The Bismarck Tribune Newspaper, June 19, 1933, Page 8

a NOW EVEN BET TER { Ne 1939 ey HEA SERVICE. NC.REG.U.$. PATO “That's a hot one, eh, darling? The boys thought they wouldn't see me any more, after we got married.” BRIDE AND GROOM BECAUSE EARLY PEOPLES REGARDED RICE AS AN EMBLEM OF PRODUCTIVENESS. Wet EIGHT GENERATIONS OF MUSICIANS, TWENTY-NINE OF WHOM ATTAINED EMINENCE / ]} __ JOHANN SEBASTIAN | REACHED 'THE GREATEST E619 HEIGHTS OF ALL. | AT THE MOVIES | Whole World Embarks On “Melody Cruise” The whole world embarks on a thythmic “Melody Cruise” in the film at the Capitol theater, RKO-Radio Fictures’ production embodying sen- sational screen musical novelties, with Charlie Ruggles, Phil Harris, Greta Nissen and Helen Mack in the cast. “Melody Cruise” which comes to the Capitol theater Tuesday and Wednes- day is said to be unique entertain- ment, because of its innovation of a story completely set to music. Every ection of the players, every movement ef transportation, every toot of the whistle and every word uttered forms @ note in the melodic symphony. Even fish dance, stars form musicai notes and ocean liners waltz on the waves to keen in rhythm with the story. Thirty-six striking beauties glitter im their spangling uniforms as they lide over the ice in an original skat- jug ballet performed to the rhythmic unreeling of “Melody Cruise,” RKO- Radio Pictures’ musical screen innova- tien, The ice-skating chorines were se- lccied from an aggregation of more “Cavalcade” Gives New Significance , To Music on Screen Music in motion pictures will as- sume a new significance as a result of the elaborate score which provides an interpretative background for the | Fox Film prodtction of Noel Coward’s “Cavalcade,” is the opinion of Louis de Francesco, studio musical director. “Cavalcade,” without a doubt, is the greatest picture made since the dawn of the sound era in the in- dustry.” says Francesco, “and it was only fitting that we should provide the greatest musical score ever at- tempted as its setting.” The musical background for the picture is symphonic in treatment, al- though more than forty different airs, {ranging from hymns to classical com- {Positions by such masters as Chopin and Mozart, make up the texture of the melodic tapestry, supplemented by much original music written by Coward, Francesco and his staff. | “We set out to make the musical ; Score not only interpretative of the | story itself," Francesco says, “but also of the mood of Coward's great | drama, and in all modesty I believe 1 WIMA- AND THE BISMARCK TRIBUNE, MONDAY, JUNE 19, 1938 THE GUMPS— A DARK OUTLOOK DION'Y HE Pur ANS THING? IN WRONG, MAMA, WHEN HE PROMISED HE'D BUY THE BUILDING HERE'S NO SUCH NUMBER / OH, OPERATOR = {tv MUST BE A MISTAKE - , ENTY. WOR GPTION BACK Wm WANYED IT FOR See AN OREHANAGES NOW TE PAW! gm, __ MY BROOCH AND BOU wf SMILING PARSON-” lhe HE PROMISED WE'D RETURN IN A DAY OR “TWO= EEN ASICN OF ENA BE! 4 WHAT IE DNENDS. BOING = NOYE Yo TOWNSEND FINE DOLLARS AND FORTY ONE CENTS- Laight EVERY CENT PROSPECT OF ANOTHER, DOLLAR COMING IN= SS ZA Z/ sKeezx. 1 WANTED YOU Ef 1O HAVE THE EXPERIENCE A| OF LINING ON A FARM. | WAS ‘| BROUGHT UP ON ONE AND WOULD HAVE MISSED A LOT WITHOOT tT. TS A LIFE OF INDEPENDENCE— NOT ONLY OF PEOPLE BUT OF THINGS WE GET TO THINKING ARE NECESSITIES. FOR INSTANCE, GO GET A PAIL GF WATER, SEE HOW SIMPLE THINGS CAN BE AND STILL PRODUCE WHAT WE REQUIRE! 1T SEEMS A LOT SIMPLER TO ME, UNCLE WALT, JUST TO TURN ON A FAUCET. Sims: FRECKLES AND HIS FRIENDS WHAT WILL You DO IF WE REALLY SEEA PHANTOM LOCOMOTIVE, WHEN WE GET OUT TO THE CEMENT - PLANT, RED ? By BLOSSER 1 wot © THe j PHANTOM LOOKS ANYTHING LIKE THAT! BO! THAT WAS A CLOSE wHew! / WELL... WON'T DO ANYTHING — IT MIGHT SCARE ME. A LITTLE AT FIRST, BUT THEN TLLTRY AND FIND OUT IF 1T 1S REAL, or NOT! SHAVE ! ir AT ix aS wa Ve Uy 4 ‘ SN 0 THE NEWFANGLES (Mom’n Pop) THAT'S THE BUNK! HE MAS TO BE TAUGHT WHAT'S FIGHT AND WHAT'S WRONG, AND tM NOT GOING TO WAVE YOU UNDO EVERYTHING 'VE DONE JUST A MINUTE SUGAR, UNTIL UGET SETTLED DOWN IN. THIS BIG EASY CHAIR.--- THERE! LJUST WANTED To BE COMFORTABLE WHILE I'm AA © 1883 BY WEA SERVICE, INE. RED. U.S. PAT. OFF, By SMALU Gost! MY FEET are soRE—ENRY BONE IN MY BODY aches (1) DERN NEAR STARVED — aN’ 1 COULD DRINK @ WELL DRY —| OUTEADE OF THAT 1 DON'T MIND HIKING ONE BIT,As @S UM HEADING BACK Home — ister! (T sust so HAPPENS )SO (see Youre AN, ONLY ('M GoIN’ BY AUTO, AN’ Youre ('\ GOIN’ Your way— ( GOIN’ BN FOOT! NERY THING ! a wenpache, BACKACHE » MASHED FINGERS , FWE BLISTERS ,AND MY FEET ARE NEARLY WILLING «ME! ENERYTHING ‘6 AX SET AND THE Fouxs ARE ABOUT READY To START FOR THE OLD TAVERN, vB OW THE MOUNTAINS, TO SPEND , WE HOPE 1A SOWELL SUMMER we have succeeded far beyond our than 800 Hollywood blonde, brunette; expectations.” and red-headed eye-fillers, and are put through their skating routine to *he melodious tunes of Will Jason and b Wal Burton. | WASH TUBBS TAKE ORDERS FROM } BILLYGOAT, al’ ME ME, DYE HEARS There sre 20000 Salvation Army ands in Great Britain COAL AND COKE LEADING IMPORTER: 4 OUTPUT IN US TO the UNITED STATES (FIRST FOUR MONTHS 1933) til tats HE REVOLVER CRASHES “TO TH FLOOR, A WILD SCRAMBLE curses! CAPTAIN FOLLY IS DETERMINED To BE THE MASTER OF WIS OWN SHIP, SCREAMS