The evening world. Newspaper, March 17, 1906, Page 9

The Evening World’s Hom Magazine, Saturday kvening, March i7, 1906. tt * lefeieleieieleieieleliela! hici-lni-i “Dopey says the minute he a) ; “The dialogue must lead up to . puts on an opera hat he can’t re- ] ] ] ] ’ C] | OR l J S GIRL Vi the star's entrance, describing Mirain himself from a wild desire By Roy L,. 4 eCardell what a hot tamale he is, You + to attack the character of ever.~ wt Illustrated by GENE CARR. ef have to haye dramatic construe- tion.” body.” ielnlelnielaieieinielelioiteter | ™ stM on) - as it's your first effort, it has to be the bal-| the real anthracite, eony of) THE Doe AGRIC IN ‘ } “Your friends regard you with agitation about THING 18 PU \T EVERY- SG sympithetle awe, as they do when @ NKAND 3 * HOW A married woman till pretty and BUNK). " L = has four children to keep her home “And that's why I say I wish I hadn't become addicted to the play- writing habit. Little does Clara Lip- man and Ada Young know how I've saddened my young life camping on their trnils I can't quit now, beeanse I’m past ieittne Oh, Tean write the play all right; aduction! | know how the five-foot-four-inch actor men feel when they've landed a Western drama 2 thi becooking ap a theatrical , pro- | Mesto aioe ©luetion. | “T doa’t know | which of the theatrical toags to play | in with, efther. | “Sometimes T tlink it best to deal at the Big Store with K. ©. They tell me if you are in right with K & EB. it's like having th» freedom of Chinatown signed by old Tom Lee; | Provided—I suid provided—the Moek | Duck bunch don't come out gunning for you from the Shubert Theatrical | Joss-house across the street, | j “I'm writing this play for mys:lf, | and I want less advice and more | backing. | YT won't have a doll in my show | better looking than I am, because if! > it’s your own play you ain't going to ; \ 7— Sus peutlraneccepe tas otee cae BGRKENE unl one caine ferveyerysons | $ Z iy \ 2 am present when I produce my play. Dut yourself, are you? AG \ Wy 2 f \ LEZ ve a are Dopey McKnight in tratn- got to go out and get boots and order their wigs with a four-inch front glevation, and then pick a cast of runts to play opposite them, “Why? how would it look for the hero, doing a pride-of-the-plaing stunt, to grab the villain when he insults the pretty little schoolma’am from the t and throw him throvgeh a bi drop at the words, You hound! Take that!” if he sized up against the male trouble-maker like Battling Nelson going up against J Jeffrie: e made up my mind to one nnd that is that 1 won’t have | it He's dressing the “Nix. If the play ts writtea fer part a snappy sack suit and an you the rest Is all got to play up opera hat, He thinks the opera hat to you and give you all the fat \a great prop, and sits at the window That's why the star's ontrenee with it snapping putty balls at pass Sep eaey |ermby. always to an empty stage !f poss “Dopey says the managers and the and if not possible there !s a tram eritics can come to a mutual under- ’ equed demonstrat! Ah, bere she standing if the managers will have a cémes now!’ “If it's a comle opera, and you are law passed at Albany making it a ® man-star comedian, you have te Sene Grr | - oy —~06 penal offense for any critic to enter “1m writing this play for myself, and | want less advice and more bacxing!’ any theatre wearing an opera hat, 3 | “Dopey s that, as a general bm have a big entrance—blown tn by an| Pennsylvania I heard a box party of | he fs as a college sport and wn ath-|she (or he) comes now!’ ts dramatic ja ton of coal. “That's why I am a stranger to|denly there would be an awkward thing, he loves everybody and every- 3 Ruto.explosion or fall down a filght| soctety leaders in Huntingdon, Pa.,|Jete, white all the way to his heels, |construction. And for the same rea-| “T can’t get a musical show put/home and friends! That's why I|pause while I waited for some mu- thing pleases him till he puts on an of palace stairs. If you are a lady | pick out a Roman soldier supe who |r ‘the little beauty who has turned /son you have to close your act with'on; the managers ls beginning to/don’t care if I'm not asked out to/tual friend to introduce us. opera hat, starthe rest have to boost for you a| came out to make an announcement | the heads of all Paris!’ if {t's a lady |a rough-house or a tense dramatic | shy off from Indiams and automo- dinner, and that's why I see #0 Nttle) “I subsist on headache powders and une mundte nen aces, et the bit, telling how beautiful you are,|as the big staw of the show. star, situation of somebody being stram-|biles, so it’s up to me to work over of the bunch that if I ran against| coffee. I eome down late to my Palineat ie aia tha tole Se tioa and then, if it don't jar he unttics,| “That's Quo Vadis himself!’ sald| “You have to have dramatic con- gled on a dim stage while the un- my plot for laughing purposes only Puss Montgomery or Mamma De|meals wearing a kimono and my fin- sure sordid, and he sees nothing in you come in under a canopy carrled|the box party. And there you are’ | struction. And the lines, ‘Ah! here thinking world outs{de 1s putting in and call it a satirical farce, |Branscombe or Mr, Maginnis sud-| gers so inky that Dopey McKnight|sight but bunk, and can’t restrain by four faithful slaves, while flower “That's why things go wrong with suggests I wear thumb stalls himself from a wild desire to attack Caggh er form is oattens ee ecgeeres/ PETER KETTLE, the Boy Who Couldn’t Grow Up u at By T. 0, McGill cnx terasuermers ar ere Gat Sat me writers who can see graft in a pound “You've got to do {t! Don’t tlame | it's too late. . mental or Iterary effort in the light! party for a popular preacher get the actors. The public hasto ba put| “That's why there must be din- 7 * of a surgical operation, talls in whis-| their views of life from, jyparing an wise. logue leading up to the etar’s em- pers when I am around and hollers| Pera hat? Vhen I was playing through lower | trance describing what a hot tamale CLEVER THINGS | NEVER SAID. , |opera hat he doesn't love anybody “It's an awful thing to be writing and feels ashamed of associating By Lowe R. Case. | nd, Wiilam Jen- to me an edition de luxe of Caesar's a play with your mind made up that,|with himself, What?” © only fail Comnentaries he had just translated RAPID TRANSIT BALLADS. By Albert Payson Terhune. he began. “Why Jamesy!" T interrupted ru 6 and ly, but with genuine Y childhood nings Bryan, No, 5—A Bridge-Jam Lyric. OB BUYSLOTS—Own-Your-Home-r from beautiful Baith Beach— past, future a “After what hap; mikes ch RIE 5 ad you and McCurdy and Thebaud | x ar tirte ao tei T think (Tave-arrived stan equitable division #0 | | | wach morning sped o'er Brooklyn Bridie, his daily toll to reacii, Myatt es quickiy!" | | J And nightly in the bridge orvsh he would straggle to embark at my ‘ow | — | Aboard a train whose placard read “Hath Beach and Ulmer Park.” | | Richard Mansfield was dictating to jme the thirty Preatdent Rooseveli and I were dis- Ine thousand — seve Now, Job hed one ambftton thet was ever in his brain, cussing the A [hundred and forty-first page of a briet | ‘And coursed throughout his imer man and drove him near insane; MWhat a superstitions lot some of |2eitl of the various stories circulated A tigh ambition blazoned forth in thoughts of holy fire as to his eccentrik “But I do not cringe under these slan- rogulshty;/9T®” he went on, “ ‘Sweet are the Of them |USes of adversity.’ Have you written knocking | ‘adversity? “Yes,"" I chuckled dryly, “but in . heres of making some one believe you, was reading aloud I've spelled ft ‘advertisement.’ " That by and by consumed him and became his one desire. fils aspiration (cated in words) would yun somewhat like this: “I brave the bridge crush morn and night, and mot one day I ming; But, oh, the crowning glory that would make my life complete Would be ff, on a bridge train, I might ONCH secure a SHAT" those heroes are!" he explained, with al | Now fifty thousand Brooklynites of high end low comittion HELLO PA! iS THIS Are dafly motuated by that same sublime ambition. GROWEpDUP Ni 4 an consequenoe, they “rush” each train, and when they*ve crowied o ENoucH} They sigh to find @ hat or ear or finger-joint ts gone. faoh night towarl the Open Doons they shove and gouge end And when a man falls down the reat are quickly “on the Hog! And, oh, wirat heewitees merriment through all wush-tine rippiee When bowling over ancient men or kids and girls amd ortpptesd jOne night Job saw nts tain approach. He dashed inte the fem. rhrough sernied rance of waiting folk be bit and tere his wa, rie smashed a window—wriggled through, with wildly weelng Seet; And—crowning gtory of his life—sank proudly in 6 SHAT! Alls Iife’s ambition was fulfilled He'd struck unheard-of tuchq Then through the door a battered guard his mangted visage stuck And yelled to Job: “Get out of here and chase yourself downstairs! fhis train ta going to the yaris. v's laid up for repatraf” TELLING ONE’S AGE, By Nixola Greeley-Smith. “My wife dida't have as much money as I imagined, and she ued soto me about ler aye, it being forty years instead of twenty-eight, as she olaimed."”"