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HOT Tips. By Roy L, McCardell, The Letters from an Insurance Man Abroad to His Son on Broadway. Y Dear Boy: M Letter to hand in which you tell me how grandly you did without money when my check was delayed last week. My boy, don't propel any poties at yourself for that Anyway, no man has a right to pat himself on the back Unless he is in Boston and does it as a stunt to'show how crobked the streets there are, In the words of the poet, Nix! Anybody can stand bad luck, my boy. They have to, Most everybody is ysed to it and inherits the quality, It's only when we are tioh that we pity the poor devils, Th poor devils don't bother about It except around election time, when they are reminded so much of It by sympa- thetic politicians that they get neal worked up about thelr wrongs, But between December and October they forget it and witiatle thelr hardships gayly away. » ‘The thing that proves whether a man's yellow streak 4s Invisible ochre, & thin, veritable stripe or a broad band of yellow as wide as his back 4s—How Dots Ho Stand Prosperity? Fortune ings at every man's door at least once in his Ufetime, The improvi- dent have let thelr electre bell get out of order and don't hear her at the door, but the wise ones waiting for the ring rise up and follow Fortune, + Here is the test: Bome only get @ little way and their heads swell till they Push Dame Fortune off the path; then, having no gtlde, they lofe thelr way, ‘walk in a cirelé away from Basy street and are back through the brambles once More in dhe, Land of Down-and-Out. The man who dosen't show the yellow streak when prosperity comes to him Keeps going on and up unt! hie position on Rasy atreet {8 so secure that all Tom Laveson can write or Lawyer Hughes can ask ‘him can't take away bis dough even If it relieves him of his reputation, © That's how #ome successes arepermanent and some only transient, my bey. ‘hose who get nervous prosperity, the big head and the yellow streak go back to the gutters whenco they came, Zs "No, sir; take it from me, more men give ap in despalr after they've landed safely somewhere, mostly from the reaction, than give up seeing no chance to move away from Poverty Row. Anybody can stand hari luck, because théy have to; and, take & from me, Ghat hard luck Is often the best thing can happen one—after it's over, T don't know whether these Sermons of a Sinner interest you as much as the ‘ money I send. Advice is 80 cheap that I feel called upon to pay you for accepting it. Of course you won't follow it. Nobody does, But the most pleasant thing about the accumulated sagacity of experignce is the chance to tell it to some one, T seo by the cables that it'r all coming out about bow we kept dishonest hands off the widbws' and orphans’ money by putting it ih our own pockets, and yet the pollcy-noiders don't seem grateful. No, I haven't seen Piolds or Judson, but Andy Hamilton ts etill abroad for the good of his health at this writing. I note your startling information that {t tsn't good form to wear an opera hat; that nothing goes bul @ silk one with evening dress now. But I'll bet the commuters in town to seo the ehow still sport the folding hat, How can you put a silk dice In a dress-suit’ case? Well, be good. YOUR DAD. ot ~The Girl from Kansas. \ . By Alice Rohe. ‘BS, we've had an bog and bagguge, and caught us getting awful time with] our Jungh in the Httle kitchenette that Otle Bigsby,” said) we have always kept ae one of our the Girl from Kan- d secrets, sae. “Her real) “She announced right out that ehe hag name's Leotl, but} come to visit us, and when we told who's” Otle = for! her we didn’t have any room at all she short, You know| sald, just as frisky as you please, that what she did?/ she never saw such a tempting looking ‘Welt, dhe got the at tub, that _“ OS Ee ‘Such a time as we had wi Prairie Flower leat night! We to the theatre and she nearly panko because she couldn’t see thing over the colffure of the perfec tady who gat in front of her, “Otle sald she never had agen such « thing tn . buna, afin Wey, back to, Wau- Way, Maas tue vi tethe 2 E i re Fe? = it re “Ole simply furious a wee! ie one side reece oh ot ¥. she of ber about k your belles,” wald om nue our misionaries betler ‘wo! “Lulu-Bay, dad, wot's de matter with | ot home,’ the baby? He ain't smart. Wiy, f heard | 4,7 don't now what Tete ele de washerwoman's ba! ext door, #ay! these primitive ideas 108. of ‘our highest civilieation’ | THE FINDING OF AFFINITIES, By Nixola Greeley-Sniith. uw divinity may be only on nats Sossdtom be bak ine How shall we got toxe \ ‘Setobat’ bar By F. G. Long’ Tuesday Ev ee sD ow Re Not a Joke? Magazine, ening, She Learns an Ans oo & Riddice>~Wh THIS 'S A SURPRISE! [ MUST HURRY AND MAKE MYSELF ON: FINANGE.