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| | | rT = gathering, and winnowing, mu- | which an ne An tealy seat Gustraught geret ry aftermath of the great war | Luca end Didur, % form Ms vg bend. Wisard ‘ that he is, what he wil make oj -Cananze, gene! evemreally, wen Shell: sxe, ager of the Metropolitan Opera Com- Before the symphony Mr. Tora | pany, has been nominated by King nin! played three dainty okt compo-| Victor Iomamiel aa Grand oat of sitions of the sixteenth century, tWO| tne Royal Crown of Italy. of them by unknown authors. After- + ward he presented Brabms's yaria- tions of @ theme by Haydn, “Juven- tus," a symphonic poem by Victor de Sabata, and Rossini’s overture to | “William “Pell.” It made the pro- | gramme inordinately long. Why "va-| * | Nations” by anybody, at any time?) They remind one of the principal dish { —« on a boarding house breakfast table.) «> which may be designated as “fried | .”" or “broiled salmon,” or “shrimp * but which inevitably What excuse for torturing Haydn's | simple, lovely melody by dressing !t wp in ‘musical filigree to make « TE Toscanini Gives Second Concert At Carnegie Hall | | | By Sylvester Rawling. OTH Arturo Toscanini and his La Scala Orchestra showed to better advantage at Carnegie Hail last night than at thete first concert in the Metropolitan Opera VORYBODY at the Park Theatre last night was Waiting for the crys] ay © week ago, Mr. ‘Toscaniat's “Come on, Caddy!” and when it came, with Francis Wilson caper- Seniihan were who crowded the ing at the majestic heels of De Wolf Hopper, there was an answer) 4 that fairly shook the ears, That good old comic Opera) jy true, veturned just as good " yk amounts Giulio Gatti THE NEW: PLAYS Wilson - Hopper “Erminie” A Joyous Celebration Le AN A > iii By CHARLES DARNTON will resent this state- himself, Nevertheless, it fhe masterfulness which enius of Mr, Toscanin) r is beyond dispute. lent yolce to the paw’ of Erminie a co sino days ) cient “Ae but she might h & $ » reviewer of musical performances | Brahms holid nough, the might Was | sie or two to the song “When recognised it more fully than} “gfe Rowdy! an wee new to hn Hopper was an Meal’ Love 1s Young." Rosamond White if; but hin reading of Beetho-| me. Manifestly It is the creation of L (@) S T the whole theatric owas ¢ Mame.” | ven's fifth symphony last week, In young composer vitally influenced ‘ warhead ~ y the wat and a disciple of Richard | OLD BLIND DOG; large Pomeran- I not reflect the spirit of | g s. The orchestration is both | ian; size of Chow; black head; Iux- € sk- | tringically beautiful as it Was, to my . | thinking en ther ing as as Madge Lessing, ing and dashing as town turned of its finest. and m t to honor t comedians. be th in of the guards, Alex- | the great German composer and dis | mover e Wo! c , . ie 4 Far more than ar Hrmitile” | Ahaer Giack hit off. the observant (rap nim of much of his individuality, | clever and imposing, and Bean oe feather sate ge fall AH wears was a joyous celebration, and frdm Marquis amusingly, and Warren| When it came to presenting Beetho- | worth hearing again. ides daar a Rose address on in- the chorus to stars the company gave Proctor sang the - part accept- | ven's seventh symphony, as Mr. Tos- - seid ‘ay iihona’ finder pate fc a Po! oe ti 4. ably. Jennie Weatheraby cut up fa- | cunini did last night, I tqund no cause e ecitale yeater- 3 very het reward, no & fine performance. For once anticl- its. Gidoes in her original role of | for cdvil, ‘The tlt, the rhythm, the | aqne At Gy moxie Hal Inthe after, | questions asked; also reward for body | pation was more than realized. | the ancient Princess very essence of the "Apotheosis of | Oey te a eee ne Russian Dari. if dead 7 With his shabby Impediments, | . ‘The old comic opera, with here and| the Dance,” as Wagner has desig- | {000 tage a first appearances. ‘There KEESING, nated it, Were evoked by Mr. Tosca nint in a dazzling exhibition of his own virtuosity, The Orchestra, upon the platform | Carnegie Hall, revealed more Wilson was bis old-time funny self, | there a new touch, was given char tumbling upstairs and sliding down. | ingly. and after it Mrs. Gilbert, stairs with equal facility. Once again| "tte Taylor, John Drew, Fred Sto frank Bac id Jol son ac- | Tie broke a loat of bread ‘across the | Kompanad m lacing cup given te Mr| of 13 much {n his votes to commend, but | 1051 E. 224 St., his singing is of the order more ap- Phone proved in Berlin ‘than In. New York, and his taste Inclines to the operatic At Aeolian Hall in the afternoon Yo near Ay, J, Brooklyn, idwood 1829. Lunurious Comfort tor “Young America’. haok of his head when hunger seized ; ta me clearly both its. strength and tts him end In a sportive moment he | Wilton by the Actors’ Equity Asso-| (er tess its chief virtue lies in |ianda Mero, planiat, presented com- | Dee! Digest with RA’ “$| | Kicked an apple into the audience. “U{0n- amet ates iil aah Ha absolute response td Mr. ‘Toon. |positions by Beethoven, Sctimann, YALL | He was up to all of his familiar) Cheers for “Erminte” will prevail. | pints demands. It is not brilliant in.|Chopin and Lisat. In the evening at Fone | tricks, with the possible exception of _— individual players, or choirs, judged | Aeolian Hall, Josef Fuchs, violinist, Resnsiane—fh' tees | IE yed a Handel sonata and a Saint the sliding one in which he formerly | pimaterers Strike for 81.50 an Hour, | concerto, with Harry Kaufman by the standards set by our own rested on a right or left foot. Philharmonic, Symphony or Metro- | Hikn class repairing done a Wall parts tn stock, But in yy everything he did he proved to be} ROSTON, Jan, 4—Plasterers struck) Doiitan Orchestra; but It is a cou ng him at the plano. THIRD AVENUE & remarkably young old man, There} here yesterday for $1.50 an hour, Plas-| petent body of musicians that M 593 She. Laney i Don Cartos” was repeated at the fetropolitan Opera House last night terers’ tenders also walkeg out, manding $1.25 ‘was no sign of years in his legs. de-| Toscanini is welding into shape. 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