The evening world. Newspaper, March 22, 1918, Page 20

| i THE EVENING wenn, OAM CLL MUOCU001. {THE VERDICT OF SIX OF THE WORLD’S GREATEST MEN Congratulations! I saw your wonderful production of “CHU CHIN CHOW.” I was stirred and charmed by the beauty of the scenes and the fascination of the story. I have never seen anything like it! It is marvelous! I wish to compliment you for producing it. Its success will be international. America must take this superb spectacle to its heart. The whole production reflects the greatest possible credit upon the genius of its producers, whose names henceforth in the stage history of New York will typify the highest possible artistry. The costumes and the scenery are wonderful! (Signed) DAVID BELASCO. Let me thank you for the de- lightful evening’s entertainment which you have provided in “Chu Chin Chow.” It is truly a beautiful spectacle, rich in color, spirited and full of action, charming in its fantasy, a delight to eye and ear. I was not surprised to see your theatre packed. Evidently the public appreciates your splendid enterprise and artistic achievement. One sure test of theatrical genius is to know how to keep your theatre full. You have the secret. (Signed) GIULIO GATTI-CASAZZA, General Manager af the Metropolitan Opera House. I had heard down in South America that you brought “Chu Chin Chow” over the ocean to New York. So just as soon as I arrived from Rio I went to see it. one of the most artistic and most ab- sorbing entertainments I have ever attended. I enjoyed every moment so much that I am going again even if I have to stand up. Good luck to you and “Chu Chin Chow.” (Signed) ENRICO CARUSO. I cannot tell you how much I enjoyed the performance of “Chu Chin Chow.” It is really more ENRICO CARUSO, beautiful than anything I have ‘The World's Greatest Operatic Tenor. ever seen abroad in all my travels. I was not only delighted with the performance itself, but with the music. I think it is most appropriate and excep- tionally well done, and, all in all, a most artistic production. > Cordially yours, (Signed) JASCHA HEIFETZ. DAVID BELASCO Foremost Stage Producer in the World. GIULIO GATTI-CASAZZA, General Manager and Artistic Director of the World-Famous Metropolitan Opera House, New York. The spectacle is JASCHA ‘HEIFETZ, Greatest Violin Virtuoso in the World, the Idol of all Music Lovers. I cannot help but eulogize your production of “Chu Chin Chow.” It isthe most superb spectacle ever evolved, weaving a spell of enchant- ment andunforgettablepleas- ure. It is especially gratify- ing to me, as the stage upon which I created so many gi- gantic operatic presentations should produce so incompar- able and so beautiful a suc- cessor. (Signed) OSCAR HAMMERSTEIN. I saw the performance of “Chin Chin Chow” in Lon- don five times. I did not think it possible to equal it in beauty, in setting and cos- tumes, but you have surpassed even that achievement in your production at the Century. (Signed) DAVID WARK GRIFFITH. vdeo WILLIAM ELLIOTT, F. RAY COMSTOCK AND MORRIS GEST PRESENT CHU CHIN CHOW OSCAR HAMMERSTEIN, Renowned Operatic Impr: jo, One of the World's Greatest Mu iuses ‘ A Musical Tale of the East, by Oscar Asche. Music by Frederic Norton, Now tn itsSecond ret at His Majesty's Theatre, London =Now In Its Sixth Month of Success in New York "| The Most Beautiful Production in Company of 300 People the History of the American Stage Fourteen Big Scenes A CATALOGUE OF SUPERLATIVES: THE MORNING PAPERS | THE EVENING PAPERS TIMES—"it sets a new mark." guisite harmonies.” |EVENING SUN—"Glowing Pic-|EV. WORLD—"A glorious triumph,"* SUN-—"A York will have to see It,” The purple realm of) tur )JOURNAL—"Wonderful,” TRIBUNE—"A\ show of magnificence.”|7 fant oat, cintering POSE Ee MeR aoraeeus MAILievA suactitie sf apectasens WORLD—"Intoxicating loveliness.’ marvellous,” e bad ba tA} tchanical pertec- ! AN UNPARALLELED ARRAY OF BRILLIANT ARTISTS CENTURY THEATRE “scons BROADWAY Under the Management of WILLIAM ELLIOTT, F. RAY COMSTOCK & MORRIS GEST ECONOMIC Brew Circle, wie St [Always 300 Orchestra Kavrixt® WEDNESDAY PRICES . . Family’Citcte, Soc, asc |__Seats at $1.50 | BEST SEATS $1 Extra Children’s Matinee Easter Monday, April 1—25c to $1 200th PERFORMANCE FRIDAY EVE. MARCH 29—SEATS SELLING 4 WEEKS IN ADVANCE LM WM Md WL WOO OOCOOC000O30=070-. “7, Dozen Artists FRIDAY, MARCH 22, _1918, fully expréssed, The girl becomingly | Wears a coral bead necklace Alethea HH “Wood deals with ing, in a The canvas ts | lont management « Show at the Macdowell Club | By W. G.B Ga. Bowdoin. It {8 an exceptionally good exhibi- tion now on at the Macdowell Club, | Catalomie contal No, 108 West 66th Street, where it |DOT® | And | Inch is to be continued until March 24, The follow! There are a dozen participating |awarded: Port of won for its ¢xcol- ib ht and shade. The Catharine Lor | orm Grace Hous is holding its ring all of th y-seven num- paintings and artists in the showing, all of whom | bet won portrait, hon bag se Fairehild f Miss BE. Marguerite Enos contrib-| prize to Al utes a “Portrait of Miss Hart Shields,” | Day;” land N done in warm, bright colors. The | to im uydia ¥ x sculpture r- \ strl (Mies Shields) enters into the| hilt for “Heigian, Horse pture, NY picture most happily, as painted| honorable me Jewell N against a tapestry background, that | for siete N Inst a ti ry back, f i intensifies the delicate costume colors | ,,.Mm and color combinations, Her well! my rounded arms and her neck and} fio shoulders are all painted with much |*hown and th distinction, and her pose is highly to| Wily turned be commended. 1 “A winay The portraits in pastel by H. A./ Brewer are carefully and pleasingly | laid in, | Ethel Evans has painted down on the black Day,” “Peonies" in a most charming copper container, | made al! the more effective by means of the pewter porringer in close jux- taposition. “Old Cottages at Ex is a ve artown,” by wn, showing » witha the samo artist, painted sector of the summer dw finely branched tri all, 1; Charlotte G. Coman has featured | j,. curling but unobtrusive smok from a chimney in several of } pictures with notab! access, ‘Thi incidental adds tremendously to tl value of the landscape each time sh has used it as a painting devree. u Miss Coman’s rendering of the rain | g, w fact of its cast: | gs tt f “Miss Whi over seal vohi- intro~ ta West ver view, rests upon | carriag erty a BEST LIVER AND FOR FAMILY USE saintly picture within the , is full of charm. “Cascarets” regulate women, men and children with- “A Anna Fisher, shows wood, a winding road, the str houses, and the vas is that by F tree in a 5 |the turn of the road at th “St. George's, Bermuda,” by Rhoda | Holmes Nicholls, gets much out of the flat topped roofs of the tropics, with the vegetation of tho Bermudas rae painted in good colors out injury. | “A Sunny Day in Venice,” by Miss _—__ Nicholls, well expre: tho Venetian Take when bilious, headachy, 8 introdu spirit. ‘Three figures, le her sand for colds, bad breath, sour stomach, and the waters of t Grand Can ve the landin most gloriously. ‘The anchor: at the right is painted in Ko There are some lovely things in the show by Edith P the picture, nman, * by he with fict Miss Penman’s deals with a fan Instead of nasty, harsh pills, salts, -|eastor oil or dangerous calomel, why keep Cascarets handy in yout ‘ascarets act on the liver and| gently you don’t y act thoroughly and can be depended - upon when a good liver and bowel « cleans. | c the ey move the bile and| artist, in w well painted bo od e stomach, , jor two at ght like candy and you hocn |Wake up feeling fine, the headache, bil- | jousness, bad breath, coated tongue, sour| by Anna stoi appears, Clara por Cascaret any time—they are harmless | Ight- and safe for the little folks.—Advt, | PHOTO PLAYS. THIS {NO NONSENSE. “i: FROM AMERICA (=? | Said the Prussian Autocrat. See Uncle Sam's answer to this insult in the tremendous photoplay PHOTO PLAYS. AFTER ach, constipation, or bad cold dis-| | 4 Mothers should give cross, | sick, feverish or bilious children a whole} CONCERTS AND music, | __THEAT » Metropolitan Opera “House ) WINTER GARDEN * TO-NIG uy ‘unt bul Omens. fel tre Ke s a ROY TMEREAE J EMPIRE { Rat83 PaiRoF PETTICOATS r AUTH ST. ens, Ml Dyke MAY TIME Ouiaige pay hasiee Purcell, Peery Wood, William Nortla, LYRIC #3." sosnar oe ec Gui Bie 9 nisi ZIEGFELD NEW MIDNIGHT: ICH FROLIC c “Sie aus “ACHE fete 8 FOLLOW THE GIRL ap Rittst LAUGH Maker in Town, BIJOU “fi unsea¥ ae Dy LIBERTY * Mirth Wnt | eee poole 39TH ST. wot HODGE CRIVERION i CORT “i Gatuner Pe FLO-FLO ieee MUSICAL iT, MOROSCO 48" Re ee ae BIGGEST. COMEDY. 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