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Hetro Jimny! T pur Ste purrs iN Your) | GOTH Your Gee! JmerY, ) couLDNT ANY By Roy }rs McCardell. “Well, let's get out then," sald Mr. ET us get TT te last time I’ was at a musicale,” sald) them, sb maybe it isn't Mr. Jarr, speaking as one repentant | piigers, maybe SST eee RR NERRER eee merennereonereronernanemnmneeennnengmen nyt etal The Evening World Daily Magazine, “Them Was the Happy Days!’’ Copyright, 1011, by fhe Press Vublishing Oe, (The Ne Yous World), UT GREEN HAT | sTeR'S HAIR, @e YOu GOT | EYES AND THREW You DOWN ||| mone HELP TRIMMIN’ You THAN 1 Yes, 100. 8G cneesn, Like You Ha: ua! SAY, Jimen, Maao CALLED MEN BIG AND RUBCED SAND IN YOUR Vicguro Quip EATIN’=—-YOU WAS y 7) REMEMBERS me’ Do You REMEMBER , NHEN NET] ) sion & 1 PUNCHED You UP HAIR— LAW! How | USED To IH! such A HELPLESS UTTLE was KOS —THEe TIME. Lin, THE EARL maul You! —Rememder? Soon eres mcm aoa "a! - ate Ate) — pm { heLto ALF, : AP \ Overs LAS ( i ' The Jarr Family : Mp. end Mrs. Farr Are Spectators at a Battle Where Many a Gallant Reputation Dies Nobly by The Pree Publishing Co. (The New York World). [Let George Doli! » “All the World’s a Stage.” (Little Comedies of Every Day.) By Alma Woodward. Coprright, 1911, by The Pree Publishing Co. (The New York World). George (sore at being robbed of High Finance! wealth)—Aw, that don't any of your Scone: A amati, echool stationery hop, ines, in tt? Ain't I paying you for One ‘George, Har nd Mire, Schmitt, ‘Gentae and Mary enter, The Jangly tue bell | MPs. 8. (soothingly)—But it has ee | anuounces thelr presence to Mra Schmitt, who | Gown on de paper @ reason, sieRt Inuiging. in warmed-over cup of ottes teblad | war? | Cee seer eee ea icee er ee eee Hiarry (impatiently)—Say, can you apa M™ @. (coming forward, wiping | RD? Copyright, 1011, by The Press Publishing Oo, (The New Yors World). 7 GEE! | wish KNEW SOME ONE WHO COULD Fix it! Copyright, 1011, t Jar. “Before I hear what it 1s? asked fter he had been at} Mrs. Jarr. “Maybe it's about somebody er's tea some twen- | here. I'll confess I'm not at all curt-| ty minutes, “It's | ¢ but I would like to know It. I'll wetting on my|y thing about Mrs, Dilger. nerves!” She's always bragging how well her “Iva the first|son married in London. But I've al- time I ever heard | ways suspected it wasn't an English you admit you had | yady of station, as she says. I feel sure any nerves,” sald | 4, irmald or a dancer at the opera. | at = “Mrs. Stry her Mps with the edge of her; Mrs. 9. (highly offended)—Suret Agmrs apron)—Vat {ss at? |1 kept a store next to a school der @- | ‘The boys are silent. retty ten yeara it Ise! An’ éon' I lew Mrs. 8. (beaming over the counter)—| 6 teachers und de princtbul, und— Mrs. Jarr. “I|No, the English nobility always | Maybe a blank book for five cents, or « Rta Gere all Interested) —Amm ge agree with YOU) marry those creatures, and Rodney | fuler, or— bead » that tt is @ very | Dilger is only an American who went George (nudging Harry)—Go on—you| Mra. 8. (sighing)—VeM, vat showlt & | stupid and dull af- | over to England to sell porcelain batli- toll her | be eaki? fair, but we can't | tubs, but didn’t, | Harry (indignantly)—I will not; you| George (dictating slowly)—“Dear Mish run out after Just) “The English are alw toll her, it's your funeral. Jones—My #on, George, waa absent trom coming in. about uate Cowen but I b fava ; George (bravely) —Say, you write notes, | school yesterday afternoon on account “I kicked the don't you? of filne! M | Harry (taking @ hand)— |talk about them more than they take about the " vs about Clara Mud- t at ledst we Had nolse at it. ridges match with that Mr, Redwenn| 8. Gerplexed)—Notes? Vat for| Mra. 8. (pen suspended and éripping) ~Vat te dat “illness? . uu know! Harry (diagusted)—Aw, that's @e ‘ “Noise?” asked Mra. Jarr. that shevanye OB BAL AY = Wwite Those excuses you write for the fellers| swell word for being eck! WG UMROMNRICN Bal atbTaers “BLEROE [Wawa teiee ratiicin tec oe SAY - Wit for the teacher when they're absent—| Mrs. 8. (in doutt)—d guess maybe & { asic, 5 , ne, | RROW better, I'd lke to hear just what ‘OU Boys you know! vould be better you should say “stek- Pee eo eiceeen pied cabein liv all