The evening world. Newspaper, October 27, 1903, Page 13

they do hi the serneat of Palmistry ’ —Meaning of the Lines, Mounfs and Other Mark- Ings — Seven Different ; Types of Hands and Their ' Interpretations. By THE GREAT ‘CHEIRO.’ (The itlustrations used here ere| snken by permission from Cheiro's book, “The Language of the Hand."') ALMISTRY 1s the study of the hand in {ts entirety. There are seven types of hands: I, The elementary or the lowest type. Il. The square or useful hand, Ill. The spatulate, or the nervous ac- tive type. IV. The philosophic, band, \V. The conic, or the artistic type. VI. The psychic, or the idealistic. VII. The mixed hand This hand belongs to the lowest type or the knotty Qf mentality. It is coarse and clumsy with large. thick, heavy op: fingers and short nails. There are few lines to be seen on the palm. Péople possessing such a types have very little mental capacity, and what ve leans more to the order of “QHETRO.” the brute, Such veople are violent In temper, passionate, but not courageous, ‘They possess a certain low cunning, the sunning of instinct, not reason. These people are without. aspiration. They eat sleep and die. ‘The square h: means the palm @quare at the wrist, square at the base of the fingers and the fingers themselves Square. The nalls are gencrally short nd square. People with such a hand fire orderly, punctual and precise in manner from conformity to custom and habit. They are endowed with great perseverarice. They are tenacious not resigned; they are not enthusiastic ove ey win success in practical hey love the exact sciences anti all practical study. ‘They love home and the duties of home, but are not demon- ftrative.in affection, Their greatest fault is that they are Inclined to reason by a twelve-inch rule, and’ disbelleve all they cannot understand. | cerned, | never. in mortars, but because the palm is either unusually broad at the wrist or at the hase of the fingers, When hard and firm {t tndicates a nature restless| and excitable, but of energy and en- thusiasm. When soft and flabby it denotes a Yestless but irritable spirit. pathetic influences; they are emotional and riso to the helghts of rapturo or descend to depths of despair over trifles. The most beautiful but the most un- fortunate hand 1s known as the psychic. A pure type {s very rarely seen. In for mation it {s long, narrow and fragile- clever, but curious and inquisitive. other. Fingers naturally crooked, distorted or} Mount of Jupiter, at base of frst ftn- ‘twisted on a bad hand, indicate an evil| er, when well developed. shows am- nature. They aro rarely found on a good | bition, pride, enthusiasm and desire for hand, but af so denote a quizsical, irri- | power. tating person. Mount of Saturn, at base of second When with the fingers wife open a/ finger, denotes solitude, quietness, pru- wide space is seen detween the first and | dence. earnestness, proneness to study The pectllar attribute of the spatulate The Eleme=tary Hand. THROAT AFFECTIONS hand Js an {ntcuse love of action, energy and independence. It belongs to the great mavigators, explorers and dis- coverers. The possessors of such hands: always strike out for themselves and assert an individuality. The army of men and women that we are pleased to call cranks have such hands, ‘The philosophic hand is generally long and angular, with bony fingers, devel- oped joints and long nails, As far as success in the form of wealth 1s con- ft 1s not a favorable type to it gleams wisdom rarely, gold People with this type of hand are students. They love mystery in al) things. If they preach, they preach over the heads of people; if they paint, they aro mystic, Theirs is tho peace-of the aesthetic. In charactér they are silent and secretive: they are deep thinkers, careful over little matters, evan in the use of little words; they are proud with the pride of being different from others; they rarely fore ¢ an, injury, but they are patient with the patience of power. They wait for opportunities, so oppor- tunities serve them, They are egotist!