cause of | Publications and would like to receive your cata- peace... reveals concretely | jogue and news of new books. the roots of the military fascist movement in Japan, and the phases of its devel- opment; acquaints the reader with its ideology, organization and the place it occupies in the complex system of forces which determine the basic problems of Japanese imperialist policy. \ CLOTHBOUND, 320 pages, $1.75 ,. INTERNATIONAL PUBLISHERS { 381 FOURTH AVENUE @ NEW YORK, N. Y. Name Address SSE aac oan nN CESSES | LITTLE LEFTY | Se NOW “THAT WE'RE A .RICKETY ALL SET IN cae ABLE AND BNO te : Goin! ro SUGGEST || Somercuauns.| MM Son ricer oreiciaL || SaLWAGED acr- || ROM & | }FiRewooo || #iLe, ANO | |"The PROBLEM | OF FURNITURE 1S ALL * | pain E ea DAILY WORKER, KI0Z LET'S SEND A TO THOSE WHO ARE WORKERS / OK! hears A Sweiu IDER, Parsy Soviets in Spain |\Vividly Recreates | SOVIETS IN SPAIN, The October Armed Uprising Against Fas- cism, by Harry Gannes. Workers’ Library Publishers. Ten cents, . * Reviewed by J. L. R fifteen days the Red Flag flew over the Province of As- turias in Spain. In the ordinary run of life fifteen days are hardly noticeable. But in this short period the foundation of a new society was laid last October. In these two | weeks while bitter fighting raged | throughout the land of Catholic | paratus was set up, a Red Army |created, industries taken into the hands of the workers, land divided |up among the peasantry, and the | people of Spain and the rest of the world shown once more “Why Com- munism,” To a revolutionary worker any publication dealing with a revolu- tion that has been made is exciting, | but “Soviets in Spain,” written in jan easy-going, flowing style, is lespecially welcome. It shows the | miserable conditions of the Span- jish worker and peasant still in a | semi-feudal state in spite of the |land laws of the Republic; it pro- ceeds to the general strike and armed uprising, taking up the causes for the defeat and ending with the victory-breathing procla- | mation of the Party that more than ever shows the way—the Spanish section of the Communist Interna- tional. In 1931 the Spanish monarchy fell under the advancing revolu- tionary tide. As in Austria and Germany in 1918 the Socialist | Party announced the arrival of the |new society. Without blooshed, the Socialists declared, the land would be given to the peasantry, the powerofthechurch broken, indus- try harnessed to the will of the people. The Socialist Party took over the major responsibility for the government. Although the workers gained a bit through the laws introduced by the bourgeois Republic after Alfonso was forced to flee, Comrade Gannes has marshalled a few figures which strikingly reveal the conditions that forced the people of Spain onto ever higher struggles up to the jarmed uprising. The strike figures | issued by the government, although |greatly underestimating the actual |number, admit that 869,000 work- jers struck in 1931; the 1933 rec- ords state that 1,032,000 workers |went on strike, and in the first | | quarter of 1934 more than 1,900,000 workers resorted to strike action | mainly on political issues. Similar figures are given to show the senti- ments of the peasants. There are 3,000,000 landless agri- cultural workers who earn from 50 | to 75 cents a day. Two per cent | of the Spanish landowners own 67 | per cent of the land. The land! laws, so widely heralded in the So- cialist and capitalist press as hav- ing solved the agrarian problem, were farcical; only 10,000 peasants profited even in the slightest de- gree. The Province of Catalonia still was denied self-determination. These were the conditions that drove the Spanish workers and peasants to “storm the heavens.” That they did not succeed this time is not due to their lack of bravery. Comrade Gannes quotes from the capitalist press to prove once again that the rising proletariat fighting as a class is made of the best. Pier sar its struggle reached its peak in Asturias. In other parts of Spain sporadic fighting went on. The revolutionary power of Asturias appealed to the rest of Spain. The appeals are reprinted in “Soviets in Spain.” But a number of fac- tors prevented the whole country going Red. Asturias fell after a bitter struggle. The causes of this defeat of the Spanish revolution were: The revo- lution was not organized. The So- cialist Party, the largest of the workers’ organizations, took up the fight only as a defensive measure, at