The Daily Worker Newspaper, November 3, 1928, Page 4

"age Four TWO SCENES OUT OF USSR FILM ‘OCTOBER’ | POLLY WALKER. THE FINAL BALANCE David Pinski’s Allegorical Drama Presented THEATRE GUILD PRODUCTIONS By S. EISENSTEIN Gato onesie G. ALEXANDROY. gments of the Scenario) ese two fragments of the scenario of October are part of the ction and events centering about the revolution of October, 1917. The Soviet Film, produced by S. Fisenstein and G. Alexandrov, is created out of the principal events and phases of the civil war. These 0 episodes are based on historic related by participants and I , indifferent to the of men live: life... the outposts of the Red Guard stand at attention in the silences of the night. Immovable, the cold cannon mounted on a base of snow. The Soviet soldiers search for enemy thru the shadows. weary, chey fall asleep. Their eyelids close, their muscles are relaxed. But thru the torper which has 1 them and thru the great f the night, a song is heard. n? Dream? Hallucination? obscurity these sounds | are the} the om, , misery mine, Oh, Father... . What that? They raise their heads.... They open their eyes. . . Oh, misery mine, Oh, Father... . Then comes from the whole plain: Peace be with you, people!. . Out of the distance, under ec light of the winter moon, in a burst | of church garmerts, under the pro- tection of the shadow punctuated by lanterns and wax tapers, a crowd advances. The trenches come to life, figures run to the right and to the left. What is it? I do not understand. | What is to be done? It is necessary to explain this. They approach, they approac The fig can now be distin. guished. | Ikons, alter candles, crosses, in-| cense burners, priests in scintillating | robes, and behind them, in the front! eolumn, a mass of robust monks in black gowns. the long-haired priests throw them| selves on the stupified Red Guards. One strikes, one thrusts, one cuts, one shoot’. The leaders cannot establish over. The Red fighters, overcome with panic, flee, The cossack cavalry, pouring from behind the. front lines, finish the work of the priests. Artillery. The attack is redoubled in violence. The Red Army fights, while re- treating. IL. | | On a clear and very cold day a mass of men, who are marching | slowly, see some soldiers in the dis- tance, The leaders give the order to pre- | pare for combat. | And the mass continues to ad-| vance. | The soldiers in the distance do| not fire. They do not fire! The faces become gay, eyes shine. | They are ours.... | They run, rush towards these im- movable men. Reds, Reds, Reds... . Toward a standing Red Guard, runs a joyous cavalier of Kouban, and he stops, not understanding. . . The man, as of stone, remains im- movable in his cloak powdered with | snow. A whole regiment of red fighters are solidified with the frost. They are frozen... Diverse attitudes. Faces as white as paper, hands of | Ponselle, | Lauri- ‘Volpi, Pinza and Palt: white wax. The horses, the camel and the cows rummage about for fodder. Disconcerted, terrified, masses of |men come and go, look at these human forms for ever frigid with! the frost. And night came. The men made fires, They blaze with straw in order to warm hands and frozen feet. Monuments in the twilight, frozen | corpses leaning against each other. In vacillating light of the pyres, the faces of the dead seem to grimace horribly. Terrible. ... Those who march in front carry | Skinny men warm themselves at adorned crosses and hold high their the pyres. And like marble statues, | ‘uming censers. | there, immovable, bodi, hi Oh, misery mine Oh, Father... -|the frost. wee. They approach, they approach!