The evening world. Newspaper, June 13, 1904, Page 8

THE WORLD: MONDAY EVENING, JUNE 18, 1904. AIAN AAA ARAN enn nnnennl : AAAaven’ AA AR ALAAAAAAAEATSTATETEOANO2' wae em From Flooded Galveston to the Blue M ~10,000 editerranean © "ine OUTI! Gs. aii VAATED OLA OTOTED 099 000000000000004 rises and Spreads its soft moonilght, mer prosperity a pitiable wreck. over the mist, The brightest stars, A feature that McKane and Potter which are not dimmed by the moon-| have accentu: d is the dramatic read- twinkle above the unsuspecting| ing accompanying the production. | ‘They have engaged James B. Driscoll. On the left the Hehthouses send forth | late of Frederick Warde's company, to | | their protecting give the lecture, and his dramatic read- | a vessel ams by with its a pr worthy innovation. { 1 low. Now comes the excursion Hall, one of the most) bout ck, the Nghta shint. while | men in the business, staged | f FEAR ENB COHIRA HORSE he production, which is a sight every | Ing. The excursion boat passes, others! visitor to Coney Island should see. ® come and go, Over on the wharves came rd the singing of Soutern| Haven't you heard of the famous \ NeiNccasmilb é French Voyage or Mediterranean Trip spective effect the coast of France anu| {figh noon arrives, and with it Al- times the sound of “Nearer, My God,| in George C. Tilyou's wonderland, | the blue waters of the bay, This is the | <lers. public to have the great daily papers lying peaceful In its feeling of eecurity ee Steepleohaxe Park, and the Galveston | start of the trip, Bon voyage and you} Algiers with all ite minarets, its red at thelr command. Spt, 7 1aw, “Phe iatnintire city te bere| The night progresses, One by one} Flood, on Surt avenu are off. All over the broad decks the|r:oots, a realm of white struck by the But a visit to Galveston at the time fect in deiatl, The scene, of course, | the lights go out exc a few along; In one you can have a two days’ passengers can wander, but it Is need- 1 flood of the sun's rays. Algiers of the flood and at on ie Mediter-) shows the commercial district: on e | the waterfront e ltrip in fifteen minutes, cruising the; les« to say all eyes are fastened on the | pictured in Its seaside glory, interesting, PAaee worves |bay, with the wharves, from which are| A fire bi Alstant part{ Mediterranean from Bona, France, to| changing scene. Rv careful, for as with| artistic and wonderful, The fishing boats eaceune lisditee tunden oottunVandtoter ielutertal |'oeNtte aity! aon cicurd aa ittOran, Algiers, In the other you can| the motion of the boat you see the boats {and sail boats crowd to the wharves, Who fs there in all the elvilized world | into the yersels fs extinguished, The moonlight glistens| De carried hack four years and be made And shores glide by, you may get sea-| while others nestle close to the broad who has not heard of that ible dis- | in the f round Is the water of the | on ‘aters of the buy, and all is] Witress to one of the greatest dis- sick, ao realistic In the effect, but there aster) (Che Ghivealon: flood) when) hell hav; winle WL ihe dere de the Gilt of |\woll asters that ever befel an American city.| ix emall danger of this, as the words fearfil hurricane rushing from the West | Mexico, Galveston beg practically an| Inthe beautiful effect of the moon-| Wonderful things, to be aure, but the ful thirty-six hour voyage only take Meland. Tn fact, it ie mare like Rock-| leht playing on the bay one of the} two exhibitions are wonderful, and for you fourteen minutes! White the g away beach, from Hammel's to the| most artistic effects in the production| the reason of thelr diverse instructive tle movement of the stately steamer is Polnt, except the elty Is about two| is brought out. and entertaining possibilities The Even- felt and the subdued thud of tts mam- miles across. The tw lighthouses at In fact, throughout the whole pro- Ing World has chosen them as the two) moth machinery the passenger finds Point Fort, surrounded by trees, and/ duction the elect ‘teal effec are won-| offerings to give its news merchants | himself entranced by the beautifui ple- Point Boliver, stand sentinels. derful and in the varied progressions his week, tures from the boat's side, The city itself snows a picture of pros- | twelve atercopticons are uscd ‘The tickets are good for any day tl!s' Starting from the port of Bona, the ra Lhe‘big wreen elevator iv on the| Dawn breaks, then the rays of the) week and the beautiful voyage on the picturesque French port Hes In the arma ft. On the right Is another. Smoke | sun peep over the housetops, nean and the view of of the sea, softened by the dawn just a oe ee centackw of the factory.