the last moment. The peasants, a very large factor, were not drawn into revolutionary struggles. The army, made up mainly of peasants, was therefore left to the enemy. Several other important factors are brought out, the most important being the counter-revolutionary role of the anarchist leaders. They con- trolled a million workers and suc- ceeded in keeping the majority of these from joining the general strike. The anarchists denounced the uprising and were the best sup- port of the bourgeoisie. Today the Spanish fascists, led by the Catholic Gil Robles, are en- tor. They are afraid of the shadow of Asturias. In the battle the united front of the Workers’ Alli- ance was put on a firm foundation, The workers and peasants learned valuable lessons. The first battle was lost. In losing it the Spanish proletariat lost its illusions about the Republic, about peaceful development, about an- archist leadership. It gained tre- mendous confidence in the Commu- nist Party. In a word, it gained the pre-requisites for inevitable vietory. In our American fight for work- ing’ class unity we can well use the experiences of Spain, reaction, a Soviet governing ap- | gaging in a frightful reign of ter- | BEING WE ARE ALL WORKERS’ ACCOUNY OF FIGHTIN' FoR “THE 'W YORK, THU True Love! VALENTING IN JAIL ON ARRIVE RY Revolutionary Dancer Spanish Uprising Kinest Work at Sunda ® | Huge Theatre Taken! | for Daily Worker | Benefit | By LEE STANLEY iO LESS than five years ago, it | seemed unbelievable that hun-} | dreds of thousands of workers would | | support the revolutionary dance. Yet | in three years, the Workers Dance | League has managed to have its members, either as soloists or groups, perform before approxi- mately a mililon workers in New! | York alone, at strike halls, workers | clubs, trade union halls, workers’ benefits, united front affairs and |on the recital stage. What kind of dances did these workers see? | Spir- | itual revolutionary marches and folk | dances, witty satires on the bour- | | geoisie, dances based on current so- | |cial and political themes, dances | dealing with broad international is- sues, dances of courage of the mili- | tant proletariat, dances of sorrow | j;at the loss of comrades killed in| \class battles, At all times, these elements in ee revolutionary dance are ap- | |parent; strength, militancy, and an | unquenchable desire to make the | dance not a namby-pamby expres- | sion of personal, mystic, or pretty |emotions, but a vital art concerned | |} with the problems of the day, and | |determined to find inspiration in the rich material afforded it in the | struggles of workers for freedom all lover the world. | | On this broad basis, the Workers | SDAY, FEBRUARY 14, 1 Cc RFYER LOTS oF “THINKING , HEAD = SCRATCHING, AND DISCUSSING He “TAREE FiNaLLN y Recital Center Theatre, February 17th, modern. Its performances in New York City on the concert stage have been acclaimed not only by our en- thusiastic revolutionary audiences, but by a vast public composed of hostile as well as friendly intel- lectuals and members of the bour- geoisie, el ars. €: T ITS first recital of this season, for the benefit of New Theatre magazine, the solo dancers in the League presented a program of such revolutionary interest and artistic importance that thousands were turned away at the doors. The out- standing bourgeois dance critic in America, John Martin, of the N. Y. Times, states openly that these young performers were the most Tamiris and her group, who will be among the performers at the | on Sunday, Feburary 17th, the high point of the season will be |reached. The League, to aid the | Daily Worker in its drive for funds, | is giving a gala performance of its outstanding dances at the Center Theatre at Rockefeller Center. This \affair is arranged in conunction with International Theatre Week, and | the Eastern Council held by the ; League that weekend. The solo | dancers, Miriam Blecher, Nadia Chilkovsky, Jane Dudley, Sophie | Maslow, Lilly Mehman, Irving Lan- sky, Add Bates, and the New Dance | Group, The Dance Unit (formerly |the Theatre Union Group), and Tamiris’ Group (appearing for the first time with the League), are ;Dance League has enrolled in its | promising dancers not only in the presenting their finest works. The’ ranks over 1100 individual members, | revolutionary movement, but in the | Workers Dance League feels this re- and 30 groups in the United States, jin New York, New Jersey, Illinois, owing