The Daily Worker Newspaper, December 4, 1934, Page 5

seem to attract the best elements on every campus, and at Dartmouth, - to lead, in @ united front with the League for Industrial Democracy, RPaPaGaGieg PHILADELPHIA, Pa. —THE— || WORLD! —— By MICHAEL GOLD OMEWHERE in Massachusetts: And now this old train is puffing and groaning through the state that mur- dered Sacco and Vanzetti only a short century or so after it had begun a revolution at Bunker Hill! : I am returning from Dartmouth College, another speaking stop on this tour. The night before that it was Smith Col- lege and tomorrow night it is the University at Syracuse. There is something attractive in talking to these college gather- ings. You feel.a quick, fresh response in the audiences: they are quick on the uptake, and like humor and color in their speakers. Of course, it is a minority that is seriously interested in any problem other than football and dances at these American colleges. Here one doesn’t find a mass of militant students, ardently concerned with the destiny of the human race, the fight for liberty, all that life and death struggle for a better world that some esthetes sneer at as “poli- tics.” No, these students aren’t as mature as the students of South America, or Europe, or the Orient. The American college was built in the medieval tradition, far from the centers of industry and struggle, Culture was consflered by its founders, most of them theologians, as something remote from the work-a-day world, like religion. Dartmouth College is as removed from reality as a medieval monastery, In the tales of Boccaccio, Rabelais and other historians, however, we learn that the monks had improvised sufficient amusement to compensate for their lot. These husky college boys, stuck away here in the beautiful New England hills, also see to their fun. You get @ feeling from some of them as if they were sitting on top of the world. The depression, the new world war looming on the horizon, unemployment—all these things exist on some other planet. Life is a glorious country club, and father pays all the bills. You almost envy them for a moment, until you remember that every one of these cheerful good-natured lads, yes, every one, is due for the most bitter disillusionment. For they will graduate into a world that will let no man take his comfort, be he poor or rich, a feeble-minded plute or a hungry- minded pleb. Many of these boys are ripening for the fascist storm troops, but many of them, also are waking to liberalism and Com- munism. * * Islands of Democracy e u ie old democratic tradition of New England was a fine thing in its time. When one meets it incarnated in some odd member of the old stock, occasionally, it furnishes almost an esthetic thrill, so perfect does it seem. Dartmouth College, like Smith College, still has an hereditary trace of this old New England liberalism. There is no R.O.T.C. here, training officers for the next capitalist slaughter, A free discussion of political and economic problems still goes on. When the depression deepens, these islands of the old democracy will undoubtedly be swamped in the dark, bloody ocean of fascism, as was the case in Germany and Italy. Meanwhile it is good to breathe their bracing air. . . . Some Mossbacks Are Horritied! EPRESENTATIVES of every sort of political and economic group are invited here to speak. The National Students League is active in stimulating this, of course, but the college itself has a fund for such purposes. And it was the Dartmouth college authority itself that invited the Mexican painter, Orozco, to paint his famous murals on the walls of the cellar of its library. A few mossbacks have already protested against these murals, though they happen to be about the finest and most powerful examples of the dynamics of the pictorial art one can find on the American continent. This Orozco is one of the great masters of our time, but he also hapvens to have a terrific, if sometime confused, hatred of the capitalist system. So no wonder conservative old Dartmouth graduates are amazed when they come back and see what has happend to their chaste walls, For here Qrozco has painted a flock of mean predatory buz- zards with white ecclesiastical collars around their ruffs. Another section pictures a group of capitalist educators in all the colored gowns of Oxford, Cambridge, Harvard and other famous universities. The Scholar’s gowns are good to look at it, but the things wearing them are skeletons. And out of a disintegrating horrible skeleton, capitalist society, a horrible embryo, a college graduate, is being still-born. Around the operating table are many glass jars of alcohol in which