The evening world. Newspaper, January 27, 1908, Page 11

The Eveni ng World Eh de fe ee Eee oat eee etl Toes Oooo! DODODOS » How to Dance “The Merry Widoro”’ Waltz Posed for The Evening World Exclusively py Misses Selma Mantell and Kitty Wheaton and Messrs. Edwin Hall and W. Douglas Stevenson, of the Weber Company, BOHODOODDIDOOOOOSG DIRECTIONS $OK DAN CH— xplanatory of photographie less-n here given: 1—Positions fo waliz. ‘2—Position for first eight bars of waltz. Girl leads, stepping backward. $—Stcp at eighth bar and reverse step, man Sliding vackward. 4—s or n xt eight bi irs man leads stepping bactwar’. 3—ligh bars ot regular wa tz step. G— hi bars ot whirl. Man places hands at gi:l’s waist; she holds on to his shoulder. O89GSC0S00D Muse. Gehan: S qa : To Gils on Musical Topics oe ole aisle eae 0 ooreeue +4 vee The New ae Lynne & 2 2 By Clara Morris fo) @) @ @) 0} @) @) —+— | ed fer n t the J's had in the man that owns tt-a through the nose. This, of course, is A aes f only an exercise for breath develop- Taik No. 2. ment begin to inhale from the bottom of the lungs first. Exhale slow- | ly. and feel as Lf you were pushing the ad sratisnie nr eandn rss paaa Bi upon his development and | understanding of breath control, A sin, late the w of bi thing ancl is not absolutely governed y the will, even with the most beau- ful volee in the world, will even- tally fail; while a moderately good fect pr Who cannot reg sath and whose t oval organ, supplemented by p: | alr against the chest. If you can get | The Foundation of Singing; this sensation, later, when singing. It will help you very greatly to get con- " : i Breath Control, trol of the breath and to avold sending ; * to) much breath through the vocal cords, m= aie : { The breath must be sent out in an ves By Mme. Getrazzini, even, steady flow. (pe=gIHE singer's future depends You will notice when gou begin to sing, 1f you watch yourrelt very c jy, that first you will try and inhale too much alr, Secondly, you will ether force it all out at once, making a breathy note, or in trying to control the flow of air by the diaphragm you will suddenly cease to send it forth at all and will be making the sound by pressure from the throat. There must never be any pressure from the throat. The sound must be made from tha continued flow of alr. You must learn to control this flow wreath control, will always be agree- ble to the listener and peialt the ager to attain the highest finish of of air so that no muscular action of the throat can shut !t off. Open the throat wide, as was described in the lic; now start your note by ire of the breath, The phy- CHAPTER V. | ocal art | ih | | | (Continued.) r a i i ger must be able to rely on A Wint of Tragedy. livia , she w f 4 ‘ Feet te relles upon the m should be first an effort 1 has| , t ; y Sse : |oltdity of the ground beneath hts EER " 1 y [reet. A ky, uncontrolled breath y open throat, i ae 3 | like a rickety foundation on ut ly the sensation that the alr Is BH (To Be ¢ hich nothing can be built, and until y freely into the cavities of the + foundation b been developed of sound {ts controlled 1. In diminishing the of the throat remains the quantity of breath rth is diminished, That 1s done diaphragm muscles, voce,” to spin the voice little thread into a breadth and then diminish again, is 1@ most benutiful effects in | and strengthened the would-be expect no satisfactory result m Tam ta Betty Vincent res | » | 1 1 °. c o| hoor | Conese mm the girls to espectally I must now ask a wear |rifice—the sing Mme. retrazzini. ould not Ww |-orsets and § | st rib. In other words, the any kind which cor h as the © a vateciel Fa and orset must be 1 nging. It 1s accomplished by the ¢on- e 4 K } rer finds conven y the breath, and its perfect ac- at p wae 4 i es Tae 3 ° > plishment me som mastery eal i ey arriage. pas lie valent acme eee ut Aa « difficulty in learning to must be loose a is et: sid Wye Be ce Be , eas “The | verry Ww TdOw ian Ww fur in | eat, and also a Satie coca sola hay nin oe elenOL LACHES OREO ERD 1 ‘ A Valentine Party, ! Seige bee patente cabins Str > art of the ta ' i ( First Talk—LAST SATURDAY—Art Necessary to Pro- 1 ne Dear Betty: vthe with t Ls | { duce Eas nd Nate Singing. dis lik I uinmy!