The evening world. Newspaper, November 16, 1912, Page 5

THE EVENING WORLD, Found a National Conservato Says Ysaye, Master Violinist BRINGS MRS. America Needs Such an Institution to Take Her | Rightful Place in Music With the Other Nations | of the Earth. Budding Genius Can Be Helped and Fostered Only in This Way—Free Tuition by Competent Masters a Crying Ne- cessity. BY SYLVESTER RAWLING. 6 ON’'T say ‘eight’! It's only D seven years ago that I was here last,” sald Eugeno Yoaye, the master violinist, yesterday. In one’s youth a year more or less doesn't count. When one approaches fifty it's another matter. But I'm glad to be back in America to greet old friends. and, I trust, to meet now) ones. Because I haven't returned| earlier does not mean that I am un-} wmtndtul of past kindnesses. | “It is etmply this: Even with fast steamers, America is st!l! far off fro.o Wurope. There, with all due modesty I may I am sure of engagements all the time. The music centres are within easy reach of each other. Here your distances are great, and how can| I be sure that I am remembered among | the great artists in overy branch of musical art, from all over the world that you demand and get?" Mr. Yeaye interrupted his practising to chat with me. His violin still in ‘ale hand when I entered his aj in @ Broadway hotel, Hoe talks Engl! fluently and with little accent. He w im Greesing gown and slippers ani turning to @ strapping young man be side him, introduced his sn who, he @aid, would soon talk English as well ae himself. When the cigars were w: alight, the conversation took a serious turn. AMERICANS HAVE A KEENER APPRECIATION OF ART, “Afar off,” sald Mr. Ysaye, 1° noticed your musical progre I feel it. At my first aight in Jersey City—it was at the High Geheol, a fine auditorium—I recognized ‘Deneath the warmth of the welcome the audience accorded me, a finer musical aense, a keener appreciation of art ever than when I was here before. Why, thought I, does not this great, {ntelligen nation have more musical initiative, Prouce, more artists, create mo works? And the answer was Inevitable You must establish a national conse:va- | tory. If you cannot, as we do in| Wurope, have such an Institution sup- Dorted by the Government, surely your mea of great wealth will take pride in founding and carrying on such an inati- tution. “What happens now 1s this: A boy thinks, or his friends think for him, that he shows promise, let us say, as @ violinist. He is sent to ‘a teacher! one of @ number of teachers who pro- fess to know their profession. That teacher is pald so much a lesson of, say, an hour, or half an hour, or a quarter of an hour. Is it to be expect- ed that the teacher shall winnow out the wheat from the chaff, when the amount of his income depends upon the number of pupils he can hold? WHAT WOULD HAPPEN IN EURO- PEAN CENTRES. { in “In Brussels, in Paris, in Berlin, Vienna, in fact, almost anywhere in Europe, except in E: nd, a@ boy un- der like olrcumstances would be sent to the Government school, where the teach- ers, carefully relect wet regular tne} comes. If he could pass a rudimentary | examination, he wottld be taken in hand | for nothing, and if he had talent tt! would be fustered and developed. If he had not, he would be told the truth. Moreover, if it were thought ‘iat not the violin, but the plano, or the ba soon, or any other {ustr t were more fn the line of the boy's aptitude, that would be suggested to htm. At this, 1! way, at no cost to the lad or to his parents. Indeed, if the boy should show exceptional talent he would be helped pecuniarily’ “Phere are !mmense possibliiities b fore you and within reach of you such @ national school, Of course, firat, you would have to impor: teachers, but the need of foreign would steadily decrease. You would | soon establish an atmosphere out of | which would develop « distinct Ame can school of music and begin your own traditions, on differ perhaps, but similar in their those to which we in Eu ope x0 mueh. fersonality counts uch In mu | sic, as in everything, | enius can) stimulate a nation. Sve ilgar haw Dieam ¢ usical wo: e Tha unui done for England! Gerontius’ attracie: there was no Init work, to say notiing of his oth positions, has aroused a new sp. recalled memories not musical past amon wlishmen. See what an influence Maciowell tad iu America! What a pity, hts “While moat o Mniats come out th fro Russia, from Hu and from the Sav races—the violin ix exwentially aa Halian instrument and Amevica would do well in its training of violfnista to submit to Latin Influences. The Gee man school is too sti? and pedant ‘The German at musical peor that the ¢ . 