are pickled other embryos, complacent in their decay, and wearing the student mortarboard of a new graduate. ® * . The Babbitts Are Comforted {ee murals are a history of the American continent. The invasion of Indian America by the European imperialists is shown; and the terror and death they brought. There is the rise of the great fortunes, bankers hugging their gold coins, while drab school children gather around a school-teacher equally drab, and can find no life. And here at the end, after other such scenes, one finds the strength and beauty of working-class construction, and a thoughtful giant worker in overalls, studying a pamphlet, If you are ever in New England, Dartmouth is worth making a Pilgrimage to, to see these murals. There are many such pilgrims, already. Who knows, some day Dartmouth may be remembered as the college that permitted Orozco to paint his revolutionary murals. But it comforts the babbitty old grads that these murals are in the cellar of the library, where not too many of the students come, since it is a study room, and only a minority goes there. Now if it had been the gymnasium! . * * The National Student League 4 kanal NATIONAL STUDENT LEAGUE has become a remarkable organization that in a few years has redeemed most of the Amer- ican colleges from their chronic dry-rot. College is almost worth going to, if only to help in the fight this youth is making. They as at other colleges, it is a stimulating experience to come into contact with their members. In three short years, as Theodore Draper points out in the New Masses, this League has become national in scope, and powerful enough a demonstration against war last April of some 25,000 students. That is a big percentages of the total student body in America, Draper thinks the students are a focal point for winning the middle class over to the workers, a process that has already begun. The American League Against War and Fascism, I have discovered on this trip so far, seems to me an equally important organization in this task. It has real possibilities for becoming a mass united front organization, something like the eople’s Council during the last war, which contained, as I remember it, almost a million adherents. Some reactionary Socialist leaders still block such a united front, even in the face of immediate danger of war and fascism. But they can succeed as little in this as did John Spargo or Upton Sinclair in their attempt to convert the rank and file of the Socialist Party to ‘Woodrow Wilson’s liberal war. THERE MUST BE A SILVER LINING! Nothing is credited to Michael Gold today, Total—$708.20, Quota—Si,000. t contributor each day, Mike Gold will present an autographed fers without Money,” or an original autographed manuscript of * column. 200,000 HAVE CHEERED stevedere Coming—Monday, December 10th GARRICK THEATRE Juniper & Chestnut Streets © Benefits United Workers Organiza- tions - Tues., Wed., Fridsy eves., Dec. 11, 12, 14 - Tickets on sale at Workers’ Book Shop, 46 North Eighth St. “EVERY WORKER IN PHILADELPHIA SHOULD SEE IT.” —C. A. Hathaway. | Workers’ School News from East To West Coast OVER THE TOP When the students of the New York Workers School were informed three weeks ago that they were lag- ging in the Daily Worker-National Training School Drive they pledged not only to fulfill their quota ($1,500) by December ist but to go over the top. No efforts were spared to achieve this end. The Socialist competition among teh classes and students was intensified to such a degree that on November 29th the drive committee proudly an- nounced that the quota had been filled. Over $1,600 has been colected to date. When the collection lists still outstanding are sent in the final figure will be found to be much greater. The School is overjoyed at hav- ing gone over the top so creditably. The students feel proud of their achievements. They correctly con- sidered their activity in the drive as an importdnt phase in their training. The Shock Brigade Classes and Shock Brigaders in the Drive will receive their prizes on December 8th when the School will wind up a most successful Fall Term with a dance The dance will be held in the School Auditorium, 35 E. 12th St., 2nd floor. The Chicago Workers School, 505 S. State Street, is conducting a series of Sunday night Forums on current topics. In preparation for the winter term registration, the Brownsville Workers School, 1855 Pitkin Avenue, Brooklyn, is making arrangements to accommodate a greatly increased enrollment. Registration will begin December 10th. WORKERS SCHOOL IN MILWAUKEE Registration is now going on at the Milwaukee Workers School, 113 East Wells Street. Courses to be giv- en