—The Latest Wife-Murderer. HAT she Med about her age is the most remarkable I excuse ever presented by mortal man for taking the fe of his spouse. The privilege of prevarication on Uils mysterious subject has alway been conceded to our sex. Nevertheless, I am perfectly sure that the mur- dever In his own mind fully justifies his action. Neither have I any doubt that the Tendertoin gam- fe ‘er who shot himeelf and the other woman fn the case because his wife had told him he must choose between eee : them felt himself to be @ much aggrieved individual. i] ay Oot ie (cans The masculine conscience ty altogether the most mar 3 lustre soln pale velous sauaurying machine! ever" invented sgn 2 BETTY’S BALM FOR LOVERS ed satin ator, aim played upon by woman, ® . Noes ae me but It would he just as righteous to kill a wi evening. There Is one thin make: Koide) pace ing, for breathing, for eating a mutton pre aa leor ive feubor tees Bhs lgsy tlle) obs] | te man and He to tata eves doen heer f9 Bld Her trond (necting ine) ood tte wht be found, Oe about h 3 | |tain expert advice on their tangled| | oall on her she receives me in the par-| night. T wish you would advina me how very Ught- er age. And yet even this has been finally put ‘aire by writing Betty. Let-| lor, but her mother always brings in| to arrange to eee my friend alone well cae aerial those ie I forth as a triumphant reason for slaughter et ters for her should be addressed to} tne tour yo stat mine uabs 1@ a it ur younger sisters A, sits them | I call on her with Vii these four Qts@ lous for a better excuse. iy and! | BE Evening World, Poat-OMce| in the parlor, and at about 9.80 comes | young ones there Fete 2 of the immediate pres- May Manton’s Daily Fashions. ae and becoming Tines to the figure while at the rere of he qumerous falisole# we so unlvereatly accept aa. truth te, the sen | ¢ = New ” in and takes them to bed and at the PERPLEXED. \ d ent socies tose’ of olga alg Aa eno dees ee HEALTH AND BEAUTY. [fm svfuvtaxae Se Tea | mee, soe Bes fos ‘ . men have the advantage of | 7s ‘a young man of m 4 f ¢ to render it de- i i 5 y * oi 6 2 ra mming. ae aay to twenty-five. That means she's at least thirty-nve, . aieerdan and consort a Peres 8g farina tei reed forthe of course,” Sometimes, harrowed by the pitiful spectacle of some bedizened sexagenarian ®lamoring insistently for ‘her lost forties, we vow solemn vows to ourselves ‘that never again, under any olrcumstances, under any provocation, will we lie| me silly tree times. Does mabe love me fabout our ages, But the nharited Instincts of unnumbered ancestor ‘are stronger she just trying to hmve some fun. } than our resolves, and et the very next opportunity we murmur the same gilb yy % chen the unbelieving ear of some women watching anxiously for am opening nat looks to me as df she wanted three irculation, The best way will be to | street, whioh my ly friend did not promote a better condition by astriet | like. She told him to atop teaching me | ™aiium alxe ts 171-3 Six-Gored Skirt—Pattern 5299. eee yards $1 or 27 or 8 attention to your diet and a habit of yards 44 inches while, {¢ material has figure or nap; 11 vards 21, & yards 27 or Oe plenty of air both in your sleeping , ‘wom and wherever you may be. Any 7erpatverm 600 in out in eigee for a 2, 24,28 ply to the surface] reliable phyisican sliould be able to i ei cure lingnose your case. This external rem- ody mag be of help: Muriate of am- H fe) FF Call er send by mail co TH sata, Maa Ee ste “aoe eine ob eal cease monta, 1 dram; tannic acid, 1-2 dram; | iow wo Hin. friend got very angry TON FASHION BUREAU. Ny. 2 Weat Twenty-titiru sipeet, New ; Ret ae a Naciouae it ses prea glycerine, 2 ounces; rose water, 3] at this and has not spoken to her since, Low, Bend ten cents in coin or stamps for cach pattera, orderes, soa scac aan pangs — eaten eee 2% and 30 Inch walst measure, 1 hers.