week, the repeat program on | entire field of the dance. The fol- cital will show the tremendous prog- ress the organization has made in | Washington, ° California, Michigan, | Broadway for the Benefit of the| the brief period of its existence, and Connecticut, Massachusetts. | established |the dance; Of Burck Unforgettable Recor d) of Class Struggle in Cartoons HUNGER AND REVOLT: Cartoon by Burck, limited de-luxe edition, published by Daily Worker, 248 pages, large folio size, 8’ by 11”, Reviewed by WILLIAM GROPPER | JHEN I was asked to write a re- view on a book of cartoons Hun- |ger and Revolt by Jacob Burck, I, did not feel so happy about it, in} fact I gave all sorts of excuses, What-the-hell—I can’t write, and | besides I hate reviews of books and plays, they’re like obituary notes, | well that I can’t be objective, I know that Jake wouldn’t do it if | the situation were reversed, and} whatever one artist would say about | another, should it be praise, people would think, Ah, mutual admira- tion society. Should it be critical: Yea, the guy's jealous. And so it | went on until I cved in. We all see and know Jake Burck's cartoons in the Daily Worker. It is a feature that gives the reader at a glance, and without much read- ing, a picture of the political, Marx- ian, theoretical and editorial com- ment on the events of the day. | There are people who can’t read through long theoretical editorials | or sermons (you'll find these people cartoonisis and editorial writers) but everybody looks at pictures and cartoons. So there it is on the back page every day, staring you in the face whether you like it or not. It’s a tough job drawing a car- toon every day, the actual making! Job’, Says Gropp It has | League of Workers Theatres was so|on the strength of these performers Classes in all forms of |crowded that the Fire Department | and performances, will broaden the tap, ballet, social, folk, | halted the sale of standing room. plans for the future. er ’s‘H unger and Revolt’ “6 |Fine Edition Brings Out Qualities in s to Show Drawings WORLD of the MOVIES POWER, a Gaumont-British pro- duction, directed by Lother Men- | des, featuring Conrad Veidt. Now | | playing at the Acme Theatre. | . * * Reviewed by DAVID PLATT HERE are plenty of anti-Semitic touches impres: Feuc! in Gaumont - British’s sive if gruesome rendering of atwanger’s book. Here a film, interesting as it is, that subtly confirms what the Nazis are always saying about the Jews being the) real powers behind the throne. Joseph Susa, whatever the inten- tions of the preducers or the authors were in creating him, is a character- ization of an over-ambitious power- mad Jewish financier that cannot | help but provide fuel for the rage of the Black and White shirt bri- gades against the Jews they hold responsible for wars and crises. Suss, very cleverly played by Con- rad Veidt, is puffed up as an heroic example of the brotherhood-of-the- ghetto type of Jew, when he is noth- ing, as the picture reveals through- out, but the worst kind of enemy of the Jews. A staunch pillar of | shaky empires, Suss is convinced early in the film that he can best |serve his race, can best show the world that the Jew can rise above |the ghetto, by maneuvering himself |into increasingly higher positions of | power, from where, at the tip top, | it will be simple to lead his people towards the pyomised milk and |honey. And it is through Suss’s leyes, glaringly trained on position and power, and away from the needs of the people which to him are spiritual, not material necessities, | that we are asked to study mid- eighteenth centry ghetto life in Germany. | Naturally the picture produced is | |the typical cinema version of Jews with unkempt beards, waving hands, heavily accented speech and a | money-grabbing menace to the gen- | | tiles. Only Suss is free from these | \defects because later on he has to find out that he is a Christian, not | a Jew. All these things the pro- |ducers tried to counter-balance by showing certain gentiles in their | true color but not sufficiently to leave at least a neutral impression |of the Jews as a race. “Power” is a well-made film. This | much we can say. It is impossible |not to be impressed with the bril- \liant acting of the Gaumont-British | Players, or with the power of cer- | tain individual scenes in the film. | | But as a whole, the film is colored | with anti-Semitic sentiment of the kind that will send Nazis and anti- | is British