|Papa’s Gir I wore SKE WONT GET i fala wat remap in . VAN ORBILT La pihle) ‘S IMPATIENT WAITING tal tae AND WANTS TO SEB ‘OU ON | |MPORTA\ Us nr ues was made over her {9 some quarters. DON'T BE SEVERE THE LITTLE U ard bean Sin ay WAS ONLY Foo.InG You. IMPRESSION jbut as a steady diet It lg not always COULD you D5 | ANYTHING WITH GEE WHiz THATS ENOUGH T'DRWE AFELLER NUTTY! Lost, Stolen, Strayed. Broadway's One Best*Bet. By Albert Payson Terhune. Mega AbduWeh! Pasha, King Mone: | Part of that came wed of dough— (Canis ot wine or “wheel” or race)— Ab! You've struck the proper place! Not @ Broadwayite will say: "I Won't “ouch’ Bl Hage Abdullahi!" your load of frogskins grieves you ere are ind folk to relieve you, you geek a demonstrator Of the “Money Separator,” Right here on the Great White Way, I Taink you'll find one, Abdullahi, | Purther Kindness they’ Back to Menetik they Bend you lavelied Think of Menelik’s sad Ne‘er shall live to see the day I et parted from MY pay! 1 layed you for & jay, my | Hage Abdulient! Uk'a richest subject, is here, ~News ttem.) AV'H the trumpets! Blow the flag! Boreesh & welcome to 1H) Hag! He's the plunger that can play Creed with dough ls Abdullahi! Tet the druma and opmivala crash a Come-on to the gold-fjled Pasha! ‘Whon (in Menelikvitte Cur) Folks would boast how righ they are ‘They announce: "T've gat of cath a Fraction jess than Ab, the Pasha! ‘Though wellshesied 1 still m: py aves Mf ©) Bow to El Hage Abdullahi? no one been Hinge, ok hoss, tf yon would blow a |The night it bas a Siousand eyes |The patient witey’ | ‘the Wabbly moo jAnd tholr grinning When hubby chic comes hubbing home ens ee Western rancher last night. BEGGY'/S BALM FOR LOVERS. |" rather mean to talk the other itl over with you, He may talk you over wich All you can do Js to wait for Mim to choose between you, long by being as BEAUTY HINTS By Margaret Hubbard Ayer, A Good Hair Tonic, All perplexed young people can ob+ taln expert advice on their tangled love affairs by writing tera for her should be addressed to BETTY, Post-OMice box | Fig Rolls,- / IFT together one quan: of whole ait, teaspoonful of salt and two teaspoontuls of hak- ing powder, Rub into thie one table- spoonful of butter and one ess whipped light. Make a soft dough by working one and a half cups of milk into the ually, but do not allow ft to wot. Roll out qulelsly walt out inte oval pleces, epread over halt of ip the choloe a and preity aa possible, .4| Her Sister Insulted Him. young girl of seventeen In/ oung man of. ul n dearly, One nj ey and he tells me he sth have not seén him for a mu think it would he all tvs does not como up? Mf you like, write to him como some partivular ti S Does He Love Her? AM 4 young Indy, very pretty; in fact, OMe of my male friends tell me 1 agh perfectly lovely. 708 Without say. Ue be kept thor- omDIY clean to In. | for me, He went #® srowth and| qi waists, no matter You Wa: INsuL Me 5 nt te ig carofully > shaped n « er the latet 2162 doame; Uucture of cantha includes AH th drums; rome water, 6 drams, 1's, ving it Well Into ti For Falling Hair. GrAn abnormal otty has ay auch to do hair es deyneos, ar cane Sk tahest to have the » Tho reelpe I give Makon us unduly hui Can She Win Ineteon’ gid Ami iN tovo with ‘man, twenty-four, Joe ways, The nek Fean bo high, falstied vith a stock colar, Young girl net quite eixt Much for A youn older then mysel) to pay his attentions to a oon tale | tle, Cheer up. gral | out low, or hott } oe} rose. 4) ges ‘For Corns or Callous Spots on. “t wide, Hore 4 the formul, Quire for a corn plaster; Roos. * wax, 4 parts; Burgundy pites, id Venlve turpentine and sha ur Rie Me is eg Tor he, tap Gyiartas anelt, ad fine ‘stir, the) mass until rt HE OST any one can make a ‘ite. 6 A covery” on the Bowery, yen |? the poiles do that every now then, But to go slumming, as it were, |q) for a “ capable of binking at |the be Broadway, or making Broadway. bunk, |™ {# not suet an easy matter, \fomaneo When Mine, Kallch was brought up| pralee, wi to the Amerlean Theatre trom the lower enat side Inst spring a great luliasaloo | Bhe let herself loose in Bardou's “Po. dora,” and waa at once recognized as aving ‘“temponament.” Like the table hore that comes with corkless wine, 'y Kolker as Guido Colonna, ste had @ foreign flavor, That sort of table d'bote 1s interesting for a change, nourtehing, Mine, Kalich as a steady det was) the proposition that faced a critical and | sensitive audience at the Manhattan Theatre last night, Mr, Fiske Maes duced” her, He also did the bonote for the stijl more foreign Maurice Mae- teriine! Tt ia scarcely a gallant thing | to say, yet it must be sgld that it was Maoterlinck’s night, ‘Nhe one drawback ) was that he was not introduced .under | happler auwploes, It Julia Marlowe, say, had been Monna Vanna, the cable woul! probably have been singling a glorious midnight song. 16 come dluntly to the point, Mme, Kalich was disappointing. She has toned down her former “high lights, that were as i om ; , but she te ati guilty of crudl- | Tes