| On the white snow, {n the trench the Red Guards run shadows, to right and to left. | the fires, Those who have just come from} fone oe an | And looking. . . . their villages look at each other. Terrified She They are excited, they do not un-|. , cbt aren iad : chattering teeth . . . a woman, derstand. ah race terrifying | projected by the flames of | will take place Tuesday evening at | Menday evening, with Mmes. Easton | | maddened, eries out and flees. What is to be done? | On all the cry of the woman had The procession is now some twenty | been a blow of the whip. meters from the trench. In a body, men bound from their Peace be with you, people! places, and begin to run, seized with A courier hurries towards the/freight.... headquarters in the rear. The wagons, the camels, the cows Comrade Commissar... . | are gone, bounding over the steppes. The Commissar does not listen to| And the torment of the snow is re- the end; he runs toward the) sumed. The furious wind effaces trenches. \all teaces. As if at attention, stand With a bound he is on the para-| the frozen bodies of the Red fighters. He sees. H> understands. He| And, like, black idols, the high silhouettes of the frozen camels also. In the cold shadows the fires burn themselves ont. Halt! fhe procession stops. Ti.e popes have ceased to sing. The monks grit their teeth and ivielent 5 Earthquake hal close thi eyes. | The Commissar makes a step for-| in Bogota, Colombia| ward. ener Saturday night, with Rothberg and cert this Sunday night Mmes. Vet- By Provincet INDER-the rather weak and non-} descriptive title, “The Final Ba- lance”, the well known Yiddish play- wright David Pinski wrote an al- |legorical drama which the Province- town Playhouse is producing now. “The Final Balance” is . build jaround a quaint concept. A merchant |who owns a bakery has a dream in |which his good old mother appears | |from the grave and tells him that | all bread made from this year’s | | flour will cause instant insanity and | | that the only cure is a piece of bread | | made from last year’s flour. The | merchant, acted by E. J. Ballantine, jslops around in a dressing gown, |pretending illness, so that he can |flirt with the pretty wife of his |roomer, a private tutor, and dodge his own wife, a grasping shrew. | The noted violinist will appear on two occasions this week-en As soloist with the Conductorle: [e) tra this eve at Car- negie Hall, and on Monday night he will give his violin recital at Carnegie, | But he is able, just the same, to| St rrr ————————~ | make a partnership with the next} rauss “Rory: most concrete character in the play, ” Eg yptian |the moneylender (William Frank- Helen” Premiere lin) and corner the market on last | Tuesday lyear’s flour. i Then the whole world goes mad.! An enormous fortune is made by the | onspirators in the sale ct drug store prices of the curative flour; the! secret being kept, cured people go! crazy again. : But the merchant, after tricking | his wife and the money lender, also | | the roomer into eating the fatal loaf. | !discovers the roomer’s wife can’t | be given ite had. She looks over a world of | HE American premiere of Richard | Strauss’ new opera, “Die Aegyp: tische Helena” (the Egyptian Helen) | the Mmes. Metropolitan Opera House ritza, Fleischer and Telva; Laubenthal and White- | hill will sing the principal roles. “Andrea Chenier” will I Ateaee fi k | drivilling lunatics, and tells the cock, Bourskaya and Lalossy and| merchant he “ought to be ashamed Messrs. Gigli De Luca and Didur. of himself.” So he is, and hangs Other operas next week will be: | himself, leaving the world to rave | “Norma,” Wednesday night, with} Telva and Egener and) The plot is too light for a play. ierl. |The combination of realism with) “Tl Trovatore,” Thu:: ‘ay night.