Wane CSU a eine HELP ME Mra. S. (enltghtencd)—Ach! Ven you, nese.” I oan't be eure to epell de edder. Madame on pla HOPI | got tt all wrong. I could tell them the teenage realy by) Y ‘ and there were Norse sones and Gael true story in a jiffy.” Fix my blay “hookey—dat's {t, ya? George (in an asite)—Gee! Ghe'e eet songs and everything ish songs. Duriike this. eon F | ro (haatlly)—-Well, you needn't say) a nerve to charge five cents! Say, de Pape adie nawaiand excites Grn ee coves on Hieived ae loud--some of the fellers are eal bos know how to spell ie — han! ut at this thing the women are ies side, | Harry—No, I ain't sure, T guess an : Rhea Hs rr PAY Cee Be sormed “iaeit ite Nts | Harry (getting down to business)—Ilow| better put “sickness” a= long ee @he y sitting around knocking Q sof twos, threes and fours much do you charge? rn encthauhe off a grudge to nows how to epell it. ail he . iad aaa 2m Mra. $.—Five conts only. The éperation ss° comeneted’ Oi LAU Lela the cna gon) rangers among the women ieorge (dismayed)—-Five! Mrs. Regan,| pve coppers disappear into the inted ans { forayed from group to group; sometimes ‘across the street, only charges four! drawer. Mrs. 8. (throwing up her hands in| George (examining writing) — Gest horror)—Ach, but look at de common | roo wr baat poureagd If my pos ed | paper und envelope ahe gifts! | that its toee Masa cQh aha aaa George, searching his pockets, DTN! throw ten fire! to ght five pennies and spreads them | 14 9. (indignantly)-Go om xs | ‘ on the glass ¢ f her back unhooked That's because & es in MPR a cashew oe p eee RoETaal eben RIESEBUY CAT , | you'll be late alretty! Soardisg-fiaues: and (never. tins te) toe © ror me scand aenree ntly’ Hidt: ©)" George (to Harry as they exit)-@ay, | halt | at large that was filling the newspa 4, who lets her & FL icisaa aul Blewas de: p (Mra Schmitt produces writing materials Tab | She's ® regular skin. Mra. Regan, eorogs Gressed, And that Dilger ove! Pie aA Ne ing @ death grip on the wd looking pen she awaits | the street, alway; throws in @ bollipep— there, with her airs and afte ns! De LO ie | tnformatton. ) and only charges four centa, too! \ ‘And Clara Mu going around Oni) ANG wien Mrs. S$. (impatiently)—Vell, vy tt wuss| Harry (d\eguated)—Aw, thie endo telling everybody she Jilted that Mr. 4 upon Mrs | you wus a Redwenn, from Newark Mr wal fre! rid, when he t? Dutch—what can you expect? ontinued ; 8, Jarr with relish, “who, she sald, man, Mrs. s a millionaire ie stereunare Ry Gasion Liiva peopel ‘Author of The Mystery of the Yellow i 11 these wo ge over and married his housekeeper | '@tve &!! these w found out the housekeeper, n behind me to pick | bones’ | Copsr What did you bring me along for, | + 101, by the Bobbs-Merrill Co) ne shook her head jimmense and tragto love! * * * Heyme to fall into the trap. I felt in-jand I sat down, ferling greatly per On the desk was a musto a soldi widow do saved; €YNOPSIS. OF [DING CHaLrens, | ‘There !s nothing to be done |haa carried me off for love! © © © Hel clined au nd 1 the eame|turbed, However, I ate @ few prawns/ notes. I asked leave to look head se niere veare. T could make| then?” esked Mr. Jarr at wel Pa sland te ive oof ekeept to ran away!” |hae imprisoned wun wi under-| time ROTAGEN And tol cry as thei eeme, are the wing of a chicken and drank |read, ‘Dos Juan Triumphant. (oa i dan: to; hi “To show them that they eanno! y i a irre or / when you were able to ground, love: © © © os alf @ glass of tokay, which he had|wsatd, ‘I compose sometimes, things buzz if I wanted to, because 1{ a NR SLANO TSS HOGY TT annet on if away, did you go back to hin? ieee Ps wis, he moans, ‘hol rhs wan the state of mind in mien | 5 mscif, he told me, brought from the| that work twenty yeane age hear everything, But I despise gossip) . . Are, “Hocause 1 had to, And you will un-|weeps! * * * And, when I stood up,| Ett found me After giving three iontcwherg cellars, Erik did not eat! have finished I shail tale it and will neither talk it or listen to iti? | Jarre 1 that when [ tell you how I) Raoul, and told him that I could only | (AD8 on the wall, he eos tae gine ay ior drink, I aske@ him what his na-/me in that coffin and Never woles Well, If you don't tke anvbody here! “What do you care what they aay!” | 1m." ldespise him if he dtd then ana | Mirougn @ door whiten F had noc motive) | tionality waa and if that name of Krik| again.’ ‘You must work at It es and it 1 are not yourself, | answered Mr, Jarr, “I wouldn't! They ‘Oh, T hate him!” erted Raoul. And) the! give me my lib e¢ © he! a NN Hy ¥ o See ee. Pet “ id not point to his Scandinavian origin, |4as you can,’ I sald, He replied, ‘l eome- let's go,” sald Mr. Jarr. “Look, t ‘s/could talk as they pleased about m pristine, me, do you hate him, | offe it? * © he off to show|™ pole bi Pe fag ge P Aa ia surely |e said that he had no name and no| times work at it for sores Sores 7 Stryver going Just ed over to Mr. " 6 mysterious nt While Loverwhelme? him with country and that he had taken the| mshts together, during whieh T Le ; ‘an that Wonantya ee 14 Christine simply. * only he ip ae ed im in| name of Erik by accident, music only, and then I rest for al By Sete SHES DARI No nurse not. * °° Why, you! was made to re Use RDG" SBI Ad UPON tlh 0: LAR o After lunch he rose and gave me the|at a time.’ ‘Wil you play me [ | “A person who says yau pill know is masl, If it covered the face of an| | him as Mr, Dinkston is in the hali,"" she You And he was not an ang ‘of his finkers, aaying he would tke | thing out of your “Den Juan wo me over his flat, but T enatched jenit I asked, thinking to please y my hand and gave @ecry, What l You must never aek me thet,’ onast man, He replied serene stall ne ror f Let us get out!” cried Mr. Jarr, s reproached me with not pay g Dniaved had touched was cold and at the same |eald in a gloomy votce ‘I will play Let t out and drag himtwith us! < na word. He sang|dreesing at thal ‘ad nee eee bony, and I remembered that his Mozart {f you Ike, which will only W 90 late, ‘Tee man Hehe tar hee 1a RE hands smelt of death, ‘Oh, forgive me!’ | you weep; but my Don Juan, Christina, : ee . re Mm ay y T was atone. 1s B o'clook , seid he routed, And he opened a door be-| turns; and yet he ts not struck by 4 kn nkaton, Wee 6 ns wielt betvre her and decid he loved nd ‘ a simply furiiaied wout 4 while for ma: "This is my bedroom, If you|from Heaven.’ Thereupon we retui ae the ren-| the room with hod exte ne fon vom, shoguny | he spoke, Was aod ne: Ty ‘to gee. tt, Tete rather curious |to the drawing-room. T noticed. that tally | every tooth showing in the} , cay D 8 \ @|1t for m w 2 wal nel afis manners, hii ite he 0 0 .- on hor grandmother's ' ‘countenance, There was no escape! — | iGanenned ten 2 | Higa Aine RS WAMINE ne door | ut, hesitation [out Bele had aiready sat down to enter i | Apollo's Lyre. woe an t ly} waa very vm e door! 1 felt as if T were entering the room piano, He sald, ‘You see, Cherie e+e —— | I J Nesey ¢ 1 ne 4 face a t throom.! of a dead 1 s were hung | the some muste that ts @o terrible | HRISTINE’s narrative was lta taseat | toma o|* © © When I came out again, feel- . he white | that sumes hose Who approach ° PY again | yted. An echo 1 i] ‘s\ ing greatly r Erik said that he ne sually set off that ¢ t Fortunately, you have not come te Retina’ iam a to ree}: swe @ not Jear | loved me er te that music yet, for you would lose al etty incent’s he mes ene te iar] ered ng that he oui are set mun vay Yau meR past Wey bel , " to y r}that the ri the 6 would be 4 when you returned to Parts, . P i ‘ an | devoted tom What do vou mean the room was a can 4 sing something from the opera, 18 | f the time? I asked, ‘Five & curtains of red » Taae.’ He spoke these last vice oO overs rie t lecision, asked hist, under the cxnopy, | words ay theugh he were inging an Ihe iid then be free and he at 19 where I . me Siamanarenanengranes . I Ra f ne has to wet ) at did you ao? Y dear girls, if you are wror . to say #0, Y the had you in Ife, even to eterntty “1 had no time to think about thy M Hf cae bare ¢ chan! wun eats, a ek 1 Iran round and|The aight upset meso much that T| mecnhg me pur inte kis wore’ We toxaual ‘ f, he tng for a way @ turned awa 1 a: once began the duet tn Othello and SATE Te uA GOK I Pauanit: Ge nla finee LO CAKA: Tek Bal r #* 9 ile confesses bis eneat.