The Bismarck Tribune Newspaper, September 9, 1935, Page 8

s,, MONDAY, SEPTEMBER 9, 1985 “Say, when I was your age I couldn’t wait to get to school.” i eee | Tus Curious WORLD" ?erwer | 5 FLOWER 2 ‘ 2 bi ARRANGING 1S AN 4 IMPORTANT - ART, AND GIRLS ATTEND SPECIAL SCHOOLS TO DELIVERS A TERRIFIC ELECTRICAL SHOCK a CuR EARTH, LARGE AS IT SEEMS TO US, IS ONL THE FIFTH LARGEST PLANET. * ©1935 BY NEA SERVICE, INC. Grace Moore Film Is Gift to Music-Lover ‘The screen's loveliest voice has re- turned to use once more. Grace Moore thrilled the audience at the Capitol theatre Sunday night invher new Columbia picture, “Love Me For- ever.” Combining drama, music and romance, Grace Moore's new picture is a gift for the whole world, a thrill- ing evening of heart-warming enter- tainment. Telling the story of Margaret Howard, a debutante who suddenly finds herself penniless, “Love Me For- ever” takes her from the moment she meets Stephano Corelli until she sings her astoundingly beautiful debut at the Metropolitan in lovely “La Bo- heme.” Corelli, a big-time gambler, falls in love with Margaret when he hears her sing, and sponsors her career. Filled with the God-given voice of Grace Moore, as Margaret Howard, “Love Me Forever” swirls on to a heartrending dramatic climax, As Corelli, Leo Carrillo certainly gives hhis finest portrayal. Michael Bart- lett, American-born tenor who sings opposite Miss Moore. in the “La . Boheme” sequences, has been a hid- den treasure. Robert Allen, another -. In fact, every mem- er. of the cast seems to have been soapicet by their leading lady's divine Sylvia Sidney Gives Notable Performance All of the wit, the subtlety and the delightful insights into character which made “Accent on Youth” a hit on Broadway these many months are now on view at the Paramount thea- ter, where Sylvia Sidney and Herbert Marshall are starred in Paramount's film version of the play. At times frivolous, and at other times tenderly sympathetic, “Accent en Youth” is a story of a man who has passed 40, bid farewell to love— and suddenly finds himself more mad- ly in love than ever before in his life. Herbert Marshall is the man, a suc- cessful playwright, who falls in love with his secretary. Although she re- ciprocates his feeling, he mistrusts himself. When Marshall learns that she is torn between himself and the young leading man in his play, he turns to helping the young man, Phillip Reed, win her. Married to Reed, Miss Sidney finds her troubles just beginning. Reed is youthful, romantic—but dumb! And the longer she is with him the more she yearns for Marshall's comfortable understanding and mature charm. The break comes in the climax, when Miss Sidney flies back to Mar- shall with her husband in close pur- suit. And, in one of the most hilari- ous, crack-brained sequences in re- cent films she manages to alienate her husband and force Marshall to ad- mit to his love. Wesley Ruggles, the director, has performed a handsomely mounted, in- ee aeny. handled job in “Accent on THE BISMARCK. TRIBU} THE, GUMPS—JUST BREAK THE NEWS TO MOTHER OF HER Sour pont, STROLLS WELL, MERE'S MY CHANCE ‘To DO HER A REAL FANOR- I'LL SHOW HER she WAS. MBER ME Sk FRIEND — FRECKLES AND HIS FRIENDS OH,SON, IT'S SO GOOD To HAVE YOU HOME AGAIN! we've MISSED YOU... TERRIBLY ! WHEE! Twice In SAME PLacE| . (CIN sh pen JES DROPPED DOWN . || swe! LiSTEN = IM LEANING 1 MINE. 19 QOWN THE | SURES TSEE WOW YWERE COIN, WOME, RIGHT SHORE ‘ earre WADDO. NOW — IN) Your PLANE EAN CRT SOME ORS TAXICAB WAITING, SHAKE A LEG. MR. BIGGER'S ACT SAILS AT DAWN, WHAT—NO WAR?, INET OO) recta —<“—(svip UP TTH \ PALACE IG, SAILING! OVA TH” NOING COAINI YUL BE READY RWW suse 8S pot CAN = eee ee