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or Poor Children Sophie Irene. Loeb Says: By Sophie Do Not Withhold the Bit of Money That Is Needed to Put Your Young Man in the Way of Better Things— Demonstrate Your Love Practically’ 3: 33 Irene Loeb. Copyright, 1922 (Now York Brening World), by Pree Publishing Co, 8 a result of the series of articles that were written setting forth the fundamental causes of unhappy homes many more letters have scome, giving more examples wh here misery and woe could be averted. Some of these communications speak volumes—between the lines. One of the common complaints is that of the poor son or daughter who actually suffers because of the rich parent. There is the story before me of the wealthy father whose on! poverty, Her husbund !s working as three little children, and there is @ his home ‘The husband is a “salaried” :ndi- vidual, They married very young and he is working his way up, But the firm with which he works is a soulless corporation in which ad- vancement comes slowly. é Now, this parent of the wife pre- tends to love his daughter and his grandchildren. He says so, but that is as far as his love manifests itself. On Christmas he sends the usual Christmas gifts, but there it ends. It some onc were to say to this parent, “Do you love your daughter and her children?” he would be astonished at such a question and answer indig- nantly, “Why certainly 1 do.” This reminds me of the story of Nathan Straus, the well known bu- manitarian, He was at a gathering of prominent people who had ret to @iscuss milk for the poor children, Everybody present was very sorry for the children that could not get milk, They felt badly about it. In fact, there was hardly a dry eye when the stories were told of the poor lit- tle kiddies who were starving for the want of milk. There were discussions pro and con as to what should be done about St, but no real solution seemed to pre- sent itself. Whereupon Mr. Straus jumped to his feet, and cried: “Yes, I am sorry for the children, Tam sorry $6,000 worth, How sorry a@re each one of you And the people there were then confronted with the real test of just Wow sorry they were. So it is with people who profess love, This father I tel! about tells of loving his child and her children, bat he doesn't act it Ve doesn't aid them in any sense. [n teuth, he is a hindrance rather than a help to them. 1 know of one occasion when his gon-in-taw had a chance to get into @ small business as an equal partner by putting up a little money. He hesitated going to his father-in-law to borrow, knowing that he would be refused. Finally his wife insisted on it, In truth, she made the plea herself, but the father’s answer was something like this: “I had to make my own way. ody gave me anything. I don't sre why your husband cunt do the same.” And with that the matter was dismissed as far us he was con- cerned. ‘The young man then sought sev- eral of his friends, and the question that was always put up to him was, “Why doesn't your rich father-in- Yaw help you?” And somo of them were even skeptical about the ven- ture into which the young man wanted to go, on the assumption that if the rich father-in-law wus unwilling to put up any money for it there must be something wrong about it, So he has to stick to his salary job until he saves up enough money, which with the preSent high cost of living, will take years, J would like to talk to such a father something like this: Ob, what a foolish man you are, Do you realize that ufter all you are now Spending your heirs’ money? They will get it in the end, and why not give them some little lift now, when they need it most? Don't you realize that the greatest good that you éun do to your chil- dren is to give them that bit of help that helps (hemselves—that encour- agement that comes with self-made success? It Is all very well for you to say that you made your own way and did not need anybody. Remember, in your day of struggle things were dif- ferent. Living was easier and much cheaper. Poople could live well and save more. It is not so simple to- day. Pastime and pleasure have become necessities, and young people are not content with the constant grind that must ‘be theirs if they would put aside anything. The demands are sreator on the breadwinner from every unjsle, and it is hard to rise above a meagre salary. Do not withhold the bit of money that is needed to put your young man in the way of