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THE BISMARCK TRIBUNE, WEDNESDAY, OCTOBER 18 1933 WE'RE CARRYING OUR END / WRIGLEys SPFARMIN | SO ESSENTIAL WAS ‘THE YEW TREE, FOR MAKING BOW-STAVES, THAT EARLY ENGLISH AN EXPERT AT FISH CATCHING, ONCE WAS BELIEVED TO ATTRACT THE FISH WiTH ts LEGS, ANO OLD ANGLING BOOKS ADVISED THE USE OF MARROW FROM THE THIGH-BONB OF A HERON 6A/T/ the ELYING SPIDER, of AUSTRALIA / 17 CANNOT Fly, BUT HAS PARACHUTE SAILS WHICH SPREAD OUT AS THE ag SER LEAPS THROUGH SPACE 100 oy aes | AT THE MOVIES | Elaborate Film |The Impossible Brings to Life | Comes to the Screen Scenes of 1905, "8. ©. S. Toeberg.” the Arctic ad- venture picture now at the Capitol Oral reer es, Cam, boast, he | theater, has been the object of much Sfternoon.” Gary Cooper's latest | terest among theater goers. starring picture for Paramount, in| Made almost in its entirety in which Fay Wray, Frances Fuller, | Roscoe Karns and Neil Hamilton are | featured. The picture, directed by, €tephen Roberts, is now showing at the Paramount Theatre. Today and ‘Thursday. One enormous scene is an amuse- ment park which covers nearly three acres. There are the old-time Ferris wheel, the horse-drawn merry-go- round, shooting gallery, doll-racks, There's a huge German beer-gar- den, featuring a 40-piece German band. A livery stable, buggy factory, the smalltown poolroom with its ‘Wooden Indian marker, and many Greenland and surrounding waters, it is the stark story of a group of polar explorers marooned on a drifting ice- berg. Familiar names, with the ex- ception of Rod LaRoque, who has been absent from the screen for some You ASKED US |{ JO STOP IN THE GUMPS—A VISIT TO THE ATTORNEY | HAVE RECOMMENDED SWAT rire PROBATE AT ONCE = THERE WL Ge Shs Oren AND READINGOF THE PROVISIONS IN Trik Wi MONDAY =) TRUST PLAN eRe 17S A NERY LARGE PSA ene ‘THAT HAS EVER GUMP, \ PEEL THAT WECANNOT * ALLOW THE SETTLING OF HIS ESTATE To BE DELAYED IN THE LAST PLAY OF THE THIRD GUARTER , CRASH | Pir FOR A PASS, FROM RED KING TO FRECKLES To HIMSELF. RED HIM, CRASH GOES CVER Eau tien mace Goat CLEAN FOOTBALLY . Ox ; A WE CAN'T USE TUS SION, sam!) FERGET IT, cHaRLey! WHAT SHORT GUY RUINED (T ULL SPLASH OUT ANOTHER att 1 ONE, PRONTOL “THERE Ya ARE, Boysiet AA TW SHU TUNG 1S BIG GAME HUNTIN’ DOWN IN, AFRICA | IMAGINE HEY! 1 GOTTA LETTER FROM STUPIO, COMES ROM CREEKS. NOME, F'RINGTANCE WHY, AT NOME THEY FQUNO | GOLD RIGHT BESIDE THE OCEAN. RIGHT 0 IN ALASKA. | time, are lacking. Dialogue is held to a minimum. Actions of the play- ers and natural elements, together with expressions and gestures ex- pressive of the human reactions, carry the story. Against its unusual adventure background, “S. O. 8. Iceberg” tells 8 dramatic, tragic story. The com- | paratively minor romance atmosphere serves to stir further human inter- est. It boasts a continual thrill. Even {the music, that in a great measure supplants dialogue, is emotion stir- ring in interpreting the story. After the introduction, there is ex- citement in every sequence. There's *| the exploring party iced in; Lawrence setting out alone; the rest taking up *|his trail; terrific hardships, climaxed jwWhen the dog team plunges to de- struction; Lawrence found almost | ALLEY OOP HEY, Jessa SECOND \1 Jest “uous ANON “THis CHOPSUEY RACKET Ere —HET, ain’ T WEZ BEACH —IT WAS ONE TA SOMETHIN’ WE'RE fl WHY, SURETAINLY WE ARE, CHARLEY ONLY HE COULD - COME BACK= I'D GIVE ANYTHING e 4 s JOCK SUTHERLAND FAMOUS PITT COACH CHEN CON'TCHA: THINK THAT OUGHTA READ MENA@cenent? ManacemenT wee SOUVENIRS # toe alu 4 ee ace i UNDER New. [77 T By MARTIN Aw, Ounno ! aren o AM, wr, WINT NOTHIN’ GUT SHIN ‘ANd