1 too philosophie to comprehend ful! poetry and sen muouaness to which the violin mont give utterance, In music generally, too the work of the French and the ftatla ful! consideration inust be given TO GIVE 100 CONCERTS AND GO TO PACIFIC COAST. what are my own plans? W 1 am to ne jundved cone j thie American tour, and my engage- ments will carry me to the Pacific | certo, } think that it. 1 revive some ly Ttalian works a play a good deal’of Mozart. | A sonata oy Nardini and a chaconne, with organ accompaniment, by Vitall, are among my programme numbers. ifow I shall play at my first New York recital on Tuesday afternoon you must jand “Pagliaccl.” |Caruso, Emmy Amato and Dinh Gilly, Uttle Spanish soprano, Bort, appearing f jas Nedda. The casts w Malt {0 see. My wenivis, as you ail It, |rar. Jeanne Maubourg, Kar! Jorn, Dinh Tt meats 2.000 persons. In the company ina capricious thing. i play. trom my | 30 1 Rothier, is asnou r] with Weber and Fields are Marie Dress- heart, or from my soul, as people some-|Thursday night. On Friday, “Manon| ler, Nora Bayes and Jack Norworth, say. As the spirit moves me I with Caruso, Lverezia Bort] Frank Daniels, Bessie Clayton, Helena It to myself, I must feel the] nd De Segurola, will be repeated. [Colter Garrick, Arthur Aylesworth, of the composition I am playing | turday night at the Brooklyn Thomas Beauregard and eighty chorus to do it full justice. Do not misunder-| Academy of Music “La Boheme” Will! gciy “poly-Poly™ and “Without, the stand me, Brilllancy of execution, per- | he with Geraldine Farrar, Lenora ’ nbine veaty of * fection of technique, are to be desired. | Sparkes, Riccardo Martin, Amato and| law Lond nation traveaty o} “The If Paganini could be called half Devil, ) Didur in the cast. Merry Countess" and “Within the Law, he was altogether Man. My teacher| At the first Sunday night concert to-| were written by Edgar Smith. The often related to me how greatly he was moved by Paganini's playing. And it was a good thing for violinists and for the public that Kubelik should have re- called and revived some of Paganini's art. “Your young Spalding, a worthy art- isi, played here, I believe, Elgar's con- It was sent to me and 1 played it a few times; but when I found that! I must pay for the privilege I returned it, With all due modesty, I did not morrow sing. TITTA RUFFO TO APPEAR Andrea evening and pr “Hamlet.* with Titla Ruffo, Italian baritone, in the title part. “Must y elgar first, one hand light another ©, as he took erip of his firm as one sald Mr. Ysa for himeelf, and the at parting was as erton excepti ally well, Seotii's A there will be a double bill, “Cavalleria” } include Destinn, Riccardo Mar- with Tacrezia the first time here with Geraldine Far- Efrem Zimbalist will play and Marle Rappold and Riccardo Martin will IN A REVIVAL OF “HAMLET.” Dippel will bring his Phila- delphia-Chieago Opera Company to the ee nf Metropolitan Opera House next Tuesday nt Ambroise Thomas's the great It te said that this will be the only appear- ance in opera in New York this season of the highest paid baritone in the world "| AT PUBLIC SCHOOL RECITALS. FISKE TOTOWNNEXT WEEK Weber and Fields Open Their New Music Hall on Thurs- day Night. SATURDAY, NOVEMBER 16, ry, |"THEHGH ROAD’ |Nazimova Says Wicked Woman ot the Stage Is Too Obviously Bad to Be Taken Seriously Bella Donna Sometimes Makes Her Laugh, for This Woman Is the Worst in the World, Everybody Hates Her, and New England Will Be Shocked to Death. TE first of five new productions | announced for next week will be | seen at the Criterion Theatre on | | Monday night, when Manager Henry | |W. Savage offers a fares by Rupert | | Hughes entitied “What Alls You?" The | author calls it a “calisthente farce,” | and the three acte are aiven over to! vee the humorous phases of phyel- culture The first act shows @ | faantonabie New York restaurant at| | midnight with tte various types; the |@eaond the gymnasium of “Medill's,” « | Realth-restoring institution near New York suggesting “Muldoon'e,” and the third developes the humorous episodes of @ twelve-mile crons country walk. The