|shadowy symbolism makes for a with Matzenauer, Clara Jacobo and|¢onstant uncomfortable contradiction Martinelli, Danise and Rothier, [in feeling and sense. The theory “Tosca,” Friday night, with Jer-|that a bakery laborer will only talk itza and Lauri-Volpi and Scotti, | Strike when he is crazy will not go “L’Africana,” Saturday afternoon, | Vell with: radicals, and the theory with Ponselle and Maro and Gigli,|tpat 98 soon as he loses his inhibi-| Baulole wad eine, ions he begins to talk strike will 3 Rg |not suit the conservative. The gen- Lohengrin,” at popular jeral effect is that of a satire on jmodern society, but the introduction | jof real pathos, the attempt to rouse |sympathy for the merchant, takes “2st opera con-|the edge off of it. The actors don’t seem to know just what to do, they move through on. prices Claussen and Kirchhoff, Schutzen- dorf and Mayr. At the tori, Wakefield and TFaleo and clude | concert form. Me: kar will Tokatyan, Basiola and Ludi-| ing. The program will in-| “Cavalleria Rusticana” in i 1 PHILHARMONIC. | The Philharmonic Symphony Or- chestra, under the direction of Wil- lom Mengelberg, assisted by the So-| ciety’s Chorus, will perform at its Carnegie Hall concerts this Thurs-| dey afternoon and Friday evening and next Sunday afternoon for the first time in America Richard Strauss’ latest composition, “Die Ta-| geszeiten,” Op. 76. On the same| Rrogram will be given Brahms’ rarely heard Rhapsody for Alto and Male Chorus, with Sophie Braslau as | Presented this afternoon at the 55th soloist, and the same composer's | Street Playhouse. jture is “Bondage, “Die Tageszeiten” is a setting of | produetion which will have its first Variations on a Theme by Haydn. men’s voices, and full symphonic or- chestra, of a cycle of four nature |Picts the Imperial Russia of the poems by Joseph von Eichendorff. | \the German poet who in: of the fincst songs by Hu Tomorrow a el ‘o Wolf, at the Metropolitan Opera House. Cornelius Van Vliet, ’cellist of the | Philharmonic Symphony, will be the Suddenly, from under a church} BOGOTA, Colombia, Nov. 2.— robe, a flashing revolver is un-| slight earth tremors continued here | Deel a ueeeae covered. certo. Kodaly’s “Hazy Jane.” Suite | Suddenly, the brilliant “curtain” of the front rank, is put aside. The withdrawal of the curtain re- |“ ‘ veals a line of bayonets and a row| ‘id considerable damage at Tunja, of rifles. The Red Guards do not have time |by the first shock. to run to their guns, they do not have | * time to awaken entirely: a rain of See eee Hy eaten a ealee lead falls on them, the monks fire, |P@nic and sent them running into Crippled by a ball, the Commissar | the streets. rolls into a ditch. The priests’ marksmen continue a rumbling fire, Rumor Resignation of Overcome by surprise at this at BratianuRegimeAsked of treachery, the Red fighters begin to retreat. Army of the Lord Jesus Christ! \in the day. the afternoon shook houses here and | The second BERLIN, Noyes 2. (U.R).—Uncon- | And the attackers flood thejtoday that the Roumanian regency | trenche ‘had demanded the resignation of | Like ge beasts the monks and Premier Vintila Bratianu’s Cabinet. | The New Plays “AN ENEMY OF THE PEOPLE,” Henrik Ibsen’s satirical play, will be revived by Walter Hampden at his theatre Monday night. Hamp- den again be seen in the role of Dr. Stockman, “THE YELLOW JACKET”, the Chinese fantasy by George C. Hazel- ton and Benrimo, will be revived at the Coburn Theatre (formerly Daly’s 63rd Street) Wednesday night with Mr. and Mrs. Coburn playing their original roles. Arthur Shaw and Schuyler Ladd are two others of the original cast. “THIS YEAR OF GRACE,” Charles B. Cochran’s London revue entirely written—book, music and lyries—by Noel Coward, Wednesday night at the Selwyn. Mr. Coward is co-starred with Beatrice Lillie. | “A MAN WITH RED HAIR,” Benn W, Levy’s dramatization of Hugh Walpole’s