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@ by the Prete Publishing Company, No. 68 to & Row, New York. Entered at the Post-Omce at New York an Seoond-Olass Mali Matter. OLUME 48 .NO. 15,129. x THE GONZALES MURDER. “Who will take the place of the murdered editor, 7” “Who will invite the hazards?” These are ul now asked in South Carolina. | ‘They would seem to be an impeachment of the alvil!- ‘ation that makes them necessary. An editor frank in eriticiam of a public official is shot down in cold d, assassinated with almost unexampled brutality. | it conceivable, as these questions imply, that another ‘Journalist will fear to occupy the vacant chair and take Up the unfinished work? Is that to be the penalty of en opinion in a Southern State? We cannot think so. There have been occasions all too numerous in the South when the taking of human fife by an individual constituting himself judge, jury executioner was condoned because of the atrocity of ‘crime prompting the revenge. In the case of the of Editor Gonzales there can be no such con- ment or exculpatory verdict. The assault on him &n assault on the right of free speech in the entire on. The shot fired by Tillman was fired at every Merican editor in whom the courage of his opinions the exposure of wrong and the condemnation of unfitness as much a duty as the publication of news. Editorial opinion restrained by fear of per- chastisement and moulded to conform to the rule ‘the revolver would be farcically weak and worthless. “It is not to be believed that public sentiment in h Carolina will permit such a degradation of the through the failure to make an example of the a Tillman. There is, as we know from other ‘Amdieations and from the direct assertion of Southern @ducators and publicists, a new South whose focus of public sentiment is the vublic school-house. And where the public school is there is to be found the en- sible. The agreement of opinion that permits disagree- ments of opinion—that 1s true’ civilization and an ex- THE GATES TYPE. A very objectionable type of American finds its expression and most conspicuous development in John W. Gates kind of financier, We did not need . Morgan's characterization of this Western speculator yas “dangerous” to know that he ts so, The realization ame long ago to all who have watched his career; the my concerning him and his “Monon” deal before ‘tiie Interstate Commerce Commission simply affords a ew opportunity for making an estimate of his character d his kind. Tt is the incarnation of the gambling spirit in Gates that makes him objectionable. ‘Affairs are simply an enlargement and extension of the - game of poker, “bluff” and “freeze-out” on a wider ‘Scale for larger stakes and with more Important conse- quences. In mercantile life this type of American does _ the largest possible business on the smallest allowable capital. And when the crash comes it is less a matter _ of bankruptey for him than of ruin for his creditors. When this kind of financier adds to business recikless- ‘hess end speculative tendencies an unscrupulousness of conduct he becomes the worst of disturbing elements In thé conservative business world. We were enabled to gain a notion of the progress of national encouragement of such financial practices by toleration by the death the other day of the man who was chiefly responsible for the bullding of the “Nickel Plays" road. When this road and the West Spore were| constructed it was with the avowed purpose not of end-| ing a Vanderbilt monopoly but of making the Vander- Dilts buy them for self-protection; we had a new form| of commercial blackmail on a larger scale. No moraljst| Tecalled the deed for oriticism when this financier died; the new Gates kind of hold-up practised on the Monon 4s 80 long a step in advance of the “Nickel Plate" raid as to make {t tolerable by comparison and unworthy of comment. The former was to the latter as the work of a country footpad to the professional execution of a Jesse James. APOSTLES OF THE ASTHETIC. Apostles of the aesthetic, advocates of esoteric cul- ture, disciples of Delsarte we have had from across the sea in numbers—Oscar Wilde with his silk knickerbock- ers and his Ifly; Russell, the Delsartean, in the loose flowing robes of classic costume; Le Gallienne, fresh trom his quest of the golden girl, with the poetic subtle- ‘tes of symbolism. Now in their train comes the Comte de Montesquiou-Fezensac, poet of the blue hydrangea, poet of mystery. At his feet we are invited to sit and learn, at $5 per lecture, of the hidden meaning of the flash of the diamond, the soul significance of the perfume of the rose and other forms of