| Galveston, the clty bullt upon land veston disaster are ready for; before sunrise The green trees, the Site along. the whiaves runithe freighc| so unprotected ‘from! wind and rain, its) Tle/ Evening: World's guests houses and bulldings nestling on the trains with th loads of cotton. highest point not being six feet above ‘The French voyage or Mediterra- | pri montories, the rocks and hills, all Faeeaeene eeila at the watemstront] sea level, awaken for its fateful day.|nenn trip was chosen for, The E ening) part of the beautiful seaport, the ships D port oa oe tae a en vg ft approaches noon ominous signs] World's guests on account of its su-/in the hurbor, all are softened by thy are pertect—the Rangways, Me WhATVeS, | nt eet themsolves, ‘Whe eky| Perlor Interest and entertainment; being) xray dawn. Gradunily the sun rises and is SE CIHIKE eigeecuee eeaena. The flags on the flagetafts/ a8 educational and instructive a trlp| the whole sea and land is bathed In the WARN ciey Auisicdite oie t flout, etruggling in the wind, The trees) @s though the real voyage Were taken,/ gloricus olden light, changed from the Rexas city. Stretching back from te) i. tng aide foreground wave thetr| The Galveston Flood was secured as a] first pink tints into the real June light Tremont street and tte ether thorough, (urandves and bow their heats, ‘he| @rést ‘Meture of an important historizal; As the ship moves on the emerald green Lana the terapeotive ta wonderful Ai.| Wind whistles, then grows louder. ‘Tho! event., It 1s an attraction that teacies! waters of the harbor change to the a 8 | Al-| Venting flashes, thunder rolls, the! the story of the great disaster, gives a. crested blue of the open sea. taough official warning of a storm was] Wi tors of the bay become angry und) listory of the itifated city and at the! Tho etfect of changing daylight dur- elven on Sept. 7, Galveston on that diy] tirash and seethe In fury, Here «| Same time Illustrates the wonderful) beautiful and wonderfully artistic bit ot wis unconscious of its horrible fate fire breaks out to add its horror to| Mastery of mechanical and electrical) rcalism seen in any mechanical exhtbi- The wonderful mechanteal reproduc-| ine scene ‘There another leaps against| Problems which sclence has reached. tion, The xood ship Is en route for Al- Hon-—but one forgets It 1s a mechanical| ine sky. Cries come from land acd| TO take the French Voyage, of course, | lers, and the picturesque sea voyage is dovice—shaws the town in all its at-! snore, A sudden darkness falls upon) the gates of Steeplechase Park must |Teproduced with a minute delicacy of de- mosphere of a peaceful, busy city. the town, Tain descends, ‘The waters|be passed, but ‘the Evening World's [tail which js necessary to represent that On the bay wails by the bix excursion! pecome more and more ugitated. ‘They|t!ckets offered to its news merchants |{desoribable charm of the Mediterra- boat, the City of Galveston, filed with} jash and beat. Then the horrible, i.e Nt only admit the holder to the great |Menn. \ high wails of the Oriental city. SROEES awful hurricane, the “sea tornado" rip-| French Voyage, but are a general ad- ere you seo a gleam of light that} On the salp moves and the Frenc ee MiGon RA boate eaional ping up the bay, sending it into a white! mission to the great seaside wonder- ee ae os ara) distant ship. | feet is seen in manoeuvres in open 8 0. sloop oats unlouding at Bere land. road sunlight strikes full oat “Joan,” the docks.’ The express ,crosses the enya Tea vaca iswacl auneuneasy ice What ts the French Voyage? It is the| slant across a mountain. Medion aS Masel Svan c the (passenger, locks ,0n eae, Indies, tearing up the sea. sending the|>ridKe connecting Galveston with the| doom of Galveston. most exquisite and wonderful stereo-| Here a trader ploughs by, her amoke|Next ‘s passed tho warships Adini @ ship's aides at the sea and shore, tidal wave Into» fury, brought death |matniand, ‘Tho city, with tts packing-. Horrible crasies are heard. Before! amie production ever exhibited. Proof | trailing behind, and then in thé atrong|Renoun, Empress of India, Vice-Admir prcclllball Hi Beedle oat) A! aid acatruetitnltolacpeanecuiraity? houses, its warchouses, {tn elevators, ita) the waves reach the factories an ox-|¢20Ush of this is the fact that it tool | breeze the British Mediterranean squad-|Ramillles, St. George, Gollath, Furl papa aera Ma ALLL ha 2. lonvatitnartinerer ii Onelot thelas ficent produe-| Water front, lodging-houses and ss plosion is heard, A flame leaps forth| the only prize awarded an amusement! ron comes ploughing past. and Dindem, The smoke fron: the stack-| Wren it Je mec ter and a two days' | tions of which Coney Island can boast|!* full of life. ‘Then the wonderful elec-| but soon disappears. The roar of the) ©xlbit at the Paris Expoaltion. When the ship passes Bougie with}°% the vessels forms one of the mos: ae ee Heceenany, to Aten OUY ones {he food alana er aeditorvancan! |{e the, clatorate. ew: attaction. jeat |tHical affects which make the “Galveston | Wind, the booming of the water, use| DO You want a delightful trip on thoseling mountains of Kablin and Cope cox, | Mz2ling and realistic bits ot datail in| a fansway into, Steeplechase Park 4 Bese are two remarkable trips The|completed by McKane and Potter, the| *!004' famous begin to play. crash of buildings 1s vivid realism, most enchanting of watere—tho Medl-| boy, te is supposed to be 10 o'clock in(tt® <htire vroduction.” The aun ts] ever‘ one ao soraplevely, absorbed fo the i World in uiving. the great [Galveston Flood, Ip an artisite white| Sunest comes. The eky pinkens, Then| The plcture of the Waters teoming ang|terranean? Well, i can be enjoyed} io oming, the ship having left Bone | esine the lights and shades on the| Veoenre of the eccheaine woveen ot newspaper merchante thie |bullding of ornamental design, with| the city is shrouded in dusk. Lighta| seething in thelr work of destruction] With ell reallan at Steeplechase Far. SAL Mi. The Gen to care ting ne | water in exnqulaite tints, and before Oran |; (renters ee ree ty handsomely decorated foyer, the great| begin to twinkle In the buildings. ‘The|!* one of the most magnificent eleotrical| First of all the passenger, before) © 7) 1 ue tae 8 Miunering t0 4/\s reached tho broad path of bright sun. | 35 0% Veen. can auph a thing be possible?| mechanical production is given in an| waterfront, where work goes on all | *ffects ever produced. starting onthe French Voyage, sees|sger Breese, and the lght on theliisht, making ite way across the blue] jp wee some cane oe re eerranean Temember we have a Coney Island {auditorium accommodating 2000 people. | night, 1s soon illuminated with its ‘long-| How the very apirit of the horrible | bis steamship full rigged, built, equip. | leep blue in color—sparkles like! waters, announces appronchine sunset | (i Was Shown only at the Paris Ex: our midst, and there all things are| The production is the bixgeat of ita| shoremen'a resorts. Then the row of| hurricane can be caugnt by mechami-| Ped and launched in the | centre of TAcah onvesseabelanal invil t Oran is reached, and the glory of an| Mary grand prise awarded for an geauset e. kind, aud Atty employees are used in| lights along the wharves are lighted, | Cal and electrical devices is the secret | Steenlechase Park an one of the big Ja-| | thar Rewsen by and in tis trail fol-Veantern sunset bation the son and Innd| cade ern oe Baris Coot, Lond P fen thousand tickets for two of the|runninz it, twenty stage hands alone] making a bit of realism ao artistic ag| that will make the Galveston flood | © é ‘i sed-dog” leaps|in the romantic splendor of the sink- | Tent ud at Earls Court, Londo: tg Just Mke @ real seagoing vessel the |in the water and all the details of th sink Phe success of the French Voy Rreatest attraction: have been | being employed. to cause a suppressed gasp of admira-| famous ship {s reached by a broad gangplank| scene are perfect. sO Ces Silke aretoiu, adeata tee I Becured by The Hvening World, and| ‘the stage itself haw @ front of 66) tion to stir the audience. |. Aw the fury of the flood abates the| trom the mainland, while the watera| Over the gulf, where the breeze ap=| yond gatuite opalescent tints are he Tea Glarette Carolus Duten and hore tickets will be distributed among |fect, and t9 45 feet In depth, But the beauty of the scene Is not| waters gradually subside, but when| of tho lagoon lap underneath. parently ripples for miles, the eye |sot fa the ore tte Sowing: sun- pier tats orien che arcane I falthful army of ‘newspaper mer-| When the curtain risa it ts on a| yet described. The full moon, at first|the light again breaks upon Galveston | Once in the boat you look,out aver|seame:to look toward the horison, Thelirige tes, Wns Pleture for the pas- j Author of the wonderful work Af Fran: } nts who make {t possible for the nicture of Galveston, Tex.