Chicago Daily Tribune Newspaper, December 19, 1880, Page 19

-PHE CHICAGO TRIBUNE: SUNDAY. wy - MUSIC. . of the English and Ideal Opera Seasons. Glos he Rive-King Concerts at the Central Music-Hall. teur Performances of the «Doctor of Alcantara.” Review of the Mapleson Season in New York. pammary of News at Home and . Abroad. qe two opera ecasons have closed, and qqesroupe ‘the Enalish) basiefy for Indianapolis, the Ideal for tilwaukee. Both seasons have musically enjoyable, and one of them, the Peal, Onaucialls. prosperous, which epeaks well le rule, as the troupe isowned and man- aged by 8 lady in Boston, who appears in public ges bureau. ‘The other important event of the ‘was been the nerformance of “ Elijah” athe Beethoven Society, which was in all re- gpects the cleanest, crispest, and most enjoyable that Society has evergiven us. If allthe ork bad been up to the standard of tho {tmight have been almost considered a performance. Mr. Wolfsohn had it well Foand, and it sung from the first ehorus with @ ponptness. effectiveness, and unilagring en- Bosasm that -are deserving of the highest Miss Dutton shows marked improve- and the St. Cecilia Quartet and | Yiss Butler's singing of the part of Youth added much to the success ‘wasobtained. Bir. Henschel’s singing of tepart of Elijat was a great success. Though dewxe comewhal out of voice, and though his ice 2510 quality is not superiorte many others ‘wbobave sung here, and in no wise comparable to Mr. Whitnes’s, still there was a dramatic foreetohis singing which exactly suited the peculitty dramatic quatity of the music. Added tothis there was a musical intelligence, ananpreciation of the music, a dignity and re- foement and a musicianly method which marks bimasa consummate artist, and all these qualf- peswere still further emphasized in his song re- gulon Thursday evening. It is refreshing to paran artist who to natural grace andelegance of finish in eincing adds such scholarly in- tlligence. He will always be weicome here. AMATEUR OPERA. ‘She pupils of Mra. Kempton, aseisted by some dour popular soloists and a select chorus of tiny voices. will give Eichberg’s pretty little gperetia. “The Doctor of Alcantara,” at the yomsof the Umon Catholic Library Ascocia- ‘Won, on the 21st and 3d inst. The cast will be .Mr. John McWade «Mr. J. O. Twiehel ‘Dr. Charles Barnes Bee J; javier sir. J. Lipsey .Mr. P. Dunn irs, Alice Brainard Mrs. Ada Somers McWade . -- Mrs. E, Ayer BEETHOVEN'S IVERSARY. “To-day being the 110th anniversary of Bee- ‘thoven’s birthduy. will be ocicbrated at Brand's Ball by aconcert under Mr. Liesegang’s direc- e program, a8 will be seen, isan un- usual one in point of excellence: L Focheltanz, No.3 Meyerbeer 2 Suite op. 60, for ¥ .--Ratt Mr. Hei 2 Overtnro to * Exmont™. CQuarcet. op. 36. & Symphony in TUE RIVE-KING CONCERTS. ‘The only concerts this week will be the two to Yegiven on Christmas af ernoon and night at the Centra! Music-Hail by the Rive-King troupe. The troupe includes the fojjowing artists: Mine. ‘Rive-Ri Signora Lau! Bellini, soprano; . Mss Emna Mabella, better known here as Miss Einma Baker; Mr. George H. Broderick, ‘the basso. who 38 wcll Known here; Mr. Ferdi: and Duicken, one of the Lest of accompunists; and Mr. Reinhard: Richter. a violinist from St. Petersburz, of excellent reputation as an artist. This combinntion will he supported by an_or thestra of forty-eight pieces. Mme. Rive-Kinz eur to and- undoubtealy will receive a cordial welcome upou her return to the field of her former labors. i CHRISTMAS MUSIC. The music to be performed at the Jesuit Church of the Holy Family, on Christmas morn- dng, will be of unusual interest to the musicians + Sand to those Who may take the opportunity to visit the church on that day. The Muss written for this occasion is an original composition by Frank G. Robner, the organist of the church, amd contains some effective choruses, inter- pat with solos, duos, quartets, and two ea. Mra. William McGuire, who is well ‘mown 28 a church and concert vocalist, will tag the principal solos, and will be supported by -achorus of forty voices and Mr. Kopner at the on Sunday, the 26th inst. there will be a Grristmas service at the First Presbyterian Church. The’ choir will be increased to twelve “saises for the occasion, and the music will be of tery interesting character. & “THE MESSIAH” be given by the Apollo Club on Tuesday otek, Dec. 24, continuing the pleasant aunual cestom of Ch -week performance of Handel's oratorio which the Apollos Inaugurat- edsosuccessfully last ceason. The almost uni- Termal custom which has long existed abroad of “diving a holiday ‘representation of the “ Mes-. sah" is being Widely adopted in this country, _ main ion, New York, Cincinnati, and Chi- ‘agothe graceful and appropriate recognition of the associution of ideas in the performance of Sacred oratorio at this particular period “ilundoubtedly be more extensively copied 2s Jeers go by, until the custom becomes as univer- Gaitere as in England. It {s understood that ‘eemanagement of re Club intend to maintain ‘te same high standard which hus for several characterized their selection of artists ‘Yorthe performance of the works they present, ‘spéthat they will take the opportunity to secure assistance of Miss Annic I. Norton,who sings 5 - Re oratorio in Cincinnati with’ ‘Thomas @ Chrisimnas-D: and who, it will be of the sulo at- janati Festival. An efort was made: to induce Mr. Whitney to again kare the“ Ideals” to appear here. but bis co ents precluded the possibility of his le: : yy su frequently, and ar- wress ty introduce bere a s, who sung 89 acceptably sing the tener part this year aa, md it is” probuble that either Miss ar Miss Gould will be sceured as the Satratto eulcist. Mr. ‘ddy will preside at the Sr. and with such an effective ensemble the fe nce ine fe so cinta Cer faire will out doubt share in the holi- 7 musical celebration. p LOCAL MISCELLANY. mis Rellic Bas ot this city. who ts now wi the ttn troupe as nist, is Meeting ting with reat success. i B i Pega recital was given at Park Institute on Me evening by Mr. Boscovitz, assisted by qeMluian E. Smythe and Mr. Dickson, eiccu- ZW Boston's melodists (colored) will sing at eeund Park on Monday evening in the im course, and at Farmer City, UL, on ¥ a evening next, pliseLily Runats, who made her first appear- poi Wis city at the Central Hall organ con- Emgat Felurned to New York. Iris under- as tage Hat Miss Runals will continue her studies od ection of Alberto Laurence, of =) 00 Our operatic record, as ** Fidelfo "™ bi Teogiven scores uf times, bere and elsewhere. third of Mr. Liebling's soirces was _given aacrealns. The program was of an historical > including sixteen ‘numbers, repre~ : =e Scarlatti, Parn Bach, Handel, Hee- mann, Schubert. Mendelson,’ Weber, Sebu- Qopta, ang retin, Grieg, Bosckow Batf, Dr. Volekmar, was played first lecture of ‘the Star Zong . ‘alk reccived the overture Doce ay interesting fetter from the Dee former texcher) about three weeks: yockmar is at present working on The “Lincot In Park Cuureh choir will givea Pa at the church. corner of Mobawk and gu the auth inst, under tho lobn L. Swenson, assist r° Diss Bitte Butler, Mrs. Enuna Hodge Mics s A. Knorr, Mr. M. Oils a mixed chorus a mhale double quartet. the ; gram of Mr. Eddy's organ recital yes- Sey agen included the overture to Gold Recep otiuntala; Smart's Andante in B . eben aad Fugue in Domine derkel’s . Them as, and Finale, op. Apghelnberser's ¥ mata: Guilmantes wea ton to a Wedding March in E; e's Chromatic Funtasie and Fugue. Pupilsof Mr. Ledochowski and Mr. Gill Day Plea nt entertainment at Kim- ino-rums lust Weduesday evening. umcntul numbers were given by the ee Be Hlsses Preston, Weaver, + numbers by Mrs: Brinkerhoff, Miss Curter, Miss Lowitz, and Mr. Gill, Tne program was an excel lent one, and the young ladies acquitted emselves in a very creditable manner. The program for the Turncr-Hall concert this afternoun will include the following numbers: arrior Mure! y Pletk overture to and Busby, and the “Raimopde,” by ‘Thomas; © Village S Raimopde,” 3 we Swallows alte: y Strauss; “Pinafore” selections, by fpllivang overture to “Der Freiscbillz,” by Weber: Vogritch’'s ~ Andante and Intermezzo, if ylollp Gir, Rosenbecker; “Sixth Rhapsody.” by Liszt; Potpourri, by Ochs; Polka Francaise, ‘Gnome S * Whirlwind Galop.” by by Straus Faust. Mr. Lewis wilt be the solulst Dee. 28. THE MAPLESON SEASON IN NEW YORK. ) The New York Musical Review sums up tho Muapleson season in that city xs follows: An- other week bas passed at the opera, in which the iinpresurio has offered to'the public ‘1 Péri- tum," “ Kizoletto,” Gounod's Faust." and Marta.” There have been rumors in tho neigh- burhood of Fourteenth strect of preparations to produce “Lohengrin” and “Dun Glovanni"; ut thus far there have been no signs of any chunge from the rouvine which has prevailed all the season, und no advance announcement has been made of either of these operas. It would be difficult to see bow. with his present company, Mr. Mupleson could produce “Don Giovanni.” He bas two Zerlinas in bis trou but no Donna Anna; and the proposition whlch has been suggested fo assign this grand r6le to Mrs. Switt Savors rather of jest thuu of serious- ness. It burdiy seems possible that the attempt. will be made, The seuson is drawing to a close, and up to Monday of the last week the operas advertised are “ Mefistofele.” “ Lucia,” « Aida,” and “La Sonnambula” with the addi- tion of a concert on Sunday evening, in which all the principal artists will take part. Asa money-making scheme Mr. Mupleson's season bus been a great success. To a certain extent ‘he bus done well from an artistic point of view, but this part of his work is limited, and much 2or a5 EE 2Ra By 5 less than was to be exceted. His mule artists buve been adinirable and quite the equals of any Italian opera company inthe world. The rest of the force bas not, however, been equal to the necessities of the occasion. Mile, Valleria and Muie. Gerster are both admirable, hut there bus been a distinctly recognized want of a dramatic soprano; and the attempt to folst a Mine. Montesini on the good-natured public to assume unis character was such a palpable fraud that she was withdrawn after one nppearance. It is quite possible to engage x dramatic soprano, There are Mme. Pappenheim, Mme. Singer, and Mme. Zacchi, and ‘probably others, in Europe; but so long a8 people ure willing to do without them, it muy be expected that managers will be content to get along us best they can. ¥ MUSICAL NOTES. ivan Marowsky. the Polish basso, has been en- gazed by the Abbott Englizh-opera company. Mamnyer Mapleson’s New York season closes on Chrigtmas-Day, and his Boston season opens Monday, Dec. 27, Mr. Theodore Thomas bas ened his perma- nent engagement at the Metropolitan Concert- Hall in New York. Miss Clara Bernstein, of Cincinnati, has just becn engaged for the Grand Opera (Paris) after a solitary hearing by M. Vaucurveil. The “Messinh” will be given on Christmas at Cincinnati under Mr. Thomas’ direction, with Miss Norton. Miss Cranch, Mr. Bischoff, and Mir. Whitney in the solos, Itis stated that Herr Wilbelmj's concert -tour willend in California next April, ana be fs re- ported to have stated that he will returo to bis home on the Rhine in May. The New York musical public appears at Inst to begin to rocognize the abilities of Mile. ¥ul- leria, the soprano whose. success in Boston was so marked during the Muplesun opera season dust winter. 2 The novelty of a double performance of Bee- thoven's Choral Symphony at Meiningen, under Dr. von Bilow, is tixed for Dee. 18. The work will be piayed, and, after an interval of half an hour, repeated. Marie Vanzandt made so great a success by her singing of *La Chanson de Fortunio” at the Offenbach matinée, at Les Vuriétés, that there is question of producing the entire work for her at the Opera Comique. The Mendelssohn Quintet Club, now in Vir- eee has formed a combination with Camilla irso.the violinist. and continues its Southern and Western tour after Jan. 1 with this additional attraction to its programs. Schuman’s only opera, “Geneveva,” which, on its first production, was comparatively un- successful, bus just been performed for the Urst time at Frankfort-on-the-Main, and enthusi- astically received by the public. ‘The first of the Thomns-Joseffy concerts took place ia New York last Thursday afternoon, Joseffy’s numbers were the Chopin concerto in E minor and Liszt's “Gnomenre!zen.” The _prin- cipal orchestra number wus the “Roman Suite” Minnie Hauck bas been singing with immense success in Germany, the critics of that land de- clar! her Margucrite to be a genuine incarna- tion of the Gretchen of Goethe. She is shortly b appear at Nice in the roles of Alignon and of armen. Mme. Gerster made her first appearance in the title rote of Martha at the New York Acad- emy last week. Stugularly enough, she bad never seen the opera performed, and so created the business of the part after her own idea. She is credited with having made a successful effort, ‘The fifth Beethoven Symphony was a peculiar- ly appropriate ‘number for the Dwight teati- monial program, as it was the first of ite author's ever played in this country, that event occurring at the Odeon (Federal Strect Theatre) Feb. 10, 1841, the orchestra numbering twenty~ and at which Br. Dwight was a listener. BGenee's new comic opera of “ Nisida,” which was recently brought out at the Cari Theatre in Vienna, was given last Tuesday night, for the first time in America, at the ‘I'nulia Theatre, New York, The stery of the opera is of the simplest kind, but the situations are strong and novel, and the music, it is suid, is charming. There is good autbority forsaying that Maurice Strakosch hus sigued intely a contract for three years with the prima donna of the Royal Opera at Wiesbaden, Mile. Hedwig: Kolandt. “The tour begins in Italy, and will wlso be extended to America. Hille. Rolandt, whe bas to sing at con- certs, in operas. and oratorios, receives nearly 150,000 franes yearly. 