are: Communism, Marxism-Len- inism, Political Economy, Trade Union Problems, Organization Prin- ciples, and many others. A special course for boys and girls from the ages of 11 to 15 will be given in Science and History. The terms begins December 10th. The comrades are confident that this newly organized Workers School will be a great success. A ROCKFORD, ILL. WORKERS SCHOOL A very successful conference was held last Sunday to discuss and out- line a plan of action for the estab- lishment of a Rockfozd Workers School. The conference decided to go out and raise funds, committees were elected and everyone at the conference was very enthusiastic. Classes in Principle of Commu- nism, Problems of Trade Union Work, Organization Principles and History of the American Labor Movement are to be taught. Classes will be given three nights a week, for ten weeks. SEATTLE WORKERS SCHOOL OPENS WINTER TERM The Seattle Workers School, 202 Collins Building, started its winter term on Monday evening, December 3rd. The term will last 12 weeks, For the present, five courses will be taught. Fundamentals of Commu- nism, Marxian Economics, Party Or- ganization, Trade Union Strategy, Labor Journalism. A good deal of intezest has been shown by workers’ organizations and indications are that the size of the enrollment will be encouraging. Registration is now going on, 25 cents for a full twelve week course in any one subject is the fee for those who are unem- ployed and $1.00 for the employed. CINCINNATI WORKERS SCHOOL OPENS DECEMBER 10th. A program of education for the class struggle will be offered for the first time in Cincinnati when the Workers School opens there on Dec. 10th with a series of courses in the Principles of Communism, Party Or- ganization, Trade Union Problems, etc. School quarters are centrally located at 189 Opera Place. A drive for 100 students is now in progress At the same time, a drive for a $600 Sustaining Fund is being conducted vigorously. Friends of the School are urged to send in their contributions now to 139 Opera Place. The New York Workers School is making the necessary prepara- tons for the expected over-flow registration the coming Winter Term. Registration begins Dec. 10th. In view of the expected rush students are urged to register early. SH!!! Little Lefty and Peanuts have something up their sleeve, but won't divulge their plans. “It’s gonna be next Sunday,” was all Del could get out of them. School Teacher $ 1.00 Pioneers—Mother Mooney ‘Troop 2.00 261.49 264.74 Del will present a Deautiful colored portrait of his cartoon characters avery day to the highest contributor Little Lefty A LETTER FROM MY Mom To You, Miss” | | | Unit Assignment By EDWI N ROLFE Now the beginning: the block divided, I choose my tenement, press bells that do not ring, ascend by feeling where no lamps shed light to guide a stranger and am led by banisters toward a Again a futile bell. door, I knock, hear the scuffling through the wood, a voice gruff and questioning. Enter, Am home. “This is my block,” I say. “Just four doors down. I explain. It is. “And this,” he says “is my wife, and this my son, my daughter. Here is the living room.” He clears the best chair for me, momentary host, the family curious, my son, my daughter—gather proletarian; around ‘me, listen to the familiar word Communist falling from unfamiliar lips. Strange, too, they must have mused, its sound is good when he says it and what he says it means is good. The evening passes quickly: tea is drunk from glasses, cups, an old cheese jar. My host, John Winter, fifty-four, asks questions, listens, deep in thought. I tell him what I know, I cite stories in The Daily, demonstrate items killed, never to appear elsewhere. “What is this?” he asks— the word unity is in his brain. My son, my daughter listen too. They who were most suspicious now join us, and all I say enters them in images of food, of job, the wanted weekly pay. They too see what I mean is good. ‘The skyscraper bells ring out eleven. T leave a copy of The Daily. Am asked again to spend an evening with them. Rise. John Winter walks me to the door, holds my hands in his a moment, saving good night. “These things you were saying— They're good.” He fumbles for words. “I shall return,” I say. | WORLD of the THEATRE Romantic Treatment of Imperialist Buccaneer GOLD EAGLE GUY—4A play in five scenes by Melvin Levy; presented by the Group Theatre, Inc., in association with D. A. Doran, Jr., at the Morosco Theatre, directed by Lee Strassberg. Reviewed by LEON ALEXANDER GREAT many of our readers will probably see this play in the next few weeks when various labor organizations have planned benefits at the Morosco