The evening world. Newspaper, October 5, 1916, Page 18

fetta eee [cewre ser] Fvening World Daily Magazine fied - mee aa By C. M. Payne “’SMATTER, POP?"’ If Memories ‘of Our Own Childhood Serve Us, We Held Precisely the Same View! ABOUT ' stant ; Plays and Players By BIDE DUDLEY. IT DEPENDS ON WtlicH SIDE Uv ME 1S TURNED UP wanna YA MEAN Sometimes YA ng ap! Be ON YOUR \Do ya uKe To seers NEE HE SHOW OF WONDERS" has been selected as the name of the new musical show Which will follow “The Passing Show of 1916" at the Winter Garden. | It Wil be in two acts and twenty Before opening in New York | Show of Wonders’ will play a week p! the Shubert Theatre, New Maven, beginning Monday, Oct. 16. It will Visit several other cities and open at the Winter Garden early in No- vember. HOPKINS PLAY OCT, 9, Arthur Hopkins's new play, “Good Gracious, Annabelle!” will first ese the Ught of day in Boston, where it will be- gia two woeks' engagement at the Park Square Theatre Oct. 9, Finishing there it will be brought to New York and may go to the Repubite. ANOTHER 80U8A MARCH. th Iso tsdlate ateelhtennelincilll 1 beening Wore DANGONIT PDIBNT “tH! “Doc*rorR” FORBID ME" “TOBACCOTIN ANY | FORM IF X WIGHED To Live DA \ Ammertoa, tas approved the OUR OWN MINSTRELS. — Good evening, Mr. yw your brother in an auto- to-day. ‘You, He made a lot of money ee rae 00 ee ID ae Oe tm an auto he thought he ought to buy « itor—Mr, Tambo, I want you a bet for me. Which animal wilder, @ t or an elephant? | fy iow. I never joinod that used an elephant. Archibald tor — Highnote, our'peericas tenor, will sing that touon- etc 4 "This Father's Pay Line-Up—He's Coming | = __ BY WAY OF DIVARGION. who always wears a ‘The «man fo I a Kad tl Bye “Teat's (TS Now sToP! Youre SURPRISED AT SOMETHING !N FRONT OF You! “THROW THE EGG UNTIL 1 SAY “CAMERA’! This uss ONLY A REHEARSAL OF THE SCENE, SEE? i : [ AUDEVILLE FOR MIS8 BREEN. Breen, daughter of City comedy which the Messrs. Shubert being a prehistoric creature such as an inebriated person might see, Orrrnrrnrrnrnnnnnnnnnnnnnnnn nnn nnn nenAAAAAAAAROAN pernneennnnnnnnnnnnnnnnnnnnnnnnennnnnenanennnnnnneonnnennnrennennen real eames f FLIVVERS * ® The Smaller They Are the More Noise They Make! \, By Jack Callahan j OOOO PLLA LPP LALA PPP PAPAL PPP LAL PPP LPP PARLOR ALPE ORDA AP DDPD ADAP AD ADAP PDA D: » | @ Pop’s Mutual Motor By Alma Woodward In her toreador dance at “The Bull St eeeemenaananaanaaanaaaantantaonemaaaannuennaaemaaaaanaoraee te te soon to be seen in var je. Alf. T. Wi- arranging Ring,” Miss Ten Kyck loses a big hat y Copyright ilehing Os Brening ments for it, 1916, by The Preas Pudi Co, (The Now York World). Scagted voice culture wv a red care Pr agi Lyi saa GQENT: Fo’ ining room at ieakiast Une) take definite form when the phone im ‘ Laon haa confined pga le wade Ant el natlon—ove of thoes silences that, usually follow | Tings long and insistently.) her to the concert Paul h actor, who Pofed semument.. Ae “crunches «crisp rol, yo tw er ering timidly). ‘ aces. Lend role (eon em = “Pler- OP (not able to contain bimself)—|" Pop (indistinetly, at the other end Joby maitte “ hey Bethe ee Because other people are doing| of the wire)—I Jus’ wanted to tell : & 80-werks route over the An autographed picture of Charile {tl If othar people were fump-| Jou, how your HI’ party er raudeville time. ing into the river would you jump/ Ma (fortissimo)—Miltoa! Ladd ts to play bis origi- too? hour of the morni: ot te ‘ Poem on “Marriage,” which, to be night! I'll bet he gets ‘em over a 2 Absolutely honest about it, Is some| FROM THE CHESTNUT TREE, brass rat 5 . ia | due” waited to suaeeetion} wines i masterpiece. “Sambo, d of i ia (with. precision)—No auc’ . : jambo, you are accused of atoal thing, Then there's Mr. Gray, who's| B® 08a find @ cafe no matter where of the Daffodil in the Coburn Jacket” company. and "riven Hackett with William Faversham in Married.” Pitou says he bas de- Hara and his a ANSWERS TO INQUIRIES. wore ehout Jan. 1, Stagestruck—Apply to Silvio Hein, oS alle sixth floor, Times Bullding, of HAVE A CARE, MARG! Margaret is going to take piano Yessons, Look out! The professor te some boy, Marg!