The evening world. Newspaper, December 11, 1911, Page 17

Elgar’s New mphony Is ayed Here Second Work of the Eng- lish Composer Scarcely Likely to Reach the Level of Appreciation Won by His First— Wal- ter Damrosch’s Elo- quent Lecture. BY SYLVESTER RAWLING. | f will not be the fault of Walter | Damrosch if Sir Kdward Elgar's new second symphony shall fail to win @ Place as high as did his first, The composition, which got its initial pres-| Century Theatre by Mr. Damrosch a: the Symptiony Society Orchestra before @ very large and attentive audience. It Is dedicated to King Edward VIL, and bears the motto, the first two lines Of Shelley's poem “Invocation,” Rarely, rarely comest thou, Spirit of Delight! Mr, Damrosch prefaced the work by merits and its meaning with {llustrations 4t the plano of the principal themes and’ motives and best passages, at which he is $0 inimitable, He began with a defense of the composition against early eriticiem that was unfortunate, but then he proceeded to build a plausible theory of what Elgar's symphony was meant ty convey. By a skilful rearrangement of Shelley's verses Mr. Damrosch showed that the symphony faithfully re- flected the intention of the poem, He feasoned that the first movement por- frayed youth in full vigor enjoying Life. The second was a lament for joys that had fled with increasing years. The third was a hectic and fruitless chase after Delight that had departed, and the fqurth was the ruminative philono- phy ‘of Life in its autumn that found | there were compensations. Accepting Mr. Damrosch’s programme, the musical progression is understand- able, The first movement certainly 1s concelved in a joyous vein. It is not impressive at the beginning except that there, as throughout the whole work, the orchestration ts masterful, but soon There i Mr. thought, @ celebration of some pagan fei as Debussy might e done it with all his elusiveness ifs j and no nds in @ fairly riotous spirit. With beginning of the second uch {8 a lament, or ey 4 dirge, as Mr. Damrosch said, no mo positive, aggressive joyousness ap- There is a bitter sweetness and aw bwirit of heunting disappointment. In the rondo hy follows, the music, in its pur- fled, never strikes the real note of joy and for that Teagon fits well into Mr. Damrosch’s theory. The final movement, while tt has ite moments of inspiration, 1s not particularly impressive in its broodings. It is Smpoasible to form, after only @ hearing, a broadly comprehensive nd discriminating judgment of a work such as this symphony of Elgar's on which he must have labored hard for a Jong period. Mr. Damrosch’s eloquence 4nd theories tend to influence one favor- ably, but the belief remains that it 1s inferior in conception, in Idealism and tn musical treatment to the composer's first symphony. His musicianship, how- ever, Would seem to be unimpaired The symphony took fifty-three minutes in the playing. Mr. Damrosch's intro- ductory lecture occupled twenty-five minutes. After the symphony Arthur Shattuck, @ young American pianist, played the #olo part in Rachmaninoft’s lovely con- certo in F sharp major, showing good taste, an excellent tone and a simple and unaffected manner. PAOLO GALLICO, PIANIST, PLAYS WITH PHILHARMONIC Josef Stransky and the Philharmonte Society's Orchestra gave a fine exposi- tion of Beethoven's noble third sym- phony~the “Ero!ca"—before a large au- dience at Carnegie Hall yesterday af- ternoon, The concert was called a “popular” one and {t was truly such, = Judged by the measure of applause that ran to overflowing after each move- ment of the symphony, the greatne: which is acknowledged by musical world. numbers we: Poem “Vys vhole hestral The other Smetana’s “" and the finale to stan und Isolde, * well performed, the latter with excep- Be tional power and ‘enderness. Paolo aak Gallico, the Italian , was the s fn the Schu' at “Wandere: sie, which he played with taste and breadth of expression as well as with technical skill, hea De LACK OF SUPPORT MAY END A COMMONWEALTH CONCERTS. ‘The Commonwealth Symphony Society, Leon M. Krainer, conductor in ¢ third concert in the auditor YOU Wducational Alliance last evening before fud, @ small audience, It was anuouaced love oMclally that the attempt to present 1) classical music to lower east side music lovers at popular prices would be aban- doned after next Sunday if the effort met with no larger support. The re- sults up to date had been most dis- couraging.» The programme included Mozart's symphony in G minor, Weber's “Der Fretschuta™ overture and ‘seh kowaky's “March Slave." Miss Mor- rigon Was the soloist. She sang a Verd! KATHLEEN PARLOW, SOLOIST, WITH BOSTON ORCHESTRA. fhe Boston Symphony Ochestra's second matinee concert in Carnesle Hall on Saturday was one of legend and folk lore, told as only the Boston Symphony can tell it. The ‘“Seheher za ymphoniec suite, after The Thou- wat sand Nights and a Night” by Rimsky- tha Korsakoff, was « serles of tone plc 4a tures full of dazzling Oriental color, iwe with the Insistent motive of the Fea welding them together, Mr. Fiedler wave an exhilarat dition of this vary ingenious work, Kathleen Parlow, thy wololat, contributed more folk lore tn Pantagla Folk in a, watch fob, beaten w toat— tremrve? arm 4) New York ye Sal im lettered ard, oom, é taken from 1014 tahed 08 peture which her playing was eloquent, authori-/one’s attention to the sinzers, ‘The tative and full of warmth and sweet- ness, The final number, Brahms's “Aca- demic Festival Overture,” four Goettin played magn! S80U8A AND H 18 8) BAND IN HIPPODROME CONCERT. John Philip Sousa and his band, just back from @ tour of the world, gave a j Concert at the Hippodrome last night ‘Mr, Sousa has toned down some of his mannerisms, 80 that @ faithful caricaturist would have to picture him on finer lines, exceptionally well trained, plays splen- a every whim, For fas Nerves Here student songs, didiy and reflect: march—and the audience seemed unan- |imous in king both, more of Mr. Sou kind—nothing Besides these, Mr. rented his new “Feder “The Dwellers in the Western World” entation in England tast September, |@nd Sullivan's “The Golden Legend Pro- 44s performed for the first time in | Jonue, a) HONG mete, aes reat he © gprano: Nicoling Zedeler, violinint, and ark yesterday afternoon at the | tioroas! picqune, Hedeler balay | whom won hearty favor. “TRISTAN UND ISOLDE” AN INSPIRED PERFORMANCE. A most moving presentation of Tris- tan und Isolde" was made at the Metro- Politan Opera House on Saturday af- has this great tragedy beon better cast and the con- en the constituent elements Was such as to evolve an uplifting per- Especially clone seemed the sympathy: sbetween Toscanini, who con- ducted, amt Olive Fremtsad, the Isolde, for he so tempered the orchestra to her in the first act that she was able to sing & great deal of the time in half voice (such beautiful singing it was, too!) and was fresh for the trying second act and able to sing the closing with remarkable effectiveness. personation was truly great. As Tristan never sang, acted ot looked Margarete Matzenauer was a commanding Brangaene, Hermann | most attractive Kurwenal and Will- 1am Hinshaw an effective Melot. There were two newcome: One was Putnam Griewold, King Mark to his proper place, {mbuing him with the command and virility that should be his and singing sonorously |and with fine understanding. The other 8 well as many compositions of the one of hia {lluminative discourses on,its | | mation, eruption and irritation of the who sang the Shepherd Seamen charmingly. nini, he made the orchestra » passion aml to melt f the tragic story Pan rallies ort: Resinol Chem- | Md. the Votce of thi 80 to surge with {with the tendern that often it requ 5 BAUMANN & BRO ticlsm, — It | M concerns that don’t dra ve leh prices end frenciad Conditions. Proof of our stralgutiorward. dea out by the fact that we are one of the largest furn! 