The evening world. Newspaper, January 29, 1908, Page 13

Genee’s Dancing the Intoxication of ‘The Soul Kiss.”’ AISE your glasses to Gence! | The airy, fairy dancer who for ten years has been the pet of London | is to-day the toast of the town. At the New York Theatre last night Mlle. Adeline Genee tripped to triumph, just as every one who had seen her at the Empire knew she would. And yet, after the first fall of the curtain, with sounds of her conquest as fresh as the flowers that nodded sweet from every side of her dressing-room, this modest Uttle Danish woman turned to ask: “Do you think they meant it? Do you believe —— ee) they rea like me ‘or answer—if any w needed—the house rose at the end as though it had been rehearsed, | and cheered her until it was pink in| the face, Before she had finished her first dance the audience her feet And at wonderful were Of course, the gray will tell us that only w ont and Fannie Elisler danced did poor human ’ ity real at is meant by the “poe-| a try of mo le But we know better, for Genee is not only the poetry but| the humor, the drama of motion as well. v When the audience tle blond lady pat ehead, f n. one dan seen b 2 it wonder long r h | on se stage things went in lightning J finches, With ler lithe, slender fieur ; . viurling now like a Columbine, nov f Into the afr < fn + Mle. Genee in The Sou! Kiss Dance yi) piauce ca satane A Thig may sound extravagant, but anyone who was exquisit Is sands full of the Joy of living. the sou Raamvelstitps there edown blown fly flitting to some new adver ull these and more until y oor, stupid na helpless whirl hee t Nehtness and rare q er of the tion by M the ne » | B E | by the emotics rice Mr. MHL We men and Ma and Phrynette and a 1 G.rl before G da e nament and le In a d a flirted trippingly in ‘ Ime, but the charm of it was ‘ ni e the f a comedy n drow swallowed M funny en fo make the " SITY VAMENS OU COUBISHEDY? Too Young to Love, j nul Dear Hetty: SSE LTHOUGH Tam stilt in high schoo! other or n lam deeply in lo with a yuri twenty-four. also in high school, As soon as 1! . Teave schoo! I expect’ a position in. He Gabe Hera Ring. which I shall receive a very large °@l-\ pear netty: ady, Would I be justified tn asking PF Aat in last year of high schon! and this girl to become enga in love with a gentlema 7 ; five or six y Sta aK You are too young to be serlo ibaa eve and T will no: Jove with any girl Don't Pe ee an engagement at your age with the girl, but nothing more. Innaentot minder She Won't Kiss Him. eee nD MEME Dear Betty: aca i@ means the ri: as an en- ‘OR two vears I have been keeping | agement ring. If company with a young lady of him, but 1 thin twenty-one. Do you think it pro-/ marry. Wait per for her to refuse to kiss me wien 5 I leave her at her door? She sayy it) She Js Cold to fu:in, ia not ladylike. J. The lady ts quite right, You are not engaged to her, and therefore have no right to expect her to kiss yeu him accept to Dear Hetty: : AM seventeen and was very friendly with a young girl of sixteen whom I liked very much. Lately she has See Her Home. jacted very cold and 1 4 asked her if I had offended her in any Doar Betty: ata ah mn any W's seeing my friend home late In! ie the evening from parties, éc., |‘? M6 in the should I leave her at her gute or vie ier Pane u ere hor safely to her door? i ‘i See the young lady safely to her door. Too Young to Marry, Dear Betty: AM twenty and am keeping company with @ young lady of eightec think I ought to Kettle down, a am holding a steady position in a la . firm, My salary is $14/a week and 1} A Good Listener. think I could keep a wife comfortably 1, yes, Mr. M Iam sure of advancement, and as I “O Abb love the girl and know my love Is re- other. B © turned, do you think it {» the proper] “Why, I heard he didn't speak to hor time to ask her to warry me? at all.” R. FLW “Thats just why she likes him. He i think you are too young to marry, ' doesn't attempt to get a word in ede- Bgou love the gisl and she loves you, wise.’—Philadelphia Preas, | 1 think T would ting }to be friends wit Kton and Miss are very fond of each ‘ OH,MR.MONK! THAT POOR YOUNG MAN GN'T STRONG ENOUGH TO DO THAT ROUGH WoRK ! CAN'T You HELP KIM? SURE! YoU WAIT \N THE CANDY THERE! TURKISH BATH, MANICURE- CLoTHES — EVERYTHING! YOURE ALL RIGHT Now? & oo Om NLL SEND THE BILL Tomorrow! mi95 SMITH, THIS) / DELIGHTED! 