The evening world. Newspaper, November 8, 1902, Page 9

_THE WORLD: ‘SATURDAY EVE: G, NOVEMBER 8, 1902, - a WORLDS = HOME ~*~ = Next Week's New Bills anu a Symposium on Actresses in Male Attire. . ortrua : eertruae. wa rallackS Theatie» “Trousers and pajamas were never exactly in my Ine," sald she, “although | I well remember ‘pants,’ so called for short—yes, short pants—in days of Juvenile precocity with ‘Captain Jinks.’ I also havea yivid recollection of blue sallor breeches which I donned as Ralph Rackstraw on the high C's of comie opera, during the season of—well, never mind what season—it might make me seem too ‘seasoned.’ “Then, too, I wore several pairs of —ahem!—in ‘Excelsior, Jr.’ I didn't mind much about such things then, but I'm getting a big girl now and begin to look at them differently, partic- ularly when I'm standing before a mir- ror. “Don't imagine that I'm panting to wear pants, for I'm not. They're really forced on me Inthe present case, I particularly. dislike the baggy, blousy, Pirs. be Moyne and Mabelle Gilman Will Star at the Garden and Bijou Theatres, and Duse and Martin Harvey Will Produce New Plays. nent actresses on the New York L stage haye taken to trousers. Dalike the small boy, they haven't affected the new style of fress of = thel own sweet will, [mstead, they bava been driven into the nether habiliments of «the male wpecies by vagaries of the playwright) unbecoming things which Carrots calls and managerial enterprise, Iirst came) for, J think {t was real mean of Miss emure Ethe! Barrymore, looking shyly! Barrymore to select auch a style. She wa at the meal sacks of Carrots. en "The Silver IKE the small boy, three promi- 2 should have thought ahead and had per? disclosed fainty Edna Wallace Hopper, brave in ASN arene a Ta ae Ss 5 ding “W: iJ ssity, eee we have busom Tay Temples] 22, !4%, 80 1 suppose 1 might just as ton bagged in masculine contra well dry my eyes, put my hands in my gut on the burlesque instead of bias, andl cos 9 easant: ‘ , after those of Miss Barrymore's. Miss the frou At Cee) Paes Hye De Ota 5 ost inter= i Templeton's is one of the most inter aa Ee eer ean eye not ony ting cases, because, as she poutingly Seer it wasn't her fault, She had! P%; 6 ike Lildan Rus ber revenge, however, in the fact fat Don’ you think she’s perfectly grand? it was delay in getting her new togs|, BUt. #8 I'ma slave to my profession, which caused a week's postponement In! '° ss and public, and the world in the production of “Humming Birds and! al, I dvess the way they map it Onions.” out ft me, and putting astde all Just as the Weberfleldians thought | thought Of atwlendod|iboaubyy whistle they were ready to Ret guy with Hare GOWN the winds’ and tet the show go on. rymore, Drow, et al., it was discovered | pqpncme night Till dr ive Up a4 8 Teal that a certain article of Miss Temple- pon's wardrobe was not wearable. Just what garment this. was is not ppecitied, but it wus sald tw be some. | thing absolutely essential to the well- being of Carrots. It is understood that the item of apparel—whatever it may || have been—was all right in length, but was wanting In other directions. ‘This might have been remedied, xossip has ace the tailor left an “outlet.” But SE peed tats OBJECTS there being no such provision, it was 5 feared Miss Templeton couldn't, with! "I felt awfully awkward the rst time | any degree of safety, take a Job of clothes," sald . telling her exper! a stage garden. pepesins {Jes T had worn skirts so long—and such} long skirts—as Lady Holyrood in 'Floro- | | dora’ that I couldn't be expected to fee! t home in anything else, But I'm get- used to breaches now, and the only ; \time I feel badly is when the rest of the! Is in “Che. Bib Slipper’ are on the ae fully gowned, “1 try to help myself out by not being | —— too Tomboyivh, and Pfind somo consola- MISS TEMPLETON TALKS. tion In remembering. that in the play | But Miss Templeton Js resigned now,|as well g¢ in fact, J am merely mag: satisfied. She has artived at that quoradiig a a bo: i 1 The, iigemeragat en haye {a to King.” of the TO «-—_—_——_ ‘At the bridge-whist class; Mrs. Mathewson—We are only just! \learning 1t. Mrs, DroodAt this late day!