Labor Party and the labor party which \ liberty lovers en masse to see it. and these cartoons must be drawn However, this is not meant forthe fast under such conditions, the car-|reader to stay away from the pic- | toon must be ready at a certain | ture, but it is a warning to watch | hour in order to have it back from! it carefully and not be taken in, the engraver in time for the paper. It is impossible for anyone to keep up a high standard of work under \such pressure. And to have this and why ask me, I know Jake so| ‘ THE CLOAK (From Hunger and Revolt) of the drawing is not difficult or unpleasant. But to have to make this political cartoon daily on short time, the job of getting the subject to tie up with the editorial, and the creating of the ideas either alone or with fellow-workers, to be constantly aware of any political errors, the getting down to work in a dark corner, cramped with desks and typewriters banging into your ears, work gathered and put into book Chicago Revolutionary ‘Theatre School Opens | form is a daring thing to do. When I got a copy of the book, it was the biggest surprise I had in years. Second Term on Sunday CHICAGO.—The second term of | the School of Revolutionary Thea- ET me tell you that those same ter, sponsored by the New Theater daily drawings look entirely dif-| vi x ferent in this book, Hunger and | Loeue Re Ghieeeo) All Open ea Revolt. It is beautifully gotten out,|1@¥, Feb. 17, at 20 East Ontario the printing on good paper brings | Street, with an informal reception | out the soft greys and blacks of the| to meet the teachers. Prominent | drawings that are entirely lost in| theater professionals of the middle | the daily newspaper. What sur-| west will offer trai ing in all phases | prised me most was that the|of the theater arts to an enlarged drawings are of a high standard.| student body. Beginning its first | | The book is arranged in eleven sec- | term last fall with a curriculum of | tions, with introductions to each | three courses and an attendance of | section by a famous experi, although | 35 students, the School of Revolu- | I personally don't think that the|tionary Theater now offers six | long-winded writers that have to) courses to young workers who wish | write more than one page to tell| to equip themselves for the theater their story add very much or are in |f class struggle, and expects to| tune with the snap and vitality of | double its student registrations. ; the cartoons, fortunately they are| Ralph Schoolman, now playing | very few. Each section is very well the lead in Judgment Day at the arranged, a complete story in itself Jewish Peoples Institute Players, | os. with a happy ending. It’s a book worth having. It’s the story of the class struggle in cartoons. It's a book I’m compelled by enthusiasm to praise, but god-damn-it I told you I didn’t want to do it. Jake, here are my congratulations you've done a swell job. Anti-War Struggle Feature Of Internat’l Theatre Week International Theatre Week, Feb. | 15 to 25, will be celebrated this year with Theatre, Film, Dance and Music productions, and its program of struggle against fascism, war and censorship will be popularized by the New Theatre League (formerly ; the League of Workers Theatres), through its lecture bureau. Inter- esting speakers are being sent out during this week to all organiza- tions, meetings, affairs, etc. All or- ganizations, that have not already done so, should put in their request for a speaker immediately to the lecture bureau of the New Theatre League, 114 West 14th Street (CHelsea 2-9523). Get your club, fraternal or mass organization to elect a committee to plan activity among the mem- bership in the Daily Worker drive for 10,000 new daily and 15,000 new Saturday subs, February Communist Contains Resolution Of Central Committee “Profound changes have taken Place in the U.S, A. in the re- cent period,” begins the Resolu- tion of the Central Committee of the Communist Party which met last month. “The transition of the crisis into a depression of a special kind, lasting already two years, did not bring pros- pects of an upsurge in the econ- omy of the country... . At the same time, there is a leftward swing of the working class and an upsurge of the strike move- ment... .” The Resolution is printed in its entirely in the February issue of “The Communist,” making this issue of outstanding interest and importance. It traces briefly recent developments in the U. S. and proceeds