better things. That is the best Kind of investment, That is the most practical way of demon- strating your love. Certainly, we deplore the son or daughter who lives only on the money made by the father; but when that gon or daughter ts working, and work- ing hard, it is well to give them the aviation’ push when the occasion comes. Besides, it is all folly for rich men to have poor relations live and hope and wait for dead men's shoes. The best thing that is in them is killed. But tf you show an interest in their progress by getting behind them in thelr time of need it would seem to me a great sense of satisfaction must come as a result Furthermore, isn't tt better to Ive to eee the glad things that you would Dbestow—to watch the development of your money--to see it give comfort to those that you love—isn’t this bet- U No- ly daughter is living in comparative hard as ho can to take care of their hard strugglo to make ends meet in ter than to go on being a stingy old Serooge and to have your own chil- dren learn to hate you on account of your money which you are withhold- ing from them and the memory of you to be filled only with your penu- riows ways? 1¢ I were a rich parent and knew my children were industrious, | would give them at least some of my money iefore I died and get some of the pleasure of giving myself. If every wealthy parent would loa into this matter, how many a sor- rowful child of theirs would “rise big their dead selves to better be- ngs.” You Often Read About Him T. COLEMAN DU PONT. Gen. T. Coreman ov Ponr- AS forsaken active connection with the most explosive business in the world for the milder excitement of the United Continues, however, to be interested in sports, big hotels and other perfectly natural money- making pursuits. Has passed through the surveying, coal mining, street railway operating and pow- der milling stages of Presidencies and graduated into a widely varied but important score of director- ships. a ; Can You Beat It! Dine Bust IT! WHY DID You CHANGE THE WORDING IN THis 5D WHY DIDN'T YOu CHANCE THE YEAR POU HAVE 192] ERE PELOSSESSR STRESSES RECSPCOCORS S GPE CRESS CT CEO ACL ECERSS CS ECCOCEOOOCCO) CO SLCC SR EE ECE A Eo 86 0 ole to 8 By Maurice Ketten N RENE» aE) aman YOu DIDN'T TELL ME Toc Courtship and Marriage By Betty Vincent Coprrtamt, 1982 (New York Erening World), by Prees Pubbshing ( 66 TEAR Miss Vincent: 1am n orphan living with a married sister who is about to move into the sub- urby. | am engaged to a young man and am prepared to get married, even so far as to buying my home. How can I let him know in a tactful way that want to marry at once? M, L.G.” You can't do this in a “tactful way.” The young woman who tries to rush a young man into marriage usually regrets this all her life. You might just mention the fact that you do not wish to move to the suburbs. with your sister, but if he does nov ask you to advance the wedding date it would be much better to wait. “Dear Miss Vincent: About a year ago |} went about with a young chap on@ year my senior who seemed to care for me. But 1 was not allowed to go out much and my parents objected to my going out with boy: course we drifted apart. ely things have changed at home and | am allowed to jers. How can | renew my friendship with this young man? “PUZZLED KITTY.” Give a party and invite him with a number of your friends. ir Miss Vincent: niece who puzzles me greatly. She will not be sixteen until Fobruary, but is very much love with a young man. you think a qiri of this age, who is older than the average girl of her years, is capable of love? “H. J. HL" Ihave a In the days when grandmother was girl some of the happiest mar- riages took place at sixteen seventeen, These girls made wives und divorce was almost an unheard-of thing. In the case of a young girl tike this I should be most. particulur about the character of the young man she loves, If he is an upright, kind man who is able to sf provide a good home for tier | would not blight her first love or stand in the way of her marriage. Many times this first love is sincere and true end heartfelt and much deeper than tne love of an older gi “Dear Miss Vincent: | am a nd of @ young man who loves me. He is a good . but never dances with although he takes me to dances. Do you think he is afraid to take a chance with me on the floor, or why does he act this way? DANCEABLE Ww. C.” When a young man takes a young weman to a dance it is a