| Mercy! Most women I know are taking lessons in forgetting It. ihe Stubbornness of Geraldine. —___——— .| TROUSERS CAUSE TROUSLE that when they're on tim, and no lady should use that vulgar designation: “Ono thing I have done {3 to be care- ful dress as correctly as a man. I belleve in doing things right, even though you may not be « feally glad over what you are doing. I designed my clothes myself, and then had them made by one of the best men tailors in town. And they certainly are an exact- lent fit, don't you think so? Thank you. It's so nice to have a little encou ment. If everybody was nice and gent manly and didn't call my ‘pants,’ I think I might really grow to Uke them. night, but I'm foeling better now, you “So far as propr consider It all thank sho's in a community where they do: call such things pants.” é —. “Remember, you m with all the thorns before you can be truely crowned.” ‘Children of j the King, MISS BARRYMORE IS NOT EM- BARRASSED. Miss tlon squarely “I see nothing u boy's clothes on the stag feel the least embarras: “If Tam willing to play am willing to wear boy's j not dislike one other, and, I mie The Tibury back to Amor Geraldine it Mis me wit explain, I feel it b | It's—why that's a IN KALAMAZOO, Miss Bar Mra. Hop; selves that th haw not caus number a peared ia a church enterta Kalamazoo, Mich. th In the show, a Chicago mun, sixteen young ladies appea in Knlekerboekers 10 the amazement of relatives and to the lureat delight. of young men who oc- supiet front seats. : ep the. town Is all agog, girls caught severe colds, | male drosa ft ha who trouble in a ament wh ton ty I felt like a fool the first! | A MUSIC-LESS It {s pathetic to see a poor, misguided little comic opera, without music, trying bravely to masquerade as a play—and that’s what’s the matter with “The Stubbornness of Geraldine.” Music—that's what it needs, Miss Mannering. Sub- jet your part to Miss Lulu Glaser, dear young lady; hire a nimble brigade of Dotties and Totties and a mile or two of tarletan and lace to keep them warm; throw in a sentimental baritone and a fow comedians o fboth sexes, season to taste with tra-la-las—and there's your comic opera, or your operatic comedy, or your musical farce, or whatever you may choose to call it! But don’t forget your double sextet. I'm sure Mr. Fitch was thinking of a double sextet when he wrote that first act. A seasick sextet—think of it! “The Silver Slipper” wouldn't be in it! Six pretty and dis- ssed passengers in sea-green, plrouetting to and the rail, attended by six devoted little stewards. us, Pretty maidens, does the ocean levy tax on you? “Oh, yes, a few Kind Stew- Ard—just a few To Leeward!" COMIC OPERA. fall of Lord Tilbury with the tea-tray—what a scream-, ing chance for a low comedian! The Hengler Sisters might do a tra-la-la song and dance on the trunk tops. “Oh, how I love to shake a foot with my pretty little Bess! Tiddly-um, tiddly-um, tiddly-um-tl! Dancing o'er the baggage wot {s handled by express! Tiddly-um,” &c, As for the conservatory scene, can't you see the dancers from the ballroom pirouetting on {n pairs, and pirouetting off in disgust when they find the cozy bench oceupled by the comic lovers? And the tra-la-la count in the blue Hungarian band—what a chance for ex-} travaganza! Extravaganza {s the name for “The Stubbornness| of Geraldine’—a musical extravaganza gone wrong. Harry B. Smith would do wonders with such a plot. It must have been that Mr, Fitch had planned some- Mrs: SerahleMoyne Shears thing of the kind, and Miss Mannering -appealed to him unexpectedly for a play to be ready within a day, and as Mr. Fitch never writes a play in less than a day and a half he was obliged to drop the musical {dea, give her the libretto in prose, and call it « HUBER’ S14THST MUSEUM & drama. But {t’s a pity to