learning most desirable of acquisition. ‘These visitors have their uses, not to be spoken of too lightly or with contempt. As the tiny wasp came all the way from Smyrna to fertilize the sour figs of California and make them sweet, so these butterfiles ome across the ocean to brush a little fructifying pollen on our material minds and make them prolific of gesthetic ideas. We are @ corn-fed nation; it was only the other day the foundations were laid of our stock yards and well and railroad fortunes. We are still a little off 4 our perceptions of the relation of the true to the ‘and the real to the ideal. There are many of how in the second generation of wealth who are welcome Montesquiou and lend ear to his theorias, the diamonds, they will be glad to learn the le significance of their flash. SOME WHO FAILED. » By contrast with the stories of prosperity that are so o some of them wonder tales of the acquire- of riches, the following simple annals of misfor- are eloquent: Praith, ence worth $300,000, run over and killed by the mail Wagon be was Criving at $8 week. 1 ‘Pordage crash of 1893, dut uid nor mie F. Daly, 10 the evention « meinre ‘ He Wook to drink, *h thirty. Clafin's smariest salesman, Of $10,000 & year, ie scoumul ot 1878 Hecognixed in Hai PAN, 48 Ad Cletin ofice boy unfortunate was fifty when misfortune it was not too late to try again, and m the attempt, but once down he to regain his footing. To literature Yer b Crusoe” at fifty-eight, like | eighty a great history like Moi " philovop! years will a Brees Jost his fortune in the drink. 4 tea Importing frm eng with a $200,000 and ost Ht in Police Court by Magis: With him all business | - ous for to shine in the high aesthetic line and they | minsen. not handi- | and robbed up a new |? 1m THE WOK Ls ‘PHU KSDAY WISE WILLIE SHOWS THE LITTLE BIG-HAT SISTERS SOOO 99955-92-99-99490-900090604 o LOU—No, I never saw an automobile. LENA—Here comes Wise Willie. He'll tell us all about it. WISE one when ® ‘ THE LOVE LETTERS OF LAURA. Artist +4 \VE Got LOADS OF o TIME TO CATCH MY BY ROY M'CARDELL. 2 STRAIN ‘THIS MORNING NO. VIEL SO "Lt TAKE A NICE, To Mr. Renben Dusenberry, Smith- LEISURELY STROLL ville, Ind. EAR BIR: Our engagement was mistake, I release you from D troth you plighted. As Laura fean Libbey says: “Lovera once, but Strangers now, He has pressed hie last Kiss on her snow-white Brow. Qh! the dreary Past !# sere and brown, ‘Take an axe and hew it down!" Rver your friend, LAURA BLOCUM. No. IX. From R. Dusenberry to Miss Slo- oom: © MISS LAURA 6LOOUM, Brooklyn —Shucks! 4 dont oare. ever since you left smithyille you've got so all fired stuck up you think you air| mim punkina. enny way Cora Smith has cut you out. me and her Ss keeping company. But you'll miss the news | pao butchered wenminy. three of the! hogs wayed over d@ hundred Lom Beasley's bilding another silo, onsilige didn't amount to mutch last year as tho! clover was so short the bumbley lees had 40 git down on thare nees to suck the honey. try to ferglt me, | know it will be hard, mother,says ¢ am too good NOTHING TO JAR YOUR NERVES for you. hope you enjoy yerself, | am not going to take a ix and hew down ennything, Gabe vaker, our hired man, has to do all the chopping on this farm, but ! kin rite poetry: too, in the storms of Jife may your umbreller, | be held up by @ nice yung feller. It, DUZENBORRY, Esq. Now X From Miss Slocam to Mr, Wilson, Brooklyn 1D: MR. WILSON—I shall pleased to accompany you to the Elite Upper Four Hundred Dan {ny Club, of Will!amsburg, to-morrow night, Yes, 1 am heart free, but you must not presume upon this. Were L sure you were not trifling with an un- sophisticated young girl from the coun- try, [but no more for the present. LAURA SLOCUM, No. Xt, From Laura Slocum to Mr, Claud! Barnes Tormor, Climax ftock Com +» Brooklyn: EAR SIR—You will be surprised | to receive this from a young girl! who {s @ total stranger to you. it you look #0 proud and noble when you refuse to deny that you murdered your kind old grandfather, and 0 shield the real guilty person, tho es- caped convict, who in the brother of the woman you love, I would lke to meet you, for you are the most handsome man and the most perfect gentleman 1 le i) Prank | sa <P ever saw. You may answer this care] of address of my young lady friend be- low. Sincergly, L. 8, No, XIl, From Claud Barnes Tormer to Mins Ll. 8. care of Mine N te Johnston, Cranberry street, | + Brooklyn: > JAR MISS L. @—1 was glad to] b get. your fetter, though it ts] © nothing new lo me, as I get] * more mash notes than all the shines in this turkey troupe put together, 1 am sorry I can't meet you, as we are play ing "Wor