company includes Willlam Court- lelgh, Desmond Kelley, Marguertte Skirvin, Shelley Hall, Bobby Barry, sid- ney Greenstreet, Roxane Lansing, Edith | Stoddard and Stuart Robson Jr. eee On Tuesday night Mra, Fiske degine [an engagement at the Hudson Theatre | in “The High Road,” a new play by Edward Sheldon, The story is that of & woman's life Mary Page ts firat| shown as @ girl of seventeen on her! ‘father's farm, lving @ Ifo of hopeless |drudgery. A sudden romance opens up | | the world to her, but after three years | of luxury and wealth comes the awak- | ening. To satisfy her higher needs she Goes forth to earn her living with her own hands, and after years of storm and disillusion she becomes a servant | of humanity and finds happiness in a great love, Ail this is thrown against «| background of soctological, political and moral conditions. The three chief main | characters are to be acted by Frederick Perry, Arthur Byron and Charles W dron. The Winter Garden's new fall pnoduc- tion, with Gertrude Hoffman in “From Broadway to Paris,’ will have its open ng on Wednesday night, This revue { described as “a musical causetre,” with , George Bronson Howard and Harold Atteridge ae the authors and Max Hoft- man the composer of the music. The | Plece ts @ eatire on the doings of Amer- cans abroad. ee e The new Weber and Fields | with the Weber and Fields | company, opens on ‘Thursday evening, when and a burlesque | called “Without the Law" wilt be pre- sented The new music hall tn Forty- fourth street, just west of Broadway, fe to be conducted an was the old one at Rroadway and Twenty-ninth street, Halt, H-star stock lyrics are by BE. Ray ie by G. Baldwin Sloane. eee ‘The postponed production of the big Drury Lang melodrama, “The Whip,” will be made at the Manhattan Opera House on Friday night. petz; the music Blanche Ring in “The Wall Street Girl" comes to the Grand Opera House, “Little Mies Brown" will be at the West End Theatr “The Wizard of Oz" will be revived by the musical comedy company at the Academy of Music ht expect from the big, strong man | —#2.00 a pesformance. Alice Zeppllli, ax] ‘The stock company at the Harlem that he looks and ta, Ophelia, and Eleonora de Cisneros, a*| Opera House will present "The Gam- — Queen Gertrude, both prime favorites) blers.” GERALDINE FARRAR BACK, in Mr. Hammerstein's ever-to-be Al Reeves brings his “Beauty Show* “ | mented Manhattan Opera House Com-] to the Columbia aoe, We Pe NERPENE pany, and Gustave Huberdeau, Henrl| ‘The College Girls come to the Mur- tan Opel al i Scott, Constantin Nicolay and Edmond| ray Hill Theatre. FE Pe gbare House last night aa} Winery are to be in the cast, with our| Rose Sydel’ and her “London Helles h opera season, drew elend Campanint tn the conductor's] Will be seen at Hurtig & Seamon Another great audience that watched | (ld friend Campanint In the conductot Miner's Eighth Avenue Theatre will eageriy for the reappearance of Gerale | chair. It 4s #0 long since “Hamlet” was] nave the “Jardin de Parle Gielee® dine Farrar, who has been {ll all sum. | S228 here that the revival will be a frat} piny watson and his “Beef Trust’ mer, She was muca slimmor, put looked | Performance for a host of opera-goers. | wih ve at the People's Theatre, ‘The Well, and she moved about the stage]. ThE Boston Grand Opera Company will | Girls Brom Rer will be seen at witi even more than her accustome,| Desin It® season at the Boston Opera| Miner's ‘Theatre In the Bronx, sup 1 ' aac, | House on Monday evening with a per-| Manchesters “Cracker Jacks’ will be gid app ALR LIT SO ey of The Tales of Hoffman,” | the attraction at the Olympic fuller, but In the highes was atritent | ¥ith Fumond Clement tn the title part | VAUDEVILLE ATTRACTIONS. c she failed t her! Edmond Russell, the managing 4 .