The evening world. Newspaper, December 4, 1905, Page 15

The E- LABYRINTH ANDTHE WAY OUT. i asd Comedy and Police Problem Play., F 7 Flr Ane ES peer N continuing “King Le | tons tt N continuing "Kin, or’ at th “ a By Roy L. McCardell. WaTeu IT Gartten Thukt thle weaker, fobs be ns “dithox offer toe it rie), y) apt . cit Montell ty doing. both nitnaelt |viry to stpplement. an maned te en and the publio"a service. His Lear js | bsidy by the sale of mn aguode soul dn sight, Loud ortes of truckmen heard protestinig that Mey | cannot orose the réver because a trudp of mounted’ policemen are threatening to slap om saucy news| doyd who are rushing out into Park Row and pushing over their horecs, thus dlocking the bridge. Ten thou. sand Brooklyn people prevented from going home ore, * laughing heartily, (Bnter Commissioner MoAdoo.’ He regards Trajfio Bquad with pride.) f tad these end good to thetr anothers! “Ah, welladay! Scene: The Brooklyn Bridge at ruth hour and not 0 | OMMISSIONDR—Brave Much as'{ would like to watch them, I must be on my way! (Bumps vio- lently into a young lady.) ’ : : f more. The latest is to have your friends put imprint tn one’s Kisa-album! McA4oo—A great idea! I will make al my polloemen ase @ mustache dye that wil come off. Then my roundsmen ean onl) on all taining {f man on post have been making domioiMary vist Young Lady—Don’t you think ft a lovely idea? Comminsioner MoAfoo~It ts grand! I wil jequad to-morrow. I will go home now and invent « special uniform for ®. (Dxits to Fr) but returns and begs newshoys not ¢: Gqued as they may have sisterw of thelr own.) | MoAdoo—A kiss-aibum ? . i ‘ Young Lady—Yos, haven't you heard? Mone of us wire collect ager bands’ 3 Es 3 2 3 Fi 2 AOT. TI. : ss ‘. nest with wings just able to bear his fleone: Police Headquarters. Commissioner MaAdoo distributing ameffe to the tenned twenty npg he Bei | weight professionally, he fancies thim- tores, Kehay Read pg enpeare at] yctf capable of Tearlan filghts Into MoAfoo—fhall a Bohemian piano-player heve any advantage over @ gaftant pale year ai You ate now the Muff Squad—- What fe ¢heit Gonfusion over tm the muff and he's terrified. McAdoo-—Is the Boller Squad here, and the Vieo Syved, and the Antibes Poultry Gquad, the Steamboat Squad and afl the other equads here? Alb-We are! MoAdoo~I have here a report from the Squad. They claim that rowdles have been pushing and jostling them around All—Yea, str! by { MpAdoo—If you see any roughs they showd be ashamed of them: A—Very mri MoAtoo— ‘Was it tracked Paul Kelley to hie lair and captured htm singte- as By Nixola Greeley-®8mith, , “ i & nioo ttle girl now and pay up.” Inspector Cortright—Capt. Fatwa can’t get his hand open; bie fist has stuck JIMMIE JOHNNYPA bi se a TR | OoF-My THERE'S THE CUCKOO Goin ’ X A : wes : Evening World’s Home Magazine, ™ The Boy that Eats Too Much; This Is What He Sees, \ [Yes THERE JT GOES — }. Gor ; OFFICE BOY NAMED BOB, Gani tromes but SY Nn ene ie DONT BUE MUCH ON US, had a2," more than a thing of white wig and Whiskers Rarely do theatre-goors have the opportunity of seeing’ so admir- eo a study of Shakespeare's grand man. Hut, while Mr, Mantel does make Loar “bvety inch a king," he leans @ Ettle too much tawanl the tender, the pathetic, the pitiful side of the role, At the same time, the obstinate authority, wilful arrogance and flery wrath of the king are tell- Ingly deptoted. The storm scene, over which Lear's madness ought to flash luridly, fatle @ ttle beamuce Man- ager Brady's tempest howls and thun- ders above the strength of even a voice of such power as Mantoll's, The storm couldn't act worse if it gore settling an old score with the weather man, It is tn the Intellectual aspects of the role that Mr, Mantell {s some- what lacking, In those bitter, philo- sophical comments towanl the end of the play where Lear's big Intellect, though tottering, still shows {teelf, it seoms at times as though Mr, Man- tel wore uttering