that bar from the romantic ret “Fedora” she Lait night whe pitched Moana Vanna in a high key that was perilously close thins in the firet aot, and that rrbbed that beautiful pagwage at the clone of the seoond aot of all meaning, There was little sugwestion of the naorifice that Guido's wife wae making when he came to announce her decis- | fon to go to the Miorentine barbarian to save her besieged Pisans from hunger and slaughter, There alo an ab- sence of that otarm for which the am- ourcus Prinsivalle was willing to pay the price of @ clty, For @ moment, though, when ehe appeared as a @ap- “Brady” Mob on Bosworth, Then it was that the three minutes of fervid (if not scientific) bat tle work threatened to wipe out the , delirious three, main ‘Richard Il" was well staged and mounted and (he costuming was artis ” Colly Qibber version of the ‘A mob 900 strong took forcible and olamorous possession of the Garden +] Pheatre stage last night at Robert B, Mani production of “Richard I.” Tt was a Brady-drilled mob and pos- seined all the spontaneity and clever wring of tar o enisetions. | " v4 were mo er ‘crowd -effe: the evening, but {t was not until the battle scene that ario fairly threw away the lid Pa he rts his’ Three Hundred fo —~——+ +: Ben Greet’s Players, offer "Much A@) About Nothing’ and “The Merchant of Venice.” third week the}: will act “Machath,’* formanes of "Henry V." In the Bitz. | The fourth week will be dévoied fo “Yume bethan manner) Next week they will! lus Casnar,” $e —-——_—— Fahersham’s “Squaw Man,” for the sake of Ilana, the Bart's -wite, who returns Jim's love for her, Jim oes to Wyoming, where he marries an Indian girl who saved his life Oy tilling’ At Mendelagohn Hall Ben Greet's Bnglisn players began a four weeks’ geason of Shakespeare by miving a per- Wittlam Faversham discanted aswell evening clothos-gray and otherwise along with other habits pooullat to the high-life dedma, and took unto himself the raiment and the role of a wilt The play was "The Squaw Man," by Hawin Milton Royle, and the scene of Mr. Faversham's defestion from the ranks of pollte soclety was Wallack's ‘Theatre, The story ot the four-act comedy- drama is that of Capt, James Wynne- gate, who takes upon himself the gullt ot hs cousin, the Barl of Keshill, who has embexsied, The sacrifice 1s mado MAY MANGON'S DAILY FASHIONS, ERFECTLY _ fit tng foundations are neeled for ow elaborate the out 1o maybe. ‘The very excellent model show features of fashten 1a tt ean be male aiiable in a variety round of square out line as may be liked, 4 the portion below the waist Ine over smakers yards 98 inches. wide monnere. AAA AAA NAAAAAAAA ARMAND dha Catt or send by mall to THB BY! TON FASHION BUREAU, No. 2t West Twenty-third atreet, York, Send ten cents in coin of stamps for each patvern i IMPORT. ny ur name and address plalaly, : ‘way specify “MONNA VANNA” Badly Acted but Finely Staged, om in the we prt it onty Te ate ndon's cedéar f toite Hor jthe at | doubein: pasons” he! n't Mme, Katich almost Vb errated reputation, olled it all by mumbling and) ¢ ines like @irantie, ” mon that was leeitating, an! t lett hor words on ‘hie the purpie ro Vanna becomes her mio. did the firery of Pelora. the charm (hat the role requires; has sho the dignity, ' ‘The support was inadequate. sould blame a wife for from a iusbend like Mr. Henry Kal whose Guido ran io peranration seemed more like the captals ball team than the commander Mr. ‘Tyrone Power ts the Amerioan actor it Frederick’ Perry fatled to re who talks beautiful much, It was Mr. Leonard Shopherd who made the one distinct Impress! Trivulzio, he looked like wy Inting, and he acted his one scene Poinaivalle's tent with keen intelit- wence, though obviously after the mon ner of the ‘late Sir But tho greatest credit bel artist Who stage the play, . | Were admirable and the mob the moat fal, the most carefully worked out in dethil of Individuals, and the best managed thet has been seen ih many & It overshadowed everybody bisa mh production time of Monna Vanna’'s arriva. oriinck’s drama is almost os sit is readable, It is a pes combination of ly author's reputation as a that can easily be com- CHARLES DARNTON, memory of tho: as Buckingham, and Marte sell. as Lady Anne, Jim that he is Bai lem of the wife ts herself when her cht! er to be rent back to In Mr, Fevers} sae support were t Be . Selene Jobhson, Selina Fetter Royl Mabel Morrison, im ie K, Jerome and sham, and joinel in the enthusinatic de~ wee for @ @ptech from the star and Model Basque--Pattern No. 5,182. be pointed or round, ao that Very need is provided for. The sleeves are the latest shown and dior the mode! will be founda very generally umeful one and a help ty hoate a9 well ae a genutno convenience for professionals. In hte inatanes Jo of tatiota, but all inings can, be ysed rantity of material required for the medium slae is 812 yards ot inehes. pither ¢ NG WORLD MAY MANs ¢