novel, opens Thursday at the Garrick Theatre. Edward G. Robinson, Marie Goff, Henry Carvill, Harold Vermilyea, Edward Thorpe and Guido Nadzo are in the cast. “HOTBED,” a vlay by Paul Osborn, will come to the Klaw Theatre Thursday night. In the cast will be Josephine Hull, William Inger- soll, Carl Anthony, Paul Gilmore and William Faversham Jr. Pemberton is the producer. “TREASURE GIRL,” a musical comedy starring Gertrude Lawrence, at the Alvin Theatre Thursday. The book is by Fred Thompson and Vincent Lawrence, while George and Ira Gershwin have sup- plied musie and lyrics. Walter Catlett, Clifton Webb, Mary Hay, and Paul Frawley play important roles. “ON CALL,” a new play by Roland Oliver, comes to the Waldorf Theatre Friday night. Dorothea Chard, Ray Collins and Ray Walburn head the cast. “THE DARK MIRROR”, by Irving Stone, at the Cherry Lane Theatre Friday night. The cast includes Syd Brenner, Mary Hallett, Adeline Ruby, Jerome Seplow, Mitchell Padraic Marcus and Louis John Latzer. This will be the Lenox Hill Players first prosienenit | | | \ = where one house had been demolished |negie Hall. Brock | last night after a violent quake ¢ .rly \and Te |Damrosch will conduct the third of |firmed reports from Budapest said | in F minor, Op. 142, | CARNEGIE | Theatre tomorrow night. haikovsky Fourth Symphony A second quake late in| complete the program. | Next Saturday afternoon Walter} | | his Young People’s Concerts at Car- waiting always for the voice of the director. ed time and futility, not as part of the play, but on the audienc:, good -planning, and an artistic touch The | shadows on the scenery are the best | things about, RUSSIAN PROGRAM AT THE “ed some |in thrall. |from the drama “The Danischeffs” rnoon at the first | DY Pierre Newsky, a Russian poet. lof a cries of seven Sunday concerts | Heinrich George, a noted film actor tas though they were movie heroes, And the whole thing} eaves a general impression of wast- | The costumes show the effect of costumes and the painted “The Final Balance.” 55TH STREET PLAYHOUSE. An all-Russian program is to be The feature pic- ” a German UFA American showing. This film de- |1850’s when serfdom held the nation |* The story was adapted of Germany, plays the rrincipal role. Mona Marris and Harry Halm are in the supporting cast. On the same bill is a new ‘ssue of Russian Newsreels, direct from Russia, produced by Sovkino. This week’s news depict the celebration | of Tolstoy’s hundredth birthday which took place at Moscow in the most elaborate way under the au- spices of high state officials; Music and Concerts : AMERICAN SYMPHONIC ENSEMBLE FIRST © AMERICAN - APPEARANCE CONDUCTORLESS ORCHESTRA MAX ROSEN, SOLOIST in piano recital at Carnegie Hall, on Wednm. Hutcheson will appear The program follows: ux, Impromptu | No. 4, Schu- bert; Sonata in B minor, Liszt. | Mazurka, B minor, Nocturne, C. | sharp minor, Three Etudes, Chopin; | | Prelude, Caprice, Hutcheson; Scher- zo from “A Midsummer Night’s Dream,” Mendelssohn-Hutcheson; Valse Caprice ‘Nachtfalter,’ Strauss- Tausig. day night. Two Moments Musi Grace Cornell and her associate | artist Frank Farker will: give their | second dance recital at the Booth | xe for all foreign-born ry workers and for youth | 1 21; en tor the | CanvEcin HA MONDAY "HVE. NOVEMBER 5, AT 8:15 MAX ROSEN | VIOLINIST Hardman | HAENSEL & JONDS, Mgrs. H ihr, WEDNESDAY | BYE, NOV aan 7, AT 8:30 HUTCHESON, 9.3 AAG UASBURE UNGAR SRI ss, ESRC." REGO M SR RS SRG SST how DON CHARLYON, Mees. S isan Vy CARNEGIE HALL TONIGHT AT 8:30. PICKETS $1.09 to $2.50, Macfarlane, Mat. Ine. PhilharmonicSymphony MENGELBERG, Conductor METROPOLITAN OPERA HOUSE THIS SUN. AFTERNOON at Soloist: CORNELIUS VAN VLIET, Kodaly, Carnegie 2:30; Fri, 3100 Cellist Tehaikov: whe |. Thurs. Aft..2 Nov. 