quickly to “lay down its tasks on three most import- ant questions—the trade union question, the united front, and the question of the possible for- mation of a mass Labor Party.” | WorkingWoman tolssue Special Edition Mar. 8 | | The Working Woman announces |that all orders for the special March (International Woman's Day) issue of the Working Woman, sheuld be sent in before February 20. Although additional zines are being printed with every issue, those who have been order- ing late find the magazines en- tirely sold out. The March issue, the biggest issue of the year will have many attractive features and articles, among them the last in- stallments of “Stockyard Stella,” If you want to make sure your organization, shop, or union, is. suf- ficiently supplied with copies for March 8 (International Women’s of twenty-five or more copies cost three and a half cents per copy; from five to twenty-five copies cost fouz cents per copy; five copies and |under, five cents per copy. The |subscription price is fifty cents a year. The address of the Working Woman is 50 East 13th Street, New York. N. ¥, maga- | Day) meetings, order now. Orders | | will teach a class in acting. Nich-/| \olas Tsoukalas, well-known dancer, | | will instruct in body movements. | Louise Hamburger, professional dra- matic reader, will offer voice train- ing. William Heitler of the John | | Reed Club will teach playwrighting, jand Henry Lyons of the Theater | Collective will lead a laboratory |class in make-up. George Mann, |former star of the University of |Chicago Dramatic Association, now writing his master’s thesis on A Marxian Approach to the Theater, | will lecture on the Social Basis of |the Theater. This last is a required |course, which every student will |take. Tuition is 75 cents per course |for a 12 weeks term. For further | information, or registration, com- municate wtih New Theater League, |505 S. State Street, Chicago, phone Webster 4122. “NEWSBOY” IN CHICAGO “Newsboy,” outstanding revolu- | tionary play which won first prize | in the national competition last spring, will be presented in Chicago by the Theatre Collective at a work- ers “Chauve Souris” at Peoples Au- ditorium, 2457 W. Chicago Avenue, on Saturday, Feb. 15. | Stanley Burnshaw, prominent | revolutionary critic, has said of the play: “After having seen it six times, this reviewer still can find fresh meanings and—what is more |remarkable—increased pleasure with each performance.” As produced by the Workers Laboratory Theatre in| New York, the play thrilled all | AWworkers who saw it. | 1:30-WEAP— Page 5 Questions and Answers This department appears daily on the feature All questions should be addressed to “Ques- East page. tions and Answers,” c/o Daily 13th Street, New York City. * . The British Labor Party Question: What are the differences bet Worker, 50 Communists propose to the workers?—E. O. B. Answer: The British Labor Party is under the leadership of reformists, They practice class cole laboration the class s z These re Ls ers are in the forefront of the fight against the united front of the workers. and in every way hinder and class. sacotage le of the worki They attack the British Com: st Party and its efforts to di lop united working class actions. Within England, and internationally, they block the fight of the workers against the developing menace of sm and war Communist Party will do its best to keep the movement for a labor pay. from being side-tracked into class collaboration by such reform- ist leaders. It will fight for a labor party with as e trade broad a base as the British Labor Part | unions and all But in condy wor the very indeper 's’ Mass organizati at tk collaboration id We must keep them from putting them- selves at the head of the labor party and steering it into safe” channels iples, by par By Stressing class uggle y class battle of he militants z the Commu- the workers to a labor party which will not produce the American equ ent of Rame- sey MacDonald. Is the Communist Party Retiring? Question: Is it an admittance of defeat by the Communist Party to retire from the field in favor of a Labor Party?