The Daily Alaska empire Newspaper, January 11, 1930, Page 3

THE DAILY ALASKA EMPIRE, SATURDAY, JAN. 11, 1930. 3 ltIIIIIIIIHIIHII!IHIII!IIIII'IIIIIIII‘i.l!lH" 'lllll'"lli'l'llllll:H!I!'i!l'llIIIIIIHIIIIIII'IIIIIIIIIIIIIillllilllllllllllI'IllIllliiIIIIhHIlIIHII'IIII'IIINMIIIlllIIIHIHIIIIIIIIINII!I'IIlIIIIII1!IIIIII|IIIIIIIIII|IIII||I|I!I!II|III|IIIIIIlIIIIIII||IIIHII|IlIIIIIIIIIHIIIIIIIIIIIlllllIII||||IIIIIII|IIIIIIII|HIIIIIIIIINIIIIHlIII!lHIIIlHlIIIHIIIfllIIIIHHlIIIIIIflIfl * Palaee /115 - Starting Sunday Night - 930 Palace Davrion AND PrrsHMANN P p ; A = 3 Davrron Anp Prrsam e W here on This Larth Can You Motch This? o S Taikflng A STRAIGHT FROM THE SHOULDER TALK ON ENTERTAINMENT VALUE Slnging = Edna Ferber’s Best Selling 5 A cast héided By L: I e . ; A cast headed by Laura La F“r‘)t Novel--- Flfth Plant, Joseph Schildkraut, and Sh(}w B()ai Otis Harlan--- Florenze Ziegfeld’s Musical . Helen Morgan and Jules Bledsoe Secon Stage Production--- SlXth Singing--- Show Boat Jerome Kern’s Exquisite Music--- : The novel, then the play, now Harry Pollard’s B h TU . BO{% fl Fotlrt l)i;‘?c}ti(n(:---‘r S 4 lg th the PICTURE combining the cream of both--- Universal's Motion Pi Ziegfeld’s Plantation Seventh Singers--- i e A Where On This Earth Can You Match This? + LAST TIMES TONIGHT CORINNE GIFFITH in CORINNE GIFFITH in K SPRISONERS” 10 cents, 25 cents, 75 cents, Loges $1.00 “PRISONERS” ; Part Talkie e P T Y 0 oS R AP TP Part Talkie BY SPECIAL REQUEST SUNDAY \l\Tl\'hE O\I Y - AT P()plllill‘ PI'iCCS BY SPECIAL REQUEST “Uncle Tow’s Cabin” 10 cents, 25 cents, 50 cents, Loges 75 cents “Uncle Tom’s Cabin” ERIAR ElI|hin'IfIHIIIJIHIIlillE|Ii|l|hIIHIHNHIIlirllli!mll!hI’Illli liIIIH'IHIHIIIIII'IIlII|IIIIlIIII!IIllIIllIIIIllIIIIlllIlll“llllllllllllIIIIIIII!IHIIlmIIIIIIIIIIIIIIIIIIIII|I|||IlllIIIIIIIIIIllIIIIHIIIIIIIlIIIIIIIIlIII|IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlIIIIlIIIIIIIIIlIIIIIIIIIIIII||IIII|III!||I|II|!IIIII“|HHI‘ -mar- and it didn’t take velteran show- pmv—xll of them based on clean, ‘story moves to a town near Buda-‘has elevated slapstick to such a‘ “Speedy” is full of uprolrwul beau- rr en very long to tell G Ww. situations, and there are a |pest. There she finds a job as a high plane that even the most laugh situations. Restraint can be and O. E. Goebel, it w tears. In the end the rain- | waitress and starts life anew until hardened critic can find no objec- |thrown to the wind while looking dt that their first talking, s somes shining through—not be- [she falls in love with one of the tion to it. And he has done it this one, for every one else in the was “in.” 8 the hero makes & stack of |customers, a young lawyer played by giving his action a sincere twist 'audience will be lacking in con- v of a minstrel man and |gold by a lucky break and not be- |by Ian Keith and eventually steils that takes away from it the flavor trol of his adrenal glands, the a girl and a. small |cause the husband divorces the wifo [money to buy an expensive gown |of any “hokum.” Take a look at glands that make one h‘}‘h the boy’s lovc for his dog, who ran away with his best friend, | with which she hopes to attraet |“Speedy,” for example, now show- | Ann Christy is Harold's leading 1 plest themes which | but because the hero finds true, |his attention. This leads to vari- |ing at the Coliseum. This is his lady in “Speedy.” Attractions i At Theatres B U U | NBOW MAN" | " " S. o - | e 44 s . K n put mto a ¢. |ungilded love. | ous complications and has as unus- |latest picture, and one of the fast OLISEUM SUNDAY tis a s ual an ending as has been on the est 1eoving in his lexicon of great | ODD FELLOWS no‘ncuw B —0a rcnly of the port B _s..