9, nt 81305 sun. y AIG, Nov. 11, at Soloist: SOPHIF BRASLAU Contralto, and NIC-SYMPHONY ALE CHORUS riations on 2 ‘Theme by Haydn, Rhapsody for Alto Solo a Chorus, STRAUSS: Die ten, Arthur Judson, Mer. (Steinway) negle Ha 1. TOMORTOW at 6:80 AMUEL GARDNER Violinint (Steinway) Guild Thea. TOMORROW at 8:30 ETHEL BARTLETT and RAE ROBERTSON Interpreting Music for 2 Pianos (Steinway) hoe at 8130 ACHEL MORTON Gallo Then, | temkin”, \John Reed’s moving book of the/ own Players. maneuvers of the Russian army and other interesting topics. Also on the program are Harold Lloyd in “From Hand to Mouth”, a |UFA novelty “Down Where the |Wuerzburger Flows” and “Great Moments in Football.” Zola on the Cameo Screen A number of efforts have been land ‘are being made in European studios to bring Zola to the screen. Cne effort of wiih indifferent re- jports have heen received concerns | “Nana” with Werner Kraus. An- other now being produced by Marcel Li*_sier is “Gold,” but according to the European press the most ef- fective thus far achiovod is “Theresa | | Raquin,” which the Film Arts Guild} jwill present for its American pre-| miere at the Cameo Theatre today | under the title of “Shadows of Fear.” This cinema bears the individua} |direction of Jacques Feyder, whose unique screen tendencies we have seen in such films as Anatole Fran- } ce’s “Crainquebille,” “Carmen” with | “Faces of Children,” likewise to be} presented at the Cameo Theatre in a few weeks. As the Berliner Tageblatt says of “Therese Raquin”: “What makes this film so outstanding, what lifts it entirely out of the old fashioned production scheme and beyond the pained dar film material is the re- ble way in which direction photearenhy, background and acting have been developed into a schem- atic unit, with every small detail | elesely ..tod to make an artistic wrole.” The deep penetration of Feyder’s | art is evident in the way his minor | characters are treated. Thry are all| tke subject of careful study and fit closely into the atmosphere of the r‘sture. The settings in p: lar designed by Andrej Andrejev and Erick Zander. SCREEN NOTES The Little Carnegie Playhouse, 146 West 57th St., which opened last night is presenting the Sovkino mas- terpiece “Ten Days That Shook the | World”, the second production of Ss. M. Eisenstein, the director of “Po- It is, based upon the late same title. this week “The Wind”, a new Metro synchronized production, starring Lillian Gish. The picture is an adaptation by Frances Marion, of \Dorothy Scarborough’s story. the Roxy Theatre role. The story of the film is based on the novel by John Thomas, “The Air Circus”’is the film fea- ginning tomorrow. Louise Dresser, | Sue Carroll and Arthur Lake head | the cast of players, Raquel Meller and the forthcoming | The Capitol Theatre is showing | This week’s screen attraction at | “Dry Martini,” with Mary Astor in the principal | ture at the Broadway Theatre be- | Star of “Billie,” George M. Cohan’s musical pley at the Er- langer Theatre. CONDUCTORLESS ORCHESTRA. The American symphonic Ensemble a new group of symphony players will give their first, performance in | America at Carnegia Hall tonight. |Tiis will be the first performance |on th shv... vt a symphony or- |chestra withort a conductor. The first program of the conduc- torless. orche will be e"l-Beeth- o a, consisting of the Eroica sym phony, Violin concerto and Egmont lov verture. Max Rosen, violin virtuoso. |will be the soloist. Some 70 mu- sicians will take part. Paul Stasse- vitch, a pupil of Leopold Auer, is | the concert-meister. The idca follows the world’s first conductorless orchestra, organized in Moscow in 1922 and which has since come to be known as (ie Mo=cow Persimphans. LECTURES AND FORUMS + TNGFRSOLL, FORIM Guild. Hall, Steinway Battding, 