Theatre; they may be impressed with the sur- face excellencies of the play and disagree with this estimate. I feel, therefore, that I owe both the au- diences and the Group a careful, ertical evaluation, even though it may involve a statement of ele- mentary ideological and critical con- cepts. The author, Melvin Levy, has chosen to deal with the turbulent, formative period of American im- perialism, and to tell his story in the terms. of one man’s rise to power. That man is “Gold Eagle” Guy Button who begins in 1862 as @ seaman, decides early in his life that he will be a rich man. gains possession of a small steamshin line in 1864 and through continuous ag- Brandizement bulids that small company into the “Gold Eagle Steamship Company” which by 1906, when the play ends, controls the commerce of this country with the Orient, A truly magnificent theme. The play is not therefore bad in the sense that the average Broadway offering is. Its story at least is not trivial and shopworn. But hav- ing chosen a significant theme, the author and the producers have turned it into an incompetent, swashbuckling romantic play. Every significant and important social factor has been omitted for the sake of far-fetched, violent episodes which strain probability to the breaking point, * . QUY BUTTON emerges as a unique figure, a solitary phenomenon, a freak, a sport of nature. Nowhere do appear woven into the texture of the play, dramatically expressed and not merely talked about, those social circumstances that made Guy Button possible. There were other men in that period, equally grasp- ing, equally ruthless, who were creating even vaster industrial em- pires, and with whom Guy Button must have come into contact, fought and compromised with. There were the speculators, the gamblers, the vultures who during that period tried to grasp into their hands every rising industry of the young nation. There is nothing of them in the story which Melvin Levy has writ- ten. Guy Button lives and acts in a historical vacuum composed of magnificent sets and costumed Puppets. And what about Guy Button’s relations to the workers who manned his ships, his docks, his Warehouses? What was the effect (Reprinted from The New Republic) upon them of the crisis of 1879 which almost wrecked the financial structure of San Francisco, and from which Guy Button emerged @s a banking power? What were their dealings with Button in that time of suffering, of unemployment, of starvation? The workers are never seen, and only vaguely heard of, in the third scene. | But the worst of Melvin Levy’s omissions, one that amounts to a misconstruction of history and which carries with it some dan- gerous implications, occurs in the fourth scene. This is the badly told story of Guy Button’s struggle with the newly-risen competition of Jap- anese shipping interests, subsidized by the Japanese government. Seek- ing a short cut to the creation of a shipping industry, the Japanese | offer to purchase Guy Button's fleet, jor threaten ruinous competition if he refuses. The harm done in that scene lies not only in the portrayal of the Japanese—the author makes of him a stock, oily Oriental, that Scarecrow created by the “Yellow Button stands forth as a forthright American business man—but, by omission, we are left to imply that the U. S. government adopted a hands-off policy, and remained strictly neutral in a conflict that involved the control of the Pacific. Guy Button stands staunchly alone against the Japanese government— and to save his skin, he is com. pelied to rob his own government Of some three million dollars in gold bullion in transport on one of his ships, and to sink that ship and its crew to hide his theft! (ols ane 9 | hype LEVY disingenuously tries to disarm historical criticism with two lines in the program: “For the purposes of drama, the author has taken liberties with cer- tain historical facts in reference to people and events.” However, the question is not one of strict historical veracity; there is a historical truth thai goes deeper than dates and events. ‘This truth, in a play, lies in the full aware- ness of those social forces and con- flicts that have shaped a period and the people of that period, and in the dramatic communication of that awareness. That is whet we had a right to expect from “Gold Eagle Guy,” and that is what is completely missing from it. pais wai E A play dealing with such a long and important period, we might also have expected from the author a whole gallery of significant fic- ures; Melvin Levy has not drawn a single, full-length portrait to re- member, not even Guy Button him- self. Even he is depicted only in terms of one or two