The evening world. Newspaper, October 27, 1916, Page 17

_— tide seinen dinemamemesiemacsiemanmneachamm ‘intima mma kc Se ME EARLE GRE eaten abn: cpt 2 . / ‘ ; ,_THE EVENING WORLD, FRIDAY, OCTOBER 27, 1916. a ee 1916, 17 a i antennas ' A Mi > t t impresario at the Empire Theatre|atred. He must not turn pack, It !Schikaneder, the opera director, the/ its sevonty-fitth season, tts Jubiiee|“Guntram” was played also for thal the color of the programme tn Its en- | Spectre \La Rose” ware also on tha ozar CAT, | yesterday afternoon compels our ad-| will be @ shame it nee coatene with |Intter @ fine tmpersonation, John| Year, at Carnegie Hail inst night fiat UUme at these concert +H the ane gompletely dissipated by | programines. 11. + wegen” wal R ‘ Fay Miration. | BY his presentation, in| his announced “one performance Sainpolis had the thankless part of | There Reb ala ee Homes aad there! orcinde, the ” “Gotterdacnns coution, 4 Sxcellenctes of the ex-| be danced to-night, otal ess Impresario} inci or a vo, Momartean comedies j only” of the two old fashioned gems) Philip, the directors secretary and|WA# enthusinem worthy of the oo: | prelude, | the | “Gotterdaeni ' casion, Mr. Stransky w: i} + ” ts ’, ” (one ho calls @ lyric-pastoral) he has | of music and drama that he haa dis-| nephew. Last to mention, but not | Cason, Mr. Stra Bee and he Hagan: | Valkyrtes” from "Dito Waikiters |__A Jorge audtenco heard fdeile Put. ; made us almost overlook his long] closed to us. The crowded house that the least to acclaim, there was Mr./chestra, developed to ita greatoat — teraon, lyric coloratura soprano, sing | By Sylvester Rawling. | 2 aes wnatio F as] capacity under his direction, was Harold Bauer, nlaniat, gave at Aeolian Hall last night. She had years of character impersonation and| acclaimed him yesterday must have Reiss himself as Bastien and as ob ste ie phn Pins Sar routes a. |the assistance of Carmine Stanzione, il ° jal Th rinetpal tb URERT REISS has mado us his| singing at the Metropolitan Opera] many successors, or art is a myth, | Mozart, each character interpreted | plalmed. Strauss'e AIpine evens Nerhoot, . he a of untamniitay flutist, and A, Ruaw Patterson at the For Infante and Children debtor for whit is likely to be| House, of he may well be/ nd at least one humble music critic With the intelligence that he has en- phony, Played for the iret time in| names on hie pr ay have Piero. She was warmly applauded, } the most entertaining output] proud, Ife de Opera in Bi has failed to grasp the intelligence couraged us to expect from him, For|New York. Nothing that the tlehly||ocn Instruments as away Hue omy Liste t eo tos | Deere BEAHe Gusitssason, tis debut aran'isn we and the desires of that “dear public” D* enunciation of English he was! gifted composer produces can fall to| sane ue nie admirers, Mr, Bauer, | pe ae RE I th | : der, Heanieee tO. 2G, Complimented and | Interest, but this work compared with| himself esuentially m mudi eat | Fe by the ep gO chuldte e | upon which manuel Schikaneder, thanked than Mr, Bispham, the past | his great creations—"Till Railen- ret that the pudlte may be loa | #ONs* by the American composers 8 Tho 2 director of the Frethaus Theatre, maater of the art. splegel's Merry Pranks," for instance ated In compositions of the pro. | ¢™ochan and Milligan, ignature 4 dwells 6o much {n “The Impresario.” |. Sam Franko led the erchostra and|-—falls short of expectation. Une alc period, several les of | - of Kind Van Renseclacr Wheeler staged the | first hearing tt seems artificial, dea-| which fleured on hia programme fel “Tin Bulenaptegel,” re peated at the In the audience full of musicians, ! performance. Of the settings, the | pite the very simple programme|apite of the fact that t ou | mhout| Manhattan Opera House last ni . none was mors observed than Mar- | less said the better: but then you| which describes It, The Thunder-|there was respectful attention, and| by the Ballet Russe, with Nijinisky’ tn You Have cella Sembrich, of all the prima, know the Empire Theatre may not be| storm, perhaps Its greatest single| that. covernt Pleces were received |the name part, filled the house to [expected to be a second Metropoli- achievement, suggests —well, never| with marked favor—n. rapacity, he great danc c 2 donnas of our time the most gracious tan Opera House. mind, at least there was much nolse| Galupp! monata, and the © i or topeated © his foesph t } and the best beloved. None laughed _— and fury In ft. of Schubert, which was M The t t# “Behoheraga in whieh | in Ui more heartily than she over the tem-| The Phitharmontc Society started = Mr. Strauss's fontival music from -—there was fm. certain monotand re Nijin $ and “La pest in the director's office between the prima donna that was and the prima donna that was to be. Why spoll fun for the audiences that are | to follow (Mr. Reiss cannot help him- | Sif) by dinclosing the little plots that are Ginobled b¥ Mozart's flowing music, Before recording the names | of the singer-actors, whose art made the occasion memorable, a word must | be said for the admirable Engtish text | furnished by the adapters, texts that will stand criticism for diction alone, | but texts also that are singable, easily singable, enjoyably singable, to the delight of the listeners, § Thanks to Mr. Krehbiel for “The Impresario” | and to Miss Mattulath for "Baatien and Hastienne,” “GET THE HABIT” GO TO BRILL BROTHERS Looking for = Intelligent Girls (1) between the ages of sixteen and twenty-three, who would like to have independent incomes. “GET THE HABIT” «LIAVH FHL Lad.. To such girls telephone operating offers excellent opportunities. It assures good pay, steady employ- ment, and working conditions that are healthful and congenial. 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