mark of good etiquette for him to dance the dance with her and then consult ner dance programme to fill out any dances which have not been asked for, This young man is neither courteous nor attentive to you “Dear M Vincent: A year ago, when was first engaged, and for some time thereafter | could hardly wait till the day for our appointment arrived. Now | am very indifferent, although | never disappoint my fiancee as to a date. When we are together | imagine that | could never be ; Which Man Will Peggy Hy yeary reuding this story to-day. MOTHER AND DAUGHTER. Bractons stay at ‘T was not news un a stenographer. —} Bracton, her f her xenlor, The yffice opens ni every i unt! Peggy's mother remarked that Billy was a splen did young man and she approved that pEKY realized what excel lent confidante « mother Peggy's fat wus inclined to forbid Bracton of him an Ung the house in the belief that Townley was the accepted suttor of Pegsy. bu! Mrs. Dayton camw to her, daughter support and tnsisted that she should entertain as many young peoplo us she chose. Fvery girl has a girl chum to whom she may confide her love affairs Marion Minton had been the rect) happy without her, but the mo- ent of Peggy's confidences seve! ment | leave her my attitude times put now Pegsy felt that changes. | imagine that we were : not made for each other and that ‘other was the one to whom she t would really be much happier if miight talk. And after all, who ur we broke our engagement. We derstands the heart of a girl as we are both advanced in age and isa mother? there should be no reason for be ue ing ‘fickle-minded.’ Can you help When you were # girl do you thir me? TROUBLED.” you would have been puzzled That last sentence of yours, "Weare I am over Harrison Townl: th advanced In ase,” the whole Billy Bracton, mother?" asked Peg story, Lam afraid you are m P ovening as the two were alo confirmed - Ing bened bi hore . Harr aginath " nd hep t v “4, Billy Bracton int which will bear you down the ma Vite anOETDUnae we We ti tonial seas. The very fact that you flush stole into her elieo! N amit you are huppy when you are (SpA BARA THB HT HH TSC TT Do not throw away the roots of the cclery. They are very tasty when sliced or diced and added to the po- tato salad. Or they may be dried, then grated and mixed with one-third 4s much salt. Keep weil corked and use for gravies, soups, hash, &c. Sugar and flour sacks make good kitchen towels for the cooking uten- oils, The printed matter can he For the Housewife’s Scrapbook Y girl has to ch her company {s enough to assure you man of means and a man that you will be happs she really loves edd : “Edo not mean that eve ' a rich Prince Charming in but there is usually a man who ca x Offer her at least A little more th her father gave her. ‘This makes eligible as far as the family cerned. ‘Then, along comes the n readily removed by washing them in she really loves, wo. pr the usual way, then soaking over nothing but a small salary night in kerosene and Wasi a6al2, heart, - Some girls take un If any of steel become cause he can give 1 the rusted soak in sweet « ra day, they « ways longed for, © then rub it with f o girls take the Pilly Bracton times the Billy Bractons of f After washing hair brushes dip up in the world and outd f them in cold water be‘ore drying nan. ‘They are the men we call sel! tham and the br oop stiff, made. But Umes the Bit. many © story of @ ryplenl New York girl tered bi Ch re An ny my By Caroline Crawford Copyright, 1922 (New York Prening World hoose for a Husband? Which man did you “1 married of the air-custles { married him [ have never regretted Ne wt that you hid to 1 vmnining t you, too, may didn't HONE KKK CANS CK KMRL ERK ER RR RRR BS Frenzied Films : & Movie Director Is Guy That Peps Up © Immortal Masterpieces sae Any Ex-Stevedore Can 4 j i Enhance a Classic With? Paper, Pencil and Eraser. By Neal R. O’Hara. i Copyrian: 10% (New York Wrening World), by Press Publishing Co, ' Mis: DIRECTORS are high-powered guys that improve Shakespeare H Jazz up Balzac and inject humor into Mark Twain's stuff. With-. out ‘em movie plots would be the same as the book. When author! Duts mortgage on the old homestead, and raises the interest to 8 per cent. director makes it a second mortgage! When scenario calls for ingenue to have a chill, director shows platoon of faithful internes pumping hogsheac | of brandy into little lady’s throat. When manuscript indicates