—"“Rambiler,” in Greenpoint Home News, €. G. D-Hold the job. You might eee ee see engaged {FY AN inexpensive act in some litiie to play a detective role in “Good |theatre in your spare time, cious, Annabelle!” dramatic critic and editor in FOOLIGHMENT, Our clock wee minus hands and oe the Btate of New Jersey has been in- o brother . Jos er Ss i to see “Arms and the Girl" Monday evening. Grace Valentine has written us « ig Anna Held's new starring vehicle,'ing a keg of beer from a delivery “Follow Me," will be played for the wagon, Are you guilty or not guilty?" firgt time on Oct. % in Philadelphia. |” "N ty, sal mi After several pomponements, "Rich Man, Poor Man,” wiil be presented by George Broadhurst at the Forty-| key?” “Not guilty, gab! Ah don't like beer, Whiskey's ma drink.” ‘Well, why didn't you steal whis- o v | enol le 'e >. ong Saeaire plant ea ‘They wasn't no whiskey there, Tusa thenee tas, Bastouee iil fectly sober and therk ance ay SS dll hl aia atetatllven bail Pop (with mock indignation)! sreen lights outside, I was PARRA ARR AAPA ARADO, Facts Not Worth Knowing By Arthur Baer eaaananaenaenemeeee Copyright, 1916, by The Freee Pubbeling Co. (The New York Bening World), “4 rT’ the anctent days of knights and armor they used to sew clothes with @ hammer, The annoying tendency of rubber to stretoh when pulled (a exceedingly Nard to cure. Pandics can be prevented from melting down too swiftly dy not light ing ‘em. When writing on letter paper only seven inches wide you should not _ able if I don't—but whatever hap- As arule railroad tracks wil! be found to be much safer over a river if there ta. 4 bridge under ‘em The fashion in loose automobiles is going out. ‘Alt 1917 models wil be forer fitting. > ~ (S ARTISTIC © A'MARKED" DEGREE AS IS SHOWN BY HER EFFORTS ADORNING THE PARLOR. WALLS » ATTEMPTS TO REMOVE PARTS OF HER FACE- SHE WILL SIT QUIETLY GY THE HouR. |OF SIMPLE ASTES, SHE REQUIRES WITHOUT DEMANDING ATTENTION NO EXPENSNE OYS FoR HER» AMUSEMENT. AND AS FOR BEING BRIQHT- SHE HAS DIGESTED THE MEANING OF HALF THE WORDS IN THE DICTIONARN- SHE (S EASY To FEEO - FOR. SHE MAKES A LITTLE FOOD G A LONG WAY- THERE ARE OTHER. THINGS SHE DOES AT WHICH HER PARENT S WISH SHE "HOWLING SUCCESS” Ma (with much Irritation)—Ob, for goodness sake don't use that argu- ment with me! I use it with Willle, I say that even If you don’t iike doing it, 1t wouldn’t hurt you to sccom- modate your neighbors in a time of stress, Pop (retallative)—Who'd help me in stress? Ma (calmly)—I have them all picked out, And for good reasons, too, There's Mr. Brooks, because bis feet are bad and he has to stand up in the subway every morning and Mrs. Brooks says he comes home with tears in his eyes every night! Pop (scoffing)-—-Btands up in the morning and has tears in his eyes ac getting over his hay fever nicely, but who always strikes a train car- rying @ lovesick stenographer who brings goldenrod for her boss's desk every morning, so Mr. Gray has 3 Stanton? That souse! Ma (solemnly)—Milton! It's an affliction—not a fault, with him-—he inherited it, And the nsason [ waat you to do It is because Mrs, Stanton was telling me it was so unfortunate that right at the uptown subway: station is & most attractive cafe and, coincidently, right at his downtowr station there is an equally attractive one, So Mr, Stanton just falls out of one and into the other. If you deposit him right at his office, wo (briefly)—There's a blamed at- tractive one right nevt door to it, If he went down by aeroplane he'd fall right into it. Ma (aternly)—Don't joke unless ‘there ts something to joke about, . I never could see enything funny in a man drinking. Well, are you going to do it or aren't you? pens be on your head! (Pop rises from the table and stalke from the room, Ma follows him to the door, She smothers an impulse to call him back as the ele- vator disappears. As she proceeds with the regular morning programme she is aasailed by misgivings that Pop (gleafully) t me gathered up th’ like you said—jus’ said, an'—— Ma (angrily)—Yee, yes, go on! Pop (sweetly)—An’ this is it turned out, A couple of striters tok @ shot at us with @ brick an’ to re- cover from the shock Stanton blew the crowd, An’ then a little further me on, @ real jitney driver @ scab and ran into my mu and ruined it and to recover the shock I blew the Ma (wildly)—Where are you Pop (enthusiastically) — It’e green lights outside and th ing traffic, But it's 1 thought I'd let you know you put him! Ma (bureting into tears)—That's That's what right, blame it on me! I'm here for—oh, oh! Pop (conscience I've punished you painting a picture of what have happened if 1 had fitnepea down, Ma_ (joyfully) —~Pn, Oh, Milton, you're a darling! 1 those other men might trouble, Wat StS 708 tale Li ty Jus’ you us in because we were dew via @ nice party an’ ae stricken)—I guess en you didn't? knew re