The evening world. Newspaper, March 3, 1919, Page 11

JANE a “ct Re ise weceee Re toe Th eS NYOMIAN ~ LE sree” eas RARE, Rivera ieee SS wheats Lome i <a. et WILLIAM | bani 4 GILLETTE | comm * HALEN BEL PEELE we eet | , os, & VELVET LADY ATOP NEW AMSTEQDAM AM THEATRE eee sais TWO ENTIRELY DIFFERENT ‘Beauties -~=>MI Ziegfeld Stars and Beau! 1 Anoearin NO OTHER naneonarte FRITZ) SCHESF WROTH Do 1° OLORIANNAM NSA PRICE TAN ante Wie", GEO.M RES GRACE RiasworTy A LITLE JOURNEY YIRGINIA Sri VANDER BOY THEATRE '* "SIN BAD’ 1 COHAN & red wnt Nave 3, Erne 8 mn the Manhattan ‘Theatr ve final week of her Now York sagement since. BALD HEAD cLus To DINE. ll) SRE ROYAL COHANIZED OPER: Henry Miller’s 8.30. Maar ‘Tours, and Bat MRS. FISKE] - St | | a —— SESS ETHEL STANNARD IN “KEEP 55 YOURSELF 39 ST THEATRE © STRAUSS PEY TON ae /| \Plays of of Week leane ‘bevcecauna|dn Many Theatres es “THE MELTIN GS OF | of the Knights Ia in this elty ap: esterday to ald ‘ay, “Veroniea the New York oval oD Ain New which est Ho: sfternoon « “M Nelly of N’Orleans” : ei) TONIGHT AT & Canaan, and HARDMAN’ PIANO URED. — Mf the Arabs” and again give MOLL” “BRoADMURST a | REGINA WALLACE 6 | pressman B.D: THEATRE T the Punch and Judy Theatre| PRIEIRLENDAS CEE ES | An Tavins CONSERTS AND MUSIC, LIBERTY « va ot te ae. to-night Stuart Walker will {Chairman John : METROPOLITAN C OPERA Mars WED. & SAT, 2.96, “Aeronautical Dee a canines will be the attraction at the Shubert. [Secretary W j LEO DITRICHSTEIN "|| THE MARQUIS de PRIOLA _ KNICKERBOCKER 83 KLAW & ERLANGER “ |Wosonemia JOHN CORT’S Comedy of Gres NEWEST TE COMEDY MANHATTAN . {') al sits THE LTT TEACHER") Many Aiwaye 860 Orchestra Beatevat $1" IRECTION OF LEE AND J. J. SHUBERT port Book of Job." Beatrice Maude “he| appo! n Only ‘Real Money on ‘Stage oc ag lar gee igh will repeat his characterization of | Drifts to the Comedian, (|... 6. coc. Gos aime s George Hassell’s Theory) —— ce WINTER: GARDEN will have the title rol t the Stan: inted as fol- THEATRES. Exposition ATL EW sto DOD YE Cites George M. Cohan, Nat. Goodwin, Al. Jol- sate son, Harry Lauder and Others and Tells “AOLUMBIA #e 3 ; Why He Gave Up Shakespeare. Dancing 7 to 12, Wy act. As they say on the stage, I found that the best way to “feed It” was to “ TIN FARNUM change my line of work from the serious to the comic Forcet I looked about me and discovered that the really wealthy actors are the comedians. George Cohan, perhaps, heads (he list, and while he writes plays, the foundation of his fortune was laid by acting. Nat Goodwin was ;4n example, and Sam Bernard is rolling in wealth. Frank Daniels is more ‘A THOS, IL INCE PRODUCTION |than comfortably well off, and when I speak of wealth I mean Above the ot. 15-200, eer ee, LA UBEMHLE: snct tax {| tWO hundred thousand mark. James T. Powers comes into this class—and then some. So does Joe Weber, to say nothing of Harry Lauder, Al Jolson |has already passed the limit and 1s soaring toward the million mark, In os lack (a 1 comparatively short time Douglas Fairbanks has entered the Morgan LITTLE jclass, His case and that of Charlie Chaplin are exceptions, but in the WOMEN | flicker drama comedy is appreciated and paid for accordingly. Even our Rakion i. Aletta ameus Story minstrel men, who rarely appear on Broadway, count their wealth in fig: > ig epg WILLIAM Fannum. |Ures larger than those accumulated by our co<alled “legiti mate actors,” Monten bg | ‘This all goes to prove that the pub- 5 ee sal 4 to be amused, One Ia 1 the part of a butier, Howey Prizma. Orchestra, {lie wa FANNIE WARD i, is worth two sormor med the role and gradua ked it up into a huge comedy “COMMON CLAY." rier Hoe AED Bt, le ERA ! Yr ra ig pee fet of Bower, Bree. 0 58 TOBY’S BOW "'},honMAN 48THST. Weriets Hi Soke THE NET | HUNDREDS TURNED AWAY AT EVERY PERFORMANCE & hath, (213 & prpular | Maids of Ameri papevddaat gl | ca 7 | 5 Seeks Seine | By George Hassell. | pred | PHOTO PLAYS. OME four years ago I held a rehearsal with my wife if and my ENTURY GROVE ROOF OF CENTURY TNCATR Towepy araraiguayr Ane — bank account. The bankbook was the weakest member of the sketch, mt? MIDNIGHT WHIRL Tee at its wesr MikRiatboS sin wun eae MMOADWAY ANE and it was then that I decided to “build up” the weak part of the AT ISO.