The Daily Worker Newspaper, December 25, 1933, Page 5

es eststa over ume tee eee MR TNE RANI maastentenonat testa see 2 WORLD! By Michael Gold Thoreau at a Leg Show A NEW group which..is working to give New York a y play- house, recently open¢d-its season with a ize, if uneven play, called “Peace on Earth.” Thousands of tiadé unionists and members of the International Labor Defense and other left wing organizatious have given the play ot upport, They haye bought entire eveniri4s at the play. There has been ong, proletarian, appreciation. But the bourgeois critics greeted it lin their usual style. If anyone wishes to see the famous’ old class hatred at’ work, one ought to read the reviews that appear on the morning after a. play like this is produced in New York. All the frusirations;:atl the bitter venor} and self-disgust that is stored up in the bosoms of: the intellectual slaves of a corrupt civilization are released on such a thearte. These critics like to pretend a fine esthefic impartiality. But how many plays-in a New York season are worth the esthetic powder to blow to hell? Out of a huhdred productions, there, are never more than fiye or six that even have some point beyond that of mere time-killing Broadway is: only another capitalist racket. a sordid gold-rush anc gamble. These critics soon discover that one can’t work on a capitalist newspaper and sneer at capitalist culture every night. So one sees & growing compromise'7and ‘tellectual degradation appear in the mind of the critic. He midy Be a lonely austere soml like Brooks Atkinson of the Times, or a lover of romantic rhetoric like Gilbert Gabriel. But in a few years he has; shed his Thoreau. or Francois Villon and is sweating to find words ‘of discreet praise for glorified leg-shows and beer-garden slapstick, He learns to connive with the great wapitalist lie. That's his job; and if you shook fifty of these critics up in a hat they would look the same. Their job makes them equal. They may come out of college with the tich’ colors’ of individuality and. passion. But they soon cease to be individuals, they have repeated the age-old tragedy; they have swapped their immortal souls for a hot dog and a glass of beer. And many of them know it, and become the cynics and self-loathers Neitzche hated so. much, When ‘they see a revolutionary play, be it good or bad, it fetches up all theix complexes. They manage to say the same fundamentally stupid, prejudiced, bitter things. They have found their scapegoat. . * . revoiutiona Ah, Those Watchdogs of Manure? i" ACE ON EARTH” is not a great play. But it is a good play, and has. several scenes that contein the genuine stuff of life. And hething never found on Ibroadway—a great theme. It gives re of the volcano on whith we all live—the next World War. is the. story of a modest and! sincere college professor, interested in his, scientific work and acadlemic routine, who is tangled into only the gears .of.the class struggle. : It is what is happeming to thousands of intellectuals in the American crisis today.’ This professor becomes involved in a strike of longshore- men who refuse to load munitions flor the next war. His best friend, cal journalist, is killed in the strike, and he himself thrown out job and’ finally framed-up on a murder charge. The procession of socal forces moves across the stage; and it is note- worthy that the working-class audiences respond passionately to this life they know and which the bourg¢ois critics do not know. The play’s weakness is due to the oyer-anxiety of the talented authors, Sklar and Maliz, to drive home their case. The frame-up of the college professor for murder is somewhat forced. Such things might conceivably happen, but they haven’t yet to an intellectual. Only workers as yet have been framed-up for murder in America. ‘ And yet, the total effect of