| At Hammerstein's Irene Franklin, tn shin elie enh PU! ner” haw announced his inte of present-|new character songs, and Hughie Jen- ara gee from Mehind the ing several operas in English this sea-|nings, manager of the Detroit Baseball \* the Key, It ta dificult, But! gon, Club, will be the double headline attrac wh her short 5 1e found | — tions. Jennings will make his debut in unmisiakadle favo 1 the audience, & comedy aivetch, and will alay give an | Riccardo Martin sang sod a i Pink | WAGNER OPERAS PREVAIL Idea of his coaching methods, At Proctor's Fifth Avenue Theatre | vin Consul was satisfying as usual, Rt The Board of Education hus arranged |the headliners will be Muse Marquard Fornia a good Suzuki, Ileien Maplessa| for the following free and Blorson Seele: he Nineteent | rer toda, Audisto | next week: Monday, at Straight.” Othera will be Fellx and Begue, Cerri and Romolo made up the) “Polk Sot Caire, In “Searching for a Past," and | 2 is lemma inaxs | Ganian Raymond and Caverly, At Prosto: isa vl . latign & Twenty-third Street Theatre J. K. Mur. jen schcol, ray and Clara Lane, in “Bits of Opera,” | Thomas Whit debut as the Witch, On Wednesday Bi be Se sete will top the At Proctor's Fifty: REVIVAL OF “MAGIC FLUTE” — | 5 No. 132, mmerunz.” | Cighth Street Theatre Leon Rowers, the AFTER EIGHT YEARS! SILENCE, nd at Pub-| mimic, will he the headliner, At Proc: Mozart's “The M Flute witt be Sehowl No. #, “Italy in Song and|tors One Mundred and Twenty-Atth Irovived at the Metropiltan Opera House by Nina D. Kuhn. Thureday, at|Street ‘Theatre a singing act called | aE BALEMae ctttncie Altace aie an NO, Schumann, the] “Fifty Years Ago" will he the feature. Hat ELAR, Aha Plano," by Margaret : Among others at Keith's Union Square | OF SIAR Faere. Phe 1eat BiANOUR pete uke's Hall, “Bnglinn Sale| Theatre will be Robert Haines, In “The | mance on Satiueday afternoon, pe Being 1 at Morpig |COWaM," a one-act melodrama — by , ) when Felix Mott! conduct: | ade" bs Ciace Hwink and at Morris | cq orge Broadhurst; Gertrude Vander- Mr. Casazza promises a sump.’ Htgh Rchool, “Schumann, Te Mano! iie and George W. Moore, In “Wnusual {uous scenic production, with rong: Works,” by Daniel Gregory Dances,” and Marion Murray, in a com- cash (properly. rahi Four Amerie ofiays at DoW ston High edy by Bozeman Bulger called "The Bly can aineees lll Trek w York | Folk Sones of Germany," by Wal bhuft debut on the occasion, Ethel Parks as | Eosert: @t Public Dshool No. %, At the Colonial Theatre Thomas A. een GRAB MIENES Means ee wart Goce and Scandinavian Song," by | Wise will apoear In a tablold version of Queen of the Night, Edward Lankow yi) Leunborn, and at Public School No, |" \ Gentleman From Minalagipp!,"" Henry as Sarasiro and Vers Curtis and Mor ertaemmerung,” by ¥ EF. Dixey will present a 'Mono-Drama- ford ae the firat and second | «jeveland Whson, Vaudologue,” and Sidney Drew will be, Mine, Parks's career, so far. hax — seen in The Still Voice." onined to Italy and Russia, M The Phitharn The Will offer “The Litue who 18 a native of Tarrytown its tw » conve Pariatenny.” Vera Michelena, tn songs Habit ot ‘Tuesday evening at an {Taddie CUR, in F 1 ronga and Patina tiie ab a Betas @ (cances: Homer B. Mason and Marguerite pe een ar erty os Aare iy peat nin and Out,” and other fea- Atten, Lenora Sparkes, Ale sand per ted themsel will te the her sa and i to | ms eis members of th ormury’ n'a Bronx haw, srtan? parts, and Alfred Hertz t) » ply wit beatre. Pro them will will itiona 0 yequest of a million be Maud Lambert a Ra!!, tn igs "wiih Geratdine Par- jars iy Mi pi Pulitzer to the uldest | the vst Didar and Albert Retes, all old friends, Vi ety noeus ny are | wil in the cast, is the bill for Monday even- Vailable to the gene Mme. | Ino’ un tn ing, when Lilla Robeson will make her Frances Aida, wife of Mr, GattrCasasaa, |a Turkish Bath, . Core tis and Florence and Wesley's Beals, | there's no Hichens nonsense about Alla | really me a cigarette inste: Matinee Girls Love It,' Though Grown-Ups in, the Audience Follow the Play Without Sym. | pathy, Smug in Their Own Virtue in the! Presence of Such a Sinner. BY CHARLES DARNTON. bb A REN’T you afrald of being poisoned ? With these softiy mort| ing words, « dark, sinuous figure, all gleaming eyes, as Robert Hichens might have sad ff he had been stand: ing in my unpolished shoes, grow! out of the shadows and glided into the toom. * © © The lustrous Nazi- Mova seemed to be revealed in the. brilliant Nght of her own eyes, There, that's done! Writing an “at- Mospheric’’ interview in a mighty tough Jad. Between you and though, me, Nasimova. Her artistic sense has by no means killed her sense of humor. “T don't mean mentally votsoned, but Polsoned,” she laughed. “Don't you realize your fearful danger?” I faced it bravely when sho offered | of Turkish cof- fee. Except for her hair, which wi dressed In the latest Exyptian fashion, | she did not suggest the devoted wife who puts sugar of lead in her hus- band’s coffee in the play at the Empire ‘Theatre, “Playing Bella Donna has made ine @ very wicked woman in the eyes of the | Public, I'm afraid,” she remarked, only | to dismiss the thought with her eye- brows. “Do you take the wicked woman of the stagd seriously?" I asked SOMETIMES SHE LAUGHS AT BELLA DONN. “Heaven forbid!" she exclaimed, gayly. “Sometimes, when I am wait- ing for my cue, I find myself laughing at Bella Donna because she Bo ob- viously wicked. She doesn't even play the angel with her husband. 