The evening world. Newspaper, January 30, 1908, Page 15

_The Evening. World Daily Magazine, Thursday, January 380, $29.92 9D9OHSOIHTITOIOOIOH|IIOHON|IOV|IIHOV$IOHN|IOOI\OIDOIYIOIOIOY & ® Mme. Tetrazzint’s Taks to Girls on Musical Topics ' Talk— SATURDAY, JAN. Produce y and Natural Singing. | Second Talk —MONDAY, JAN. 27—The Foundation of | Singing; Breath Control. Third poe DAY, JAN. 28—Relaxation of the aw. Fourth Talk —WEDN ‘ ‘ \ Fiest 25—Art Necessary to DAY, Jan. 29—The Mastery of the Tongue, Sixth Talk—71O-MORROW —The Appreciative Attitude and the Critical Attitude. Talk No. 5. Facial Expression and Mirror Practice. | < SOME TETRALZING By Mme. Getrazzini. IN studying a new role I am . in the habit of practising i #} in front of a mirror in order to get an idea of the effect of a facial expression and to jee that it does not take away from the correct position of the mouth. The young singer should practise constantly in front of a mirror as soon as she begins to sing songs, or to express emotions in her music. For the girl with the expressive face is likely to contort her mouth so that the correct emission of tones is impossible, The dramatic artist depends large- ly for his expression on the changing lines of the mouth, the chin and the jaw, and in any lines spoken which uenote command or will you will see the actor's jaw setting and becoming rigid with the rest of the facial mask. Now, a singer can never allow the facial expression to alter the posi- tion of the jaw or mouth. Facial expression for the singer must concern itself chiefly with the eyes and forehead. But the mouth must remain the same. And the jaw must ever be relaxed whether the song is cne of deep intensity or a merry scale of laughter. sufficient of the “appoggio” or enough The m in singing should always smile siig This slight smile at once Of the mouth resonance to sive ihe relaxes the lps, allowing them free tone a viial quality, This white voice should be thoroughly understood, and play for the words which they and the tongue must { and also gives the, 1s one of many shades of tone wh inger a slight sensation of uplift neces- @ singer can use at times. Just as sary for singing. It's 0 impressionist uses s unusual co}. sing well when mentally or ors to produce certain atmospheric ef- even ly physically indispo Un- fects, less one las complete control ov ne For instance, in the mad scene in entire vocal apparatus and unless one: “Lucia” the use of the white vole can simulate a smile one does not (vel, | Suggests the babbling of the madwo- man as the same voice in the last of “Travia or in the last act Boheme” suggests utter physical the voice will lack some of its resonant quatity particularly in the upper note: where the smiling position of the mouth adjusts the throat and air passages of ex- haustion and the approach of death for the emission of light tones. An entire voice production on these The lips are of the greatest aid in! colorless lines, however, would alway: shaping and shading the tones. Was-| lack and the vitality whic pires enthusiasm. the compensations for the white | voice singer is the fact that she usual y possesses a perfect diction. The voice itself ts thrust into the head cavitie and not allowed to vibrate in the face and mouth. and gives ample reom for | the formation of vowels and consonants, and the singer with this voice produc- rates her attentio ner singers, for instance, who emp’ trumpet-like notes in certain na: are often seen sharing their F the mouthpiece of the trumpet, with a womewhat square opening. the lips pro- truding. However, this can only be practises after perfect relaxation of the jaw and control of the tongue have been acsom- plished. | tion usually concen A singer's mouth must always !cok| entirely on diction pleasant. not only because it creates a} The cure for this tone emission ts Aisagreeable impression on the audi-| first of all the cultivation of the brea:t ence to see some of the crooked and) prop. Then attacking the vowel sound contorted mouths, but also because nat-|GO in the medium voice, which re ural and correct volce production re-/ quires a low position of the laryny quires a mouth shaped elmost inio ay exercises on the ing scale mile. Ml the higher white notes have been Too wi e often acco brought down, as i were, and give’ what Is 1 hite voice. me of the body and support of the fs a voice production wii lower notes, without losing the head is employed resonance alone ¢ quality. PPPPPHPPHE PS ? The asr IRECTIONS: Cut out all the objects and arrange them upon a piece of D white paper (6 by 8 inches in size) into a funny subject or picture; then paste them down. Now take your pencils and draw tn your ploture what- ever you like, such as sidewalks, fields, houses or shops. When the picture