traits, one or two impulses; he does not emerge out of this two dimensional plane as a flesh and blood human being. The other characters are only vague and bare outlines; worst of all are the women. Jessie Sargent, whom he marries and then neglects, and the “Divine Jewess,” Adah Menken, with whom he falls in love at first sight and whom he pursues almost to the end of the play as an elusive vision of ful- Peril” theorists, while by contrast | AILY WORKER, NEW YORK, TUESDAY, DECEMBER 4, 1934 * December Issue Of New Pioneer Lively A s Ever THE NEW PIONEER. December, | 1934. Five cents. | Reviewed by | ELLA REEVE BLOOR HE current number of this |* magazine for children fulfills its jestablished reputation, as being |‘“just about the best achievement along the lines of magazine publi- cation we have registered anywhere Letters from important critics in countries inform me: “The ‘grown-ups’ like the New Pioneer so much we read it all, from cover |to cover.” Some of our own comrades fail to realize, however, just what the coming of this magazine means to | bux reds of children, eager, in- teMgent, boys and girls. First, how jolly and attractive the cover looks, with Lefty and his pal! |Then the older ones will read every word of Jack Parker's story of the |Life of Dimitrov. Real history, in la popular style without the fault |SO many writers have of “talking jdown” to young folks, Jack takes it for granted he is talking to un- |derstanding, wide-awake boys and jgirls. | Next comes Comrade Amter’s |story about Social Insurance. When |I saw the title it seemed almost too \dry for youngsters—but lo and be- hold! Comrade Amter knows how \to get attention. He starts off like \this: “Look at Dad's face! How can he smile when he cannot get a job?”, etc. Then Bill Gropper’s Mother Goose pictures for Pioneers Jare certainly funny and original, jespecially with “The N. R. A.”, | “Cock-a-doodle-do!”, “No dinner, |no dollar, a threat and a holler” verses by Ned Donn. “The Order of the Miraculous Star” by Tulisha Dorsy reveals the fact that our young writers will| soon be sought for by the New |Masses. They certainly can pro- duce thrills. Victor Cutler, a boy I used to know in Los Angeles, went to Mos- cow this Summer. We met him on |the boat coming back from France. |He was just bursting with enthu- |slasm about the youth of the| |U.S.S.R. and their cultural achieve- ments. He tells in the December |New Pioneer the interesting story of the play “MIK,” given at the Moscow Children’s Theatre. |. The prize Christmas poem by | Vera Eisen, 13, ends with a plea | for a real United Front of children: | | “Gentile and Jew Negro and white | All in a mass We will unite For free food we will fight And we won't stop 'til, | yes you bet! "Til the U.S.A. is Soviet!” | Then there is a News Story, a jreal feature story, “Fired!” It is |the story of the teacher Sylvia/ |Ettinger who was fired for feeding jhungry children. Letters tell this} story, chiefly the letters of the| children. Their letters to Mayor) LaGuardia form a very vital part of this vivid sketch. There is the usual excellent “Science and Nature” and letters of grecting to Canada and Cuba. Bright brief stories from our own| Pioneers enliven the DEAR COM-| RADE EDITOR page. Then there/ is a book list for children. “Laffs” sent in by the children| themselves — really funny wise| | cracks—and other features, plus an| attractive make-up, make a very good issue of our New Pioneer. We older comrades can surely see to it that every child we know has a copy for Christmas. | | fillment and happiness, do not| stand out from the general back- | ground even as shadows of reality. | For this bad play, Donald Oen- | sleger designed imaginative, mag- | nificent_ scenery, built on varied levels. These settings should have | inspired Lee Strassberg, the direc- tor; there were endless opportunities on these cleverly contrived levels for forceful and significant group- ings. But the director makes almost no use of them, except as decora- tion. A case in point is the sweep- | ing staircase in scene three. It | stands before the audience for a good thirty minutes, dramatic in| a way the play never is—and the| only use Mr. Strassberg can make of it is to have Guy Button sur-| reptitiously walk down once upon | it. The acting of individuals of the | Group was in general uninteresting, composed, like the play, only of; surface minutiae; the groupings | were routine and unexciting. Brom- | berg’s show of robustness and | strength looks more like petulance | in the first scene. He grows in| stature in the second and in the) third, then frequently overacts for the remainder of the play. Even in his best