The evening world. Newspaper, August 29, 1916, Page 12

Aboud hy in Peterder night, when « on Mr Mredy'* a ‘ more wright Ve nel been ir persone ote govers| days. man Mr ready and Mr see wee wrenc At Lawford woe a ; fff < dust ight. te 3335 And all through dear old friend! an ache of I couldn't do that. “ to my bean. Yesterdi 1d" |. An hour later som “The Tom Wise as Falstaff. M Home and Plays and Players mony The ¥ Wil Continue WILD out-of-town iF Goodman ve.| HENRY HASENPFEFFER L i to appear io “The Man Who Beck He was « member of George's company last season. WAY OF DIVERSION. w bat is awful—« regular and the sun are the The time bas ar- yot I bate to have to abandon my For, the sun my it warded them off and the heat Pace im grateful inaeed and hate to "1 an admit that ‘a change is the need. But, ie Waning and custom decrees straws must pass on with the and bees. It's time for the that quaint looking tile, We to bow to the edict of aty pad fen't shaped for a derby at ali fa always too big or tow the winter | lor and! in my Craw a longing with ite heat and my straw. Tt tm time | we should part. I bid you adieu with heart. I'll never forget mind as my favorite hat. will rolling and summer will come. The flowers will bicom the little bees bum and then 1} return—or your brother, I mean, to bring my heart joy and real ease SHE ARRANGED IT. @ young man invited a ies” chorus girl to go for @a auto ride Thureday and s! cepted. came up for Thursday and «| out of fare? how she could get engagement. Finally she fi upon a scheme. She wrote the young you left me to- Gay a street car struck me and broke three of my ribs. I won't be able to g with you Thursday, or couldn't we it to-morrow afternoon? 2” IR led TO PRODUCE. se Hein is preparing to Merry Wives of Windsor,” ir. Hein has offices in the Times Building. S'MATTER, [ WHAT ARE! YA 4 LAPIN AT] “sre sash CHEN D “Th Wore foe “Th . sevens Youre CAMP So LET'S USE “THE TIME IN QLEANING UP Some DoucH ! tends to make several produc- this season. THE CAST FCR “HUSH.” Ames has comp! ‘Winthro) ed the cast for “Hush,” bis first production of the season at the Little Theatre, which ie all made up of Cathleen Nesbit: ‘Winwood, M. larie Hudspeth, Winifred Fraser, Ionie Em ‘ecilia Radcliffe, Augusta Havi- dur land, C Cecil » | called ‘id Robert Rendel, Cecil reteher, Con. a ie Fate way Wingfield and Edward Douglas. JANIS ENGAGED. John Cort & new opera with Lina Abar- hanell in the title role, last night at bee Broad. Street Theatre, Philadel- phia. Charles Dillingham and F. Zieg. fold jr. are officially anuouncing the engagement of Elsie Janis for the new Century Theatre production. ‘When she finishes in “The Century Giri” Mise Janis will be starred by Mr. Billingham in a musical pla: Ah. Srey. SNAPPED UP. wiowa and her ballet have moved fro! rebearsing place, the Bev- @ dagoe with a hand orgin and mon- kle came along. The monkie come up to my father and he had a brite idea, my father, not the monkie, He it in my mo fifth Regime Armory, to the mn be put Hip; it seats were sold ou! Jesse than an hour. in Albany Sept. 14, largaret Anglin has hearsing in “Caroline,” directing. “King, Queen, Jac {ntt'al presentation last Branch. A. H. broducer. velope.” lent Witness," moved eent. bd i FACTS N preme Court. ears. tupe. 4 break. where the final touches gumbers unde: oth Yi Aion of Renn r the direction i Burnside. The re- thely thor, William Somerset Maugham, | «. was given its night at Woods is the Richard Lambert has added Victor Browne to the cast of "The Blue En- Otto Hauerbach's drama, “The St- the Longacre Theatre to the Fulton last says my mother, Just then our dogg come around the howse and maid a grabb for the little monkte, and he jumped onto my father's neck and then onto the hand orgin. the little ay mother, rl get kost you twenty-five bucks.” she went into the howse with a hard luk at my father. My fat dagoe away and says: “Son, don't r git gay with no mixture of monkies and wimmen or you'll come to greef 1i h " “O. K.,," aa: “Now re that FOOLISHMENT. MTo-day,"" said Mine Annabelle Case, “T won 's aloe race, iy hore started last, jut centered so fest, je came out ahead by a’ face," FROM THE CHESTNUT TREE. “He'y a musielan clear through.” he's thethinnest man I ever re a8 OT WORTH By Arthur Baer. Copyright, 1916, by The Pres Publishing Co. (The New York Evening World.) 