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In response to the enthusiastic apprectation of the large audience he Played a Liszt rhapsodie and one of Mendelssohn's Songs Without Words. The voca? soloists were Mme, Alma Gluok, Mme. Theodora Orridge and Ric- cardo Martin. All three operatic favor- ites were compelled to grant encores. Mme. Gluck’s caro Nome" was exquis- Stely sung to the delight of the throng. Pasternack conducted —_—-— “10 SOOTHE AND HEAL BURNS, CUTS AND | CHAPPED LIPS Chicago Woman Tells What Relieved Her W Many people have found relief for so many different ailments of the skin in Resinol that it is hard to classify them— harder to tell just what it will not bene- fit. New cases are constantly coming to light, which, leads one to believe there is at it will not do. Read the state- i. V. Scakett, Chicago, Tl is very sooting toa ap sensitive skin and healing in cases of eruptions. 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All artists former members of Metropolitan Opera House, Phitbarmonte Society and other famous orchestras, MAIN FLOOR—CENTRE, HAND BAGS AND LEATHER NOVELTIES— ALWAYS WELCOME AS GIFTS, WOMEN'S HAND BAQS. Velvet, satin, moire and leather — Silk’ or leather lined—coin purse Splendid value......2 ENVELOPE OR CARRIAGE BAGS. Seal TAPESTRY BAGS. Beautiful «#! emb'd with gilt, Elsewh cceeee BOB MUSIC CARRIERS AND ROLLS, Leather—stitched handles and straps— Well made........ MEN'S THREE-FOLD CASES. Real seal—memo or card case— Bill fold 19 silk Hned,.....1.91 COWHIDE SUITCASES. 26 tnch—linen iined—firmly made— Worth $5.00......3.08 COWHIDE TRAVELLING BAGS. 16, 4 18 Inch—leather Jined-— ‘Special valu 3.40 Lawns, eto— TINTED WICKER WORK BASKETS— na ro OFFERINGS NON-PAREIL, MANY A GIFT THOUGHT 13 BUGOESTED IN THESES QUOTATIONS FOR RELIABLE FURS: WOMEN'S FUR SETS. Wolf, fox, raccoon— newest scarte mutte—ta "a aoe" er rn Bai Jap mink, 1; feo —Large ane Mutt. 40.08 WOME: FUR SETS. Lees! 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ASH TRAYS, Topacco ‘ “And other articles that ai sitts for men—each. “94 to’ S A HELPFUL LIST OF | USEFUL GIFTS IN ere Br NOTIONS AND ART Goops.'**; PIN CUSHIONS— + 4! usta and sation: sizes to 22 inc + &to .5@ SATIN AND BROCADE GLOVE BOXES —plain, band painted or Bs ide satin or atlk lned........ with and without fit or tufted satin linings to 7.98 FITTED WORK BASKErs— ‘ satin wuft ltalagemay er ‘ closed tops .. ° 888 * \ STAMPED SCARFS AND SOTA 17249 and 20229—Mexicas work—hematitched—valus a 39 H. 8. SCARFS AND SQUARES— Tow openwork—17x49 ang 29x2%— floral designs...... 19 DAMASK TOWELS., .19 OOR, 8 BASEMENT. 16 | colors—plain or si 11% | $2.00 GIRLS’ BUTTON sHoRs.. Look for the Clocks! MORNING SPECIALS—To-morrow, Tuesday, Until 1 P. M. To prevent dealers buying, quantities restricted, 98 ct. WOMEN'S NIGHTDRESS! 60 | 4.98 BOYS" Extra Trou Heavy fleecy tucks and brald or torchon lace—ail sizes MUSLIN UNDERWEAR—SECOND FLOOR, $1.24 DRESSING SACQUES.., Eiderdown and F lette. trim—all WRAPVERS—SECOND FLOOR, $1.69 WHITE LIN: Elaborately emb'd yoke and pai WAI8TS—SECOND FLOOR, Extra high cut—gua roomy tones—heay: SHOES 23 ct. NEW RIBBONS ve AS Satins, taffolas and dresdens—ftor fancy work and gift boxes—all colors, RIBBONS—-MAIN FLOOR, 19 ct. MOMAWK MUSLINS., 64-inch—for abi No Mail or Telephone Onlers, | WAISTS.. 95 | 49 ot. MEN'S FLERCED Prieitebei. 15 & 19 ct. WHITE MADRAS. 99 ct, SATIN FOULARDS. 24 ot. PLAIN COLOR Vol! ‘36-ipeb—beautiful street ea’ » Norfolk and Double Sresste al brown and tan ch BOYS’ NEGLIGEE SHIRTS... oe White and fancy madres and also dive shania: Slats or pected bosome—! Hh te neck. BOYS’ FU! 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