1 muat #ay this woman tp absolutely the worst I've ever acted or read about. Every- body hates her, especially after her Uttle box trick with the polson. In Trenton they hissed me at this point, and when Iseacson threatened to rend for the police shouted. In Plain- field they laughed when Haroud! chucked me, Oh, I expect to have lots of fun when we go on the road, e She leaned back against the cushions of a divan and smiled grimly but con- tentedly. . “No,” she reflected, “it's not exactly a sympathetic role. In London, 1 am told, there was hardly a curtain call after the first nfght. But the play drew large audiences. We are having the same experience here—big audiences and little sympathy. Men and women follow the play quietly, and matinee girls love it, And they are not at ali shocked by my love scenes.” “The matinee girls “NO!” ahe cried with a buret of laughter, “the men and women. Mati- nee girls are never shocked. We need never worry about them. They are al Ways absorbed In a play, No matter what it may be, to them it is a revela- tion of life—life as they Imagine It and of which they know nothing. They are Particularly interested in the wicked woman of the stage because of their own Innocence. “And the others?’ AUDITORS FEEL SAINTS IN PRESENCE OF THIS SINNER. "Oh," answered Mme, Nazimova, | passing lightly from wainte to sinners, “it makes them feel very good to a some one who ta very bad. After all, everything Is comparative, isn't it? And I really don't know what authors would do If they were compelled to write only of good people. Even the Bible has some villains Look at Maxdalene, Of course, Hella Donna {sn't another Mag- dalene, She isn't even human, f don't know what to say of a woman of that sort. I recalled that Dunas had sald “KM her!" She should be killed aureed Mme, Nazimova, ‘for that's ex- actly what she | On the stage, though, whe has a strong attraction for certain like @ anake,” ~ SOUR STOMAGH—PAPE'S DIAPEPSIN. is Time it! You don't want a slow remedy when | your stomach ix bad—or an uncertain one—or « harmful one--your atomach is too valuable; you musn’t injure it with drastic drugs Pape's Diaper sin is noted for its apeed in giving relief; ite harmlessness; its certain unfailing action in regulating nick, sour, gassy stomachs, Its millions of cures in ind gestion, dyspepsia, gas: tritis and © hee stomach trouble has del fanions Lhe world over. p this perfect stomach doctor in | your t bome—kesp it bandy—get « large In five minutes your Stomach feels fine Surest, quickest Stomach doctor in the world. 1912.° ! | | people. In seeing her the good woman feels wo much better that her soul rises to bileatul hetghts. The worst of it in that we are always blaming the French for thie type of heroine. If we see « bad woman on the stake We at once conclude that ahe must be from Paris. She may have come by a round-about | Way, but we feel sure she atarted from Paris. I'm wo grateful to Iichens for putting Bella Donna in London at the beginning! It tn like waying that she {9 possible even in London—and that saying a good deal’! If we accent her at all we must rd her as aun nal ty duis ¢ eg ve ae 9 me CI det ep. =a’ ec = 7) Mi, Ray ‘Hut an unumal type Y: of course. In that respect she ie like Hedda Gabler, But she has nothing in common with Hedda anide from the fact that she Is bored by her husband. He ts so good!" she added with @ grimace. “And husbands who nue, Will atage @ cabaret #how it Is promised, before offered by (he Assoc of the Bast Side House ‘The entertainment is an The talent is supplied by whteh, are merely good must be fearful bores the Settlement, of which ther This woman Is forty-two, and whe | 8Md the proceeds go toward realises that she haa to hurry to get | Charitable enterprises which the wor Gi bhG Cah OBL ae LAS ern of the House undertake. Special ecenery has been hired f THE GOWNS HAVE GIVEN HER A VERY BAD COLD. “What do you get out of the ro} ventured to ask “I've got a very bad cold out of It, for _one thing.” she laughed. o~7" 1 henltated e all that—even a trif_e to-night and a chorus of 10 young lad! and men will take part in the produc. tion, which will be directed and staged by Meyer Deltiak: Among the principal numbers on the bill will be a novelty dance by Miss Gertrude Fisher and Otto Welk s tin Murphy and M. Holaten w she explained. ‘To he| some of the popular songs The perfectly frank, they are very thin, |] also be a Scotch specialty by Mise But the colora are wonderful. 