* | Fs ss se ® as with the fr | nea pa = 2 And this sympa un i GD Re Gs pre wanculd peau ttle. favors scat Th me wears of mtady and work thave| | Third Talk —TO-MORROW—Relaxation and the Jaw. herent enttish wickedness made bot iene sine Se seo Et ate i SA ee ta el sr | Fourth 1 alk —\VEDNESDAY—The Mastery of the Tongue women laugh. es looked almost wild iateenial bre rh a n i rane Vat But after C os had | Kees : | 1 : { Fifth Talk —THURSDAY—Facial Expression and Mirror pean. aiten j d her} nd he remc Bretteorelontines | a ; : | Practice, one to cease carrying Tummy | rails : time about 80 much in her arms, since he bere awe to breathe, tt 1s well | sixth Talk—FRIDAY—The Appreciative Attitude and the was growing heavy, and s g down | | Critical Attitud @o might make him cross enough ¢ | at es hoy ritical Attitude. acratch her, ie saa eed raseasta Hu And the child promised reluc | sed | es eaying, “Tummy always. stret: make ve s for | Home Hints For Busy Housewives, | Valentin Winning Her Back. Dear Betty: BOUT two years ago I became de voted to a girl w I met at i dancing schoc t s to keep up t e was seen in Uke that, dear mamr rled. I knows he's but he never scrat me even onc ane Daphne kissed the earnest sina face, whispering, “Loyal little soul! i and so let the matter rest Belden Again. Then one day among Daphne's letters After that first home dinner Dr ‘was ono that had elther been most care- d below stairs for a lessly blotted or exposed to a w ng chat a, when he's car- party pins In his feet, | The Fireman’s Puzzle. } yped forward, to hb xin upon her finger, To Open Jars. F you tind & diMoult to open your fruit Jars, Jost turn the upper end ith remair ke and a somewhat for ‘the address was almost tile celina ane He reported briefly | another man, How , into bolling water ¢or a few minutes Sr opened it and read it at table, and ‘9 iis real triumph abrea tc and you find tha¢ your jar will open her color varied so rapidly from white | vithe Gone her more att ed) en 5 easily. : ‘ spon the work done by the Congr ladies easily. to cruel red, and back to white, and]! nraiaeathateielneat; oftener, If you don't | o: again to red, that th ehtul od | O° als ane aa Ra town and must do | : : WI Eg re High i Dp to J ee ed. le man opposite had throat|® lightning trip to Paris to meet a}. ai you will always risk px Ae hen Eggs Ai t) alist on nervous diseases, and passing through wu “Anything Wrong?” nigvatiention had eeenvatt exceptionally p in exaggeratedly gay crowd on board, nd in the driv t saw Stanley Belden, who had surprised him by in- stant recognition and salute. and asked curtly, “Anything who on nis one d acted by an n-hand, with Gr Loves Two Men, priced eggs to make plum pud- ding. Use s small carrot, grated, n place of each egg that your recipe calls for. Rub Tired Feet. pes tired and aching feet a good affections 1)” not waste money buying high- And she had slightly raised her beau tiful sweeping brows, and in the cc sweet tone he had come in some way to associate with hidden pain answered: one trom Boston and one living “Anything wrong? Er-no, not in a The one out of tow man's eyes," and he ventured no fur-| “Ab. yes!’ snapped the Professor, all the ther. But little Daphne-May ist So much dead wood, that chap! Dear Betty: AM in love with two young men remedy {s to rub the soles weil with kerosene oll was sent | “J when h we are to ga each step. and that morning to walk with Lena, 1 Too bad, too bad! I knew his father | married. The one who lives here say es wi Eee ees r the mother re-read one of those daring, | before him—a fine man. a knew Stan-| we are goinr to be mi 1 also, rn No. 5890 \ ies eye See te For Moist Hands, 0 often write | ley. 07 0 aitiiel fallow cuteciioeatne n sizes fo ata « Fol sletiarn) idle women so of A write | y ee pihaneds -four or five years ago. [lke th Ww of town most, Wha Cr ny sie ZZ | and you w se FIRSPIRING bands are an evidence ctors and actors in particu ar If he had tad family and education |shai 1 do? x Shirtwalst—Pattern No. 5890. Fae aslo : of nervousness. It 1s good to bathe The communication tad been meant| only, the fellow would have done some-| If you are so ur MI fates h ten with white wine vine- for the doctor; the writer addressed| ving. He was a born diplomat, and he|two suitors 1 don't . 5 2 PETES ae ar otten fpeeeene .deetore, ; n E viy Call or send by mall to THE EVENING WORLD MAY MAN- § | vines afterward dusting m with he point as “You too-perfeotly |could have played the gr game with love either of them. A girl can't be { How to TON FASHION BUREAU, No. 21 Wea Twenty-th street,.New ¢ | der of orris root. Persons suffering Gelightful wretch!”’ and accused him of the best. But his cursed money ruined love with two mon at the same time. Obtain York. Send ten cents in coin or stamps for each pattern ordered, { hee " eeth auoh annoyance should dust thele incredible unkindness in not even him. It is a great power—money; it Don't marry at atl until you are sure} ,the™e IMPORTANT—Write your pame and addres# pualnly, and al- ine 3 owen wit, memdared ebal. .--f ‘ Qcenawledging ber gift, that she bad 1n- brings out dl that le good, or all that you lave one and vow't love the other, 3 ways apecity size wanted. Sree a eo ON n questo nnn ROAR 1 , \ '