Honor's Sake" twice @ day 4nd rehearsing for “Finnigan's Wake ‘ANOTHER TIME MR. HOTFO OH, PLEASE GO "WAY AND LET ME GO ToWwoRK! WILLID—Yes, I know all about autos. I'll stop WISP WILLIE (Coming back toward earth again)— {t comes by and tell you all about it. That's one now. Dia you see how it works? OT COMMUTER WAS LATE. Kahles Shows How He Took a Day Off—Without Notice. TELL You WHAT! THERES NOTHIN LIKE LIVIN'IN THE COUNTRY! THESE MORNING WALKS ARE SO REFRESHING AND INVIGOR= ATING= NO TRUCKS T y DODGE AND— NOISY CITY WHEN VOU CAN HAVE A DE- LIGNTFUL HOME iN THE: QUIET COUNTRY. ‘FOR # 6.08 4 moNTH? LIKE THE CHAP THAT KICKED ME], ‘N THE SLATS YESTERDAY, HDH9T9OHOOTO9LOGHOOD WHat! Four O'¢LocK AND 4 HOT FOOT NOT HERE YET= | WONDER WHAT'S KEEPING OOS. GOT TO GET ANOTHER Buck YET. DVLQOVQOG(AGIOFGS-9GGDOGHOHHHHHSH DODHAOODO? ° 9O0O0-FHOOD9-H900H900- 0-006 > Kiity opens the play,” As the curtain goes up phe ts dusting the furniture And says: “Ah, young Mester Harold, how handsome ‘and manly be How hoble, how grand—ah, here he comes now!” It js @ very @asy part, because you wouldn't have to come on the slage @guln except to help me steal the forged letters in (he third act. You may send rs NO GOOD WILL HERE, ‘Did Johnson's purchase Include also the good will of the business?’ “There wasn't any good will It was a coal de. bought out,''~Syracu: to it fF that Johnson Herald, in the morning, My part next woek oa PPP REMRRDD Is on the cheese, as the star wants) —— all the fat, and ts sore because I eat} him up in "For Monova Sake.” Hel FOUN Of the Best never gets q hand, although he hogs all i the good Mnes. I expect to go out at J f h D | the head of my own company next OKe5 0 t 4 ay sengon, [ have a great play called ve = |"Bvery Inch a Gentleman,’ wrote for | me by Charley Face, who wrote the big POWER OF IMAGINATION, farce-comedy hit “On the Hog.” In| “So you went to see one of those old “Wvery Inch a Gentleman’ the reat of] New England plays, Was tc realistic?” | the cast are only on to feed me. And deed it was. Why, when the rain I never get five inchea away from the|8tOrm came up Uncle Henry's corns centre of the stage. I won't play no} %¢san to hurt him." —Chicago News. water-tauk towns or whistling atations,| THE SADDEST THING OF ALL. and all 3 peed Ie a becker _| “What, in your opinoin, 1s the worst 8 XOUNS | thing about death?” ung lady enerally it is the thing they give as to back} out as having been the dead man's fa- the show, it Isa very Important part. | vorite poem.—Chicago Record-Herald. & Difficult Scissors Feat. GONUNORUME: wil} it become? Hot. What are the sickest things house? The windows; becau: have so many panes (pains). Why a@ Miss Moffet and Curly Lock kiewing each ovher like an emblem Christianity? Beoause they are doing unto othere as they would that men should do unto them, Which sea had you rther sleep in? Adriatic (a dry atte), Everything Ona it and @ needle has It, too, A name. Why ia a married man like a fire? Because he provokes hie wife by going out at night. —EE—E——E PROVERB GUESSING, Bend a guesser out of th fn a they ‘Dake a pair of scissors (not too lange), jand hang them on your little finger, as shown in Fig. 1, The trick Is to chrow them upward and toward you in such a manner that when you have brought the backs of your hands together the blades will be pointing upward, as in Pig. 3 way that when the scissors reach them they (the scisuors) will rest on the hands for an instant, In this position only the first joints of the little fingers will be in the scissors, as you will observe jn Fig, 2 Now bring your hands still er together and roll your knuckles outward, bringing ‘your hands toward if you want to. But don't send me A bunch on the bum hat looks ike my friends had gone to Greenwood vi Let me hear from THE PLEASURE HIS, Bubbubs—Well, we've had » good cook @t our house for the past week, mg? ox Citiman—I thought you couldn't get a This i# another of those necmingly slinple ticks, but a key ta required Lo unlock {t, a# you will find by repeated ts before it ls given you. you have hung the solasore as you until the backs meet, then cown- ward aod vewerd, and the solssore, if you have mustered the trick, will turn blades upward as wiready explained tn set all the other boys and in a circle. Select @ familiar proverb and give one word of it to each person, in successive order, Call the guosser in. one ai WHAT AN AUT 53 away and marrying a girl in his own set. | HOME FUN FOR WINTER EVENINGS. ||" If you throw a bone into the fire, what 9OO0OOO980060580OO0600000OD 01S. LOU and LENA—Our new hats and muffs are ruined We're so sorry for Wise Willie! B8OOOSO9O909 OOOO E08: ¢ $ > OOo ON THE COLLEGE ELOPEMENT HABIT, PREH'S the announcement of the elopement of “H another millionaire Harvamd student,” re @) marked The Cigar Store Man. “TI can’t understand {t,” replied The Man Higher Up “Of course, {t is as natural for a millionaire Harvard man to elope as It 1s for him to holler ‘’Rah! "Rahj ‘Rah!’ but this young Lorillard has set a new pace, He hasn't eloped with a chorus girl or a divinity with liquid eyes and a fish-skin pearl necklace whe pounded a counter and enunciated ‘Cash!’ In a Boston dry goodi store. He has outraged Harvard traditions by runing “You can snowball the layout with bets that he hat lost his grip with those long-haired, pipe-smoking boys at Cambridge. There were three musical comedies, 4 cumfe opera and a medicine show in town, and herj young Lorillard goes and runs off with a girl tha his family had no objections to. This is coppering To mance, from a Harvard standpoint. It will take & whol lot of massaging to help Harvard recover from the blow “What makes {t a moro crimson offense is that he is nfreshman, Never can he sit at a meeting of the Hi H! Melta Pi and tell how in his freshman year hs eloped with Dolly Dingbats, of the ‘Russet Shoe’ company, whos former husband was a bill-poster, and who agreed to gel a divorce after his papa’s lawyer had promised her ay automobile and a real squirrel-skin coat. A Harvard graduate who hasn't got a Tave like that to shed at ¢ social gathering of alumni is ike a soldier who never came pretty near getting shot we “What fascination has the chorus girl for a college | student? For one thing, she's different. You take the average freshman and put him in a crematory, and the best he could do would be smoke, All his life he has known none but real nice girls who speak properly and don’t know anything to talk about but things that don’ interest him, “When he goes to college he feels like @ two-year-old in a blue-grass pasture, He hikes out to the theatre and finds out that it is easy to get acquainted with the dam- sels who frisk on the stage. Generally he falls ¢o the first onc he meets. “He doesn’t see the cigarette stains on her fingers, bul he does see her fine complexion and her perfect teeth, Her manners are something that put him in @ tranve of admiration. When she says, ‘Quit yer kiddin’!’ or, ‘You're stringin’ me, Harry,’ it sounds to him like the song of an angel. When she shows up bright and breesy efter a late supper of lobster and champagne he {s lost im amazement. “She tells him the story of her life; how her poppen lost all his money in a hot-ice concern and how her poom mommer was reduced to the extremity of keeping board= ers; she tells how she went out into the cold, cruel world to make a living for herself and her female parent, and _ when she gets through the Willie boy is weeping her shoulder, with her perfumed hatr tickling his ear, “Then it's all off. If she won't marry him, he says, he'll do the Dutch, If he only knew it, she wouldn't milag, marrying him tf he was twice as young, Af marral, fer the illusion fades like a flame from the chimney of a ga Y house, papa gets soaked for an alimony settl the chorus girl, having graduated from the \ class, goes out to look for a generous broker,” Ad “Does it hurt the collego boy?" asked the Cigar tore } an. “It does him good,” replied The Man Higher Up, omy ones,’ a bao experience is that you can sting college boy just ne nt FAST RAILROAD TRAVEL, j a) A Paris writer claims for France the fastest railroad tradi in the world. He says that the Northern Railroad has special between Paris and Amiens doing efghty-one and thiege quarter miles in seventy-seven minutes, giving an average need of sixiy-three and one-half miles an hour, and on she same route by other trains It registers apceds of sixty-one and one-half miles an hour, maintained for 120 miles, and 68.8 and fifty-eight miles an hour for distances exceeding « thine dred mi immediate eo trast with the deplorable atte: ish lines daveb ing boat trains in connection with the change! steamers, Goutheastern and Chatham Railroad this year ously failed to approach its own record of last year—ong hour and forty-one minutes from London to Dover pler, whid® works out ateomething under fortyifive miles an houy for dhe seventy-five and one-half miles, von with this liberay allowance the English trains are never on time, but Freneb are invariably. A record Is claimed in a recent, eam of the mat! and express from Boulogne to Paris, © the late arrival of the boat from Polkstone the tratm forty-six minutes lete in leaving Boulogne, but the ari ver up time and fy ah aero | to aie | ost 3 De le er it * ooh meta