see a really good thing gone KATE CAREW. And then, the second act, with the trunks. That! wrong! all of them caught something decidedly warmer from irate parents, but worst all, seven of them caught stage y are coming to C | Mme, Duse oe spangie-fa: was the which the Itall one 5 young ladies were wholly un} to see s9 much of thelr sw rts, and that In consequence gément is broken and another b: irom, ine ste of as great. «| portance than her For one reason 1| | vience to dress 1 arn my living. | | the betray ave lots of aplene| part of a m doing that In America. {1s surprisin It can't be | Before Duse usually fumble | those two reasons together.—/ Stubborness of Gerald Ml company And your o} PAY tw of the stage she manifests what a retiring diMdence, VAIN DISPLAY THE WORST. two sides to the dr argued it ts by ear male the prod is associates take age But on eps Linperiously ks on a line with swish of her sk question low do Isn't tt magnificent?” a common ation this and it had ¢ CHANGES “IN THE PLAYHOUSES. Harold Ru vag ond and last week of nee. 1 Victoria ‘T eatre Ww it caused a addition te Uh where ratl In the plot Da wii will end with the ne whl appear at fraudulently wande in nie, and tig dramatta olements grow opt of her gradual allenution of ‘her husband by ie ae | CHANGES IN OT NEXT WEEK ANOTHER PAGE, n actress was guilty. confessed she is no greater vain sisters of the stage. actgess to be expected. al of such an {mpulso on the tress of acting Ike Duse 4 disappointing. to prefer to remain { 1y character she portra seems to scek tho background sas arrayed ARE week in the palpable manner tn which exhibited her full-length, ng cont in the sec- of “La Gloconda."* inartistic lapse of a Promotes the growth of the hair and gives Itthe lustre and silkiness of youth. When, the hair is gray or faded it BRINGS BACK THE YOUTHFUL COLOR. It prevents Dandruff and hatr falling and keeps the scalp clean and healthy. who holds her if not greater, {m- playwright, subser- But at coat she the half- | At all other times amounts almost to pyeny arr Snteorueearan HOU Ste centro of. the / OUNAY, 58th st. pte yee 125th st. nist sTock COM HERALD a8 {nto t "a Jape. Geo Filagerald—25 Features. LIKE IT. Minote Soligm Favorite Stock. Sumpeur Rev! Vaudeville Camatnas WY AS you the to ‘the the fo ints you like ights, with sting th my coat? CHILDREN a ee: M2 De LASSA nh Metrope7 lan Opera a—— Amusements. Theate i: Manhattan 0 Theatre? MRS. FISKE on here of MARY OF MAGDALA Np THURSDAY MORNIN PASTOR 5 Broadway 34 St. IH 3D AVE. ¢ istiNtous, ri Murphy “ARS BS & C lax. A rary mS. "Weber & Hilts’ uy a a) Us HN ih TWIRLY- WHIRL Y # HUMMING BIRDS & ONIO: © J. £ OUOSON "AWNE IRISH ‘tania en 5 STAR ian” New Vorks ke & Wot HER THEATRE rence PRINTED ON KEITH'S R w 4 a ‘ved oomakes Wiway aud ery uses edad Goo, it Farev cll Concerts | © fe Foy and Su aj Ev, at, FN oN THe BRISTOL, ALY, DofneliyasWidow0' Brien MANHATTAN | Tastee ‘BRO ADWAY 2 ee SILV ER S SLIPPER. Amusements. RE THEATRE. Ereeanty ae van,, 8.20, Matinees reset | JOHN DREW | ane" HUARING ‘thie. OCKER THEA. Bway & 38th OL . Matinee To-day at 2” SHER! 8 vane GILLETTE a ach oc THEATRE. mtn t are - Bata te mae | THE Srupnounnts MANNERING, | 0" crow Fre BW SAVOY THEATRE. sha SE wen vee Lptilt g Matinees To-day. R ‘Wednesday, BAHAYHORE | 4 ac RY MOUSE, JON SQ THEATRE. 2hhe ao ware |THE TWO SCHOOLS ry Afternoon at 2.30, except Saturday. the performance wil _besia atli As M, Frohman will pres 2 ‘RHE 15TH C ENTURY MORALITY PLAT, © 2 EVERYMAN. ‘x ction a8 ecen at Mendelssotin HalbA’ rere THE JOY OF LIVIN Next Mosiday—MRS. LE MOY “t4th St. . Theatre, w Songs a Great Su His NEW PLAY, : ©0160) TT. mC Limerick Tow ARTER’S seavon.aa Du Barry closes | LESLIE CARTERS a Academy of Music. 148 St & Irving Ph ider-—Tse Talk of the, Tewmy of "THE ad AND NIN #1, Mata Wet, & Sat f meh - Coronation King E De Kolta, the Wisars "To-pight ot 4th MY E ins OSBORN’S 5 Ui ‘The Sword of the Kimg | MATINEE TO-DAY. TROCADERO a Pr »_ Beis Hse! ses THE DEWEY. Pari