is Gnished give it a good title and mail {t to “Children’s Editor, Evening World, P. O, box 1,84 New York City.” A slight hint for a subject: Let us suppose there has been a grand, old-fashioned snowstorm, just such @ one as visited New York City last Friday. The boys and girls have gotten out their sleighs and are having a fine time. The little dog enjoys the sport as I wonder what he is barking at? a Facts in Few Words. well as the children. eet > DO YoU KNOW DEAREST, THE BABY'S HAIR 1S qusT THE OH NO, LOVEN ! HIS HAIR IS PRETTY LIKE GOOD MORNING DOCTOR ! WE WANT To KINO THE CoLOR, OF BABY'S HAIR WELL, WHATS THE TROUBLE THIS TIME 2 y DOOPDODDGQOOOS. GhAe QOOQOSOEEOSGEDOG 6 (opyrighted, 1907, by Clara Morris.) steps and rang the bell. As Page bowed him into the drawing- room Mrs. Keith descended the stalrs. “| Belden’s eyes swept over her cost with swift approbation. He had a PRECEDING CHAPTERS. fish young New « eT ‘and his ward, Newlyweds |Papered parcels, mounted the old stone/a lining of soft coral pink in the fluffy | As Belden gathered up and drew the sunshade of corn-colored net and a long |! |handle of pale coral—that !f |imitation was at least perfect in tint— | jand all accent of black, beloved by the French, | jin a few pert knots of velvet ribbon. Belden’s Longing. NS eh pes 1 aiNe pauites | trained and perfect taste for costuming, this, afd alm knows that,other wonlen are | for all the chiffons, frippertes and ing MOR ceE aOR EONS : facrabie, iewels beloved of women; &nd no one | as Goee the fact, that Phiiid now aces. (3 was more contemptuous than he of Len RtnienaT A aee rind tanioy rei (that fallacious old assertion, ‘Beauty | dissolme mult Honaire, » | unadorned is adorned the most.” And butiaincs) bag me eer oanavedt tn |no one knew better than he what aids daughter. Di and delicate acces- Belden returns rich backgrounds harms. Daphne fi rive behind his four-tn-hand. sories are to great natural She asks > fe her delving insted 7 4 ety ee UD LU ue eats Ga 1 Ufe of refined pleasure would mean to| “On the contrary, wild horses could put ne refuses on ine gr ging the atternoon| AN Interloper. her. A swift, passionate longing came|not hold Mr. Wyatt ba : Bar OUTS: aes | i y k from your playing with the children. eee Me eves estimated | UBOD him to us her nee in gin public] brew, and Aunt Dunham, who thinks | 73 za re | eye; to surround her with all the prince-| Imitation the sincerest fl 5 |tne cost of her entire outft as e831), accessories that wealth and art and| joy cerest flattery, would CHAPTER VI. | than a rare-hfindled supshade of one of agoring love could command. He thought |sace 0” cnrenteany green were Ht. tor (Continued. | the women of his own set, and yet the|o¢ her midnight triumphal passage eau Siete So, Mistress Keith, | #5 arial? 4 blot pass you hi my ti effect as a whole on this imperially, | through foreign opera-houses; saw her | toast,” y table for once at Belden Returns. H. will it be Rob’son Crusoe?” “Oo inquired the child. ‘Please say yes. Greatdad has got a big round run by his bed that'll make a tsland, and if you don't want to ing taste and flattered his pride. Mp be- delicious moment he caught turned and he knew was there, then | heart. creature before him, lovely woman satisfied even his exact-/ at fetes champetres in palace gardens, As he held her two gloved hands a! 4, ; tee! chec! q | neath sharp teeth to check the quiver! syadenly realized, with amazement, that in all this imagining there had actually of that imitation coral handle hurt him, as the sight of a child without shoes might hi *« Their Baby °« vee SWEET HEART, HIS HAIR ts ay ia CURLY LIKE To HAIR JUST WHY HISHAIR \S YELLOW Now, But iv witt TURN RED LATER, ON IN_LIFE 8 | NEVER DID PUT ANY FASTA IN THAT DocTOoR AND 1908. PPPPEPPH PLS HE HHH HHH HS Ht SH HH Leo hp oro Spo Hho s+ PPP So Sosoro sooo oro gy | By George McManus $. HERE’S ONE AND RIGHT in THE NEIGH BORHDOD ¢ HELL BE HANDY! (mM GLAd YOURE wing S E To 4ET A 7 NEW ONE! > i es over the backs of his powerful only an| black wheelers and mannerly bright bay leaders, he remarked: “We are a final chic | trifle late for our intended run over the Long Island roads, so we must content Jourselves with a Ifttle Jog through the park and out to Claremont, and {f you | have @ Caristianlike desire to be very | B00d and aind you will make the tea for me out on the plazza overlooking the Hudson?” She smiled doubtfully, Bu tea. color received that He was suddenly aware that the sight rt another with a more tender He looked curiously at the lovely wondered what @ “Your other (a may not share your yearning for There wa ath the white light of open siekcone) cea conphe ne his fur an expression Sy eete SE An aoe, wit Go! opened one box, taking out @ lovelY|been no thought of