118 West 57¢h § SUNDAY EVE Yas NOVEMBER 4 POLITICAL had HOW TO VOTE es of all parties will s of the campaign. ion 25 cents, Representa debate the Admi | Noy. 1L—CLEMENT WOOD “yYOOD0O WORSHIP, PAST AND PRESENT. Questions and Discussion from the floor. enn nnn nent East Sde Open Forum CHURCH OF ALL NATIONS ( Second Ave. N. Y. C.) Opening Meeting SUNDAY, NOV. 4, AT 8 P. M, Ran MORSS LOVETT LABOR TEMPLE 14th St. and Second Ave. SUNDAY, NOVEMBER 4 5:00 p. m.: DR. G. F. BECK Literature—The Creative Myths of Mankind “DANTE’S PURGATORY” 7:15 p. m.:— AN ADDRESS — BY BISHOP PAUL JONES 8:30 p. m.: Forum— SPEAKERS FoR FOUR POLITICAL PARTIES —All welecome— With the first lectur | | | AMERICAN ORCH CHALMERS CLI. American Museum The School of the Monday, Nov. 12, 2! UNIVERSE, TIFIC WORLD Readers’ R ' day evenings at 8. — Twe Suprano—Walter Golde at Piano (Steinway) A HISTORY OF LIBERTY by Everett Dean Martin LECTURES IN ETHICS AND SOCIAL SCIENCE On Sunday evenings starts Nov. 11 with a Concert by the AMERICAN INSTITUTE SCIENCE LECTURES On Tuesday evenings, opening lecture, Nov. 13 OUR EARTH AND NEIGHBOR WORLDS by DR. CLYDE FISHER All Lectures at Cooper Union at 8 o'clock. Admission free. Opens at the MUHLENBERG BRANCH LIBRARY, Mondays—ELEVEN HUMORISTS, by MARK VAN DOREN Wednesdays—THE SPECTROSCOPE, A KEY TO THE | by NORMAN HILBERRY Thursdays—THREE PHILOSOPHICAL AND SCIEN- by E. G. SPAULDING ; Saturdays—ENIGMAS OF RELIGION, | by E. BOYD BARRETT All lectures at 8:30 I~NEW ANGLES OF VISION, by M. CECIL ALLEN at Fordham Branch Library, 2556 Bainbridge Road, Monday ; evenings at 8 — November 19, 26; December 3, 10, 17. II—CLASSIC AND MEDIEVAL THOUGHT, led by DR. RICHARD McKEON at Muhlenberg Branch Library, 209 West 23rd Street; Thurs- ; HI—RENAISSANCE AND MODERN THOUGHT, led by DR. JOHN STORCK at Muhlenberg Branch Library, 209 West 23rd Street; Tues- day evenings at 8, — ‘l'wenty Classes, starting November 138th. poorMcsaneriehs bh orir abet Vat THE PEOPLE’S INSTITUTE, 70 Fifth Avenue THLUPHONE: ALGONQUIN 8717, Pos ‘THE PEOPLE'S INSTITUTE of NY. THIRTY-FIRST SEASON OPENS AT COOPER UNION, 8th Street and Astor Place, 8 0 | Friday, November 9th e in a year’s course ESTRAL SOCIETY FTON, Conductor of Natural History People’s Institute 09 West 28rd Street VIEWS, ound Table nty classes, starting November 8th. : Faust GUIL Evenings 8:30 Sharp urday, 2:30 Sharp THEA. West 52nd Street., Matinees: Thursday and S EUGENE O’NEILL’S PLAY STRANGE INTERLUDE | JOHN GOLDEN 2824. 58th Sts #. of Broadway fvenings only at 5:30 sharp. Dinner*Intermission Best Film Show pee © In Town 7:40 to 9 heith-Albee AMEO “NOW | a Street and Broadway Amerfcan Premiere FILM ARTS GUILD Presents “Shadows of Fear” Based on Emile Zola’s famous novel “Therese Raquin” A Startling Tragedy of a Woman's Unfaithfulness. “MACHINAL’ IS A TREAT FOR LOVERS OF GOOD ACTING... WELL WORTH THE COST OF A TICKET.” —T.J. O'Flaherty, Daily Worker. id “That which gives it distinction is the passionate sym- pathy which Miss Treadwell has felt for the little soul she chooses to depict; the tortured earnestness with which the part is pluyed by Miss Zita Johann; and the whole, fine, compressed and intensely eloquent background which Arthur Hopkins direction contriyes to give the central theme.”—Arthur Ruhl, Herald Tribune. ey Arthur Hopkins presents “MACHINAL” by Sophie Treadwell. Plymouth Theatre, W. 45th St. — Mats. Thursday and Saturdays. } ay? EXTRA MATINEE — ELECTION DAY =) == Little Carnegie Playhouse = 146 West 57th Street — — — CiRcle 7551 American Premiere Sovkino’s Masterpiece TEN DAYS That SHOOK the WORLD 2nd Production of S. M. EISENSTEIN, the Director of Potemkin DYNAMIC » DRAMATIC Acclaimed by European Critics:“Accurate as ae ena Fonen ta News Reel of the Russian Revolution” noon to midnight @cee> The Little Carnegie Playhouse is entirely different from any | other Theatre in the world. ‘There is an entire evening’s entertain- ment in the Ping Pong Court, Ball Room, Bridge Room, Art Gallery and. Modernist Lounge. KBITH-ALBEE Re AT 41 ST. Beginning : PEE JOLLY, theo ° EXCESNONALLY FINE” idee Rit LOUISE DRESSER. sl Al Civic Repertory’ 14th St. 6th Ave. Eves, $:30. 