—Sympathizer. Answer: The Communist Party is not retiring from the field as a political p: On the con- trary, by participating in a broad labor px with a class struggle program, the Communist Party will be able to spread its influence and principles among millions of workers, and lay the basis for winning these masses to its own revolutionary posi- tion, As Comrade Browder has pointed out, “We cane not win millions of workers directly into the Com- munist Party overnight. But the time is ripe to launch a labor party that will fight for the imme- diate demands and interests of the workers. In the struggles around these immediate issues, the | Workers will soon learn from their own experiences that it is the Communists who carry these struggles forward in the interests of the workers. They will come to understand that in addition to fighting for the realization of immediate demands, they must organize and prepare for the overthr of capitalism as the only real solution for their problems. Their experience and tivity, in the struggles around the class struggle raised by the labor party, will lead them to the Communist Party and its program, as the only way out for the American working class, . r Prosperity Notes By HARRY KERMIT NEW YORK—FPailing eye-sight, a faltering hand and the lack of governmental concern for the ‘aged have sent 84-year-old Alexander Rudolph to the Harlem Hospital in a starving condition, For the past twenty-five years the old man had supported himself by repairing furniture in the cellar which is his home at 105 West 142nd Street In recent months the aged worker found he could no longer earn his own living, and neighbors brought food to him to keep him alive. Harassed by their own needs, the neighbors forgot about him for sev- eral days. Finally the old man, too proud to beg for food, crept upstairs to the flat of another worker to ask for matches for his stove. The latter noticed his emaciated state and summoned an ambulance. In the hospital it was said that he was seriously undernourished, The city authorities have promised to place Alex- ander Rudolph in a municipal home—if he recovers. CHICAGO, Ill.—Frederick Dinkelberg, just another poverty-stricken old man to his neighbors, died here several days ago in a dingy tenement flat. It was a characteristic capitalist tribute to one of the world’s famous architects. Dinkelberg was the architect of America’s first skyscraper. New York's famous Flatiron Building, which he designed, still stands in its grandeur at Fifth Avenue and 23rd Street, in the heart of New York City. The aged architect—he was 74—had been on the relief rolls of Chicago for several months before his death. Completely destitute, his wife informed the police she had no money to pay for his funeral, The ill-ventilated and squalid flat in which Dinkele berg died was an ironic contrast to the sunlit and soaring buildings which his architectural genius created. TUNING IN 6:45-WEAF—Billy Batchelor— | | WABC—Johnson Orchestra; Sketch i Edward Nell, Baritone; WOR—Talks and Music Edwin C. Hill, Narrater WJZ—Lowell Thomas, Com- | oe a see i awenvatys | WOR—HiNbilly Music WABC—Beauty—Margaret W3Z—Death Valley Days— Brainard Sketch WABC--Gray's Orchestra; Annette Hanshaw, Songs; Walter O'Keefe 9:30-WOR—Little Theatre ‘Tournament WJZ—Cyril Pitts, Tenor; Ruth Lyon, Soprano 6:55-WABC—Press-Radio News 7:00-WEAF—Recovery and the National Budget—E. Ro- land Harriman of National Economy League WOR—Sports Resume—Stan Lomax Wile Aisi: uit Andy a WABC—Waring Orchestra Sketch 10:00-WEAF—Whiteman’s WABC_Myrt and Maree— Music Hall: Helen Jepson, Sketch Soprano, and others 7:15-WEAF—Jack Smith, WOR- Gary, Baritone Sones WJZ—Sitring Ensemble WOR—Lum and Abner— 10:15-WOR—Current Events— Sketeh HL E. Read WJZ—Concert Orchestra 10:30-WOR—Eddy Brown, WABC—Just Plain Bill— Sketch Vielin WJIZ~-Taxation—Harold instrel Show WOR—The ftreet Singer WABC—Nick Lucas, Songs Shoup, Celumbla Univers 1:45-WOR—Comedy; Muset sity. WIZ—Nichels Orchestra; WABO—Stevens Orchestra: Ruth Etting, Songs; entiecy, Speaker, Lawson Rebert- WOR—News son, Track Coach, Univ. of Pennsylvania WABC—Boake Carter, Com- mentator 8:00-WEAF—Vallee's Varieties |- ‘WOR—Little Symphony Or- chestra; Philip James, Conductor; Gertrude Mit- telmann, Piano | WABC—All-Girl Orchestra and Chorus, Direction Phil Spitalny 8:15-WJZ—Traffic in Arms Senator Gersid P. Nye, of North Dakota 8:30-WJZ—Red Trails; The Fangs of the Wolf— Slated WJZ—Siry Orchestra WABC—Little Orchestra 11:15-WEAP—Jesse Crawford, ‘Organ WOR—Moonbeams Trio WJZ—Broadcast From. Schooner Seth Parker 11:39-WEAF—Dance Music (Also on WABO, WMCA, ‘WOR, WEVD) Wiz—Attairs Affecting Exe Service Men—Representas tive William P. Connery Jr., of Massachusetts; James B. Van Zandt, National Commander, Veterans of Foreign Wi U. 8. Navy Band