15. MR HARCOURT, Witt YOU CERTAINLY, IF (COME UP To SHAN LOR'S MR. MONK WILL LUNCH? >, EXCUSE US! AA HERE, OLD PAL, THROW AWAY SHOVEL AND COME WITH ICE CREAM SODA ME! LL MEET THE! HERE'S A “THOUSAND: OLD MANT NOW I'LL INTRODUCE You To Is VERY RIND) miss SMITH! small peacemaker, Daphne-May, Flat-Dwellers Keep Triggs Busy (NO! MRS GRUELE WINTEO THE LERTS FIXEO THE ROO/7 - PAINTED AND WELL WELL East Ly know where to find his) bh raps we had better not send moa fair chance which ttle maid ran around to all brother and tell him raid; he was! the doctor, who had break asted in the absent-minded silence now club last aight I made Row for you y at 4 forgetting it al- engageme! I came nea togeth An Engagement, “An engagement? repeated sur- prisedly An enga h whom With Belden, Tt him you would enj a drive his really splendid “four a, ved Olive, “how heaven- delight Mua u 1 Xt rejotce, frowned the Doctor uw not included in she is your tae Invitation. Bat anid . u ean't KO Wh priety | slight! A—ah H then to learn t himself May supplies you, L bel r Mr. Wyatt.” | whtle A slow color stained the warm white. | mne. © ” By Clara Morris. you really believe he will) the position would have been very em- t i I could not have for target priciice without He The Rebuke. * he inquired. is my reading-day| with baby Philip in her arms, and pa: ing his arm about ‘her shoulders he sd the baby, then, catohing tne Watchful eye of Dapline-May he brushed t goin’ to| for my poor people, who expect me us broke tr enting Philip's gener- allowance, “i Would more enjoy a ride with you expendi- 10 | . if you'd sacrifice a ride on the! ) of a fine private coach for the sake a few xrumpy, complaining oid pev- | * sharply interrupte iptsa "| had set a har ine bent over Pp waltress, rattling in st | proresse then shrugged his shoulders | Daph . and turned to take nls hat and| \” little Daphne- me Page—please | es from his trem gloves from took the arth bling old hands, and bh hem to her father, s a Page!” and passed into the ha vigg -\ a habit of speech, that's a SURE! 1 WAS JUST GOING To QUIT ANY way! LA 5 J Gi THANKS, OLD PAL’ THIS 15 AWFULLY KIND OF You! Xs INDEED! ONLY HE ISN'T TALL ENoUGH! OOOO: DIDOOOANAOG’ DOO ndon the old man's arm, saying: jness of Daphne's face as she said. “It; "Ou!" he answened, surprisedly. “Please, greatdad, he's so little! lip, both unwise and In-|"“Why, I thought you were Page—a. he comes big !!ke me he will know jconsiderate to make a positive engage-|I very seldom iss him, you know Might where his own mouf ts and will} for another person without ascer- A bit of nonsense that set Daphne-May “ put all his breakfass ft it and not spoil) taining whether tt 1s agreeable or even /S6urele with laughter, Anybody's shirt front any more.” | Possible. If you by chance had pledged| Her father kissed her tenderly and “We—well,”" replied the old man, doubt- | mc started for the door, when the Ittle volce again rose distressfully, “Papa! oh, papa! you're forgettin’ Da'hne— May's pretty mamma, and baby bruf- | fer!" | At which he turned toward his wife. |standing now at the foot of the stai is wife's cheek with his lips, ang naubadbinialielvery, jsaid, “I hope you'll enjoy your ride. say: “Oh, by the way, ~\ little tobacco or snuff, a Iittle tea |It's a mighty flne turnout” smiled Daphne, Daphne’s Plea. the one-horse regular professional |turnout,"” she answered him, honesty, He gepiied hurriedly, “Ah, but: I have no tUme to drive about with and women fr ard intu his waiting bugsy. te ae [was o you're a greater fool than | jarune's face was calm enough, but that asked-for Kiss, so carelessly given, ightnees in her throat spvaiing to Lena and uck and Mattie, the waitress, a 90m Olive had followed her, saving, “Che Professor thinks 1 owe you an apolog “Th @ vit wearily. nh a fool as I look fool than 1 th yin sntion of onlling you a fool "she cried to on ie: we'll have & big game of romps (To Be Continued.) (00D MERNING LL TAYE OFT Mt Uagy € hy LL % E018 LE - ) COME ™ HE DOES A JOB CF PLUMBING, ? By F. M. Berkley SCAN YOU FIX THAT Y Ara MR TRICCS MC: THERE HASNT BEEN ‘H PLUMBER HERES \M SAK MONTHS J— = 7 CHA T We Hen 1 We \(EOOn 7 = WISH TO SEE BOUT MY BT WHATIME\ tis quile unnecessary,” answerea Thats what I told him, because 1| {was only “using a. cominoh, everyday gure of speech. One often says, “I'm while mamma's out “elving the afternoon| mother {s sure to distressfully, | promenaders a trent.” u didn’t kiss me, papa!" Wednesday, January 29, 1908. By R. W. Taylor Mme. Tetrazzint’s Taiks to Girls on Musical Topics a oS eeee | First Talk—SATURDAY, JAN. 25—Art Necessary to | Produce Easy and Natural Singing. Second Talk —MONDAY, JAN. 27—The Foundation of Singing; Breath Control. | Third Talk—TULSDAY, JAN. 28—Relaxation of the ' i Jaw. Fifth Talk—TO-MORROW — F, Mirror Practice. Sixth Talk—FRIDAY—The Appreciative Attitude and the oO; 4) Critical Attitude. t.--------. cial Expression and ouoo Talk No. 4. The Mastery of the Tongue. BOOUUO By Mme. Getrazzini. 