1 A @spatch from Memphis Dec. 16 says: “About $200 was mised to-day by private sub- scription to defray the expenses of the Taylia- pietra disbanded opera troupe bome. A Ken- tucky gentleman learning that Mattie Belle Hopkins was.a Louisville girl, stepped up to tho Peabody Hotel and paid ber board-bill in full, ‘The liberal act was entirely unselfish and purely on account of ber nativity. gentleman_re- marking when he paid the bili: *That no Ken- tucky girl'should suffer financial troubles away from home while be bad 2 dollar in bis pocket.’” . The London Times, commenting upon the first performance of Sis. Tito Mattei’s opera, * Maurie di Gaud,” at Her Majesty's Theatre on th ib ult. stys: “In spite of many weaknesses, Sig. Muttei’s dramntig attempt should not be judged too harshly, He isa iple of a somewhat an- tiquated school of music, and vf that school his opera is notan altogether unfavorable specimen, His music is at least equal to the average work of Donizetti, without. it is true, showme the thishes of high genins which occasionally light up tho general duliness of that master’s scores. The was received on tho first nizht with ull the friendly enthusiusm usual on such occasions, a fact partly uccounted for by the admirable per- formance. under the composer's own direction. The chief characters were sustained by Mme. Giovannon! Zacchi, Sig. Aldighieri, and Sig. Luncio. NEW MUSIC. ‘New York: William A. Pond &Co. Chicago: Chicago Music Company: Potpourri from “The Rival Cantineers,” opera in three acts, Gill. arranged for, the piano by Edward Oid Cnele Joe,” chirncter_ song, by ; “La Fille du ‘Tambour Major by Frank “Musgrave; “Marquis et rquise.” for piano, by Charles Morley, Frownng Casties by the Gliding Rhine," tenor song, from *Deserei,” comic opera, by Dudley Buck. —. New York: G. Schirmer. Chicago: Chicago Musie Company: “The Nightingule,” duet tor 0 and mezzo-sourano, by Luigi Bordesi; Daisy,” polka cantabile, for soprino, by i Arditi; “Forever and Forever,” song, for mezzo-soprano, by F. P. Tostl; “Metistofele Potpourri.” by J. HW. Cornell;” “TA ffretta,”" eauzune barcorala, by F.P. Tosti; “Te Deum” fa G. by F. W. Root. No. in G. Schirmer's Cdition of New Episcopal Church Music, for solo uschoir; “The Song of Hybrias, the by J. W. Elliott, for baritone, in G 4oronto: A. S. Nordheimer. Chicago: Chi- cago Musie Company.“ One ‘Sweetly Solemn Thought.” solo and quartet, by R.S. Ambrose; *Chiinpion Waltz,” by Albert Nordheimer; ** A. Love Knot,” sou by C. Arnold ‘Thompson; Under the Snow,” by RS. Ambrose; “Lu Belle Canadienne,” new dance, by W. ‘Bray- brooke Buviey. New. York: C. N. Ditson & Co. Chicago: Lyon & Healy. “At the Ferry,” ballad, by Mil- ton Wellings; “Welcome, Pretty Primrose,” song, with guitar accompaniment. by Ciro Pin- su; “Who Shall Say,” sone. by Franz Abt: “Memento,” song. by Walter R. Johnston “Down the Shadowed Lane She Goes,” song, with guitar accompaniment, by George L. Os- goods “Oh! Lovely May.” from “Songs for Children,” by Abt: ” for piano, by Charles ‘V.Cloy;'“Harvard Grand Valse de Suton,” by Fernando de Anguery i ont Worge,” “Polka,” “Tyrolese Song” and “Baling,” by Josept Low; “Drops of Dew do,” =D: BE. helps; and “La Bonen abana.” by Eugene S._ Bonelli, Shicago: S. Brainard’s Sons: * Fresb Garland: 2 collection of easy waltzes, polkas, guiops marches, schottsehes, mazurka, cte., for piano forté or reed organ, by Charles Kenkel: “1 Huvo ‘a Little Secret.” by Edward Hoist; “Pil Rock Me to Sleep in My Grandmother's Chair,” by Ed- curd Holst; *Snow-Flakes,” by Mrs. Clara H. Se ehipporwill.” grand fantasie, by Ed- ward Hoffinun: ** Waltz Lancers,” by Paul Winkler; “You Needn't Say_a Word,” by Suint- on-Dolby; “The Diver,” for bass voice, by Jules Lafort; “Down Among the Flowers,” song and dance, by George W. Persley; “The Fairies’ March,” by Joseph _Varey; “Happy Boys’ Polka,” by Theodure Bendix; “Alarm Polka,’ by J.S. Barlow. ae Ob, how refreshing, palatable, and reviving Is a draught of cool water with Hop Bitters in it to a fever patient, TIBER TREASURE Some of the Discoveries Made i the Excavation of the Ti- ber’s Banks. The Rare Curiosities and Art Works in the New Tiberine Mu- seum. - Rome Letter to New York Post. The Tiberine Museum, which was lately opened to the public, will be henceforth one of the most attractive places in Rome. It is situated in a long, low building, withina lovely garden on the Janiculum, formerly the Orto Botanico. “Here, as the clay-bed of the river reluctanily yields up its stratified treasures, there is space for other buildings similar to the one already erected. ‘The three long halls just thrown open hold a portion only of, the objects found in the bed and on the banks of the Tiber during the excavations of the last four years. The magazine is filled with 2 multitude of coins, vases, bronzes, inscribed marble tablets, and fragments of marble or bronze statues, which are not yet arranged. Al- though so much has been already discovered STILL GREATER RESULTS ARE ANTICIPATED, so that this museum, which is situated on the bank of the stream, nob far from the place where the treasures have been found, will be- come one of the principatattractionsgf Rome.” Other cities of later foundation and inferior importanee have gathered valuable -collec- tions of antique objects from researches in the beds of rivers which pass through them. The Cluny and Sévres Museums at Paris have each interesting collections from the Seine, and the chief marvels of the British Museum are the'objects of Anglo-Saxon ori- gin found in ‘the Thames. The Tiber itself, previous to these researches, had tyielled many valuable objects, among which were a bronze statue called *Orontes,” found under the bastions of Castle Saint Angelo, and pre- sented by the Pope to Frederick the Great, and the Barberini Faun, now at. Munich. “The history of Rome, and almost of the world,” 5: the Hon. Bacearini in treating of this subject, “ 1sstratified in the bed of