The evening world. Newspaper, January 25, 1908, Page 7

Clara\_ orris’s | Story—Darnton’s Dramatic—Miss Ayer's MAGAZINE4» STORY SECTION. * Mme. Tetrazzini Talks First Talk To-Day : “Art Necessary to Produce Easy and Natural Singing. | the muscles of the lips or tongue for |itstance, or consciously to lift the soft palate up to allow greater space for tone emission. It is not enough to see an anatom- ical chart before you and to be able |to pie kout the various divisions. It | will do you no good to know theoret ically that vibration of the breath sound is produced by the By Mme. Tetrazzini, against the a ANY people have asked me yocal cords echoing into the face what my method of sing- cavities unless the action of each ing is. I have answered, !yoint represented on the chart can “T have no method qT} natura) be governed by the will of the singer. try to Tho questioners have then belie sing I have. but to think of a tone whieh ed [Pm about to sing and instinctively that I did not approve of many of the my mouth, tongue, palate and larynx forms of voice culture, recognized position and I are shaped into the for the emission of that tone, proper but in reality the highest form oi vo- cal art is the emis sounds Hike a perfectly free, nat- ease om of conscious what ura) note sung with absolute and freedom. The highest art and much ry to aequir beantiful tone: wonderful natural voices, icnlartly among young} xquisite natural voices among the young people of ly, and the American voice issnoted for its purity and work study are nece ssion | an’ the easy emi We hear of many people. here a Switzerland and 1 the beauty the But ‘a Ss unde} ist of its tor qual ined or fail if they are used ements the natur nd-given vocal gifte with how the vocal apparatus should be used study of the physiology of the lungs voices soon brea much Thousands of naturally sood voices have been ruined be throat and face. did not take the precaution of study- The student must know where the | ing the natural way of producing the Resa cavities are, she must recoenize beautiful tone, and because the yoca!- the position of the cavity of the for continued singing long after the lead, that space into which the his natural sensations, which are the Notes must resound; she must know the forn must be ion of the larynx. and she} tellizently, duction, hose other able to feel unnatural sensations the forcing of the denote first by putting the tural voice and. throat, and which the destruction of the vocal which and then by sensation ¢ larynx, different guideposts to good tone had been superseded hy wrong tone which herald the production, porition of according to moves . cavity in the forehead: B, nasal cavity; C, roof of the mouth and soft, palate; D, tongue; E, epigiottis. sounds young singer should make al Many a singer has studied for f the ¢ kind American women—at least in) the looked us over 1 that the more n e of falea Joe in aM Woman the tigtter the 1 et; while es int @ of sock ene the w goes i soul- oT onderful = 3 r Pex the Pom: } Fashion of the moment; mixture jjcdour, ¢) the Roman and the | of classic and modern. nd the Pr would M to start a cru- | sade in favor of ‘the 0 styles, and now behooves each and all of us to tor- ture inte one of these new fashions | the few remaining hi vhich have n¢ been burned by t wave, worn out by e transformation or baked to A pulp by the hot sau: puft Mr. William Hepner agrees with the Frenchman in saying that we arrange jour hair with too great a similarity. | “1 think the on for this 1s,’ said} | Mr, Hepner, “that New York women| particularly, though they pay much \) = more attention to halr dressing than | She puts her -"ffs on herself. | they did five years ago, still do not i Same as above. look upon It as does the French wom- an, A French woman of modest means has her hair dre: va professional every day and nizes on hats, while a New Yor an of the same means will put all her money into hats and trust-to luck and millinery to hide any defletencies in hair di ” Howev Gourdeau speaking of the public New Yc Private pariies they all oh dom and indivi b Know that they will not be criticised for tary fashio would be in p more they vse as severely parting from a momen friends as they Low coiffure; perfect beauty. Uncurled Low Coiffure. only for The artless style. Beauty Nints— Jetrazzini’s ‘be { “ Circulation Books Open to All.’’ NEW YORK, years without being abie to comma..d» Simple curled effect. Zalks—McCardell’s “Chorus Newlyweds, il MAGAZINE STORY SECTION. Girl"—Ketten’s Comic—the [ “Circulation Books Open to All.” | JANUARY 25,1908. Musical Topics ure's method, sup-| a ed by exercises to strengthen | o that they may be ca- continued exertion and | SATURDAY, Exclusively in Evening World to Girls On Six have but to start the breath to make the tone itself. It has been proven that the high- {est method in singing is only a con- ,sclous study of ni plem Mme. Tetrazzini’s Other Talks Will Appear in Evening World in This Order: Monday, Jan. 27 No. 2.—Foundaiion of singing: Breath Control Tuesday, Jan. 28 3.—Relaxation and ihe Jaw extbility themselves can means of a small looking-glass called a “lar- the future singer has seen by No. sngoscope,” t to trouble herself about that fur Wednesday, Jan. 29 ae sieoecae thes are no’ | No.4.—The Mastery of the Tongue Paina rte are not if § Thursday, Jan. 30 eaareien eltaleg singing, § No. 5.—acial Expression and Mirror Practice ledeiheeatit is done cor- i Friday, Jan. 31 wr ane singer ts forced '@ "No. 6.—The Appreciative Aititude and the eh after entitsion of an ler tise H Critical Altitude an OEE D a cords themselves can be cured by emission of a high tone. rest; but the fittuve singer should of} In emitting a note when the corte coursé not be: lessons until her) of the throat become very taut and throat is In a perfectly healthy con-|vegin to stand out, or the neck and dition chest become red, the singer ts forcing the voice; in other words, not using a natural tone emission, but forcing the vocal cords and tightening the muscles of the throat. When this oc- curs !n practice the singer should »p at once and rest for a few mia~ utes, but one should not forget the sensation of forcing, for it is @ dan- ger sign to be remembered, The sensation of opening the throat jfo emit @ tone fa similar to that which one has when about to yawn or about to drink a glass of water. ty practising before a mirror {t 1s possible to catch sight of the muscles | at work and to watch the soft palate drawing {tself up in position for the What Makes the Heart Beat ? ROP. JACQUES LOEB, the celebrated biologist, {n his recently publisied P book, “Dynamfes of Living Matter,” has shown that a strip cut from the ventricle of the heart put In a solution of chloride of sodium will oon- nue to beat for a number of days. until putrefaction sets in, He says this can be done with an ordinary muscle after it has been extir- pated from the body This would tend to prove that ie all duc to chemival action. The muscular contraction is probably due to the substitution enletum salts in the cells of the muscles The difticuliy of thie theory t@ that the heart Is _ chemloal machine, and that ft of sodtum tor {t dons no explain the control of the Mme. Tetrazzini Writing The Evening World Talks. [Rese cote eens ies Rel Brovlonm fore consroustesnecioel ea by a te cslemieal yon we piu ZS OF" DRESSING, as Besse 300, | Hundred which M Au wishes ine popular p New York women tinued Mr * atest air same style of natrdreasing because it keeps with from chatlenging n i A won ut 4 1 : with ha bua Ture a stirred. Wile women may not Wig { mind this, the aver w York wom fv . to b d out in pub- D Ne aad sticks to momentary fash i [tons to protect ner from such erin) what nie ve iwent es Wy < woman In public, thy m6 t fs the st v fess Oui *! Royal colffure, worn by society, A Variation of this iy pie pei fie look. | Stage and re ¢ a low Then of putts r a eareful con and natire does with tion and rolls oines ueatne: ourls A CROW: | TOWN nso | Lawless artistic coiffure; curled and uncuried, then pinned to hat. WHE VITCGINIA COIFFEDR. — hundred and who se ) seen In pub o at the opera 1 . mod Wut BAGH WV i cept in y | y ng Ww DOO LOW COMFFEUTe. | Oliver Harri \ 7 5 TECH UU RIAE TT za : aa ¢ * Pt id. Conventional Pompadour. All, her own hair; She wears two rats} French coiffure with This has hair net and Simple caronet braid. home-made puff. econcmy In puffs. side part. low curls f