- cal. The conte hand {s medium-sized, the palm silghtly tapering; fingers full at the base and conlo or slightly pointed at the tip or nail phalange, The char- ristics are impulse and instinct, at fault with people possessing this type is, that though they may be clev- er and quick in thought and ideas, they have; .{are so utterly devoid of patience and tire so easily that they rarely carry out their intentions. Such people appear to greatest advantage in company or be- fore strangers. They are good conver- satlonallsts, they grasp the drift of a subject quickly, but they are more or, Jess superficial in knowledge, They do /The spatulate hand is so called not nly because the tip of each finger re- nembles the spatula that chemists use not reason, they judgé by impulse and instinct. Men and women possessing this type of hand respond quickly to sym- The “quare or Useful ..and. THE NAILS ARE REMARKABLY SURE GUIDES TO THE STATE BRONCHIAL. BRONC looking.” with slender, tapering fingers and long almond-shaped nails. Its fine- ness and beauty indicate its want of energy end strength. Individuals with the psychic hand have no {dea of how to be practical, business-like or logical. They have ng conception of order, punc- tuality or discipline. The mixed hand 1s the most 4{Mcult of all.to describe. It 1s so called be- cause it cannot be classed as square, Spatulate, conic, philosophic or psychic; the fingers also belong ¢o different types —often one pointed, one square, one spatulate, one philosophic, etc. The mixed hand ts the hand of ideas, versa- tillty and generally of changeablility of purpose. Such hands find their greatest scope in work requiring diplomacy and tact. Their most striking pecullarity is adaptabliity to circumstances. They do not fecl the upg and downs of fortune Wke others; almost all classes of work are easy for them. They are fond of now Ideas and are frequently clever but erratic—always changing. When a atrong Ine of head rules the hand, the add to it the brillancy and versatility of the others, — Fingers. Long fingers give fove of detail in everything and sometimes a tendency to affectation. Short fingers are quick and {mpulsive, They cannot be troubled about little things, Jump at conclustons, Do not care for conventionalities, Quick in thought, hasty and outspoken in speech, Thick and clumsy as well as short fingers are more or less cruel and selfish, Fingers stiff and curved “inward de- note an excess of caution and reserve and often indicate a cowanily spintt, When they are supple and bend back like an arch they indicate a nature A Woman BrNopats OF PRECEDING CHAPTERS. Cecil to Daal ariowes that time. Scratching off a hasty word with: her guard | of farewell to Doris he made his de- Uncle, the» Mara parture, hephew to manny Lady Grace Vevton Iady "Cecil Neville woult have felt less Groce, and a He pocritical _Dillanthrovs’ | gratitude could he have witnessed a] Stell and Doris, They find @ ring Dorie haw Kiven her lov" (By Permission of Geo. Munro's Sona.) CHAPTER Plot and Counter-Plot. ORD CRCIL NEVILLE, not with- out reluctance, went to the Mar- quis of Stoyle’s study after din- ner that evening with the news of