the Tiber.” These antique objects, gome of which are rare and beautiful, lie ihe mod like fossils in the rock, and eyery age is rep- resented from Leo XIIL back to the earliest times. ‘The saying of the populace, that “QE TIBER WAS LINED WITH BRONZE” has at least a partial fultillment in these ob- rliament, urged_by Garibaldi, voted two million doilars in 1875 ‘to be spent on the ex cavations of the Tiber. The object of this hereulean task is to give the rivera bed ample enough for the volume of water which in the spring and fall comes rushing down in from its tributaries above the city and from the melted snow on the mountains. The ‘Tiber flows in a deep curve about the city, rendering Rome liable to be invaded by the water at different points. The works for preventing these inundations consist ware ing the bed of the stream of the fallen piers and other obstruetions; in_ widening the stream at the Farnesina Palace,. and in straightening the banks from Ponte Sisto to Saint Paul’s Churel The piers of several of the anctent, bridges have so inereased in size from having been built upon many times that they now obstruct the current, Several hundred thousand feet of earth r Ponte Sisto were thus removed to straighten the course of river, and the precious deposit was carried down near the church of St. Paul to beexamined. An enormous wall, beginning at the House of the Hundred Priests and continuing 1,240 feet to the Rock of Judith, near the bridge of the Four Ileads, is in process of construction; but the labor is exceedingly dificult on account of the strong current of the stream and the ‘ne eessity of working beneath the level of the water. Other walls will be made on either side of the river as the widening and straightening requires. The building of that AT THE FARNESINA PALACE has been slow, as the spring rains often swept away the work of the previous suin- mer. The water also filtered through the. piece of new wall, and forming a stagnant pool on the other side, etused fever in the Trastevere. The owner of, the Farnesina Palace furthermore objected’to the continua~ tion of these excavations, whiclreut away part of his beautiful gardenand might injure the twelve magnificent frescoes .by Raphael and his scholars, representing the story of Pysche and Galatea. The fears of the Duke of Ripaito were, -however, found to be groundless, and the large sum of money which he demanded from the city as a rec- nse was not accordeéd him, The slight risk to these beautiful paintings was amply rewarded by the discovery at the foot of the garden of ancient frescoes on the walls ofa Roman house, ‘These are con- sidered by competent judges to be the most beantiful relics of ancient painting that re- main tous. Although some of them are su much injured by. humidity as to present merely faint outlines of their original forms, others retain the marvelous brilliancy .of their red, black, and yellow grounds, and the graceful figures, the columns, the flowers and twining tendrils are as fresh and en- chantite as if finished bytyesterday. Thirty- two pictures have been discovered, and the walls upon which they were painted, bound inastout wooden frame, have been carried away intact and stationed in the museum. THE CHARACTER OF THE UNEARTHED EDIFICE not yet ascertained, but it is generally be- lieved to be a private dwelling of the last period of the republic of the reign of Augus- tus, a question which cannot be decided uni excavations are finished. An article in the Notizte deqli Scavt gives interesting information of these discoveries. The Aurelian wall divided the right bank of : place inté two parts. ‘Tho northern part comprises the Farnesina gar- den, and has been dug to the orizinal soil, be- low the modern alluvium. Two ancient buildings have been discovered here—one of the second century, which was used for wine-cellars, and the supposed private dw ing. They were never -restored, and it thought that as they were outside of the city walls they were abandoned and forgotten after the ineursions of the barbarians. ‘That part of the bank which ison the other side of the wall was inhabited by poor people until the sixth or seventh century. exciting discoveries was made in Februa 1879. ‘There were nine columms of travertine covered with stucco surrounding a court like a colonnade under which were large grottoes. The floors were of mosaic, and over them many fragments of jars were seattered, while others, four feet in diameter, were resting on the pavement, proving the chambers. tobe wwine-cellars. One of these doli or jars for holding wine may be seen now at the museum just outside of the door. Soon afterward 2 THE “NOBILISSIMA CASA” OF THE AUGUS- TAN AGE, which one archzologist called the Villa of Cesar, and another a temple of Isis, was found. Jt was built after the usual plan of Roman ltouses, around an open court, ‘The rooms were without windows, and received their light from the door opening on the court. ‘They were of medium size, and their walls were adorned with paintin: The pavements were‘of white mosaic, with black figures in the centre anda border of black near the wall, while the vaulted Ceilings were decorated with small figures in stucco, which had fallen upon the floor and brokei into a thousand pieces. None of the stuccoes are e is tire,.and yet they represent Greek art in Its prime, which has been buriea for ages on the river’s bank.and often covered by the. springandautuinn floods of the Tiber. ‘There is grace in the lovely headless forms poised on the points of beautiful feet, w! = tended wings seem softly to beat the air, and the wind plays softly with the loose drapery; and pensive thonght in. the head, ‘whose hair is brushed back from the forehead, and held by a ribbon until it is coiled ina knot behind. The lotus-flower between the thumb and finger of the wonum haga mystic reference to the Nile and the worship of Isis, whence some believed the house to be one of the temples of Isis and Osiris, which, at the time it was built, were only permitted without the walls of the city, although later there was a maynificent tem— ple in the heart of the city, near the Church of the Minerva, It is evident, even if this be not true, that the subjects of all these frescoes and stuccoes combine the story of IsIS AND OSIRIS WITH THAT OF CERES AND BACCHUS. One of ’the bright frescoes on a red ground represents a temale figure seated with an in- fant Bacchus and crowned with vine-leaves onher knee. Two other divisions of the same wall represent female figures seated and playing with great fervor on a musical vis well-preserved, an ‘that have instrument resembling 9 guitar. {sis in her usual singular form is