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ot ‘ POLODOODEGHHOHSPSHHHRPOSHGTSSOHOOPSSOHOSOPSHH® PBLPDBBPBBPPDODDDPHOLDDHPBODE BHODDDPDOLKHE PHOEHESOGGHOCELEGERELHEPEQD ® DAVID WARFIELD Believes Actor-Emotion Must Be Real in the Moments 4 4 By Charles Darnton. AVEN'T you seen David Warfleld’s cears through your tears as you sympathized vith ‘The Music Master?” Haven't your eyes redduned like his nora when Hel-ane with the choke on “the last syllable) told poor old Von Barwig that ne mustn't; yeautiful, unhappy bome again? And wouldn't buneh of spring onions that Mr. Warfield was breaking business as you were? And wouldn't @EBPOES come to her you be willing to bet pr the he t ag watery © ev if you heard him say: you believe him if you heard ; : “1 cannot keep back the tears, When I act the gentls old music master, with his great empty heart crying out for the child who has been ‘t ) him, I became the music master. His heartache is my heart- a; his sult my sufferings; hi; emotions are my emotions; This is just what Mr. Warfield did—not say. (You lose the onions!) | I gave him every chance to talk tears, only to have him talk technic. | He was outrageously honest. Jn spite of my sympathetic advances he steadfastly refused to shed a tear for publication, I could have wept There was nothing for me to do but close the reservoir and open the bre yan. : the actor must frst get at the centre of Ja part, at the heart of a character, and me, | he may be moved at first. But you may | -| be sure of one thing—he isn't moved by | tion of a part at.a metropolitan it. A first-night performance . fo . is purely im ir firat emottor: le reading had t al? Well, f part. You get to know {t soewell {you don’t think about it.’ ‘And don’t feel it?” el the pat ch. ‘The average ra/no idea how great a pare nail way.” |plays in a performance. I an: all cut and} most 2 matinee audience—I don't but Iam. Perhaps tt ts be- naibilities of w sometimes, t sere cigarette, Mr. War-| about tw: ous wom- | two ms But they are br n its empty | by the sympathy of the audience, rather vaving mas- than by my sympathy with the part it|An audience may affect the mechanism Jof a play tn the same way. For in-! stance, there are certain places where | itleleivicielelelninivinieleleiniefeininicieicininteleb-ieinieteinis | Reflections of a Bachelor Girl. By Helen Rowland, WOMAN looks upon matrimony as a Sacrament; a man reganis It as Both are right. es six men, all of them very much in love, to write as many yne girl who is just a little bit in love. ing for the difference in perspective, after all, husbands are on. Of cours. ke up from love's young dream the woman's first thought t up? the man’s, “How can I break {t off?" nxjvty to talk about his latest love affair is only equalled by his nee in regasd to all those that have gone before. Matrimony to a bachelor fs like a Salad, a bandbox or a newspaper; it looks Interesting, feels suspicious of what's in tt. Infatuat! a rose, saccharine and ephemeral; love ts Mke an immor- asting. telle, crisp . » in the divorce courts could be traced to a man's deception » woman's attempt at ‘his reformation after marriage. . but the fear of consequences that keeps a man from a man’s life when he thinks seriously of bolting to Canada « he first discovers that he 1s in love; when he has made up his mind to propose, and when he wakes up on the morning of his Wedding day. Poverty is a}; hsven't anything A husband leves narrow path he can go ing from grace. you never know how great @ thing love ts until you} world. j at if he can only keep his wife in the straight and t and zigzag all over the downward one without fall- VERY design bordered ma- terial or flouncing 1s in demand just now, when there are aq many deautiful fabric¢ of the sort offerun Here Je a skirt that is made with a Spanish flounce and which is eminently graceful and becoming, while {t 18 simple in the extreme. In the il- justration it is made of bordered batiste, but there are aimost (nnumerable suitable materials, not alone