his engagement. He dreaded the laterview, Jnowing his uncle's pride and trasctble, eaustic temper. To his surprise, the. Marquis not only wanctioned the detrothal (in a somewhat @rudging fashion, it le true) but prom- fied to double Cecll’s allowance in or- der-to enable the young couple to live in’ comfort. Taken aback by such unlooked-for gen~ erosity, Cecil was profuse in gratitude. ‘The ol Marquis, however, cut him ahort and added: »fIf you really wish to prove yourself grateful you can do something for mo. Tam not satisiied with the reports trom | my Irish estates. Go over there and tool | unto the matter for me." fac \ ’s Soul. < Cecll gratefully offered to go at once, by the train that left in an hour from) scene between the Marquis and Spen- | © Churchill that evo » urehiid’ entered’ the Geparture, [carrying Ce seals ominS, the letter, inte lig gatd to the Marquis, “Did you carry out my § your interview with dear Cec ‘The Marquis nodfed, Just taken the Iberty of de- | Stroying a@ letter he wrote," |Churchil, “but, here ts imitation’ I made by copy! “Phe arquis took It up and looked: at it ‘with a careless alr, started, af suvon are, takin ie great deal of trou- Why?" said tho marquis eyeing ran keenly. Spenser Churchill's eyes dr 2 benevolent emile shone on copped, and 3 smooth “Simply out of regard and affection for you, marquis, and our dear Ceci) and ‘tho’ house of Stoyle, to which T am. 80 much attached. Yes, I shall tako the letter myself." Panly- next procaine, Dorls went to the flelda to moet her lover. He wnst not there. ‘They, had agreed ‘that if either were over detained the other should leave a letter under a conta big stone. GI AAE, A, foollan, romantic. gtr he must have thought me,” she murmured sit he would let anything prevent study [Ps person will choose his best talent and! The Spatulate or Active Hand. The Knotty or Philosophic Hand. co} OELICACY OF LUNGS. IAL OF A PERSON'S HEALTH. w THE » EVENING # WORLD'S .» HOME » MAGAZINE HOW TO TELL FORTUNES. -=— No. VI. -»—<- The Language of the Hand. to Mount of Venus. Gives courage. When large, quarrelsome dis- pesition, Second, between Mount Mercury and Mount of Luna. Gives passive courage, self-control. restgna- tion and strength of resistance against wrong. 110, next The Comic or Artistic F and. INSUMPTIVE TENDENCIES, independence of|of sombre things. and appreciation of sacred and classical music Mount of Sun, or Mount of Apollo, at base of third finger, indicates an ap- reciation of painting, ‘poetry, Iterature nd all imaginative work. Mount of finger, denote second it indicates thought. A wide space between the thind and fourth denotes independence of ac- tion, Mounts, fercury, at base of fourt! Mount of Venus, at base of the thumb, ymeraart sities ot mercurial qualities of 1 \ The Map of the Hand, denotes affection, sympathy, Wenevo- Ufe—love of change, travel, excitement, lence, worship of beauty, color, music, deneath the Mount of Mars: Mount of Jupiter, peath Mars and Venus, indicate: neme imagination, | fondne: se and imag inative Iterature ave I-da‘ined fines indicate. strength . weakness. Breaks de- failure. When the entire hand |s re- for not covered with a network of little lines running aimlessly in all directions de- eilasa adaptability, tlous, shows | Mount of Luna, at side of hand, be- |the following Interpretations are put on |Tadiating Ines from line of Iie show oe Star (1), success in business; several short lines (8), a number of marriages; head and life lines joined (9) ts @ good. Pirm-jolnted Thumbs—Practical, cau-| sign, indicates practical person. secretive, determined. Star (12) on head line, good luck. In reading the hand f!lustrated, which | Life Ine (10), broken within a square ars, squares, cross lines, &c,, |(%, shows recovery from severe ilinesa; lubbed Thumbs—Brutal hature. spple-jointed ‘human arava The’ Psychic or taealistic Hand. The Mixed Hand. | brief {I!ness: tassel at end of line of ¥ Indicates poverty in old age. The star (1) de- the various markings: the cross (3) 8 brilliant marriag happy marriage: line (bh. success u¢- | TUS Pots patm (14), deegondensys tle lines versatility, | nes, short and irregular (15), belief in sometimes useleseness; fate line (5),| presentiments;: also Imagination; Une with cross lines, shows misfortune tate |ucross base of palm (16), recove: sickness Of feenining lent wealth: In life; Ine of sun (6), with cross Ines, line shows obstacles to success overcome by |of health (17). rarely found. if ¢wi ewo forked lines, which Indicate honor |meang billousness; isiand denotes som= and glory. nambulist, The Mounts of the Hand notes mental worry, a high! ryous temperament or a’ troubled nature. Branches rising from a line accentuate charming in company, affable and'and the attraction of the one sex to the (aslee the line of| its power. Descending, the reverse. N< BY CHARLES GaRice) N@ \@ Lhove and Gonspiracy. him coming!" As she spoke she rose, and, almost mechanically. knelt down and turned tho stone over. ‘Then, with ‘a start, she woke, for there Jay a white envelope. re the envelope open, and Lupon the grass, some- She leant for- vor ting she had’ given to timi ed at tt, ake it over with | @ of disappointment and yet for the last time, T am ed on hough it ts dear Dorist and miserable of men! And yesterday I the most wretch was the happiest! Dore, I have sen my uncle and told him all, and he has tapes ‘to me, beyond all question. that ‘3 Impossible for me to make you fine. T can’t tell you all that passed between ust I scarcely know what Iam writing: that by making you my wife I should work you nothing but wretchedness and |misory. Don't ask me to tell you any- |thing more. I cannot. ‘Try and forget me, Doris. Iam not, and never can be, worth a single thought of yours. T know what you will think. and the knowledge adds to my misery, “You will think that I value my worldly prosperity above your love; but Ts ie not wear |would willingly resign everything—rania money, position—for your sake;: but —_—— ry If you wish advice concerning ney gowns or the making-over of old ones, if you wish advice concern- ing home dressmaking, write to “Mme, Judice, Evening World, Pullt- ver Building, New York City,” and 2 she will give it to you in this column. OS ACO ATE ze Remodel a Satin Gown. Mme. Judice: OW can I make over a black eatin dress which has a square yoke of escurial or Chantilly, will make up nice- jy with your black satin, You can cut out ugh of your full skint to replace The Home Dressmaker.—3y Mme. Judice. White India linen, made from a Mother (ubbard pattern, with dainty tucks and embroidery or lace, is fer daintier the white yoke and make a slight ful- negs at the back of the sleeve, between the elbow and the wrist; also pleco down your skirt just below the waist line, then lay on the lace, over the shoulders like @ collar, drape softly over and more suitable, House Gowns. ‘ear Mme. Judice: the new puffs in the sleeves and hide the skirt plecelng by a hip yoke, A Baby’s Dress. Dear Mme, Judico: spangled net over White satin? ‘Ine we is tight-fitting. Dhe skirt is ao plain five-gore, but vary wide, and I have INDLY give me an {dea of a pretty dress for a baby one year old. Would cashmere be pretty in the