there, and Osiris is represented in the stuccoes by a man’s face with ‘the rays of the san around it, by.a noble figure holding a falcon on the finger of the right hand. The talcon was with the Egyptians an emblem of Horus or Osiris, signified his perpetual youth, aud was often placed in the centre of the sun’s disk, The long border on the upper part of the largest piece of wall may. be gonjectared to be the story of Osiris. The principal archa- ologists here, after waiting two years, have hesitatingly called it a udgment”’; but one, with less reputation, immediately after its ‘discovery iimakined if the history of Osiris, and perhaps he was tight. This wall isthe Iurgest in the museum, being eight metres Jong and two wide. ‘The ground is black, a distinction only alowed in the houses of nuble or Imperial persons. There is a Greek border in red along the lower part, then a-yellow line, and then spaces divided by columns for landscapes and figures. But these are so faded as to be almost invisible. The frieze representing the history or Osiris consists of ninety-six figures not more than six inches high. These walls were prepared for the painter bya stucco of powdered marble, which is still as smooth as when it was first spread on the re- ticulated walls. These walls are divided -into compartments by columns or pilasters, whose capitals are supported by caryatides. In oneof the rooms was found a mosaic avemnent two and a half metres square, but t has not yet been placed in the museum, THE EIGHT BEAUTIFUL ASH URNS found in the tomb of C. Sulpicio Platorina, discovered in April of this:year, are dis- layed in the museum. It is rare to find so jarge and rich a tomb as this untouched after the lapse of elghteen centuries. Its dimen- sions are in metres 7.44 by 7.12. The pave- ment is of white mosaic, with a black border, and the figure of a Geniusin the centre. The tomb was found almost in contact with the Aurelian wall and between that and the Ponte Sisto. The outer walls were of traver- tine and the Inner of the opera reticulata so often seen on Roman monuments, Within the tomb on the walls and on the ‘urns were nine inscriptions, and in the centre was a lifesize statue of @ Roman matron. ‘There was :tlso the portrait bust of a yodnger woman with the front hair curled as seen in so many busts of that period. The statue. the bust, and the eight urns, with fra nts of another, are all in the Tiberine Museum. The urns were set in niches in a deep wall, and were closed by leaden bars set in iron pivots. ‘Two are in temple form and ornamented with dolphins; two are plain round vases, and four are rich- ly decorated with garlands, flowers, fruits, sieanthus leaves, and bulls’ heads, | All have lids, and_ three contain burned bones and ashes. The sturdy guardian of the place obligingly lifted the heavy lid on the opening day for every fresh party of sizht-seers to give a glance at these poor relics of the great departed. Gold rings were found in three of the urns, upon the stone of one of which is engraved the assault, of three Cupids on a bear. These rings are in the glass case in the middle hall. It contains also a WONDERFUL COLLECTION OF OBJECTS jain for centuries m the Tiber. Here is a copver sisier, a sacred musical in- strument, the pieces which rattle in the holes being finished with serpents’ heads. ‘There is a vase with rose-colored powder that looks as ifsome Romin lady of the first century had used the rest of it to paint her checks. Here are three seals—two of lead and dne of bronze—used to mark bricks. There are seventy gold pieces found near the baths of Donna Olympia and dating from the time of Honorius and of Arcadius; rusty knives, daggers, swords, and sacrificial in- struments of every period and kind. There was 2 pile of ivory pencils for writing on wax; a quantity of terra-cotta lamps; some lachtymal vases; some marbles, and thou- sands of bronze and copper coins,—some Roman and some Papal. In two other cases were fragments of two colossal gilt-bronze statu One of these had represented an Imperial personage, the feet: of which are still attached to their marble base, ‘The excavations are still continued, and any day may bring: new wonders to light. Perhaps even the long-lost golden cindle- stele of the Temple may greet our eyes again. THE IRISH LAND QUESTION. A Humane and Sensible View by an Irish Landlord. _ An Irish landlord who has some bowels of compassion for the miserable condition of the Irish tenantry, writes as follows to the London Spectator, of Dee. 4: ‘To The Editor of the Spectator. Asa landlord I lived amongst a class of stall tenants for years, and regarded them with the true affection which their attach- ment and devotion deserved. During the long space of 25 years my family lived on the same spot, in the much-abused wild West, dnd found amongst them, ever, up- rightness and honesty, only equaled by their devotion and respect. Having said so much by way otf preface, I ask my “few plain questions.” . Why should Jandlords be in a safer postion ieibey let their lands to ten- ants than if they held them themselves? If Jandlords held and farmed their land, and crops failed, where could they look for profits? Why should they sue tenants under such circumstances, for} what the land has not yielded, and — for profits which they could — not ale taih tf they had no tenants? In Tuscany and other places where “rent” consists of @ division of crops, the landjord suffers with the tenant when disease, or storm, or flood blights the land. Why should Irish land- lords not bear their share of the misfortunes which Heaven sends or permits? If a ten- ant, with the consent of his landlord, e: pends time and money, or labor, which is money, on his holding, making it more valua> ble than when he'received it, why should he not have the power of disposing of that, his own share in the holding, to the highest bid- der? tin and further, if the happiness of the greatest number is the desired end. and emigration is said to be a necessity to relieve an overcrowded population, and if landlord: either through inability or indifference, fai to develop the resources of the soil, the mill- ions of acres lying waste, why should they beempowered to forbid their tenants to do form that important duty to which they are willing todo? If Mr. Gladstone has the breadth of view and the courage, as I believe he has, to pass 2 tire to enable them to do so, millions of sh men and women yet unborn, loyal sub- jects of the British Crown, will call his great name blessed. Iam, sir, ete., A CounTY MAGISTRATE. ——— THE STAR OF BETHLEHEM, ST. MATTHEW, I1., 10. For The Chicago Tribune. Christmas coming! time of promise: * Peace on earth; good will to men,” After days of gloom and bleakness Shines the Star of Bethichem! Shines the brighter for the darkness Which always precedes the Uxbt; Shines to bring us cheer and gladness, And to soften winter's blight! We devoutly do adore Thee, Beacon-lizht, so soft and fair, Telting us of sife eternal, Happy, rich, beyond compare! Let Thy beauteous rays bring comfort, Warmth, and life in plenteous store— Healing power to all who sorrow For the dear oues gone before! Shower, O lovely Star of Bethlehem ‘Strenms of manifesting light! * Lift whatever cloud be dark'ning— Turn to noonday what is night! Spenk to all who, sad and weary, ‘Cannot sce their way made plain; Whisper to them words of courage, ‘Loving words to soothe their paint Lisp to them of bright days coming; orate rest shat Js in store em the pence Thy beams are fro thor hearts forevermore! ee ‘Then forever we, adoring, ‘O'er the manger, loving bend, Thanking Thee for Thy true guidance— Praising Thee, world without end! Cnicaco. — ‘The Monaco Gamblers, The stir made by the recent marriage of Pierre Bonnpurte with thé daughter of the Prince of Monaco gives fresh interest to the gambling which furnishes her father with bis revenue. Whose money it ig which goes to enrich the Prince of Monaco is thus described by the Len- don Daily News: “No resident in the Princi- pality of Monaco is permitted to stake a single five-franc piece, and of late years this inestima- ble privilege of compulsory ‘salvation has been extended to the whole population of the mari- time Alps. These may look on if they please whilst others ruin themselves. But a paternal government is mindful of their welfare, and will save them whether they willarnot. All the nations of the world contribute to the 8,000,000 francs a year which the bank is reputed to gain. Among those who lose the largest sums are Russians. The French, chiefly Parisians, con- tribute most numerously to the crowd at the tables. Poles play wheo they. have any money. The Germans leave a good many florins behind them, though they play so cautiously that. tak- ing into account the expensca per hour of the magnificent establishment. they are held to be among the least remuncratiye customers of the bank. Spaniards cross the Pyrenees to play, and Italy makes a fair use of the advantages of feoeraphical proximity. It is satisfactory to ‘now that the English are classed arfiong the least frequent customors of the bank. Even the quota contributed by America is understood to exceed that furnished by Great Britain and Treland. It isa motley multitude, speaking all known tongues, and displaying with manifold expression the one absorbing passion. More than one-half of the habitual players are wom- en,—women of all ages and conditions of lite.” SCENE PAINTING. Some Hints to the Public Regarding a Special Department of the Painters? Art Not Well Understood. ‘To the Editor of The Chicago Trihune- Cricaco, Dec. 18.—Theatrical scenery is painted in “distemper,” the dry color being mixed with a vehicle consisting of glue and water, much the same as is used with whit- ing for calcimining rooms. Stage scenery and drop-curtains are never painted in oil colors. While the color is less brilliant than when mixed with oils (the artist being com- pelled to get his brilliancy by skillful ar- rangement of dull color), the glare of var- nish and oil is avoided which would destroy the realism of the scene. Scenery, then, be- ing painted in water colors, the danger from fire is much less than is popularly supposed ; in fact, when it does take fire it burns very slowly for a long time. The canvas is much less combustible than before being painted. Scenes painted on both sides are almost fire- proof, The quallties required of a first-class seenic- artist are of a much higher order than Is erally supposed, and the technical difficulties to be overcome to produce any brilliant effect whatever for the stage are so numerous that, with a thorougn knowledge of drawing, color, and composition, and the clearest pos- sible idea on the part of the artist of what he desires to do, he will fail utterly, without great practice, to convey to the audience the effect that he may have already, in his brain, arranged in the clearest and most tangible shape. The artist in oil colors can prodice any effect which his mind conceives. The scenic-artist must first overcome many very great obstacles. One of the chief difficulties arises from the fact that the colors dry out several shades lighter than they are when ap- plied. (Throw a little water on the floor and the difference in color will illustrate this difti- culty.) ‘Lhe artist is compelled to paint with one’ color while thinking of another. He must think with every brush mark how the colours will “dry out.” The diffienity in doing this can be imagined when itis considered that all exterior scenes are painted from a palet making a constant change of thousands of different tints. Then the effect of a night light is a serious drawback. Whoever has_ observed the changes in tne colors of fabrics from the light of day to the artificial light of gas must have noticed how some colors are hightened and others dimmed by being brought under the yellow gaslizht. -The scene-painter working in the broad glare of day must consider with every brush mark the effect of this gaslight on }.'s color. A brilliant effect by daylight may, under an artifielal light, be entirely destroyed, and also the reverse holds true; but that mist not be accident with the scenic-artist. Do the audience in the theatre ever realize the immense difficulty of painting a scene while within three or at most four feet from the canvas, to produce the proper ef ct at a distance of from fifty to 150 feet, the artist bemg compelled to see nis work in his mind’s eye at this distance, when his first opportunity to see his entire work is after it has been finished and on the stage? The result of constant practice in this direction is, that, as he acquires knowl- edge, and consequently power and decision, he gradually chooses larger brushes, until the skillful artist is enabled with the roughest and apparently most hideous “swashes” of the calcimining brush_ to produce effects as soft, tender, and full of appropriate, meaning as is done by the most labored, painstaking care on smaller surfaces by many landscape painters, In scene-painting, as in all other art, it_is only the novice who takes the life out of his work by petty, contemptible smoothing down with small brushes.