|not find. 1 upt Then I sow the ke >ard ot an organ | aircady the catastrophe was upon us, » toward a a 1 He oves me He lays at n eet an absurd superstit which filled one whole aide of the w . g I sadam one with é C., A “> - - -— - - - ——-—— | terror which I had never displayed be PL BOE ROE Poe DORE th Rey for As for him voice thundered w one Was at to bicker | I t allowed to see you outside! vy \r over a detail. T have quarretled tie theatre rt to | I rth hia revengeful soul at every not ¢, Jealousy, hatred, burst out arou| with #ome one you love. i owing cries, Erik's blaglc » me think of the naturel or of Venice. He wae Suddenly I felt @ th the mask. I wan sober oie Nemsteracaeieus | Just a Glimpse Into the New York Shops @ j ething tetin| a advice in this, belleve 1 this, ar » Walt till tor | future for yourses | mor we o to} arhad enough (a |ceie onan | UL, the shope are t silence afterward I tell you that, if he does not hear she GreRe. gocve © ashamed to adinit dears, if you ¢ Fotis vou ay ving ales in) phasizes the strong tren ot fashion © hem, of which many, with the colored borders are part e * But days a artment to! toward atripes and very © necks, troduce arly dee fe since red effects at face of the voloe, asi 4 to matrimonial smooth eall Ing. ng to-m , tt Will cause him make e for the daily arrivals| Handsome ilk and w striped volles. Up: the ar in the ne tats. A whit ea) eeitie ee por dears, {! you DO disagree, just be glad ang willir te pain.” of spring end summer fabrica, and) are $16 yard. Among the assor he tivte with the c 4 border tn t tie » mask. Oh, horror, hofe in the wrong 8 se him pain| many @ Wise woman has a nice dress are the favorite black and white, ¥ the favorite black and white new point tea is $149 @ yard and | poy fet. vivant and yet t y ri’) length in black cr navy blue laid aside | the lavender and white is inost attrac: | combinations, ae well as the now shade, makes up beautifully a® a peasant rialiha: atopes A Quarrel, | Ris Picture, You aren thet, Saal er- | for next fall because she knows that | tive Lelen pink. They sel! at $2.49 blouse. ' Sloat here ie taal ye MAN who signs is letter "H. B." | GURL who slate her lit Se eee et neANd | dark colors are to prevail with a strong! Beautiful Japanese embroifered robes Coral is a prominent color note in| ‘Tho black silk Jerse ta the echoes of the night, which had re- A writes iA writes aoe eee Gaye See tor we iat, | Preference for the blue and with black tn ell delicate colorings at $10 are the the new spring millinery. Sometimes thet Keep the snug peated the name of Ertk, now thrice “I have been calling on a young’ “Ig tt right for me to ask a) his kil us.” © | tn the lea present offering at one prominent shop. | this ts seen in the ehape than |aeneees (naval a Agen A moaned the crys Jady steadily for several years and I we Horror! * * * Horrort © © © Ry Raoul and Christine, clasping he love you so much?" The much dis: v e Haas gained wb Bight: Henan: have it to put In my locket." “He would commit mi rder for me D y of black and w effects, | attracting consideratle a tlon am mings. Neat bands and garnttures of | the narrow ruffle edge that ts other closely, ratsed thetr e to the Broken: What Bhar 2G | 1 would not ask the young man for!, “Hut one can put where he lives. | and advance fas whispers assert played in the shop windows, and ma coral de are a favurile mode Of {| to keep the ekirt from clinging about the | starg that 6! ra seems to be no cessation in the sed div ded skirt ts young man for his plc e? Twish to, “Doe n it ta the flower or other trim- | jounce of wilk messaline fint | | | | One can go in sear him, Now that} Go just as fast as you can to the| his picture nor put tt in my locket If I] vo wnowethat Erik ! me Now 'h8t | that this combination 1s to continue In orders are being take more troducing this fashtonatie shade. feet. Som $ flounce {s in wide! ful sky, young lady and tell her just what you! were you unless I were engaged to! can speak to him and force | bane voxue even during the 1911-12 season, | servative women, however, are content! ‘The border fabrics make up nicely as! black riped silk, They sell — ~ : have written me. him, ! ewer’ Every invoice of dress materials em- to begin with the skirt that is just lipgerie waists, The white wash goods at $4.5 (To Be Continued.) j % . = = ss >