—Galveston iidden behind the ateeple of a church, | it is a city of the dead, with Ite for-|the railing and see in wonderful per-! perspective is wonderful nee iota upon the French voyage to lust | ge ts equally beautiful by day or night — ~ x = — - _ - — “pon. and {s a trip one will never forget. ry i? A ° ii of Photographic Views of the< & Great World’s Fair “< at St. Louis. \g HE MAGNIFICENCE of the St. Louis Exposition surprises every visitor. - One hears the remark: “/ didn’t think it could possibly be so fine’’---yet fine it ts, and it stands a monument to the men whose courage, enterprise and devotion made it all possible. To see the Exposition is the event of a lifetime. The next | , ; best thing is to secure those superb photographic reproductions comprised in the J World's Fair Photographic Art Portfolios. | -, These splendid views, with their accompanying description, afford a complete record of all that is going on from day to day---a record equally interesting and | * valuable to those who see the Fair and those who do not. For every member of the family this series provides instruction and entertainment. The World offers this extraordinary series of official FOR EACH photographs to the public at the remarkably low price of 10 CENTS PORTFOLIO. It is only through a very large edition THE WORLD is enabled to make this offer. The regular price for which they are selling all over the United States is 25c. per portfolio. . GET PARTS I. AND II. TO-DAY. | Then Judge for Yourself What They Are Worth. Each Portfolio contains 16 photographic views taken by expert photographers, The most skilful engravers have been employed on the plates. Printed on heavy plate paper and bound with an artistic cover, size 11x13% inches. FOR SALE AT THE FOLLOWING PLACES: IN NEW YORK: ALL WORLD OFFICES—-Main Oitice: 63 Park Row. Harlem Branch: 211 West 125th St. Uptown Office: 1381 Broad. way. SIEGEL GOOPER CO. (Book Dept), 6th Ave, isth and 19th Sts; SLMPSON GRAWFORD CO. (Book Dept.), 6th Avey 1th to 2oih St; BALCONY BOOKSTORE, ADAMS DRY GOODS CO., 6th Ave., 21st and 22d Sts; JOHN WANAMAKER BC OKSTORE, Broadway, 9th and 1Cth Sts; M’BRIDE'S ARCADE EOOKSTORE, The Arcade, 71 Broadway; BLCOMINGDALE BROS. (Book Dept.), from Lexington Ave, to 3d Ave., $9th to Goth St, IN BROOKLYN: ABRAHAM & STRAUS, Fulton Sts AD, MATTHEWS’ SONS, (Book Dept.), Fulton St.; A. 1. NAMM, (Book Dept.) Fulton Sty H. A. BAKER & GO. (Stationery Dept.), Broadway and Rockaway Avs H. BATTERMAN (Book Dept.), Broadway; JOURNEAY & BURNHAM (Stationery Dept.), Flatbush Av., and THE WORLD'S BROOKLYN OFFICE, 292 Washington St. * i f Contents of Portfolio No. 1: Administration Building. An Impression of Distances. A Corner of Liberal Arts Buijding. The National Commisston, Palace of Machinery. Palace of Varied Industries (double page.) A Dedication Group. Entrance to Palace of Machinery. ‘The House That Grant Built, Palace of Electricity. The Era of Staff. China’s Debut at a World's Fatr, Missouri's Mansion House, The Blizzard, Mexican Building Contents of Portfolio No. 2: Palace of Mines and Metallurgy. United States Government Building, The Japanese Imperial Commission, New Jersey Building Facade and Lawn. The Palace of Pu Lun, The Lagoons. Plaza of Saint Anthony (double page) The Protest of the Sioux. From Wilderness to Wonderland, North Front of Manufacturers. Louisiana Building. Canada Building, The Galveston Flood. Why “The Forest City.” THE WORLD, Pulitzer Bldg., NEW YORK. Inclosed herewith find TEN CENTS to cover cost, postage and expense of mailing PART...... of ‘‘The Forest Cit: It ten parte pre ordered at ones, siange coupe) .0 rend 10parts intens of Part NAame...eescecseecectece