“ Pict- ures are made to be seen, not smelled,” said Reynolds, nu decorative painting mecha ical finish isthe important requisit, but in scenc-painting it isno more an excellence than is mechanical finish in any other art. The popular impression jis that ,,because seenes are thugs painted with broad, bold, rough marks it is scarcely more than a grade or so adyanced beyond mere decorative ainting; but think for a momentof the Rhowledge of drawing, perspective, composi- tion, and color required to enable the artist to produce on these large surfaces a scene which to the audience must be realism. when he can only see at any time a limited portion eet square) of his work—on i say thirty feet by fifty—while working within three feet of his canvas, and to be seen across a large theatre. ‘The fact is, that a scenic artist is able to paint a small picture with much greater ease and readiness than he can his. theatrical work, because he has the knowledge required to paint the small subject without. the very great obstacles at- tending his work on the large canvas. ‘Another thing to be considered in this con- nection: The scenic-artist does not always: in fact, seldom—have the leisure to do work at his best. He has neither the time nor op- portunity to correct his work, When a pict- ure is finished in an artist’s studio the artist sees where a change here and there will en- hance the value of his work, and can perfect it, The scene-painter mustcall his work *-a go’ and start on the next scene. ** We press your hat while you" wait,” is the sentiment. The manager comes to the artist, and says we want a street—Paris, 1600—to-night. He must have it then, though the heavens fall. “Time, tide, and managers wait for no man,” Many times in the experiences of all scenic-painters are they obliged to work thirty- hours at a stretch, their meals brought to them, and stopping for nothing else, each of those hours working against time, with no sentiment other than to get through, get out of the theatre and to the rest that’ exhausted nature londly demands. Still he must be criticised on this very work. ‘The audience doesn’t know anything about his having worked all day, and all night, and all day. é ‘. + ‘The great scenic-artists of the world are great artists, and so recognized in the world of art. Poor dead Minard Lewis was the very Prince of scenic artists, and his genius was the wonder and admiration of every art- ist of every depratment of art in New Y ork. Yet the theatre-going public who for thirty or forty years had admired and applauded his beautiful work did not know nor care to know his name. ine The position of scenic-artist in a first-class theatre is one of great responsibility, which is properly recognized “behind the curtain line.” but the general public has no interest in the personality of the scenic artist, sup- posing in a vague sort of way that the man- ager prints the. scents, It isno unusual thing for scenery to be lavishly commended by the press and public, the manager receiv- ing great praise for his “* enterprise, taste, and liberality,” while the artist whose brain and hand has created it all is never mentioned oreven thought of. Scene-painters, Ike all other artists, have their ambitions, and are grateful for proper and honest appreciation. Much injustice has always been done them (perhaps through thoughtlesness) by the public press, and this is strongly felt by every scenic-artist. If the newspaper dra- matic erities wouid take the same interest in the scene-painters themseives that they do with the other individual members of the theatrical business and that they do with other artists, and would find ont under what adyerse circumstances they generally labor, their sense of justice would cause them to be more diserithinating in their reports. If .a theatre during an ex- tended period is uniformly negligent in the matter of scenic accessories, it would be but simple justice for the public critics to inquire whether it is due to the incompetency of the scenic-nrtist or to the economy of the man- ager. The truthin this matter can always be easily discovered, and when blame is laid, as it frequently is, igshould not be done in the loose and indiscriminate manner which in- tres most the artist who is frequently not to faine. If the dramatic critics would visit and become acquainted with the scenic-art- jsts they would be welcomed, and would per- haps gain in the interests of dramatic art. and progress some ideas from that unknown and unthought of portion of the theatre (the paint gallery) that would bea revelation to them. ‘The sooner the press and public rec- ognize the scene-painters asartists, and deal with them individually as with other artis —commending or condemning them on their own merits,—the better it will be for the ele- vation of scenic art. Ry C. TRYON. Winchester’s Hypophosphites will cure consumption, coughs, Weak lungs, Dronebitis, and general debility. Establish twenty-one sears, 5 TROPIC-FRUIT LAXATIVE. v IS NATURE'S GREAT SYSTEM RENOVATOR AND CLEANSER, aud its effects are as cer tainas they ave salutary, searching out and re- moving all impurities, and acting not only as @ prime curative, but asa thorough preventive. Tropic-Fruit Laxative is supplanting the use of pills and dras- tic purgatives in coNstIpaTiON, 4d all ailments arising from an obstructed state of the system. Packed in bronzed tin boxes only. Avoid imitations. Ask your druggist for Descriptive Pamphlet, or address the proprietor, J. E. HETHERINGTON, 86 Park Place, New York, THE VIGOR OF ‘2, gq ELECTRIC BELTS anv BANDS speedily and effectually cure NERV- OUS PROSTRATION, RUEUMATISM, NEU- RALGIA, DYSPEPSIA, LIVER COMPLAINT, KIDNEY DISEASE, FEMALE COMPLAINTS, GENERAL ILL-HEALTH, SPINAL DISEASE, EPILEPSY, PARALYSIS, and other chronic all- ments, Exhausting diseases, such as NERVOUS DEBILITY, SPERMATORRUGA, LOST ENERGY, and kindred complaints, sre especially cured by this mode of treatment Send for PAMPHLET and “The Electric Re- view” (an Illustrated Journal), containing full par- ticulars and trustworthy testimony. Copies malled free, Address PULVERMACHER GALVANIC CO., Corner Eighth & Vine Streets, CINCINNATI, OHIO. RerAvoid bogus appliances of every de seription claiming electric qualities. ST. JACOBS OIL. GJACOB ‘TRADE FoR Ui A q fw 2 RHEURATISM, Neuralgia, Sciatica, Lumbago, Backache, Soreness of the Chest, Gout, Quinsy, Sore Throat, Swellings and Sprains, Burns and Scalds, General Bodily Pains, Tooth, Ear and Headache, Frosted Feat and Ears, and all other Pains “and Aches. So Preparation on carth equals St. Jacogs Ort es 8 a Finleres simple and cheap External Remedy, A tral ente@is but the comparatively trifling outlay of 50 Cents, and every one suffering with pain tan Lave cheap and positive proof of its claims, Directions in Eleven Languages. BOLD BY ALL DRUGGISTS AND DEALERS IN MEDICINE. A.VOGELER & CO., Baltimore, Md., U. S.As cS. CANADA FurManufacturing Go 142 & 144 Wahbash-ay. Having too large a stock in SEAL SACQUES and DOLMANS, we are desirous of reducing it before close of the season, and, therefor, offer it at retail forless than manufacturer's price. Seal Sacques, 36 inches, from $109 upward, very good value, and made up in best style. 