1) tongue {5 a veritable stum- bling block in the path of the singer. he tongue Is an enormous mus- cle compared with the other parts of the mouth and throat, and its roots, particularly, ean by a slight movement block the passage of the |throat, pressing against the larynx. jThis accounts for much of the pinched singing that we hear. | When the tongue forms a moun- [tain in the back part of the mouth |the siager produces what you call in |@nglish slang “a hot potato tone’— |that is to say, a tone that sounds as {if {t were having much difficulty to : | cet through the mouth. In very fact, it 4s having this difficulty, for # has to pass over the back of the tongue. The would-be singer has to learn to control the tongue muscles, and, | above all things, to learn to relax the tongue and to govern it at will, 6o | that it never stiffens and forms that hard lump which can be plainly felt immediately beneath the chin under the jaw. It requires a great deal of practice to gain control of the tongue, and there are many different exercises which purport to be beneficial in gain- ing complete mastery of {t. One, for instance, is to throw the tongue out as far forward as possible without stiffening it and then draw it back slowly. This is done in front of a mirror by trying to throw the tongue out not only from the tip but from the root, and keeping the sides of the tongue broad, Another way is to catch hold of the two sides of the tongue with the fingers and pull it out gently. | For my part, I scarcely approve of ; dd to the resonance of ithe head note: these mechanical ways of gaining |siving the cavities of the Head fre control of the tongue except in cases | play. where the singer 4s of a phiesmatic| You can easily see your back palate temperament and cannot be made to| working by opening the mouth wide and feel the various sensations of stift|6!ving yourself the sensation of ono tongue, or tongue drawn far back, in| out to sneeze. You will see far back other ways. Ordinarily I think they |!n the throat, ‘way behind the nose, a make the singer conscious, nervous and | S0ft spot that will draw up of itself ac Toro Ilkely’ toi wuitten' the: tongue ini w | © eneeso becomes moreumminents That wild desire to relax {t and keep it flat.| Uttle point 1s the soft palate. It must These exercises, however, combined! %¢ drawn up for the high notes tn order with exercises in diction, help to make(‘ Se! the head resonance. As a sinver the tonssue elastic, and the more elastic] vances In her art, ehe can do this at and quick this muscle becomes the| Wl. The adjustment of throat anit clearer will be the singer's diction and } ‘CP£Ue and palate, all working together tho more flextble will be her vole, | Wil daily respond more easily to her The correct position of the tongue ts|“@™mands. However, she should be able raised from the back, lying flat in the| °"#c!lously to control each part by ite mouth, the flattened tip deneath the| lf. front teeth, with the sides slightly rulved so as to form a slight furrow in it. When the tongue ts lying too low a lump under the chin beneath the aw will form in singing and the tight | yeni tongue muscles can bo eastly felt. Wien eee: Fpcomcingy ce votoe, wil the Jaw 1s perfectly relaxed and the/nead cavities by opening up the aca tongue les flat in the mouth there willlana lifting the eoft okt be @ slight hollow under the chin and| stance, in the role of coisa ia no stiffness in the muscles. act music is sung tying down, 8 ordep The up of the tongue, of course, i/to get proper resonance to some of the employed in the pronunciation of the vigh notes, I bewe to atest them consonants, and must be so agile that|in the head cavity by means, of courpe, the minute tt has finished its work it} of the (anceeso or. fg Pop Mtl at once resumes the correct position. Cntr Di OAe: | In ascending the Ce Be) OM CES have is of a alten "Set creases almost So ee It 1s here that the back | ine, into the cavity behind head over the eves, palate begins to draw up in omer tol gtruction or feeling in the throng HERP ts some- I thing essen- tally dainty about the guimpe dress that every find attractive and that every girl likes, consequently the kuimpe of every sort ts in perpetual demand. Here Is one that can be made dressy by the e of insertion as ated, or plain- he ondssion f, and which case 1s satistac- As illustrated. is made of fine nd nd-work can be or, as d, tuck make n No. 58 s for 5 2 and Wt ars of age. ~_—— a Call or send by mat! to THE EVENING WORLD MAY MAN- | Tow to TON FASHION BUREAU, No. 21 Wes Twenty-third street,.New Obtatn York. Send ten cents in coin or stamps for each pattern ordered. 4 These IMPORTANT—Write your name and address plainly, and al- } raster, wuys specify size Wanted,