the play is powerful. Why did the crities jeer and jape so riotously? One of them, a liberal, even sank to the depths of illiteracy by declaring that such things weren’t true* sinee the Roosevelt regime—that is to say, there were no more strikes ‘ahd frame-ups since the Blue Bagle flapped its ragged wings over our unhappy land. Ah, the critics. Ah, these watchdogs of a treasure house of ordure! How subjective they become when witnessing such a play. What lofty esthetic standards they use to slay us with! They haye been tolerant with a thousand nights of cheap commercial drivel, But they save the little rage left in them to storm at the clumsy young revolutionary giant when he shows his face in the theatre. Away with him, they seem to gibber, before he grows stronger, before he learns to destroy us and this pile of ordure which is our home. He is our enemy! This may sound like an exaggerated translation of their feelings, but how else to explain their response to the revolutionary theatre? Their reflexes never vary; they have done this thing again and again, and will always do it. ) | Overhead is the Enemy . The Theatre Union hag s‘azted with an ambitious program. It made a wise move in.renting Eva Le Gallienne’s theatre, which is in a working- class districy aid offering seats at proletarian prices. They have brought together a fine troupe of actors. They work hard and have a clear revolutionary platform. But will they be licked by the same capitalist economics that defeated the New Playwrights and other such ventures? Can a revolutionary theatre carry the overhead under, which they stagger? It is possible in New York to build a professional workers theatre of this kind. The audience is here, and more than ripe. But a theatre with a heavy overhead cannot live by working-class audiences alone, It must have a bourgeois ‘audience, too. Even the great Piscator found himself in this dilemma in pre-Hitler Berlin, a city containing half a milion Communists. The Artef, which ‘is the theatre of the Jewish workers, seems to me to have found the only correct way in which a, stationary theatre for the workers can be established. It has almost none of this back-breaking overhead, it is a theatre that is truly independent of all the bourgeois commercial pressure. It does not haye to compromise, and it has been growing in technique apd influence for years, and has a permanent place in the life of the Jewish thasses of New York. Somehow, we must find a way to do this in the English speaking theatre. How we need such a theatre! We need it, if only to demon- strate to the bourgeois esthetes that great art can only come from the revolution, and not from-their sick soil. We need it, for its agitational effect on the New York working-class. We need it as a forum for such TH HE JUST ASPRINT WHRO IN TRIM Freeman,Cowley, Hicks to Discuss | Literary Trends NEW YORK-—The present trends in American literature will be dis- cussed at the symposium on “The American Literary Scene” arranged by the National Student League for iday, Dec. 29, 8 p.m., at Webster , 125 E. 1ith St, | Speakers at the symposium will in- ;clude Granville Hicks, well known {American critic and author of “The | Great Tradition,” Malcolm Cowley of the editorial board of New Republic, and Joseph Freeman, editor of New Masses Michael Gold, author and columnist of the Daily Worker, will be chairman, | THE NEW FILM | By DAVID PLATT While “Golden Harvest,” Holly- | Wood's current “contribution” to the {solution of the farm crisis, contains | two or three remarkable scenes show- ing militant farmers trampling on court decisions that favor landsharks, stopping foreclosures by putting over their famous penny sales, and start- ing @ mass farm-strike movement in the hope of bettering prices for their products—as a whole the picture is nothing more than the