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&é ea A Page of. Comics, Sketches and Stories a Ae. WR'RE GoING To MAKE A GREAT Comedy Film THIS WEEK, AND TODAY SYOu “ STAR IN A Kove scene! WWE ENGAGED FANNY BURKE 4D Ge Your SWEETHEART IN THE PLAY! “HEAG'S NO NEED To SE THs Scene ~ dust Foatow MY _ By Rov M*Cardell eect hk od 4 @GUS” MEETS THE HIGH , COST OF TANGOLIVING. * BLAVINSKY ducked in under the swinging half doors which Gus always had put in place when he \ got his first delivery of "Reek beer, for then Gus knew it was ‘Mr, Slaviusky kept his head down, although Gus could see him by lean- tng over the bar, and crept into the back room. “Here, you!" cried Gus, calling after glazier. “Explanation this! ‘What for you make such a duck into ™y place? Is business so bad you farted breaking winders again and got Ketched at it, vot?" “Basb!" said Mr, Slavinsky, waving hand in a silencing gesture ut his “Bpeak up and say nice out loud! My wife ts going pass by your front door in ubout lute, and if she hears you swear- she'll know you're talking to me!" P"What'll I say, ‘Polly wants a 1? oF recite from poultry like that feller Dinkston?” asked Gus. ih!” again pleaded Slavinsky, Gus obligingly shsshed, for at Moment the majestic figure of Blavinsky could be seen pass- ‘the front of the place. bh f th But, like gh i “Put in @ glass of kimmel,” ad- vised Gus, “For my nerves I need a bracelet,” admitted Mr, Slavinsky, aa took the cordial, ou are w bra feller, Gus, to iook at a lady that way, as though you don't care.” “By gollies! There ain't no lady I am afraid to look in the face, it that lady should swear at me! clared Gus etoutly. “Even my wt Lena, I look right in the fac: AD way I am a brave feller and also I am gynastical, eo if my wife, Lena, should throw anything at me 1 can duck it, That's what o fell learned when he to @ turner- bund as I used to,” “If it keeps up what everybody ts got to go to the moving pletures for ————— You'RE WEEPING BECAUSE Nopopy toves you! You HEaR THE PATTER OF UTTLG FEET AND YO) LOOK YR --- the kids, and then got to go dance] bigger bu: am losli “What Vinsky, as}/asked Mr. Rangle. the tangle mit the wife, I shouldn’t/I ona to be bad mit you, Gus, Mr. he tiptoed back from the door, lleved to note his wife had gone on her way. “Me? It should make better business said G ‘or them mov- tes, why, all I find it is when my ra have been in the picture theatres see a nix-reel creature aske for dark beer be-| pint beer hurts their eyes, And, as for that dancing business of the tangle and the maxitch, huh' What [ care? Ain't YOU comin’ in for a bracelet for your nerves? And here comes Ed. Charr and John W. Rangle. Why, if it wasn't for the tangle dancing driving my customers into my place more than ever, I'd to turn in my license to the ery and quit it up.” uit it up?" asked Mr. Jarr, who entered at this moment. “Whadda ya ‘quit it up’ “Quit it up my business,” replied Gus, “Close up this retail liquor store, it is times is so hard with at tho high prices that the THEN—HE TURNED AROUND! either got to charge more for you sell, or else give less measure for the money. that the retail - AND You See Fanny! ~—1 ITS Love AT FIRST sicHT! Stow “THAT ‘YOU HAVE FALLEN IN Love , AXEL! 9 I do the more money gonna do about it?” What would you devise?” in turn, Vell said Mr. asked Jarr, | “'you'v whi I seo by the papers Nquor dealers of are thinking of making the aller.” gollies, that’s a good Idear!” ake all the pints he added after flection, “then I'd lose all my family trade, I don't make any money by it, but I don’t want to but Still, if I didn’t have any family trade or any bar trade, I'd make money | YOU GOTTA DO IT! | Not Worded the Same. ST as the family was about to sit to the evening meal the ister unexpectedly dropped in he maid set the table she he plates bottom sido up. bpttoin wits tbe ngmp| was, adked to mt nd as he did eo be reverenti; bis bead above his plat, Youpa Mrs. Torkin | When he had flnished the little tive- | year-old daughter of the house picked up her plate, looked at the manu- facturer’s name closely, and said: “Papa, it doesn't say that on my plate." _>— Discriminating. | OBB your husband play cards | . for money?” ‘I don't think so," replied “But thase who with him do,”—Washington Star, 2:15 P.M. not haying to pay Elmer, my barten- der, anything.” “if you had no business you couldn't pay yourself anything,” ventured Mr, Slaviuksy, “So what’ you gonna do, THAT'S TAN-GOING SOME! In learning the “tango” I've oft come to harm: I've fractured an elbow; my ankle is sprained; My knees are both sprung and I've broken an arm: collarbone's cracked backbone is strained: My neak’s badly twisted; my shoulder blad split; My and my |I've busted a log, dislocated a hip. And now I'm a cripple I'm forced to admit That there's many a “s! “whirl” and the ip" twixt the jo!” A SLIPPER DIPPER. Gramma, All hi Jon When Dad 1 wish he’ YES AKEL— | KNow SHE WAS MAD. BuT THINK WHAT A FUNNY FILM Te make! Tee Lhe Pree” Paptioh ine Co. HY, vay By ‘Callahan cut dow inquir the othe “Hal Tl compermise it your measures!" Mr. Jarr! “You've got to du one er} 4 Gus, his fuce ligning ain't got to do one or the Vl do tem} oT hee BEST PRODUCT YOURE FIRED!! A Stage Killing. HI Vathtinder relates an ‘ime I stance of Impromptu “gegsihg” n the stege in San Franciseo, “Die, villain!” the hero of the drama said, and abot off his revolver at the villain'’s head, But .the gun didn't go. oft. / Six jUmes the hero pulled the trigger, and not a single explosion took* plgce, The audience was getting hystel when the victim struck an attitude and “Your pistol has missed Reginald; but what “eimters jake? The thought that shot has frightemed me |to death : , And he. rolled over and died, peered hE No Blooming Pigeon. OR the first time in her life ap old lady was about to nigke | railway journey and when arrived at the stat! noise so upset know what to di oung ma: aald to & 'd tell me what Can you ket 2" get it at th there, through The olf lady looked at ole in-astonishment and. thea seanned ner own elephantine propo: you old silly,” out in a rage, “Go ) | How can 1 get through the a blessed pigeon.”—Pearson' Is the mark of ‘ Two popular styles in Red-Man Colla 8, The cloth a fine Sateen Mad:as, 2 for 25 cts, EARL &. ERS OF TROY’ WILSON "S BEST PR