moments, we never for- get Bromberg the actor under the| makeup of Guy Button. | HAVE been harsh with this play. | I might have been kinder if) another, less important theatre or- | garization had produced it. But | the Group Theatre has expressed serious esthetic and social pur- poses. When they stray so far from their expressed standards in their choice of a play and in its production, it is time for them to halt, and to analyze the causes of their failure in the basic terms of their conceptions of the theatre and of dramaturgy. Round One for the Working Class! DESER UES. HERLOYALTY ?. WICH Quick Actio Page 5 n Follows Exposure of Hospital Conditions in Article By MURIEL RUKEYSER UICK, decisive action followed the | publication of an ai je de- manding workers’ we Several days after the appe: the December Monthly which carried a feature by Mildred Stock on the sit on among the Lebanon Hospital Work- ers, a bulletin was posted in the hospital dining rooms during lunch The magazine story stated the case of Lebanon's er Ployees in a summary form about the apparently illegal contract that has to be signed by every work- er before his engagement, about maintenance conditions and the cont: between Superintendent Halpern’s living problems and those of the people whom he hires, and telling of the year-long struggle for restoration and enlargement of hos- pital rights. “The story of thetr grievances,” | said Mildred Stock (herself con- nce of Review, had | ' | agitating have two of our demands met even before an interview. . . . Of course, this action came directly after his Mr. Halpern’s) receiving a copy of the Monthly Review which we also sent to Mr. Weil (the President.of- the Board of Managers of the Hos- 1—Ed,.)—and we posted a copy it, too, in our doctor's staff room, “You can tell Oakley Johnson and Joseph Koven that they have done le service in pube ticle for us. The mage very wellreceived.. . « ke these are far more than mere ‘thank yous* of t is, for an audience with the ‘pope’—and we are now deter mined more than ever to continue until we get our inter view. “We are holding a general meme bership meeting together with the: steering committee of the A. F. W. Notice Posted in Hospital After Exposure of Conditions in Monthly Review Article NOT The House Committee of the ICE Board of Managers of Lebanon Hospital—having had their attention called by the Superintendent to certain matters affecting our sidered these matters as follows employees—have carefully con- (1) SALARIES—Lebanon Hospital pays salaries to employees in accordance with allowances made by Federation. In the 1935 budget, which our hospital is required at this time to submit to Federation, we have already urgently requested for our employees, the rescinding of all salary cuts that Federation” has made in past years; we further urged that if Federation is absolutely financially unable to di lo this, then Federation at least should make a partial restoration to our employees. At this time no one can po: result of our appeal, because tt is ssibly predict what will be the generally not till April or May, that Federation informs its affiliated institutions as to the decisions it makes regarding their budgets. (2) VACATIONS—Vacations will hereafter be ‘granted as a reward for past services instead of being considered, as heretofore, solely as rest periods before begin: (3) EMPLOYMENT AGREEMENTS—Employment agreements will be entirely regarded in much present items eliminated. (4) HEARINGS—There seems our employees are Federation employees. they are Lebanon Hospital employees under the sole authority of Federation governs the expenditures for their salaries by making Lebanon Hospitel an allowance, just as Federa= tion governs our expenditures for medical and surgical supplies, food, etc., etc., by making us a certain allowance for each item. Lebanon Hospital Therefore in connection with other matters affecting Lebanon of the Board of Managers desire: our workers to the notices which in which was plainly stated the employee, or any group of two grade in any department, can obtain a hearing and consideration from the proper authorities of thi nected with the Welfare Council of New York City), “is not by any means worse than might be told of many other hospitals. But because of the struggle now developing there, the Lebanon situation de- serves special attention.” The “special attention” it got was | from the hospital authorities as well | as from readers of the Monthly | Review. Superintendent Halpern had, until then, refused to see the} Workers’ Council, although they had | phoned, written, and petitioned for an interview. The following demands were made last March by the Coun- cil, as representi~z the main griev- ances in the hospital. 