most insolent kind of pleading for the farmers to support Rooseyvelt’s refinancing, price fixing and inflation schemes calcu- lated to benefit the landowners, insur- ance companies and grain speculators, at the expense of the ruined and mid- dle farming classes. i What is more, there is a typical be- fuddled and reactionary leader of the farmers in this film who is supposed to be working strongly in their in- terest and yet who is in direct contact with the ringleaders of the Chicago Wheat Exchange urging the wheat pit (mind you—the farmers’ worst enemies) to lend moral and financial support to the farmers by keeping up the price of wheat as long as the ,Strike lasts. Instead of calling upon ‘the city workers to also fight any at- tempt on the part of the parasites \to perhaps pay the farmers higher {prices for their products (as a result of their movement), out of the pockets of the workers—this Hollywood Milo Reno treacherously directs his appeals to the speculators themselves for their own gain on the hypocritical pretext that the wheat pit is the logical source of financial and moral support for the farmers. Of course, the ringleaders of the pit in “Golden Harvest” welcome the op- portunity to prove their “solidarity” with the farmers and begin by im- mediately buying up all the wheat they can, so that later when the strike is on, they can sell the grain at fabu- lous commissions, for which naturally the workers and the farmers will have to pay double. But vicious sport is made of the whole character of the strike that follows, so as to prepare the way for the introduction of the N.R.A. and the new deal for the farmers under Roosevelt and Wallace that will de- pend not so much upon the mass actions of the farmers as upon mir- aculous ‘orders from above. It seems that spring comes to the picket lines in the midst of the strike; the farm- ers begin to hear the ineluctable call of the soil and are seized with a sud- den desire to start turning over the jand for planting; as result of which they soon break ranks and go back to their ploughs manifestly relieved that the strain of the strike is over; while deserted and disillusioned by the betrayal of the farmers our “heroic” farm leader goes off to Wash- ington to see if he can get heip from the Whive Hause for his destitute if thankless countrymen. The malicious characterization of : fighting farmers as fools and betray- ers, who have to be forced to fight|new for better conditions while reactionary ‘leaders are presented as great heroes fighting a lost cause single handedly will come as a surprise no doubt to the tens of thousands of militant rank and file farmers who picketed the highways during the holiday strikes last year in the face of almost insur- mountable dangers, only to be miser- Led betrayed by the opportunistic Milo Renos who sold them out to the landowners and bankers before the strikes were half begun. Indeed, the best possible answer to slanderous films like “Golden Har- vest” is in the militant program it- self of the Farmers National Relief Conference adopted last month by over 700 delegates representing 39 states, 58 farm organizations and over 100,000 farmers, calling for immediate cash relief, cancellation of debts, no foreclosures or evictions, and declar- be their solidarity with the workers and against the bankers, landlords, grafters and speculators under whose direction this golden harvest of lies, half-lies and half-truths was produced | 12:1 and released, JOHN REED CLUB TO SELL JAN. 6 “DAILYS” NEW YORK—The artists of the John Reed Club voted to place an initial order for 250 copies of the 24 page, tenth anniversary edition of the Daily Worker, coming off the press on Jan, 6th, paler Tee ce From Moscow to Siberia An Old Roisiask C. Comes By WALT CARMON This is the second of a series of six articles by Walt