50c, $1, $1.50. Mats. Wed. & Sat. 2:30 EVA LE GALLIENNE, Director. | | REPERTORY FOR WEEK g oF aes | iS a oh. Mid-Week Matinee thix Week nDaG Tueaday. (Blection. Day) Oea-. 7 a Domorrow live, “Che Cherry OF- EXCITING, DARING a chard.” Nazimova, Le Gallienne, NX TAKING, STUNTS -worlee A ane Cameron, Hutchinson. Tues, Mat., “The Would-Be Gen- AF REIT ALBEE es Teyphveum ACTS IRENE RICARDO Feloviss Anthony & tleman.” Brecher, Roberts, Cam- eron, Kruger. Tues. Eve. “La Loeandiera.” Le Gallienne, Brecher, Leyssac, Craw- ie Ned. Eve, “The Cherry Or mitige nce | ve ive., 1c che od chard.” Reservect Seats fiow -Seclal Complete Thurs. Eve, “The Would-Be \ Show ELECTION HIGHT at pn bale het ae Ondaes ri, Eve. “Phe Cherry Orchard.” zi P Sat. Mat, “Hedda Gabler.” Le Thea.t5St.&8Av.ivs tin Beck : Gallienne, Crawley, Leyssac, Cam- Martin Bec! 8.40.Ma.Wed.,Sat.2.40 eron, Hutchinson. | June.” Le Gallienne, Brecher, Hutchinson, Cameron. by Philip Dunning Mon. Eve., Nov. 12, “Would-Be Staged by Winchell Smith Gentleman, Produced by JOHN GOLDEN. Mat. TODAY: “L'Invitation aa Voyage.” — Tonight: ‘he Cherry ERLANGER THEA, W. 44th ST. een, Evenings 8.30 — Mat: Wednesdays & Saturdays, 2:30 George M, Cohan's Comedians witn POLLY WALKER — in Mr, Cohan'’s Newest Music: Comedy Bib bl ee pasty W. 41th St. ve, 8.20 }) LITTLE Mats. Wed. & Sat, 2.30) GODS of the LIGHTNING by Mawell Anderson & Harold Hickerson. Orehard.” 55th ST. PLAYHOUSE —Just East of 7th Avenue— | | | | Hl The Greatest Russian Program } Ever Shown on Any Screen i Amer. Premiere of UFA’S Super jf “BONDAGE” A mighty spectacle of Imperial Russia of 1850 when serfdom he HAVE You stich thal E LADDER ateo.. Me Baton in thral SEEN THE L. ‘ ” ITS REVISED FORM? “SOVIET NEWSREEL’ CORT Thea, W. sth St, Eves, 8.39) See the celebration of the hund- Matjnees, Wed. & Sat. | redth birthday of Tolstoy in Money Refuntea Tt Not Satisfied Moscow. With Play. The Red Army and Other Topics. sie, —— CHANIN'S W. of Bway’ 46th St. Eves, at 8,25 Mats. Wed, & Sat. SCHWAB and MANDEL’S MUSICAL SMASH OOD NEW with GEORGE OLSEN'S MUSIC, Pes SARE OA a ea a SATE The Musical Art Quartet will open its subscription season of six certs at the John Golden Thej/tre | this Sunday evening, It will hea., 7th Ave. & oth St JOLSON Evs. 8.30 Mats Wed &Sat ODETTE DE WOLF GUY 4ORERTSON MYRTIL HOOPER in a musical romance of Chopin tre, 424 St, West an HARRIS as way. Eves. 8.20 Matinees, Wednesday & Saturday 230 MUSICAL MEDY HUT LUCKEEGIRL The Theatre of the Dance, under the direction of Dorsha, will present this evening a new program, which will be repeated every Sunday eve- ning in November, featuring “Man is the Mob”; “Abelard and Heloise”; “Two Tangos” and “Disguises of Love,” composed to.Scriabine’s Poem of Ecstacy. G-major, op. 18, No. 2 and the Ravel. The Max Rosens program fo: his violin recital at Carnegie Hall on Monday evening, will include con- certo, Stamitz; Concerto in D-major, Paganini; Fairy Tale, Dobrowen; Hebrew Melody, Dobrowen; Danse Espegnole, De Falla-Kreisler; Air, Mattheson; ste ea Wladigeroff, Rita Neve, English pianiste, will give her second Town Hall recital Monday afternoon, November 12. Edwin and Jewel Bethany Hughes will give a two-piano recital at Inez Barbour, soprano, will fat } Town Hall, Saturday evening, Nov. in recital at the Town Hall ‘Thy’ 10, erhoo iday aft mn, November 22, y to | | } t sent two quartets, the Beethoven in) } Te-