4a not known just how many lima beans are in a set, as that matter was never thoroughly threshed out during the last session of the Sue KNOWING | The well dressed man always wears his hat higher than his vest or The hat has always been the most northern article of wearing ap- Parel, a custom that has been handed down from the ancient Egyptians. With proper handling, reading this paragraph shouldn't wear out the © To enable lefthanded clerks to work with greater facility a Jersey Clty Wailroad clerk has invented a lefthanded ink that will bend before it will Careful tests by scientists fail to show that tadpoles in half pint @geeriume are affected in any manner by the tides. t Comic pop: Pow LOOK — WE GoT THE REST OF HS WEEK ON OUR LEAVE OF ABSENCE FROM Bane “ING AFTER AIGKHER —AN' TRoy@ur ale i! > OF a at at ARN MINUTE MOVIES By James C. Young ‘Copyright, 1916, by The Press Publishing Cv, Che New Yoru Eveuing World.) EGINALD RUTHERFORD, who R playa male leads in Miraclo films, felt t cosmic urge. That is to say, he had a gnawing desire to distinguish himself. So he organized a little studio circle and by Judcious care enrolled some really worth-while people. They met +o uplift the drama, Poor old drama, no longer a thing of flesh and blood but something of mincing motions. “What we need,” eald Mr, Ruther- ford at the first gathering,” is a playwright. You a#eo, the scenic art has no one to interpret it, I have so often felt in my work that if I only had some playwright to grasp the possibilities of my personality I could do much better, Where is the man who will write me a new ‘Hernani,’ in which the hero stakes hie life @n the blast of @ horn and then keeps his pledge? Oh, Hugo, Hugo! you lived too soon. Were you but alive now, you might write me @ scenario, “One of the great burdens of being different is that so few appreciate your true inner gelf, 1 cannot help it if 1 am different, But personality is @ wonderful thing, isn't it? I have noticed that persons with dark hair and eyes usually are passionate and strong-willed, while those of blond complexion are more agreeable, It impressed me as quite wonderful that th characters and their complex- fons should match, But I think it is & very nice plan, It enables one to discover another's personality so much easier, “Why, we have @ new director, and the moment I saw him | knew that he was a brutal person. His hair was long and black, his eyes real insolent and his whole manner annoying, We never have been able to agree. I lay all the blame on that poor, unfor- tunate man's personality, Now, tf he were a blond hia disposition might have been just fine. Don't you think that is a wonderful Mlustration?” “But what are we going to do about the drama?” inquired one fashton- able lady who had joined the studio circle, “I thought that was to be our subject.” Black looks were cast her way by several other ladies, one of whom said: “Oh, IL think personalities are much more interesting. And you didn’t tell us half enough, Mr, Rutherford, Be- He had both. The ean famously, VIMY Won “THY Mare tow GoM ne Se ee ee RNIN ER oy — f TAY UNCLE JCALLED NOTHING . t | | ment VE Prem Preamameng Oo 1 Rieathg We C(e-vura') ont Mors , Comeane ?) Ley BIC KEIN ‘ on (peg Good miaetr Rene") / Set ANOTHER, “Ste” ATOR OF > | “THe One IG ITF ) “TH [ 1 Fccee fT THs war! “THERES NOTHIN ‘T'SEE IN “THIS TOWN AN’ WE AINT ACQUAWTED WITH ANYBODY So WAY NOT Get BUSY An'orcury ouR Time $ WHEN YOU WERE A BOY PoP PoP? me r “His Son Will Never Make a ‘Captain of INDUSTRY !” .. DAW GOMe 2 C ("COMPANY HAS ) ¢, GIVEN IN; — ~ «AN! YGot TA SHow ME A BETTER WAT OF USING UP OUR TIME By Jack Callahan. REMEMBER THE TIME You STUBBED YOUR TOE ? WHY DON'T YA’ GO HOME AN’ PUT SOME THIN’ ONIT HAROLD? OOH! 1'M GoIN’ To TELL MAMA, You SAIO A BAD WORD YOULL KETCH \T, WAIT AN SEE. THE COMIC ARTIST GAINED MUCH PLEASURE IN SEEING A READER LAUGHING AT HIS IDEA -AND HE WOULD HAVE ASKED THE B0SS FoR A RAISE ON THE STRENGTH OF IT HE HADN'T UNFORTUNATELY DISCOVERED WHO HIS APPRECIATIVE J 1e AUDIENCE WAS - PSCHE DIDN'T ASR Fae THE RAISE) oie | AW. WHERE'S YER BRAINS?) |* IF HE GOES HOME, HIS MOTIIER'LL FIND OUT ; HE STUBBED HIS [Offs AN SHE WON'T LET HIM 50 as BARE Fi R. A (getting under the pillow) ANY MOPE] \/] "ave, shut that thing off Whats sehen Sroun: prev” [6 ANgway ’ at ¢ J wiTH ME. ON THaT?