4 Fur-Lined Garments in greatest variety. Seal Skin Caps of all shapes in largest display. Gloves and Gauntlets for Ladies and Gentlemen in Beaver, Otter, Seal, Etc. Sleigh Robes in Wolf, Bear, Beaver, Japanese ‘Wolf, Beaver, Etc. Fur Trimmings in any width and color in stock or cut to order. BEAK & BUCHER {42 & 144 Wabash-av. 0 iter td pesos, {DR. LUCAS, 132 Sonth Clark-st. Chartered hy the State of IIlinors for the scientitic, und speeds cure” uf private, ner inary diseases. Consultat HUGO SD. wD. Sundays, WV ty | oe {DR KEAN 173 South Clark-st., Chicago. nsuit personally or by mall, free of charge, onal Cte reream oe special diseases, Dra. ean 1s “special, us.chron= ed | the only physicuin in the city why warrants cures OF Bo pa AILROAD TLE- ARRIVAL AND DEPARTURE OF TRAINS. EXPLANATION OF as reer ‘*Sunday Chicagn & Northwestern Kalway. For Slaps. Time-Cards, Steeping-Ca. secommodations: apply at 62 Clark-st, Grand Pacific Brink’s Expresi oited, Paimer House SCanalste ana tie dene | eave. Arve. {act Aum REVERENCE MARKS,—tSatnniny excepled ¢Monday excoped. aPacifie Fast Line, aStoux City & Y: bes Moines Sew ES ass os NEE aes Moines Day Exo soos .seasersddasadsess For suburban trains, get local time-car ui Puilwan Hotei Cars and ime eeners City on the train leaving Chienco at 13:0) p.m. Pullman Sleepers on 9:15 train to Des Moines. a—Depout corner ot Wells und Kinzlu-st« b—Depot corner of Canal and Kinzie. Chicago, Burlington & Quincy Fatiroad. For Maps, Guide-Books, Time-Tabies, Sleep‘ne-Car Accommodauons, Apply at any of the following Tiexet-Onices of the Company tn Chicazo: 3 Clarke at. Grand Pacitic Hotel, Brink's Express Office (om Rortheast coruer Randolph and State-stw), feot ot Indinon-av., Grand Central Depot commer Canal nad . Bt sts, er House, Ci adisoni-sta. (on Westside: © She Comer Canal nag | pm 7 pm W: pm 9: nm bit nm be pm Bar on B01 pm it pm 3: am 4 am « am am am am am 108 port & Dubs Wednesday @ puurday" folate? a pis ss ees 11:15 pm! 10:15 pm a rb Daily, a satariay. a Dalle crept Monday Riese wheel) Sleeping-Cars and Passe: Coaches between Chicago. shuts, Lincuin.St. Joseph. Atchison Topeta eid ae rity, thi ieciinioa Chairs, CB. Y, Diniug-Cars attached to all tune Chicaro. Miwaukee & St. P; 3 Mr ant Feat Grand Paci Uo and'at boos: PUMet House, 1 Madison, Pi Chien, iowa, and Dakota Bx. §feveng Point and Ashland Ez:. du Cilen Express ss Byron Pr Flin Srostal Far ec pres oe Sunday Passenger (Himin)... All Minnesota trains ran via dail 1 for St Pautand Minneapolis are pea eltber vin ate ison und Prairie du Chien, of via'La Crosse & Winuns. IMnols Centrat Eatirost. Depot foot of Lake-st. and foot of ‘I wenty-s ‘Weket Office, Tat Haud seconde. Pacilie Hotel. and eandolph st near Clarks Grind Leave. | Arrive” St Louls & Texas Samtiaiaa ‘ A pa ee Ly nin $7 am 7 a ihm pia a pa pao am sian pm bsp a Rm i030 am g press. 5 Gilman Passeaze 3 pa fn Dubuque & Sioux Dae eit om Dubugue & Sluux City Exp 2 pia * 243 pro 2OnSaturday night to Gilman only. Ob Saturday night runs to Peoria only. ‘Wabash, St. Louls & Pactfic Katlway. -Depotcorner Stewart and Archer-avs. (i wenty-tnind~ pb). Archur-ay, cars ia Suite-se run to the depot lare-st ae, Leave. | Arrive. {Pally¥ “patty except sundays. TE—Pullman Sieepmg Cars from Chicazo to is, Kansas City, and Peoria. arlor Day Coxe! Teyolving chairs Chieazo to St. Louis, and mg Chair Sleeping Cars Chicago to Hannibal i as City. No chunze of Lay Coaches Uhlcago Louts uf Kansas City. Chicago & Alton, Depot, West Side, corner Canal and Van Ba i. near Van Bureu-st bridge, sod Twenty ‘Peket Ortices, at ts, $9 South Clare rand Pacitic Hotel. and Palmer House. “Arrive. ‘Leave. . ‘ ——— Kansas City, Denver & Pueblo.=z, Kansas Lity, Sania Fe & Denver + 9:0) PL Louls, Springdeld & "Texas... + Mobile & New Urieans Express SL Louis, Springteld © Teras..(.'g Feoris, Harling: (Fast Exproni:. on & Keokug § Bx. via Pekin & Peoria Ex. tet’ Streator, Lacon, Wash Jones SSEEE' PUR DOM BHEBEBE . Lacon, ae 20 pa bwizht'Accomatuda ion. i* 50 pam.* Michtgan Central allroad. foot of Laxe-st, ang footof Twenty-second-s {Ollice, Gf Ulark-ste southeast, corner of Weim Grand Pacite Hotel, and at Psimer House. dvip! | beave | arrive” Man (vis Main and Atr Line New York & Boston Ex.. Special New York Bx (daily). Kalamazoo Accommodation, daly) Chicas. Rock Inland & Pacific Ratiraat. Depot, corner of Van Buren and Sherman-sts. Ticeat ces, st, Sherman, House, Palmer House, Grand Pacitic Hotel, and 75 Canal, curner Madison. Leave. | Arrive, Davenport & Peoria Express, Couneul Biutty Fast Expresa.. Kansas City, Leavenworth & chion Fast Lxpreas. Peru Accommodation, Counch Bluus Nixbs Expiess.. KGhsus City, Leavenworth © ‘ chison ht Express. oe SeDoa ‘Daily except Sunday [Dally aDnily except atondara) ‘ally exceps Satardara I.nke Shore & Michigan Soutnera Hatlway Ticket offices at dep. Van Buren-st, head of Ls Saile, Twenty-necond-s... nnd Forty-third-at, ‘Tickes and freixht office under Sherman ‘House, and tckos raliner Lfuuse. Offices in the Urand Pacitic Hotel and Pi Chicago & Grand ‘Trunk Raltwa: Depot, ‘Iweifth-st, near State. Ticket-Um puuth Clark-st, 77 Clark-st, and Grand Pacitic, Palmer House. Baltimore «& Onto. eson Building. and foot ot Depots, Expo: ‘Treaty. gecund-st. Ticket Ottices, S}Clark-st., Palmer Hous, Grand Pacitic Hotel and Depot (Exposition Butt" 97 ‘Leave. | Arrive. am| pin! pm an Morning Express... Fast Express, “"FDaily. “Sanday excepted. Kankakeo Line. Depor, font of Lake-*t. and 100: of Twen*y-se~ind- ¢ Meketcofices at depots and f't Randoiph-st.. Grand Paeilic Hotel, and raimer House. ‘Leave. “Arti Cineinnatl, Tpdianspolis & Louis-| wile ube Byres Pittavare, Ft. Wayne & Chtenes Haltw er, Des . Van Buren and Canal-ste, et Adiitees eb erst, Palmer House. Grand Paeide Loveland at Depot Leave. Arnive. EXpress... so seesecees Mat ore Depress (dailys 2 Pittsburg. Cincinnat! & Se. Lou R. E (Cincinnati and Kokomo Alr-Lines, 5 corner u1 Clinton and Carroll-sts... West Si.ia, paper conices at Depot and Tal Randuiph-st, Grand Pucite Hotel, and Palmer House. Indianapol!s, Lonts-| cine eoiumous East Day], Press csht Hxpross Chicago & Eastera Illaols atirost weit (Danville Kente.) = om n epot, ‘fwellth-st.. near State. Ket Oltices, Peri scot, Palmer House, Grand Yaciile Hotel, “Leenves | Arriva REET