1 took | Natalio Brewer and Frank Thulin, my cue for the costumas from that PRET TTT TOMTOM part of the book which describes Rel Donna's firet visit to Baroudt's daha- FIND HIM GUILTY OF heeah where whe Iles in the cabin with COATING GIRL WITH TAR. the Uttle golden ball dancing on the} fountain and dreams of herself ax an Limit of Law Asked by Jury for Eastern woman, That's why I drew : i ; the part tn Ortental colors after t Youth Who Joined in Atts first act. But I sought for a anaky ef- on Minnie La Valley. NORWALK 0., Nov. 16. fect only tn the last act ume. you ever seen a snake bite its tail The Jury tn Taken by surprise, I could not re-/the Minnie La Valley tarring case re- member having witnemed this pleasing | turned a verdict last night of gullty of Nettle trick assault and tery against Ernest “Often tn at ‘" Mme. Nazimova en- | We » the first of the six inen indicted Nghtened me, a snake upon ite own tall and thia Idea that turns flercely|to be tried on the charge of stripping bites It. Tt In}and tarring the girl in West Clarksfleld T try to convoy when T| last August. stand alone outside the villa after the; The jury made a request that the shutters have been slammed In my face, | maximum penalty, $200 and costes and @ train of my dress that trails down | #!x months’ impr! b over the steps In suppored to migxest Weloh. Jud the tail of a nnake, and when I turn to and Welch was released on leave I step on It as though it were a nd tail” Welch, with w fy My friend De Zayas moved uneasily, | creed with riotous co anda clock struck the half hour offense. Tho jury decided ¢ But," Mme. Nazimova added bright-| the #ix had engaxed in we rone to go, “T like playing the| DUt that the La Valley giri's testim ny ‘s great fun | had proved lustvely thot Welch was i j among tho who stripped he stood her on her head and daubod her body MUSIC NOTES, with tar, The Jury was out five hours William ©. Carl will give the recond of hin four free organ recitaly at the First Presbyterian Church on Moniay evening, asaiated by Adele Lacts Bald win, contralto, and Edward Bromber; baritone. The court room Waa crowded with peor DO YOUR CHILDREN Tura Graves, an American mezzo- soprano who has been ainging with suce cess in England, will make her New York debut Aollan Hall this afte noon, with Perey Kahn as her acoom-| ppous: paniat mothers Father Medicim Kitty Cheatham, who ts inaking a re cltal tour of the West, will return for] Wer i her annual Christmas matinee at the [em! a ee Lyceum Theatre on Dee. ic and body — builder,wheu the Prof, Bamuel A. Raldwin will give; little ones be free organ recitala at the Cit come weak or run) on to-morrow and Wednesday down, ‘The nour noons ishing, pure fooe nee elements of CABARET FOR CHARITY, | hich the medi cine is compose Kast Side House Settlem to Give| Rive Mesh ane Novel Show To-Night strength an The ant Side House ettle bring back th hus nped? wll nivale in amateur| flush of healt theatricals, In place of the customary | It is # safe medi “minatrel show" the members deci \ci 10 Ba fred to matlefy the progrensive sp: | cause i ree year, and to-night at Pain, Garden, {fam alcobol or dangerous drugs in any Fifty-elghth street and Lexing pes form, Not patent medicine, but a doctor's prescription w nure than 50 rs of snecess, Get a bottle FOR SALE. will beat anything ever | wt Clubs Msteaat casa (ram any drug stor then if a which doesn't agree with them 2ACK a « toe and one should eat something | il if what | Or mien ent yom they eat lays like lead, ferments aud | the Mero cnia sours and forms gas; causes headnahe, | USS ss > ae dizziness and nausea; eructations of acid| SANTEE « and undigested food remember an soon as Pape's Diapepsin comes in cont. 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