“ SENSATION: Pion i Ot . , EDI TALAPERRO EAST CARtinay ing ‘ | UTE THEATRE EVER WRITTEN aha 230 ae THU, FRI, SA BENNETT ae Charming Comedy Drann ayn, THe INVISIBLE FOE wie, ju “THE RIDD Se ali ite WOMAN «n° COHAN'S 7 REPUBLIC THEATRE : | WEST G0 aTREET cna cotits venings 8.10, Main Wed. @& Sat., 2.90, age Ses nen ARTHUR HOPKING Pr: Sent Amerie Cltaste, HUDSON | THEATRE MARJORIE “*A PRINCE THERE WAS"” an eins, Tl y R A M B E A U (BY ARMANGEMENT with A, H. WOODS) | THE FORTUNE TELLER’ A New Play by rsussies) SPARKLES [ume EES OMAN ¥ CTiok EARILLS Herat What the World Ropirana, GALLI- CURCI | | | | thinky ot ie Museal | Comedy | | | | | | | performance that many laughs, ee? | fe Ea Thee ee WWway. Bee 8.18 Broadhurst (i,' shui a Sal, Ss GEN'S PRIEMAY’ |this became my theory a little an Gold, Orch. /three years and I've been BROADWAY Peat Te, at dst Strvet. | ging it closely ever since. It was then | In * MARY CHAPLIN: | that I said goodby to Shakespeare and |I a MAC LAREN | CHARLIE __| began to brush up In the antics of the | T! e Amssiog Wits.” | in A Dog's Late gave me d Morning, Judge,” in which appearing at the Shuoevt| ¢, some of my friends may ree- ize traces of the butler, but it is | Wane NORMAND |spring freshet of gontracts, but +f /OHly @ physical resemblance, One's Hopkina.” jcour ARBUCKLE Orchestra, | BENte |now that Ta FEPROCTORS jAamit it—I on new 00 C10 & Sat, DADDIES clown, The net result has been a{¢ | mannerisms and method of putting} lover lines cannot be left outsid heatre, Therefore, the| ian—oh, week and my | has gone con sin T WHITES DE b hamettnen || Siar ans ASTOR 4 ronge ree yevwaues Pett Kost ‘Son oe ity \ monte cons ERSTsWEST dita | tance "SMOBERT Pitan | uP IN F | eu sh wer Somer QWisE sEFOOLS: merhane She very PARK *: i Gir Thone (fy Al8, Sate nim fers Oe ATS): SAT MABELS | Davenonieoone ee ine the || SPECIAL MEAT. WET sinauie SiLwyn THEA. "mie aT Cae ik a, | 5) " price MAT, WED, at 2. 15 | JANE COWL in x ALL NEW YOR M| ROOM ¢ public believes that any | °¥ To-night, Thure,.Wet: ves 8.15. WedaMtat.2.15.-1) The Crowded pe lr LAUGHING WIT Sy Ae fat man can be funny. That is far | ty * started NY on ym being true. Some years ago |¢ 4 Pajama Jag ry AN DARD Epa ELTINGE wavwunts Merit: © Wag a play in which th mitt | OLGA PELROVA [Hore Was made to ay, “Ob HBOHEMIAN GIRLS | | ne no: ¢ 7 at r| « TUES, WED, FIL BVES. @ SAT MAT LACE | tore sines tw Ste body loves a fat man” ‘That wus a > } i | AYRIC 449 tare avert [Tan BIJOU q y & 4th Wy Fr dee good “situation line, da by that I/when T we rould lapse c | THERES eat il cs scabs . fn WenWan TM 4 4Uo,|mMean the mere juxtaposition of the rin other words a | fe waa ts a a F.KENHS —ALL STAR BiLL— | character to the scene a ine cause. | ‘ A onan bbe be g The Taugh Mece BEL BAKER, MLE, | heartie: ] A N IVERSIDE | gett #xRty it, Io explosive laugh y there ts a “ ws 2 VEnY MUCH PEPPERS | of WiseacreSquare’ Wray & ih OPE. RADIAN, "einer | eee Tas the Judge in bis pr | pene cE SCHEFF | LOEW'S NEW YORK TH: ATRE $500 nedian. That gave me an idea and|tpoh the floor instead. gf ire *. th alnvow Dita ont. 1) M r t r y im the, Rainbow Div ¢ a Pa yy! M led with my experience in play- thought of doin, 4th MONTH ‘ef hacnhal Coantitn”” TY LOVE." _1AGK SHERRILL. “Once to Every Man.” ling various F A Musical Play—Ditterent 6th MONTH i , The Musical sovten YW) a YU An i eo T have be ea felf-groomed | | marlest . ie “OH omedian, not beca comedy was| } M thrust upon mo, But Decause, too fev | SWEETHEART with ED WYNN Gernen THAN “om |people of the stage rec alse the’ vane 4 By Hida Johnson Youn LOEw’s 7th Ave. 44°) “a opportunities that He just beyond the 4 CENT NRA Price & Antenlo Bi WM. | HODeE. Sh I mapped out a per- way, SONA! routine for mys prove “sure fire” even if the ling Aloe. Al nar: | Keered, were not given me, And TI wan | 25, 35, 60 h & a $ f which would | ¥ A SLEEPLESS NIGHT sit nay nouns to be cut im the Archives GLORIANNA -| & mishap or| yu take this opportunity of saying «h funny lings, are seldom found in m sical comedy books. They have tc WORLD WANTS plucked owt of thin air and fitted situations by the comedian himself. udience, I made up nu ind th WORK WONDERS |! haa tue opportunity of proving my [audignce, 1 mide up my mind to , theory in Slove o' Mike,” in which I now 1 pursuit of laughtea, PLYMOUTH at JOHN BARRYMORE neben fiein Nomis Bie, | NOT Baybee ee3is Mints Wea aha ek) a BAYES za Raa wee nA CUR footlights—-that is the laughter of an ate Pe,