mere words, the full import of which he had not grasped. As a whole, however, it ie a fine characterization. It le, in fact, the most noteworthy achievement of the season, eee T i* an unusually Interesting fact ‘that nearly 6,000 adhool children at- ithonel nativity of ths People's Inmtitute, theese very young @hulwepeartan stu- “ents have mailo the most of \heir op- portunities, Gecretary Michwel M. Davia, of the People’s Institute, t in recelpt of many letters commending the ‘work, Mr. Richard Watson Gilder, editor of the Century, wrote: "A People's Thea- tre, of a popular and educational char- ‘acter, we can ard must have In New York, The effort of the People's Inati- able ways of reaching the people on the nesthetio and imaginative side. ‘Julfus ‘Caesar’ was written to be played, ant Pidyed before the people, and I bellove in mnlcing euch @ drama acceralble @, and at the same time pre- ecrlously and with Intelil- f | rmavsical and dramaitic ments of the first quality are to many people probieeory H, Hamilton, head worker Mr. James ty Bottlon ‘Of tho Theatre | casting me for @ serval ule of prices should be arranged ; bring 10 ne large a, mumbo ae possible who €ou | Uharged at ur commerca theatres %? | ‘+ | NOOURAUBD by ae smrwogn of 18 efforts in the achoola the Paople's Institute proposes to carry Bhoké. *! epeare into the department stoves, (> | place the bard on the Intelleetual har | | 8ain-counter, 46 t& were, by offertur é Uokeis to clerks at the gchogl-chfldroy || > price, 25 and §0 cents. Negotiations bow. 9 ard this end gre now pare: 1 See Per with Mr, ber 6 ; | hoe r in T a dinner partya few evenings ; $ | ago Mrs, Sara Cowell Le Moyne | gave some opinions concerning | — the teaching of dramatic art, Mrs. D Le Moyne had recently relingutshed professional engagements and Wes, « taken up dramatic insttuction in New © York, Sho sald among other things; § ‘It 1s a strange and @ad fret that @tage technique bas no acknowtetgind masters, Where can you find a young actress or actor who 4» willing to ad-” mit that he or she has acquired pro- fieleney {n the art of acting at the hands of any instructor? In all other arts, sclences and crafts, puplle are proud to have learned from great teachers, But a8 soon as & young player takes fight from the mother fame, Graduates from schoola of act+ | Ing, and those, too, who have re | celved private Instruction in stage art, | Invariably try to conceal the fact of thelr tultton, preferring to have it | | thought that theirs is a God-given inherftance, and that ‘genius burns,’ j than that of thelr own ambition, ; i The wett-satiafaction of the average " fledgling ts the hardest thing aainet which the stage manager has to fight “This fault, and the eternal combat with monotony, are the greatest of all 3 difficulties with which the Instructor a + |txas to contend. : "Light and ehade, even If once un deretood and acquired by a pupil In dramatic art, are sadly enough not i } lasting qualities generally, Young men f and women lapse into the ‘dead level of the commonplace’ in voice, gesture, even in etage presence, and these faults are the surest enemy to success on the stage, “Actors and actresses who are thor- oughly -versed tn thelr profession have ; constantly to guard themselves againat the temptation wf falling into the $ ‘monotone.’ But too often the young i player imagines himeelf beyond the ne- "Os cessity for cautiousness tn this regard. ‘The result 4@ the colorlessness of many ! ot the performances given by aotora + PY appearing in amaj] parts. “Young playera think, too, that «mall parts are beneath thelr dignity, I re; member one occasion when a jupil of ming @ yo ‘woman of excellent fam- tly Qnd breeding, was onst for a ser- vant, Bhe came to me in great Ne ° elon. ‘How dreadful!’ #he cried. ‘Why, dear Mra. Le Mo think of thelr, t! I don't know anyfuing about servants, How can I possibly play one? When I told her in reply that she must learn to play & servant well before she cou, hove to nave leading roles, and that she ought to be grateful for the opportunity to Fs ‘pr ‘and to use her yolce the Ut ment, says; | cain ‘presence’ an: i PT rool very deeply that the stagé shoul)! | throug the medium of such a modest (AW om pot voon int Mion yart, she was quite hurt. ‘I'm sure,” | ahe pouted, ‘thet mamma will ne ist? onsent to my wearing a servant's Un! g 4 oo il6 surgst way of mak. | form. (A, & Ml Segoe. best culture and| If only we could have more eer. by é the and per-|vants and fewer bad “ladies” on the | ™§ vasive. shoud therefore be sogsse stage, what & blessing It would be amine with reference to the greatest ca~ CHARLES DARN'TON, ” The Time His Wit Saved Him, OT tong ago,” sai4-G, K, Wheel- er, ecoording to the Kansas . Clty Times, “somebety in a of us men foafing in the lobby of/ong of the big hotels suggested that ‘we Go something for the girl in charge land, She had always ‘Tim Cotter spoke upt ‘and gloves and I'll buy the dress.’ “The rest of us told the girl next Ao agreed to get me a hat and some stines *% and gloves as you suggested. Are you going to buy the dress? “Ot course,’ laughed Tim. ‘What will i It coat?” ; “About $40,’ aid the girl. Tim's a bachelor, and the price came as a sur prise for him, He estopped laughing \ SOME EXAMPLES OF “FRESH” MEN, HOME HIVES” | BETTY'S BALM FOR LOVERS, | 28AUTy nuns, URS i Gtr a nm mre ’ Margaret HubbardAyer| pare. You fellows buy the shoes, b8t | coter,’ sald the itl, ‘A #20 drens will ’ @, Tl just kook off half that $0." “Quick as @ flagh Tim replied: ‘Well, ‘Thus, apcording to Miss Anheuser, Leute 1 . hetrens, « collector who called at her Big to nak Remedy For Pimples. vee Bajar hy gre pte: ed a frog hey Seed feet of for’, balanop she owed on # photographet’s Dill urged his K-—Wor pimples try the cream | evening all of us, including Tim, were ‘ cf ‘ half,’ $ I give you. For the blackheads | talking to the girl, when whe sald with | ‘Tim's quick reply polled the scheme, of aa be sure that your face is first Of | a smile: We changed our plan and bought the in my al! cleat Scrub it with @ brush, soap| ‘Mr, Cotter these gentlemen haye 'girl a present of another kind," i olen and water every night tn the week. It ice note, him | blackheads flourish under these condl- you would like to ace him, ‘ate|tdons write te me and I will advise sorry you had any misunderstanding, |somothing more heroto, A Fickle Man | a bens, pood haiti Geet Der cane: ) Be! rent Lie, Seat ah ed May: Manton’s Daily Fashions, AE ctroular ekirt in all ite variations is % i iy pronounced favorite of the season nnd fs always graceful and attractive, This one ts among the newest and com~ bines the olrcular portions with a nar row front gore, which -is arranged to give the effect of 4 double box plait. ‘Dots plait ts etiteh- ed fiat for @ portion of ite length, but falls free below, #0 prév! ding’ both fashionable and be- coming flare, In the Mustration the mar terial is gray Vene- tlan cloth trimmed with bands of the , matena) finished with pointed ends, where ornamental buttons are attach ed, but all sulting and skirting ma . nn terials are Appr ThrowPlece Clroular Skie—Pattor No. 6219 rive and the model will be found equally appropriate for the Jong skirt of dressy occasions and the #hort one of street wear, ‘he quantity of material required for the medium size to 7 yarda 2, 4 1-2 yards 4 or 21-4 yards 8 inches wide, with 15 yards of banding to trim. ae tine ‘j trated, . Pattern No, 6218 ts cut In wtxew for a 22, 2, M4, 28 and 80 inch bust measure, i N BY | il i be z i i ai J 0 K team when you go to bed, doar? T want 8 60: etn wae bo go to steep,” A ot ae Nor send by mall to THE HVENING WORLD MAY MAN> foe son} FASHION BUREAU, No, f West Dwenty-third street, Ni bavigs York. fend ten cents in ootn oF stamps for each pattern There | “TaPONTANT Write. yout name and address piinlr, and 4 Patter? ways bay wine Wan $ er LT RTL OTR