satin left to Nx the sleaye or lengthen. | french style, or ig that too old-fash- ekirt, which is ratiher short. I ‘am | toned? and.5 feet in height, TCL Wy ve. allover black vate thd 2 3 Bld A bith Bea Jaber airtitn ggg) See a Che Mrs. C, H, M. Cashmere ts not only a trifle too old for ry paras Bien ms is wey, perishable, j WANT to make a few tidy house | gowns, How could I mnke them and a guimpe dress for a child two years old? I like something in Mother Hubbard style, with a white yoke. Mrs. MoM. A shirt waist and five-gored skirt sewed together on a telt will make a good foundation to build neat and pretty house gowns on. One wide flounce or two or three narrow ones make finish to the foot of the skirt, cotton braids at ¢wo cents a yard wi? ~*~ Fae saltbe teamteant ‘wo. Dear wi It but the dreadful fact remains | ge: across my path, that {t would be wiser for you to crawl on one side, lest I of me, grueh you, you smiling, fawning reptile. himeelt dead. Good-by. and -|Xou torgetl forget the life you SGaCiL NEVILLE. ruined, ae me aad comoniet ot “I return your ring. I dare not keep |W in health and hope, tt, having lost you." blessed with the love of an honest, ten= joe ‘she read tt slowly, carefully, |der-nearted girl, wien that dovil—y “Good-by and = forever!" mur- |master—tho Marquis of Stoyle, the ss, |mured. “Good-by, and forever! for whom you Jackalted, emplayed you to ‘A wild laugh forced itself from her {entice her from ime.’ You succeeded pay &nd she dropped down on the bank Spenser Churchill, and have forgotten her misery and mine; all, save, perhaps the sum your master flung yo Hus hands wero so near the delicate Rite throat opposite him that Bpenser drew hia head back sharply turned pale. “nay Jeffrey! he murmured, soothingly. ‘Now, come, come, Now, really, you know!’ I must, in dust fyi ‘self, remind Barks Foal I, bate Zou, for ene, Sars of fe who, like an honorable gent! oncne meat her nie lawful wife and sharer of his ex- al jeffrey, , ‘Be- cause by no totter means he get Bor it ‘you beaten think remember me'as one no ara there are other reason: forget Doris—or, Je jestion was oa stopped suddenly, ang he looked | Up rwith w otartiod att h awiftly changed to one of Mager, "K det per, comfortably round figure stood him, with piaciayy smiling tone and daerenly “panevolent al rm 8 closini to | Most ety on a trickling down her tn his power! Made her his wife! that he might crush her the mure Spenser Churchill" o*tPanton One word more! You appeur to have forgotten that the lady, Marchioness as she was, preferred t0 return to her first admirer— There, there!’ he broke off, putting hs hand to ward off the threatened blow; “ag you ray, {t is not worth tall ing about, and, as 1 say, it 1s as much Wiser to forget. I euppote it te true u for protection from the Fogel ihe Poe dead, is ana oe ten ‘dead, boo! petal Es mae in Scenes, a8 playing "yee yal, P Barton, one Wy ye ‘Miss Doris Marlowe, ete: ey ialeaib ot tha Stoyle*"— Je} and sank tremp!! Smee et eet sme wrinkled face. penser Churcht ette and iit tt, “a ines Pe tine ain am! jandly down ‘upon the stricken figure, fi (To be cgntinicd.) od Jem rey. piper sels his ha with a ure at gnee threat repres- . ‘My dear Mr, Flint!" purred Spenser. i head ie one side, his hand extended ‘Fe rey el glaring at him flercely, waved bin hand. pass onl" he panted, “TI will have nothing to say to you!"" “You seem angry, se Spenser gently. I /Jettrey, turned oP Grarohill, while T re- mind pou why, when the devil sends you ning ani trim the dresses, In the yoke, cuffs an’ belt, or any fancy design suitable. You can buy a Mother Hubbard pattern in size and etyle you require at any store carrying paper patterns, Make extra yokes and undersleeves of white muslin and tuck and lace trim, and in this way ave several changes In the one Mother Hubbard el! Amusements. NEW AMSTERDAM ZrEAtRS, 424 nt. West of Bway. TO-NIGHT PRECISELY AT Ris. “HOUSE BEAUTIFUL.""