Carmon, the first of which appeared on Page One of last Saturday’s Daily Worker, * AROSLAVSKY has come to Stalinsk. We join one of the streams of marching workers and waving banners. We are on our way to the meeting. Ahead of us four blast furnaces stand agaimst the sky. We walk along a road which is still rough. It is being prepared now and ‘t will soon equal any road in Moscow. This is the land of soon. Of very soon. As we move in the stream of humanity on each side of u a Socialist city is rising from the ground. A new wing for the Power plant; new offices; new sidewalks. All of it soon, If we stop for = moment we can sec them rise before our very eyes. Men and women are working on them. We cross the railroad track at the blast furnaces. Streaming out of it, just off the shift, a hundred men and women march with banners waving. A young worker, who has not stopped to wash off the grime of a day’s toil, carries a sign. It reads: “I am Marfutin. I work on the construction of the third blast furnace. I have fulfilled my plan 138 per cent.” We meet other streams of steel workers, conttruction workers, of- fice workers, Komsomols and Pioneers. There is quite a crowd assembled when we arrive, THE STEEL WORKERS COME We sit on the stand. On the right of us the Party headquarters, Beyond, the blast furnaces. Smoke streams to the sky like am unfurled banner, In front of us the administration building; beyond the large meeting hall, In the distance the blue hills. Just before them, row upon row of huge, new redbrick apartment houses standing on the horizon like a Socialist challenge. To the left a broad boulevard and another stream of marching w ers. They come from all directions now. Red streams, the lifeblood of the New Kuznetsk Steel Plant named after Stalin; of the city of Stalinsk which Bolsheviks haye decided to create—and here it stands. Behind us there is a huge electric billboard. It announces the net results of the past ten days work. The foundation workers have ful- filled their plan by 125 per cent. The Central Power Station is up to 92 per cent, The Pig Iron section is only up te 74 per cent. Thousands of Stalinsk workers are not easy to face. There are sure to be meet- ings in the Pig Iron section tomorrow! Before the stand the Pioneers march in singing. A sign reads: “Greetings to Yaroslaysky, President of the Old Bolsheviks.” Behind, Red Army men stand in rows three deep, Banners and signs are a scarlet wave above this sea of humanity. The signs prove that Socialist work here is “a matter of honor and of glory.” . Brigade No, 22 did 116 per cent. Figures and facts for the world to see, Figures for those sneering editors in foreign countries who wall like lost profits about the fact that in the Soviet Union there is no incentive to work. YAROSLAYSKY ARRIVES The G. P. U. band bursts into music and Yaroslavsky comes. Slightly grey about the temples, he is a firm, friendly looking old Bolshevik. In the name of the Komsomols of this section, young Vyetchin opens the meeting. He is an energetic young chap, in a leather coat and cap. Secretary of the Stalinsk Komsomols. Then follow short greetings from the workers in the coke plant, the blast furnaces, the rolling mills. Some bring presents. A piece of rail, some glass. Proof of the mastery of technique, Yarolsavsky steps to the speakers stand and music, applause and cheers blend with the roar of the blast furnace which announces that it has been tapped and another 200 tons of flowing metal is ready to be shaped to the will of the working class. As Yaroslavsky begins to speak it begins to grow dark. Thé Pioneers light oil torches they have brought along. “I bring heartfelt greetings from the old Bolsheviks and from the Central Committee of the Party,” he begins. Slowly, streng-yoiced, he tells them of the days only 30 years ago when the Party was # hand- ful, Of the years of struggle and of the political exiles under the czar who lived here, so that Communist youth could create what Voroshiloy has called “a piece of Socialism.” “Enemies are still around us,” he concludes, And he asks: “Are we ready?” The mass roars like a blast furnace and the Pioneers shout a lusty “Always ready!” and they crowd around the speaker as he steps off the platform, At the end of the production lime where the slag is dumped, a red slow lights up the sky. (Zo Be Continued) 35 FOR NEW PRESS Detroit, Mich. I am an office worker supporting two inyalids, my father and my mother, Since the blue buzzard star- vation regime I have had a thirty- three per cent wage cut. I am en- closing $5 to help the Daily Worker ag its new press. Success to the press—may it print soen news of Soviet America with all power to the workers, as in Soviet Russia. 8. A. €. FOR THE NEW PRESS MILWAUKEE, Wis.—Although un- employed for two years, two workers, F. H. and J. B., contributed together $1.70 to help keep the “Daily” alive and to help install the new press, | TUNING IN | WJZ—T60 Ke ~ 7:00 P, M.—Amos ‘n’ Andy 16—Baby Rose Marle, Songs 7:30—Potash and Perimutter—Sketch 7:45—Frances Alda, Soprano $:00—Morin Sisters, Songs; King’s Jesters; Stokes Orch.; Cliff Soubier 8:30—Cyrena ‘Van Gordon, Contralto 45—Red Davis—Sketch 9:00—Minstrel Show 9:30—Pasternack —Orch.; Contralto; TONIGHT’S PROGRAMS WEAF—660 Ke 1:00 P, M,—Shirley Howard, Songs; Jesters Trio. KE 15—Billy Bachelor—Sketeh :30—Lawrence Tibbett, Metropolitan Oper e; Concert Orch.; Story of Tra: acttacs never & Pisestons, Jn 00—Gypsie Orch.; James Melton, Tenor 5: 30S S doy, ‘with Captain Hugh Bar- 10:00—Eastman Socks Lullaby Lady; Gene Helen Oelheim, Melody Singers; Michael Baritone; 10:00—Marcel Rodrigo, Concert Orch, Arnold, Narrat 10:30—Henri Deering, Piano 10:30—The Spy's Christmas Message—Sketeh | 10:45—To Be Announced 11:00—John ty, Tenor 11:00—Roxy's Gang 11:15—Weems h. 12:00—Bestor Orch, Als Orch, 12:30 A, M.—Elkins Orch. ‘12:05 A, Me-Olsen Oren, ort 3 , e 12:90—-Bosnick Orch. ‘ WABC—860 Ke a 8 WOR—710 Ke 7:00 P, M.—Myrt and Marge 7:16—Just Plain Bill—sketch 1:30—Travelers Ensemble 7:45—News—Boake Carter 8:00—-Green Orch.; Men About ‘Towa Vivien Ruth, Songs 8:15—News—Edwin ©. Hill 8:30—Bing Crosby, Songs; Hayton Orch. ‘Mills Brothers, 9:00-—Philadelphia Orch. 9:15—Talk -- Robert Benchley; Howard Marsh, Songs; Kostelaneta Orch 9:30—Gertrude Niesen, Songs; Jones Orch. 10:00—Wayne King Orch, 10:30—News Bulletins 10:45—Deep River Orch. 11:15—Boswell Sisters, Songs 11:30—Gray Orch. 12:00—Belasco Orch. 7:00 P. M.—Sports—Ford Frick ‘1:15—News—Gabriel Heatter 1:30—Terry and ‘Tod_—Sketeh 7:45—Lee Cronican, Piano SeoLeeiree Black and Blue—Mystery Drami He 15 Billy ‘as oud Ernie Hare, Songs 8:30—Renard owe Albani, Soprano; Edward Nell, Ba 9:00—Alfred Watensteta'e Sinfonietta; Mina }, Soprano 30-—Jolin Kelvin, ‘Tenor 45—The Witch's Tale 18—Current Events—-Harlan Eugene Read 10:30—Durleux Ensemble Trio; i:so—whiteman ‘Orch, 12:00—Lane Orch. to Stalinsk Rosenker, Violin; Lucien Schmitt, ’Ceils | "Photo by Daily by Walter Quirt now on exhibition at the John Reed xhibit against Hunger, Fascism and War, at the Club's ixth Ave. New York Cty. | A painti Ciub Art headquarters, 430 - Worker Staff Photographer Songs for 10 NEW YORK—Organized about year ago under the initiative of ti | Workers’ Music League, the Dail Chorus, composed of Negro and white workers, is preparing a cial progr: new songs for tenth ann y celebration of Daily Worker in the Bronx ti the Coliseum on Saturday evening, Dec 30th. Lahn Adohyman, director of the chorus, states, “The tenth anniversary of our Daily Worker coincides with the first anniversary of our chorus. Our special am will be our an- niversary gift to the Daily Worker and to the workers of Greater New