lapse of | thirty days, director makes it sixty and collects for overtime Director believes that life {3 short and art !s seven reels long. Believes is ORT Lucil Waitress By Bide Dudley Coppright, 1922, (New York Drentng World) * By Preip Punliting Oo the 66 CRAY,” said Lucile the Waitress, as the Friendly Patron res- cued his beans from bis nelghbor’s elbow at the lunch counter, “did you evor notice tliat actors oll like salt? “Don't believe I ever did,” he re- plied. “Yep, they do. I call salt the the- atrical season. Get it?” “Yes. Quite & joke!” “I like to joke now and then. It ain't a good thing not to be merry and gay once in awhile, To-day @ vic- tim hops onto a stool and rato me! ‘Got any pork “Oh, I says, pine?’ Then I He don't lke it, ‘Bay,’ he says, ‘luss me and you not get playful to-day, I'll buy a funny paper when [ want to jausb.’ “'Yes,’ 1 says, ‘or look in the mire ror, Will you have some of our pork chops, or ain't you ready to cash in just yet?” “Where's Margaret’ he asks, ‘Out in the help's dining room a while ago,’ [ says. “What doing? ‘it's for pork-you- laugh yoluminously. “When | was out there Mar- gar—et,’ I says. “Gee, but he's sore. He orders a ham sandwich and just says: ‘That was a terrible pun.’ 1 see he's a crank and don't answer him. As he gets up to leave he accuses me of not knowing what ‘pun’ means. [ just give him the ha ha! and out he goes, defeated and very angry.” Lucile made a trip to the kitchen When she returned she said: “(Imagine him thinking | do! what ‘pun’ means!” You do know, don't you?” asked Friendly Patron, “Sure I do!” replied Lucile. ‘s German for a big drunk.” "t know ‘Punt RRR by Press Publishing ( Copyright THE BLOND COMPLEXION. y Dayton, eight EOPLE differ so in regard to rt is divided. be their skin that what would Pats prove of great benefit to one would have an ir- ritating and bad effyct on the skin of the other. But there is a general classification so that we are able consider separately the blondes, red-hair- ed people and the » yery same desi began.” take mother . Billy Bracton, Peggy he never lived up to he built before though hoie to you ever wish you other man riven you possessions had un who many more ed th t hav ver, darling Poggy. ‘The girl brunettes. ‘Their marries for love never regrets wil] be exceptions that ts why I am determined to tho general rule, in which case you will have to use your own judg- ment and place yourself In the class 1 which you most naturally fit. To-day we will consider the blondes ind @t @nother time the “red beads” select the man of heart." 1 have tted the subway you 9 you might ha you had te de you might: have hia ed Pesgy, now intent edan, i ise mother’s hea n the and brunettes, When we think of @ ECAR erHIAN Hin ener eaiaalit blonde the picture presented to our didn't have sedar mind is usually a very fair skin and laughed M Da tt bl time i@ eyes and tresses of guld, but the ide is not exempted from skin trr'- ns or blotches and, perbaps even than her darker siste keep her skin i ton lest the ce and the skin re mber tired my mot whom one . heeds ashy t of cone etween veal her neglect kin of a blonde usually has a tosed my head seed ly hee jency to be dry and scaly and Hae pit nC Rey R 1 must be eternally vigilant against wrinkles and fla y. The skin is t x of your D tnd to keep th t chief attraction Against r to be I not. T ¢ Ibe wil ve done r type r H ut and # tt and ca: | health ts bound Md be f hout von for Pog + pr- rrow—Peggy's First Formal “ore used at By Doris Doscher 192) (New York Evening World), by Prey Publiming Ce equally beneficial tor protection Against dust and grime. Just & cream lotion which hus tor its toun- dation almond, cucumber, honey or orris will form ao basis for a Nght powdering and enuble a blonde to face the wind without chapping the skin or roughening Its tine texture. The blonde will have better ef- fects when cleansing her face if she applies @ cream first, wipes it off and then uses the mild soap and water, og @ blond skin is usually very sensi- tive. The way for you to guard against fleocidity, which is a gei eral sagging of the face, ts to tone up the muscles of the face by a light massage and an astringent. I warn you against the too free application of rouge or lipstick. Na- ture uses the most delicate tinting and coloring’ in a blonde. To apply # heavy rouge that might be tolerated in @ darker complexioned woman is to mar the delicate effect of your beauty and give the appearance of a hard and coarse character, which may be entirely out of keeping with your own personality. In fact, \f the blonde will take sufficient exer- cise in the open alr, especially at this time of the year, guard her diet, and drink plenty of water she will noed ‘her ald to muke her beautiful WH AT DoYou? Know’ Coprriget, 1982, (New York Pventng World) By Frees Publtahlog Co, QUESTIONS. is the hub of a 1, What also called? har wheel Desert 3. In whose arms did Mark Antony | die? 4. What does a graphologist study in analyzing one’s character? 