—HBRALD. MR. GOODWIN att OS BEE IGHT’S DREAM.” CASTORIA, | is: wane Setiatnn KNICKERBOCKER, “Rea 6a" THE ROGERS BROS. IN LONDON. Last 2 Weeks, Matinee Bat. at 2 | . Amusements, ol CHARLES FROHMAN'S GRBAT PLA? a The Best of Friends. Manhattanye st Ph Mt MARTA or zi at clin: LOWLANDS, ATLANTI geniee Beery Wise coe Barry & Wafors. Mae Leon, Murphy &' Francis, Hschert'a Lady Orchestra. Lex.ay, 107th, Mat & STAR” AT DUIY'S eat itn ed AERALD 50. «| SOTHE Modifications of the Mounts and Line: Amusements. Amusements. THEATRE, | ff 4b 2.9, To-day, 25c, 506 — AJESTIC | onsen. | Proctor s Tovnight Ren, T5e Hamiln &'sitchell’e Musical Bxtravagansn, BABES IN TOYLAND BEST SEAYSREE AES BR *e* EXTRA MATINEE E' j CONTINUOUS Vi eae se ( Corbett, t, Whitney Bros. 25 star a Reed, PUauder| Dats. OID AY. * RS. Florence, eae aiellliams | & Bot atinuous us ; “THE CHRISTIAN.” The great= syne Indrama.ot the day, Sia nx Mon.. We*., Thuradays & Sat'ys, I HSL SONS Mnoctite STEINWAY BIA People.10 Horses. ao NEW EMPIRE pr enn {4TH ST, THEATRE, S545 aGHN DREW ae USL WEEK, ANDREW MACK wei ION D. Br ‘orn Life—L1G@ Pony *|MAT. TO-MORROW, cae GRIND MARIE CARILA | PASTOR'S 14TH ST. oor iiss EBRGUBOW & ACK Ram, fe CURRAN. John Mayon & Co. B'le Tinthaway" ‘2 Staaten MURRAY # HILL THBA, Lex. Av. & 43d St. TO-NIGHT, BOTH TIME, SOUVENIRS. »{HARRIGAN © *‘Under Cover,” Ey. &Sat, Mat.25c, to$1,50, Wed. Mat. bestseatssl AMERICAN, CHECKERS. Last 5 Nights, RN | pRoub PRINCE. SAVOY EiEe [S35 st_and Be Rs W. H. CRANE THE SPENDE EXTRA MATI 1B ELECTION oa CRITERION 7 ~- |CHARLES HAWTR ny of " fy te ane aiieye BLANKLEY’S, EXTRA MATINEE ELECTION HON DAY. JEATRE, 85th st. & B'way. GARRICK gate B15, Mats. Wed. A Bat MAXINE ELLIOTT «iier own We ‘Her Own Way.’ EXTRA MATINEB ELECTION DA GARDEN | RC ee ves, fat SE's en Philp’ LY Ev.8 30, Mats. Wed.& sel te Special Mat. Elec, TRA_ mars nae DAY, _ | Bargain Matinee To- Tocitorrow, 280. and Ber IRCLE Broadway & 00th st, ay ih « Ladies’ Mat. Daily, NOSS & FENTON, Edith Helena, GENARO & BAILEY. WOR Da CIRCUS and Mi near B' way HUDSO sith BPRRL BARRYMORE COUSIN KATR __ EXTRA MATINEE LMLECTION pay. jany Others. VAUDEVILLE THEATRE, Au turiofZiner | “rams Wfatinee To-Days > CHARLOTTE Wikne si c mia Transatlantic Burlesquers DALY’S? s BRAT VERE, (Bway 8 ? EB. 1TH i { “The Lady Killer." Vaudeville, ‘ 3 LITTLE MAIDS. shana, WEBER & Fil FIELDS’ mact: | soem” By Whodtb Pa Bate DEE-| DOO" BROAD WAY HENRY IRVING petit NER, PuPSHON DAT SNGVn® g | THEATRE, Bway, dist and ane DANTE CASING, "ass ee BELASCO THEATRE x none Prides, B00 ROO ito, 100 tes ‘und S00. FRANCS x ELM RATE, : avid Belasco any ADT Mat WEST END Prices 25, 88, 60, T0e. $1 TARE TBCANCHE'BATES IN GAPE R SESS | WEST EN acres ta oespe [L Meare ya deadabt oF THE > |B 2 LOW NO MANSFICED soitSiSena octal Matinee Election, 1 10 With Corona Riceard sbart Bosworth, yIOTORTA, # uta at [ban a at sie rate Gaarge Pell) Padgee Se ae MAIDEN. | pRINCB7. ns HAREES ae A Re ce nas. | KYRLEBELLEWanrmon Cina RD Aye Ne" ESCAPED FROM Ope HO! unaine for Oftice,"* R'S™ ‘Mat. Thursday. B BEST, yea ath’ Bt. PRICES. 250. AND 500. “loan THEATRE, 3 ath Ay. and 25th FRED ae BIG SHOW. ALL STARS. Brooklyn Amuse MONTAUK, A Boon AND MONEY, BTROPOLIS Ad2d Bt.a Bd Ay, io" Weiddiog ‘Souls Yor flr «| BIJOU "ype 83° |W, COLLIER f SULT? gS RN eee Ut tre At