York who are coming to the celebra- tion.” The numbers will include, ah’m boum,” g Negro prison miner’s song from the collection of Lawrence ert, arranged by Adohmyan; | “Strife Song,” and “Lenin Our | Leader,” composed by Shaefer; jarity Song,” from the peovion | ‘Kuhle Wampe,” suppre: | oi |b revolutionary song have been destroyed by the Nazis, The |Negro slave song by L. E. Swift, {“Song to the Soldier,” a poem by the late Rose Pastor Stokes, set to music by Adohmyan. Before leav- ing for Germany where she died in @ sanatorium as a result of clubbing by a policeman in a3 New York work- ers’ demonstration, Comrade Stokes stated that this poem was her favorite of those she had written. | “Sez | All original copies of is| jchorus will also present “Link o’day,” | |composer of the Scottsboro Song, and | ‘Daily’ Chorus Preparing New th Celebration ‘The Daily Worker Chorus will also lead mass singing at the celebration. Tickets in advance are 40 cents and can be obtained at all workers’ book shops and at the Daily Worker. |C. A. Hathaway, editor of the Daily | | LAHN ADOHMYAN — Worker, will be the only speaker. Moissaye J, Olgin will greet the Daily Worker in behalf of the “Morn- ing Fretheit,* Jewish Communist daily newspaper, of which he ig editor-in-chief, Michael Gold will act as chairman, There will be danoc- ling until dawn. By IRVING S, MILMAN (Organizer of the Short Wave Radio Club) As a short wave radio fan I always wanted to organize a workers short wave radio club, I tried many differ- ent ways, but I did not succeed. One day being on Union Square I decided to go up to the office of the Daily Worker for advice on that matter, A comrade in the office advised me to place a notice in the Daily Worker. I did. The workers short wave radio club called its first meeting; about 10 com- rades came and a club was organized. From that day and on the Daily Worker gave us full cooperation in announcing our meetings and write- ups on the functions of our club. It did not take long and we started to get mail from all over the country, for Chicago Workers) is being taught at the Chicago Work~- jers School by Carl Haessler, veteran journalist of many labor battles. The course is given every Tuesday at 7 p.m, ue for five wecks. The other five weeks will be devoted to ; Labor Research, taught by Jack Mar- \tin, of the Chicago Labor Research Association. The object of the course Is to help workers write news, to put their ideas into words, to enrich the workera; press with news and stories from the | shops and trade unions, | WHAT'S ON TR THE 10TH DAILY WORKER F ON SATURDAY, DECEM- om 8 M. to2 A. M, at the SEE AD FOR PROGRAM. WINTER TERM WORKERS SCHOOL Registration is now going New York, third floor. eho | Monday SECTION REHEARSAL DAILY WORKER CHORUS at 35 B. 12th ST, 8 P.M ALL MEMBERS MUST BE PRESENT. LECTURE “Lenin and the Russian Revolu- tion,” by S. L. Solon, of the Modern Monthly, at 1009 Winthrop St., Brooklyn. Auspices Youth Builder, 1. W. ©. Br. 467. Adm. 5c. A Great Bright Brain Takes to Its Heels 1 TO WORK 1T BRicaT ha yET ~—/ I caq’t TELL MIM — TL Clave by QUIRT out THE GREAT ACN 1S0'T LICKED Carl Haessler to Give! LaborJournalism Class | CHICAGO, Til—Labor Journalism} on; 35 E, 12th St.» J A ‘Daily’ Notice Spreads Radio ‘Club Throughout United States trom workers interested in short wave, And here are the results: Today we count 35 active members in our club, a branch of the club was organized in Los Angeles, and in the following cities: Monesson, Penn; Chicago, Ill,; Philadelphia, Pa,; Pon- tiac, Mich.; Grand Rapids, Mich; St, Paul, Minn.; Barnhart, Tex.; Steuben- ville, Ohio; New Orleans, La.; Man- ette, Wash.; Passaic, N. J.; Syracuse, N, ¥.; Clifton, N. J.; Buffalo, N. ¥.; Cleveland, Ohio; Canton, Ohio; Bast Barton, Mass; Hartford, Conn. This was possible only through a well circulating