5. What is the capital city of Col- orado? 6. From what part of th whale is spermaceti obtained erm - 7. What famouse old building in Boston jis called “The Cradle ot Libert B. What race of tiny people was described in “Gulliver's Travels”? 9. Who invented the sorew-propel- ler for steamships? H 10. Of what large body of water is the White Sea an arm? 4, handw 1 Var nb . In what continent is the Kale- | that a thing of beauty is a pip of a background for a mushy fadeout.. Believes that a vale of sorrow can be shown by a vat of glycerine tears. ! Here is way director works: H Pays Mother Goose estate $60,000! for movie rights to “Jack and Jill”! Sends picture of himself to daily! papers, signing check on veranda of! Palatia! home, Chooses cast and} starts work filming “Jack and Jil!.”/ At end of eight months, here "| what's what: “THE PRIMROSE PATH,” a su-j} Derfilm of sex and sentiment, from: the eternal tale of “Jack and Jill" +++-Fadein shows Jack Van Schenk! speeding up boulevard in snappy | boat....Close-up of Jack's waxed} mustache and patent leather hair.... | Jack drives up to shabby tenement home of Jill McSweeney, handsom notion counter salesgir! of the! Bighth Ward....Asks Jill to go for: spin; Jill nods yes from third-story window... .Close-up shows Jill Iiss.; ing mother on way out... -Sub-title: | “Goodby, darlint. Be home by 8! o'clock.” t They drive to very nobby road} house....Massive scene showin; 4,160 supers toddling in evening clothes, orchestra of 104 pieces, troupe | of 4 head waiters, 72 captains, 398} waiters and 610 bus boys, perfectly isciplined....Closeup of Jack and: Jill sewted at gold-plated table t Walter serves two mugs of real! hooch....Sub-title: “Drink it, dear : It's only a substitute for coffee”. Close-up of waiter bringing another dose of “coffee,” without cream Jack and Jill) shown speeding along. Jack feels of radiator and gets blister on finger... . Subtitle: “We'll have. to get some water for the radiator, kid.” ...Close-up of Jil mopping up tears. Sub-titte: “Please don't cali me ia! "* Jack races car up steep r to Pike's Peak for purpose of getting pail of water for radiator....As they near top of Penk, close-up of Jack about to smack Jill with large k ++ Sub-tith w that we are alone, cutie”- Subtitle: top, you cur!".., Jack bends over to cop kiss, as threatened....Closeup of bus as It reaches top of Pike's Peak....Trick * photo shows Jack and Jill and ear toppling over apex of Peak and fall ing into Grand Canyon....View of Jack landing head first in the Can- Subtitle: “One ‘minute la + Close-up of Jill arriving tn Canyon too. Male quartet of doctors and chorus of sixteen nurses arrive....Doctors examine Jack....Sub-title: “He busted his bean.”....Close-up of nurse drawing spare petticoat over Jack’s dead body....Jill regains consciousness Sub-title: “Two weeks later.”....Hospital room. Jill recovered and speaks for firs! time,...Sub-title: “Let this be a lesson to all poor girls, No Jill can hold a quart. Avold all coffee substi tutes.”....Fadeout of handsome. longshoreman, Cedric Maguire, slp ping instalment ring on Jill's third } finger. Last er meeercerncessees Lieweconens ree! shows Mother Goose estate suing movie director, 7 CHOCOLATE Peer Aoki SOTTLMAND N all branches of production one I name usually stands out and hecomes known as “Standard” Syrreme quality is the reason. | Continental Europe wheg Swii Chocolate is mentioned one just naturally thinks of “Tobler.”” This distinguished peal de- veloped Chocolate making into a ine art. His two creations, Tobler's “Toblerone” (Swiss Chocolate with Honey and Almonds)—and Tob- ler's “Nimrod” (Swiss Chocolate with Malt Biscuit)—aside from their nutritious value, possess the kind of flavors that are never for- gotten. 2 Now Obtainabie : Orvsoists, Greve RENKEN & YATES SMITH CORP. WEST THIRTY-NINTH ST. MN, ae a ee