bordered ones, but also! ail pretty plain ma- terials that are @dapted to the style of the skirt, for such always can be trimmed to give a bordered effect, The quantity of ma- ‘ terial required for the medium size is 7 ~ yards of bordered material 24 inchee wide, or 7 1-2 yards of plain material 24, 61-4 yards 8 or 41-4 yards 4 inches wide. Pattern No. 5957 is com im sizes for a Skirt with Spanish Flounce—Pattern No. 5967, 22, 24, 26, 28 and 30 inch watet measure, Call or send by matl to THH EVENING WORLD MAY MAN- | positic got Into em to ren til a policeman s a mu dle “Anc mechani PET CATS AIN D FOR THREE S$ SAVED His mene’ SeAGE= 47 ox. THE SPIRIT OF ADVENTURE Took HIM TO THE ExPosiTion AT NEW YORK CITY WHERE ON HIS ARRIVAL HE HAD 2, IN HIS POCKET AND Af/0.BILL SEWED IN HIS COAT SLEEVE,HE | SAW ALL THE SIGHTS A WITH THE $2.AND THEN ENGAGED As 4 PRINTER P FOR A MONTH »AFTER p WHICH HE WENT To PHILA DEL PHI4 AND ger TYPE ON THE LEDGER" BUT HE WAS SEIZED WITH HOMESICKNESS TON FASHION BURBAG No. 133 Hast Twenty-third street, New York. Send 10 cents tn coin or stamps for each pattern ordered. IMPORTANT—Write your name ané address plainly, and al- ways specify size wanted AND RETURNED TOHIS HIS HOME HAVING BEEN AWAY ae VEARS.. ~~ leltieeiniBivinidnininleleinfeimte! The ESTAGE-= Born nov.30,1835; nO FLORIDA-A SMALL HAMLET OF MONROE COUNTY , MISSOURI. MOST OF HIS EARLIEST || JOKES WERE SPRUNG ON His UNSUSPECTING \ SESS 2 AGE-—) 2 WIS FATHER HAVING’ J DIED WHEN MARK was’ LESSTHAN 12 YEARS OLD,, / THE LAD BECAME, ((/ PRINTERS DEVIL, CHIEF WATE THE HANNIBAL CouRiE HAVING YING | \( A LOCAL PAPER $00 PRODUCE PA SUBSCRIBERS, AND RuNO ON A HAND PRESS, HIS SALARY WAS SOf PER WEEK HE HELD HIS JOB AND © anger without st came into his Seven Ages of Great Men BAY FINK 17's pack 8UT IT's ONLY REOuis® L""AGE- IN 1852 AT THE AGE OF /7 HE BECAME A PILOT ON THE MISSiSSIPP) RIVER AT $250. PER MONTH. HIS ADVENTURES AS A PiLor HE IN LATER YEARS Compiep INTO BOOK FORM -"LIFEON THE MISSISSIPPI. LIKEWISE MOST OF HIS LITERARY PRODUCTS ARE TAKEN FROM ‘EVENTS BEFORE HIS TWENTY SEVENTH YEAR, ' e, with “What's ni “Anything \ | } — SD } never go so far that 1 cou! reeall | unde Te ot nimi (7:4) a) a me” ADVENTURES FOR "THE INNOCENTS ¥ ; a. MEALSOMES RTS WIFE ON ENTS ABROAD, HILE A PARTNER. BECOMING AMBITIOUS Lee 4 4 WORK HAD PAID OFF EVERY JS DEBT. HE 1S Now PAST THREE SCORE AND TEN, RECOGNIZED IN -HIS OWN COUNTRY AND ABROAD AS THE GREATE LIVING HUMORIST .. BUT DESPITE ALL DEMONSTRATIONS IN HIS NOOR PREFERS A QUIET CORNER AT HME WIM HIS PIP The Evening World Daily Magazine, Saturday, April 25, 1908. ote uf of Hysteria f all. BSSOSOSS: Ceebnic. Bis Unconscious f 1 have ay know 1 that s noth- t Samuel M. Clemens, ° SUAGE- Bout SOME MINING PROPERTY IN 1863 ,BUT BY DEFAUL? OF LABOR NECESSARY TO HOLD HIS CLAIM, THEL BS MILLIONS IT CONTAINED ae 5 = LV 7 ENRICHED THER. Nk e AICCOUNT OF ANC fHER A Tia MINING COMMANY, THUS NECESSITY DROVE HIM AGAIN TO WRITING FOR THE’VIRGINIA CITY ENTERPRISE. : ABout THIS TIME HE \ AICQUIRED THE LITERARY NAME — WAN MARK TWAIN" IT BEING A RIVER LS PHRASE~ INDICATING THAT THE WATER VIX NVAS ONLY TWO FATHOMS DEEP ) Inc - J, DURING THE YEAR 1366 \ HE WENT TOT Sanowich %@ ISLANDS To WRITE UP THE %@ SUGAR INDUSTRY, RETURNING \ "TO SAN FRANCISCO HE MADE } HIS FIRST PUBLIC SPEECH }) WHICH NETTED HIM S600, THAT SO ENCOURAGED HIM THAT HE _| AY/ AGAIN WENT TON EW YORK cy LD WHERE AFTER ONE YEAR HE. / TQOK UP THE WORK OF 3 7, CONDUCTING EXCURSIONS INTO 7 FOREIGN LANDS, MAKING ENOUGH Ss MONEY FOR A TRIP TO FRANCE, ITALY AND PALESTINE WHICH FURNISHED HIM LIVEDIN BUFFALO FOR AW. HARTFORD WHERE FOR EIGHT VEARS He Dr oree LIFE ON THE Mississ [PPy se ATES “TOM SAWYER® : I) THE STOLEN f ELE i RRY FINN’, ETC. ee Sem 7 MAGE- CR HIS BooKS WERE 5 PUBLISHED BY CHAS.L.WEBSTER- & Co. OF WHICH MARK TWAIN WAS HE Took UP THE MANUFACTURE. OF AN IMPROVED TYPE SETTING MACHINE. BUT THROUGH yA TIMES THE COMPANY BECAME, BANKRUPT, LEANING MANY CREDITORS, NOT DISCOURAGED HOWEVER, EVEN AT HIS DVANCED AGE HE AFTER AFEW YEARS OF HARD ST