self—and he rea- pean ression partly sensual, : | Pleasure began to send glints of light) “Daphne had opened the other package | DUf attract her, even while it repelled; Mav” interrupted Lona,{!mto her black-lashed, sapphire eyes. | and found it contained a box of bonbong | YU t ae con) SAHTIDS couriteay, in} ome for the children, you | Brey she amiled, hon iaia You! for Miss Marr, and a small one, gay | ia Chasis OD ave Tum In the game, if} ehance to choose vellow i | with tiny ribbon-tied china do! for | * i [Dj baby {a in it. The nasty eaeral ‘As vou suggest—by mere chance, Of | paphne-May. She shook her head, and | Something to Plan For! beast don't seem to Ike little Mr,|course,” he answered with entl®/ he started up, alert again, to aay | At the moment of checking the rhy Koith. | satire. | “Only pure rock candy and a few| mic beat of sixteen tron-shod hoofs} “Never mind. dear.’ comfor‘ed Olive,| Then, waving his hand at the prevall- marrons glaces for the little one. Noth-| befure his own great house, where Mrs. seeing and understanding the disappoint- | {ig colors of room and touchfmg @ Ing colored, I assure you. Please let | Du! and Mr, Wyatt awaited him, ment of Daphne-May, “I'll play the/fold of her yellow gown, he added: her have them.” he looked down upon the proud beauty | roat myself, and do it a lot better than! ‘When a lady shows her preference She summoned Page and sent the) of the w an at his side and thoug! it | Tummy wuld. Can | help you, Cousin | for a color no more pialnly than this poxes to Miss Marr and Miss Daphne-| with w gracious dignity she could Dapane,. when you dress? Won't you | it would indeed be surprising that @/ May, with Mr. Belden's compliments. | reign in a homo Ike that. And sw ¢t carry my lace parasol?—it's real lace. | rrieng should observe that preference Then, turning to him, and noticing a|desire came to him tc anne you know. It was mamma c Papeete le) Women and act upon It. Mistress Kelth, you slight abstraction, as she picked up| for whom hia longing was intensified “Thank you, no, Olive. It might get a 5 fall or an injury’ of some sort, and we |!00K lke # pale pink flower in a feldy would never forgive ourseivesone for of Tipe Wheat." He drew a couple of the lending, the other for the bor-|crystal-headed pins from the flower-box rowing.”” | and offered them for her use, watching Prompt to the moment the four-in-|her arch her haughty throat after the hand, with rattle and roll and prance. |manner of a proud young horse, in her was brought up sharply before the old| effort to place properly the flowers house in the sguare. Mr. Belden had rf jthout the aid of a glass. come for Dapliffe first. that he might | ¥!t have a few precious maments alone Swathed in soft corn color, the draped with her before he picked up his aunt and Willie Wyatt for the drive. With clous curves a sugg: the men standing at the leaders’ heads, |wesque. There were touches of pink in the | swept to he descended, and carrying some white-!crushed-rose crown of her picture hat, | dust cloak {n passing throu; “Pardon me," he answered, “not aleep- | grand piano, looked down upon by the ing; but, well, dreaming with my eyes/jifo-sizo portrait of his mother, with jopen. You indulge in the habit, per-| tne fixed s upon her lips, that was| play haps?” in |so flatly con cted by the infinite No!" she said, sharply. “I dream! sadness of her eyes. A new desire was| bodice of her favor gave to all her gra- | stion of the stat-|no more—I have lost the power her sunshade, she lightly asked: A Day Dream, eyes open by the knowledge that she was the last passion of his life—to see | through the great rooms of home, To seo the wht | tng the yellowish keys of the noble old| “Were then sleeping with your you She Pp her| the hall, | Ie, a thing to wel Jove, it would give be something to plan fort (To Be Conunued,) the door, catching Childhood’s Happy Days. E could Jearn ter love me, Rose?” ‘You se@, it’s so awfully hard for me to learm @ week!” 2 s# « By J. K. Bryans, ‘Oh, Willie, I could just skate on like this forever!” ‘Naw, yer couldn't. Genevieve! De ice will all be melted In about him!ne hope—only the laugh. tralto comes in to inquire Viennese? goes on a still hunt for the young husband who, lured dy a waltz, has run off te a beer garden on his wedding night, there to make love to Fiddling Franti, of the Perfect Ladies’ Orohestra. who hastens te say that her appetite ts her birthmark, drags the filrtatious old chap off to supper. “Aare you fond of grandchildren?’ he aska -| Miss Joste Sadler ts @ ‘big hit’ as the bass drummer. she had been born in @ brewery, and her German dialect is better than beer, This time she wears her own fuce—a face that ts worth its weight tn smiles. Her name, Fif, {9 an extra smile, Dut there's nothing smal abeut the part as sho--; |iay” he can smooth his hair, arrange his cuffs, and recall his entire past before he Is needed on the job again, your mental watch, and when tt the kiss were awfully “weakening. But ty ever “A Waltz Dream” Is Both Pleasant and Restful, ping, {t {s as pleasant as the kind you wish the apareroom guest when hot water bottles yawn and banks give up the ghost. W “A Waltz Dream” will never catch “The Merry Widow” nap- ‘This new Viennese dperetta has been coaxed to the Broadway Theatre dy the Inter-State Amusement Company, the preskient of which, Mr, Frank McKee, le waid to be passonately fond of Vienne rolls, Coming as it does on the heels ot ‘The Merry Widow," it 1s bound to be compared with Frans Lehers prize piece, and to suffer more or leas by the process, (There, that's over with!) Now for Oscar Straus. His musto sounds lle the walts-family name, espe- clally the waltz that ends in the shattered dream of Fransi Steingruber, whe plays first violin in the Viennese Ladies’ Orchestra and second fiddle to Princess Helene when it comes to getting a tenorsbusband for @ partner, That walts means more work for the whistiors and the orchestrated food places of the town, ‘and until the more or less diffoult job se finished the “Merry Witow” waits will probably be given a much-needed rest. ‘There 1s @ great deal of other musio that will net be whistled, but you Masten to it with your ears giving thanks and the G-string of your soul saying “More! ‘The really nice thing about “A Waltz Dream” ts that {t doesn’t disturb your rest, proving be we i voice, 4 she raised proud eyes to ae read Leis beau’ | his face, half expecting to find the ex-|and that it grows ateadily better. It eoothes you tuto etmost s snoose and leaves ‘2 i | pression whe had so often seen there in| you @o refreshed in the emi thet you go forth to battle in the subway with ze G% first months after his return from|newed vigor. ‘And you take home with you a neat Mttle package of domestic humor. Yeu i's ike this: Charlle Bigelow, with eight new tmirs potnted on the place | where he sometimes forgets his lines, ts @ hard-up old relic of royalty who is bound to keep on owing everybody money unless he eta a grandson whom the proud populace will eupport. So he marries his daughter to a poor but unwilling officer who doesn’t seem a dit interested in the programme, This ts where the plot 1s given the domestic finish—to laundry our language, as ft were. Father-in-law tells son-in-law that he has been learning nursery rhymes and buyjug toys, to be delivered a year from date, but the sad young husband gives ‘And then he goes away and « gray-haired con Nothing has happened?” " gighs the bald head of the family, “And nothing ts going to happen.’ Very. And there's more of {t when the ambitious father-in-law A round lady who exercises on the bass drum, and , ‘Not yet, she says. She looks as though s it. Miss Sophie Brandt ts decidedly vigorous, both physically and vocally, as the leader of the orchestra that playa the waltz which lures the young husband , |trom the princess, and when she and the prince consort flavor “Love's Rounde- the orchestra leader down tn front has such a long rest that with a kiss, for at least three minutes by Brandt reels back as though ‘The sweet silence las! finally over Mi returns when the princess waltzes off with her husband, the bandstand, whacks him across the back with her from his life partner with the command, “Waltz wi they go, but poor Franzi, now that she knows collapses on the steps, {rl, though, for {n the last act she teaches the pri that she may keep her husband at home. Then , never to be kissed again by her lost Nikt. nzi's head falls upon its ne 0 your hat, but shouts most of it. Mr. Edward. well very badly, He has a yo! ire, and {t comes out finely tn “I Love and the 3 most of all is ‘stage presence.” he strength down from away round hus! and tears } “all, ss to rt were broke’ and you weep t s8 some of her Ww He seems torribly “eat spectalty,” which other night. Mr, Joseph applies his epllepti> Miss Magda Dahl sings usual, even to his ora tt disturbs a rica {nto Eng ofte @ act A Waltz Dream” runs smooth they take down the storr CHARLES DARNTON. larmelleaboutices Such Neighborly Neighbors. { had existed between the Bronws and years e er sor netghbo' 2 troub! 1 orfginated through the n’s cat, and had grown so fixed an affair that neither nt “mak One day, howeve! wn sent his servant e drea door with a peace-making note for Mr. Perkin Mr, Brown sends his compliments to Mr. Perkins, and n read: begs to say that his old cat died this morning.” Perkins's written reply was bitterr Mi Mr. f | that Mira. Daswe —s= 42" iemera Weakhy, { Perkins ts sorry to hear of Mr. Brown's trouble ‘ut he had mas, Rasn@