The evening world. Newspaper, March 18, 1922, Page 18

PHOTOS VNDERWwWoOOo AN®e VNeaweon Will You Carry a Cane, Milady ? @epyright, 1922 (New York Evening World) by Press Publishing Co. LONG with the tweed sult, you must carry a cane this season. You can see plainly that it weust be done, for a pocketbook is out ef character with the design, and cer- tainly a silk bag is not to be thought @ in this connection. One must have something in one's Band to take away that awkwardness @f swinging arms. And so it is the ane. These are new canes with ornamen- tal heads upon them. And the heads open in a secret and miraculous way, @avulginy the secret that they carry @epths in which powder and lipstick, gaoney and jundkerchief can be stowed away Some of the canes are made of @@ameliod wood and can be had ex- actly to match the color of the suit you are wearing. Others are made of weatly twisted leather that carries on tato the cane's head and forms a strap that can be slipped over the arm, as eme is accustomed to doing with one’s embrella. The canes are about thirty-six teaches in length, and those who are seiling them have to report that wom- @e are buying them with a great deal @ zeul. Well, if you have a tweed suit, why mot do the whole thing in a well reunded cut way? What to Make in an Evening ROUND GARTERS FOR ROLLED STOCKINGS. By Ada Newcomb. by Press Publishing Co. @epyright, 1923 (New York Evening World) OUND garters for rolled stock- ings are coming to be a prime necessity in the wardrobe of every well dressed girl. They are awfully expensive when you buy them ead not so very good looking at @at. If you make them yourself they are ‘ve interesting and you can tay three pairs of garters de auxe « the price of one mediocre aair bought in a specialty shop. Wirst, you must have the elastic, and frat must be sewed together exactly t@ fit you. After that simple operation ts completed, then you are free to mart upon the fanciness that makes te covering. About three-quarters of a yard of te? colors of ribbon is enough for ome garicr, making a yard and a half fur the pair, or three yards of ribbon @ogether—a yard and a half of one evplor and the same quantity of the @er color. @ay we are making these of mauve eed peach colored ribbons, Cut the ribbons into three-quarter- yerd strips. B@ew the edges of these ribbons to- gether with a running stitch and now ead thon a back stitch, along one wi. Thon, as you hold the clastic @alwean the ribbons, catch the oppo- @ edges together with a running @heh. Don't draw the thread tight, wat leave it as tong as the ribbon itself, so that the streteting of the elastic will not break the stitehing Now take some narrower ribbons to match the wider ones. Use a bit’ of silver ribbon and another strand of light yellow ribbon and knot them al) together into a tight rosette. Fasten this over the joining of the garter ribbon and, at once, you have your trimming and a pretty finish for the one place where the garter might look a trifle rough. In some of the shops you can buy the elastic for garters all ready coy- ered with ribbons, Then you can buy, too, clurming little silk rosebuds and ribbon rosettes for decoration. Then, in the twinkling of an eye a few stitches will join them for you into really beautiful garters, and you will have the extreme satisfaction of knowing that you like the things you ere wearing so much better than you would any others which were hacked together without any thought fer your individual taste in the matter. The combination of colorings be- comes so fascinating that you find yourself wanting to go on and on with the manufacture of garters in the evening. You can do so many bright and colorful things which had not occurred to you, possibly, before you began to think in this direction and to make experiments with stitches. No matter how much of an ama- teur you are, you Gin do this simple bit of sewing. And you will find that it leads you on to trying other things for your own personal adorn- ment, which, once you have attempt- ed them, lose much of the horror of being hard to an sneeessfil's A Crown of Black Aigrettes and Draped Black Silk Hat. Wired Moire Ribbon and a Cut Steel Ornament Decorating a Fine Straw Hat. A White Toque Made From the Fluffiest of Feathers. Simply Made From Gray Pleated Taffeta Ribbons With Draped Crown. By Janet Winslow. Copyright, 1922 (New* York Evening World) by Press Publishing Co, 6¢y WISH I could have a French hat." That is the sighing wish T hear expressed over and over again. And who that knows the prmeiples of beauty could wish for anything else? A French hat does something to the sweetness of your face and something else to the set of your head, and something so subtle to the fecling of your spirit that it leaves one helpless to describe just how these miracles come about. But the fact remains that a French hat does make you feel more beautiful than almost any other kind of a hat. And if you ever have a chance to wear one that is fresh, or second hand, old or new, borrowed or your own possession, why take one walk in it and experience that sensa- tion of being hatted with unquestion- able smartness, These little turbans and = round, close-fitting hats are the newest ex- amples of what Parisian modistes are doing for this new spring season, There is nothing about any of them that can be called startling, but each one flaunts that something which is called ‘‘chic’’ in their own language, and which they can send us over and over again, leaving us helpless to un- derstand how it is they have managed to accomplish the marvel. A crown of feathers which are light and airy in their appearance is one of the newer trimmings from Paris, They stick up all about the head upon au turban which is of some more or less inconspicuous material. In other words, the feathers are the thing and they are made to stand out alone by, every conceivable trick known to the cleverness of the hat making art. Ta the handsomer of the hats these feathers are real aigrettes, though in this country there are alt sorts of restricting laws which muy keep us from displaying them as much as the rench do. The French women recoge nize no laws except those that have to do primarily with the matter of their own beauty. Straw hats have a habit this season of turning so picturesquely away from the face. They do this when they are large and also when they are small And for trimming they have just one stiff sweep of a quill or a feather or a ribbon end to give them that character so necessary to the proper topping of the new spring suit The feather hat of white has its lit- tle ear tabs to make it notable. The sofiness of the feathery surface makes that toque so much more becoming than it would be if the surface were in the least degree hard. The fluffiness is positively fascinating and the French artist lets it go at that, scorn. ing to trim it with anything other than its own little feathers, The hat with the frilled brim is made of taffeta, and it is one of those little head pieces which the French woman loves to adopt for a season or so, mak- ing it her own individual property, That is, she has it copled in many colors, one for each of her costumes, and through the long months she wears nothing but that one hat, know- ing that it is her best style, that her appearance in it is irreproachable and that wherever she goes, whatever she does, she will be beautiful and accept. able in that setting ss SOP GEEMEENRES t