1—Full _ restor: scale of all wi Hospital and Dispensary as of De-| cember, 1931. (There has been a rise in the cost living cf 22 per cént without any compensatory rise in salary. When workers received cats, | the census at Lebanon Hospital was| approximately about 50 and naw has | risen to approximately 150, which means that the tempo of work has increased almost three times with- out any additional remuneration and without any additional help.) | 2—A full day off per week for) maintenance workers. | 3—Revision of contract and aboli- | tion of the vacation agreement. The | vacation period is justifiably a re-| | ward for services rendered by the workers during the past year). IN a letter received on November! 21, a hospital worker writes: “T am enclosing a copy of the Bulletin which was posted in our) dining rooms today during lunch hour, | “I think it is a decided victory to’ 7:00-WEAF—King’s Guard Quartet t WOR—Sports Resume—Ford Prick | WJZ—Amos 'n’ Andy—Sketen WABC—Myrt and Marge—Sketch 1:15-WEAF—To Be Announced WOR—Comedy Music WJZ—Tintype Tenor WABC—Just Plain Bill—Sketch ‘1:30-WEAF—Community Foundations Colonel Leonard P. Ayres, Vice Pres- ident Cleveland Trust Company; Ralph Hayes, Director New York Community Trust WOR—Harry Stockwell, Baritone Ws2%—Bdgar Guest, Poet; Charles Bears, Tener; Concert Orchestra WABC—Jerry Cooper, Baritone 4:45-WEAF—Vaughn de Leath, Songs | and reports; but t! TUNING | 10:00- WEAR —Operetta—A Connecticut »~'* ming the work of the next year. simpler form with several of the to be a mistaken impression that _ They are decidedly not; ° Nos. 1, and 3 above, and any employees, the House Committee S again to call the attention of were posted several months ago, manner whereby any individual or more employees of the same e Hospital. (the of Federation is one of the many constituent agencies of the Federation for the Support of Jew- ish Philanthropic Societies—Ed.) to. continue our plans for picketing. I. am scribbling this off to you tonight because I am anxious for you to get this copy in the morning. “P. S—The maintenance quarters are being rehabilitated and repairs are already being installed. Don’t you think that is rather signifia: can’ Association Workers—Lebanon ICTORIES have been gained be= fore this through open articles is is a signal sur- render of authority. No move was. made to bargain with the commit< tees; no attempt was made even to have an interview. The tacking up of the notices like these mark the dramatic climaxes of determined stands. And although the final out- come will depend on whether or- not the hospital workers can insist. on the remainder of their list, this tacit evidence of authority brought. to act by group pressure is a vic« tory both for the workers of Le- banon Hospital and for the maga- zine which aired their grievances: and proved the effectiveness of their: organization. .. BUT NOT GOOD ENOUGH An improved record today for Ramsey. But with the lowest” quota of them all, $250, he Should be far above of 70%. + C. Carl ... scree SO Vanguard Sci'fic Soc. 6.00 | Previously received .. 168.71 DORE ys ceva sbignces $175.21 NOTE: Yesterday neously listed. date is the above. y's total was erro- The correct total to IN WOR—Dance Music WABC—Boake Carter, Commentator. 8:00-WEAF—Reisman Orchestra; Phil Duey, Baritone WOR—Eddy Brown, Violin WdZ—The Half-Way Killing—Sketch- WABC—Concert Orchestra; Frank». Munn, Tenor; Hazel Glenn, Soprane 8:30-WEAF—Wayne King Orchestra WOR—Variety Musicale > WIZ—Lawrence Tidbett, Baritone; John B. Kennedy, Narrator iene WABC—Lyman Orchestra; Vivienne Segal, Soprano; Oliver Smith, Tenor 9:00-WEAF—Ben Bernie Orchestra WOR—Hillbilly Music A WABO—Bing Crosby, Songs; Boswell. Sisters Trio; Stoll Orchestra 9:15-WJZ—To Be Announced 9:30-WEAP—Ed Wynn, Comedian; Duchia= Orchestra WOR—Lum and Abner—Sketch WsZ—Canadian Concert z WABC—Jones Orchestra ‘ 9:45-WOR—Dinner Honoring the Catholie” Boys Brigade of The U. S, Hotel Biltmore 3 Yankee WJZ—Annu Convention,-Federal Couns ¢il of Churches of Christ in Amer - ica, Dayton, Ohio Ww. ray Orchestra: Annette Hanshaw, Songs; Walter O'Keete 10:15-WOR—Current Events—H. E. Reed 10:30-WOR—Wallenstein Sinfonietta WJZ—Tim and Irene, Comedy WABC—George Givot, Comedian 11:00-WEAP—The Grummits—Sketeh WOR—News WZ—Campo Orchestra WABC—Haymes Orchestra 11:15-WEAP—Robert Roves, Tenor WOR—Moonbeams Trio 11:39-WEAF—Osborné Orchestra WOR—Dance Music WJZ—Davis Orchestra WABC—Good Times Again—Carl P, Dennett, Chairman, Executive Cotte mittee, National Bconomy League 11:45-WABO—Busse Orchestra Se. 12:00-WEAF—Dance Music (Also WABQ, 8