-- > HOW TO M BCDND: Any flat, adout this time of year. (The faint bive-gray of early dawn te creeping in at the window, A email alarm clock, whose ehrill summons fa not big enough to be impere- ths, and yet too small to be ignored, sounds an irritating call, Mre, A, jumpe up decisively.) matter? You muat ‘a’ made a mistake setting It. | Mrs, A (onergetically) No I didn't | at all. This is the morning that the painters are coming, ao we have to finish breakfast by seven-thirty. Now, it may take a little extra energy to | get up, dear, but you'll feel splendid when you realise that you've really | gn; | scoompltehed it. Shall I let your bath run? | Mr. A (unappreciative) No, I'm dead ‘to the world. I'd Mke to see any painters and paperers rout me out of ded. | Mre. A (wheedling) Lissen, Fred- die, you know what @ trial it ts to ‘me to have the flat infested with those people, but we have to have ‘everything nice and clean for the winter, and you don't want to add to my nervousness by blocking things, do you? Mr. A (very inaudibly) Huh? Mrs. A (glucosely)—Do you, dear? You know you don’t. Now I tell you what, You get up and put on your slippers and bathrobe and I'll tell you just what I've picked out for each | room. I spent four hours down at the wall paper place yesterday afternoon, even though the young man was not inclined to be civil, just so’s I'd be sure I'd picked out the best there was. Come on, darling. Slip your little feetsies into the slippers. Ms, A. than, halt comatoay, utterp im | ist from couch, liv. 4 We aie fea glisely ead uanataral HMadssted By dawn.) | Mrs, A (propping his face against |her palm)—In this room, dear, I've | arranged for a perfectly plain paper, | @ sort of café au lalt effe ith a| {rough surface. It makes a lovely | background for pictures. | Mr. A (indistinctly, yet resentfully) | —I don't like café au lait on the wall, | [Tike rose color. It's @ pretty lttle | shade, rose color, an’ Mrs. A (with scorn)—But no on | using rose color nowadays, honey. T jold fashioned. All the cool, neutral tints are in style. Ob, you'll Ilke It | when you see it on the walls, I'm |gure. Maybe it doen't eound right, but it'll look all right. Now come into the dining room. Thi# room's going to be old blue and—- Mr. A. (consistently disapproving) Je TO WoRK AGAIN 5 s Don't CHA AGREE \¥ Page of THE EVENING WORLD, Tuesday: August 29. 1916 As a Matter of Fact Uncle Si Said “ Nothin’! By C. M. Pa ne = Ls Bud Couniban By GOTTA SORT) AKE A HIT By Alma Woodward Copyright, 1918, by The Prem Publishing Co, (The New York Evening World.) —Nothing like @ red dining-room tp cheerfulness and good Look at how long the winter tal notbing gives you ind! cold fete pings Any’! pani ever see an oO! Py am re. behind the times. iy, it nee eal ask rea) discerning people to How often must I tell you that it's the things in the room that muat it ite warmth—not the wall That's passe. Now we'll go to die'a bedroom. He'll have to up in a minute anyhow. room ts going to be robin’s with & deep border of golden mals. Mr. A. (eullenly o! - wrong. No child sho have e4 mi hig room. Makes ‘em Mra. A. (coldly)}—Hew the millionaires bave animals em uureery walls. Mr. A. (coming rij an’ look what their children grew to be! Say, did you get me out my lovely, comfortable bed to back to it right now, I refuse made miserable and then picked all in one morning. I don’t care ind paperers and—~ dong sastetcat peal ot on Jargon "common painters and paperens Grice through.) Mrs. A. (giving Mr. A. a Ifttle pugh toward his room)--Oh, there they are! I'm afraid you'll have to go without your bath this morning, dear, and of course you won't be able to eat your breakfast in peace, so you'd better go to the little lunchroom around the corner—the coffee'll never hurt you there. Hurry now like a good boy and throw on your clothes. They certainly are seompt painters! Mr. A. (from the confines of his room)—They nre~ HARLAN, 2% IN, CORTLEY, 24 IN: ROW Nrch COL EASY TO PUTONA TAKE OFF STAY CLOSEDIN FRONT 16 cts. each, 6 for 80 ote,