__._ __glscreen in many & moon. | comedies. i Al}wm;mge“o"; mm"’)om es by Eddie Dowlin CORINNE GRIFFITHS * || - | jan has |26 ¥ iringd L morous stern-w! £ All the principal roles in the pro: The bespectacled comedia: LAS, at 1:30 p. m. Sunday. Brother and Frankie Darro, LASE IR FARACE | |duction are ably presented. Miss |done more for the comedy art than 2 1 1000 B e ol Boye All have excellent talk- |"* 7" |Griffith’s characterization as Riza ‘any other one performer before the place from the hall at 2:00 p. m. o |ing voices, and Dowling, of course,| A captivating audience lived in|is one of the finest things she has camera. He does not throw a bic | —adv. 5 a marvel at putting a song actdss. the glamorous world of Bohemian- ever done. Her well modulated |of business into a picture just for | ying its cargo of minstrel: public a mot unusual , merit darkies sat at the|s R the tuneful s been a Broadway musicom- ism in picturesque Vienna and Tro- |voice records especially well and|a laugh. Unless it is part and par- | $1.00 TURKEY DINNER $1.00 ng " bu edy success for nearly ten years. varo last night when Corinne Grif- adds much to the charm and beauty |cel of his story, it does not break Mabry's Cafe Bunday. adv. smiple story, plus Eddie melodies in the production fith's newest First National-Vita- |that ha smade her one of the best into the picture. Lloyd discards | tion of this U s and his singing, This is a e kind that reach right ints phone talking picture had its pre- |loved stars on the screen. ‘more gags than most comics use, | preducticn to its patrons feature at the Colise! reart and ‘'make it swell with \miere at the Palace Theatre. ¥ .. because they are illogical, and as| MUNICH—This city's first sky- Sunday. usness. They are “Rain- | “Prisoners” opens in a night club | HAROLD LLOYD IS ‘ | he says, “dragged in without rhyme scraper, a thirteen story bullding, “Show Boat’ The towns- is human and unextrav. Smile Little Pal” and of the lower elass in Vienna where SHOWING, COLISEUM | ‘or reason, and intended to get a is nearing completion. It will house tion picture. e to the riverbank and sai |theme “got them” in New ’“‘p anley Corinne Griffith as Riza Riga ac |laugh, regardless of their bearing the technical services of the munl tensely dramatic 28 with | enrapti ured at the wonders thcy saw | when it premiered there last Ap: are many laughs in he as emmavner From there the Harold Lloyd is one comedmn who |on the mrzher development of plot cipality. ALWAYS THE FIRST—WITH THE BEST ALW AYS A POT OF GOLD IN ; A o 2 COMPLETE SHOWS ENTERTAINVENT . - - , ' _— 715 and 9:30 THE BIGGEST HIT IN TOWN! - THE BIGGEST HIT IN TOWN! THE BIGGEST HIT IN TOWN! Sunday and Monday Sunday and Monday Sunday and Monday EDDIE DOWLING in the Paramount 100 Per Cent All Talking Singing Sensation DON'T FAIL TO HEAR EDDIE SING “Sleepy Valley,” “Rainbow Man,” “Smile Little Man” and others you'll love YOU’LL LAUGH— 8 YOU’LL CRY - YOU’LL LOVE-- AT THE SUPERB COMEDY AT THE HUMAN PATHOS THE SONGS — THE MUSIC — THE “The Fall Giu y” 5 WFCIITKTJI;DED LI;JJ‘——OYMENT T o TE’VDI?IE THROBBIM; ROD!@}CE B GRS -‘jl'{l!'(“' oo '(;’Um'l' ‘YlEl’lfll()ll(’“( 100 Per Cent All Talking Comedy )FOX MOVIEETIN 1 _ LAST TIMES SATURDAY ‘ The World Events—To See and Hear Harold Lloyd in “Speedy” “Post Mortems” Coming-“The Doctor’s Secret”?