workers paper as our Daily Worker is, The workers short wave radio club sends its greetings and best wishes to the 10th anniver~ sary, also our appreciation for the help given to us. Enclosed you will find an order for 100 copies of the Tenth Anniversary Edition of the Daily Worker, which was placed by the club. oe ee Note: The Communist | Party realizes fully the importance | of an amateur radio club to draw | workers closer to the movement | through this special interest. » We ask members of the Commun- ist Party everywhere to support this developing nation-wide organization. | Editor's Page Five \“The Locked Door” Opens Tonight At Ambassadar: “Yoshe Kalb” Thuraday | “The locked Door,” « mysters play by Herbert Ashton, Jr. i |have its premiere this evening the Ambassador Theatre. The ci is headed by Walter G |than Hale, Valerie Sam J. Park. Lynn 5 ing’s comedy, e First Apple,” scheduled for last Friday night, will have its delayed opening tonight at the Booth Thea- tre. Conrad Nagle, Irene Purcell, | Spring Byington and Nana ‘Bryant head the cast. “No Mother to Guide Her,”'a re- vival of Lillian Mortimer’s © play, acted by midgets, will open’ this evening at the Midget Theatre’ (for- | merly the President). “The Lake,” a new play by Dore- | thy Massingham and Murray Mac- Donald, will be present on Tuesday night at the Martin Beck Theatre With Katherine Hepburn im the . Others in the casi Prances Starr, Blanche Bates, Colin Cleve and Geoffrey Wardell. “Yoshe Kalb,” in English by Fritz Blocki from the Yiddish production of Maurice Schwartz, will open on Thursday night under the management of Daniel Froh- man, at the National Theatre. The players include Fritz Leiber, Hor- ace Braham, Erin O’Brien-Moore. John Wexley and Ethel Wilson. Maurice Schwartz staged the play. MUSIC |“The Emperor Jones” Returns To Metropolitan Opera, Jan. 1 ‘The Metropolitan Opera House will present “The Emperor Jones,” Louis Gruenberg’s opera based on Eugene O’Neill’s play on the after- noon of Jan. | member and his wife organized such a showing by themselves, secured « small theatre, and sold tickets by canvassing from house to house. In other of the far western dities, workers walked along the streets with signs advertising the movie showing for the Daily Worker. Quite a num- ber of tickets were sold in this way. tour in the middle Rush your orders for the Jan. 6 Tenth Anniversary issue of The THE THEATRE GUILD THEATRE | | MARY OF with ELEN HAYES AMERICAN PREMIERE FEDOR OZEP’S (Noted Soviet Director) Mirages de Paris Prench Jalkio with English kp Special Added | 16™ Feature westlon a. Mane ACME THEA. si sted & Union Sq. TH AVE. PLAYHOUSE, near 13th ST. ‘Kuhle Wampe’ bard ‘Titles venings #0 Jefferson lin st. & | Now OTH CHATTERTON & ‘GEORGE BRENT in ‘“‘FEMALE’ alse: “DANCE GIRL DANCE” with ALAN DINEHHART & EVALYN KNAPP EUGENE O’NEILL’S COMEDY AH, WILDERNESS! | with GEORGE M, COHAN Sand St. Wost of Broadway. Prego EXTRA MATINEES TODAY snd NEW 3E id MOLIERE’S COMEDY WITH MUSIC fre SCHOOL rorHUSBANDS with OSGOOD PERKINS and JUNE WALKER EMPIRE THEATRE Miatinces XTRA MATINEES MONDAY MAXWELL ANDERSON'S new play MERIVALE MENKEN ALVIN THEATRE = "nt St. west of EXTRA MATINEES ropar's a= NEW YEAR'S DA’ GUILD Presents ‘viaws Ds Day sh ne, Pe SCOTLAND | Broadway. inees Mon., i ike -RADIO CITY MUSIC HALL, 50 St. & 6 Ave.—Show Place of the Nation Direction “Roxy” Opens 14:30 a.m, DOLORES DEL RIO - FRED ASTAIRE in “FLYING DOWN TO RIO” a6 12:38, ‘2:44, 5:31, 8:18, 10:27 ~ & “Roxy's” Supreme CHRISTMAS SHOW Se Tonight—Trade Union Night ANTI-WAR PLAY PEACE ON EARTH by the authors of “MERRY- KYLE CRICHTON Says: iene Bate Tai jenings 8:45; Mats, Wi 98-7450, PRICES: 900 Roland YOUNG and Laura HOPE (“Her Master’s V ; Plymouth Wise: Nin mnen, | wat | Stage and Screen yey =3 GP SRRRRY RE Cine rseenad wesw — L BeRTRULESE TAR OF Qe HH es me 3