The Bismarck Tribune Newspaper, February 6, 1934, Page 8

i er —oreaeeersces VE FOUND Vicks Nose Drops PREVENT MANY COLDS THE BISMARCK TRIBUNE, TUESDAY, FEBRUARY 6, 1934 YES.. AND Vicks VapoRus | SIDE GLANCEs - “All right! If you want to lose your temper over a card game.” | Tuis Curious IN AUSTRALIA FAMOUS VIOLIN MAKER, = \S THE MOST FORGED OF ALL] SIGNATURES, THE FORGING BEING DONE ON FAKE VIOLINS, 0 THERE WERE ONLY FOUR GROWN HORSES ALITTLE MORE THAN 100 YEARS AGO. WORLD "rigucn | THE GUMPS—HER CASTLE IN SPAIN IVE GOT THE TICKETS AND I'M GOING ALONG ~ TA>RA: RA- BOOM: DE-AY & dy VM GOING ALONG = HE CAN'T BACK OUT’ WHAT A HONKYMOON, MILLIE ! “1 FEEL ALMOST AS THOUGH | WRRE GETTING MARRIED AGAIN I'M GOING BACK EVEN FURTHER, Now, INTO THE I@@ CENTURY AND SEE IF I CANT Pick UP SOMETHING OF INTEREST... JUST A MOMENT, FRIENDS, THIS MACHINE OF OURS HAS DONE WHAT I HAD. HOPED IT WOULD DO,AND- I'M SO HAPPY ABOUT IT ID BUST OUT CRYING, IF I HAD AN ONION FoR AN ALIBI !! FACE LOOKS LIKE SEVEN DE TS THOUSAND , WHY DON'T / THAT'S WHY + i vs Whe... ANbth SALESMAN SAM CARRIED 17,500 PASSENGERS, IN FIVE YEARS. AT THE MOVIES \Exceptional Cast in By Warren William A cast of exceptional brilliance will be seen in the more important roles of the First National picture, “Bed- si le,” when it is shown on the screen ‘vf the Capitol Theatre tonight. War- ren William, remembered for his ex- cellent work in “Goodbye Again,” “Gold Diggers of 1933,” “Mind Read- ‘Bedside’ Is Headed fp omg Binet Laugh Hit Comes To Paramount Screen “Should Ladies Behave,” based on. “The Vinegar Tree”, Paul Osborn's scintillating comedy of a group of People who get into amusing difficul- | ties at a week-end house party, comes jto the screen at last following its er” and other screen attractions, has| triumphant Broadway run of eight the leading masculine role, that of a months. Metro-Goldwyn-Mayer made young medical student whose propen-jthe film version of the play which sity for wine, women and cards leads; starts today at the Paramount Thea- to his expulsion from school and his Subsequent setting up in practice sans the usual diploma. Two comparatively new screen play- ers have the leading feminine roles. but both show exceptional promise. "They are Jean Muir, recentiy from the Broadway stage, who played mi- nor roles in only four pictures before being given the feminine lead in “Bedside,” and Kathryn Sergava, a famous Ruszian ballet dancer, who re- | cently passed a screen test with flying cenlors. Both have unusual personalities and individualities quite different from other Hollywood players. Miss Muir is tall, blonde, cool and with an elusive beauty, while Sergava is a fiery redhead of smoldering passion and temperamental outbreaks. Allen Jenkins, former stage player who has made rapid strides on the screen in the past year and a half, cerries off the comedy honors as a ‘wild promoter and publicity man par excellence. His erratic schemes bring hhis confrere to the pinnacle of fame, from which, however, he crashes to ” disgrace. Agnominious . Other improtant masculine ete played by the noted stage and gcreen players, David Landau, Henry O'Neill, Donald Meek, Walter Walker nd Earle Foxe. Three youthful players who are making rapid prog- ress toward screen fame also have im- portant parts in the picture and in- elude Renee Whitney, Phillip Reed end Phillio Faversham. - | Story; his slightly giddy wife, Laura, tte with a sterling cast headed by Lionel Barrymore and Alice Brady. The principal trio of the Osborn | play, described as a wry commentary {on modern life, include Augustus Merrick, a touchy but lovable old |crab with liver trouble whose pic- | turesque country estate provides the romantic setting for the action of the | Who constantly cherishes love affairs of the past but who somehow or other can never remember the names of the men involved; and Max Lawrence, a specialist in amorous adventures. Algo involved are Laura's sister, Winifred, fresh from Europe and awfully sophisticated who thinks she has Max in tow; her niece, Leone, who seems so young and innocent but who manages to take Max away from Winifred from under her very nose; and Geoffry, Leone’s supposed fiance, whose life is made miserable by the Presence at the week-end party of his more worldly rival. fireworks ensues as @ result of the emotional conflicts of the various persons involved with parts | the story rising to a side-splitting climax when young Geoffry attempts an heroic window-climbing act of the medieval age and meets with disas- GOSH, 0U22, ('™ SORRY 1 LET ALL YOUR BEER GUSH OUTA HAT KEG! WELL, DONT BE RIT LUE BEEN, DiecouRAsED — j] TRYIN’ TO YEAR - SOMETHIN TVEXPLAIN, WHY ANY SENSIBLE GENT WOLD WASTE WIS TIME On .T'S You! SAY, Y'HANE A LOTTA YEAH, AND WE'RE GOING TO GET THE LOWDOWN ON THIS SPOOK BUSINESS, TOO. EACH STEP, AND CON- NECTED BY ELECTRIC WIRES, “ mm VOT es ALLEY OOP AWRIGHT, YA BIG WHALE / 1 LICKED ‘CHA ONCE AN, \F YOU'RE LOOKIN’ FER TROUBLE — ET'S IT OOTA EER! 00 IME COP! MORE WORRYe NO MORE CARE= ~ wy Daueerers MARRYING A BILLIONAIRE ‘AND IN_A FEW SHORT WEEKS WE'LL BE FLOATING DOWN THE NILE= WATCHING ‘THE PYRAMIDS GO BY= WATCHING THE SPHINXES AND THE EGYPTIANS AND THE CLOUDS iia © ‘TROUBLE IN THE IT LOOKS AS IF NUTTY AND His MOTHER WILL MAKE A FORTUNE ON HE MACHINE, AND THE OLD Boy CAN'T THROW ‘THEM OUT OF THEIR HOME,NOW.... THE CITY'S BEEN EYE: ING ‘THIS PLACE FoR A DEPCT SITE..AND SCUTTLE WANTS To (5 IT HIS OWN, OR IS HE BREAKING “? ITIN FORA FRIEND ? WHAT LUCK, ) LISTEN! THIS BIG RUBE, SMOOTHY DON'T WORRY! HE'S _ ONE OF TH’ SMART SAPS WHO NEVER STOP TO By SMALL WOU)! WHEN OU22 GETS) MAD, HEGETS MAD | ie HERE YA, ) WELL, SAY, I'LL |] YEAH, AN’ I'LL BE | REALER ARE, OL § HAFTA aDeIT || ONE, To! Ses! Gimme TH FELLA! DOUGH, AN’ I'LL CHASE RIGHT OUT WITH TH’ KEG AN’ HAVE. IT FILLED WIT BEER! ‘Apve ‘EM Teck FROM AS S — AN’ You'D SETTER HOP \E Y'EXPECT TET A DATE UFE | L WOULONT GWE, YOM A DATE SURE. YOU PUSH A BUTTON SOMEWHERE, AND THE CLICKERS SOUND LIKE FOOTSTEPS. Wi IT'S AS PLAIN AS sTCHA HEY! PN TDO OOP! EYE Cost! YY?