The evening world. Newspaper, March 5, 1900, Page 9

His WORLD: NONWWaY BvaanG, MARCH 6, 1900, PIAESCHRS| jy Si ae ON TOPLAY 1 THE COLOSSU BY MORLEY ROBERTS. Wa aWanWataVart en ee? et ee | ae sasa See >] ek Frank Damrosch’s Sing- ing Classes Show (Weitten exelustvely for The Fiven-) Rosalind, and despising her momentary] subtlety of sadness that ts ever tm the iB A .Story of Love, Intrigue and eg meets | Bes trisha ere he fof very i character. spl to Ro rf ne : Empire-Building in South Prin be flee Bona Mer gp gsr dha Bs-gy IN Two LESSONS: i wat tna, 8 ae at nS a the People's Singing Classes. Vew peo- LESSON WO. 2. ing to her surroundings, believed when Frank Damrosch The motive of her vielt te Arden in| of the forest, her sentiment takes im the! jo hag ‘The Comedy of Resalind’s Nature. | i, stirs is at once betrayed when| rhyme, as if It were divine poetry, started them gome years age that they oert: OSALIND was not a new Woman. |eshe heahy the shepherd Bilvius wooing| te her loving heart it la fer she would ever come to be regarded as pecaune she adopted man'e attire. | Phoebe. Orlando's love for her in the ous factors in the musical art of ¢ ai ro She did nothing unwomanty, noth-| “Alaa, poor shepherd! searching of |her paradise is near. ing sensational, nothing that could sug- “rl rhyme yeu oo, eight Men and women, with litle time te |e ee a mety oF trtelty, OO-14-04-80-H 64 : pny Meith ge gyri May Usueg BON @dopted the hunting costume of a seem the most promising. Yet Mr. Dam- roseh’ ‘empl: forester of the period for the purpose of me on wo Z Protection for Cella, Many charming Justified. Thanks largely to his own untiring energy and devotion, the Choral We lie ceases modify their costume Unton, which consists of graduates from aad CECIL RHODES. these ‘orus we have, | ! have drawn a comparison appitcahle clases, ie the best chords we have, |. modern facts, sothal, 1f you arestudy- 1 e ht the Under the name of Kustnee n Chickering Hall last nig Ing Rosalind, you may wear your'doub- Africa. » , Copyrighted, 1800, by Harper & Brothers. 7 CHAPTER I. The Colecens and the Girl. [ eek iether ee hee cane ohélr an@ lecked our across tho Nite. " I +f He considered the meking cf ways. q \thfinder ts the pioneer of empire. . "7 “y -Be'sesaes vm vlvare sak soe te] "BCs GT The aR Meter Coat Rhoden, tne {| Comper Union Aavaned Cas, Biward|F "hc hue tof ety to by an reetale gleam till they ran nerth and’ with her foot, and, throwing the Great diamond king, Agures There Wasa iltle reughaane ‘diacernibie |that Shakespeare's heroine did, ee ere oe ere at Himes, but the sonority of the chorus| Rosalind did not wear “tights” be- was impressive and ite precision remark- | CS she thought them becoming, but able. This was especially noticeable in| because, for the time being, she was a she cared; and get wnat she sald was| parnny's “Sweet and Low,” gung with- | forester by impulse, for a serfous motive, “Tte was detying that portion of her- | Out accompantinent, The programme em-| With a fine daveratnetion to lad 98 self which sald @ Woman was Mot to do| braced works by Kremser, Schumann, |™uch masculine ty na the courting, or, Bt any rate, not the| stendeissohn and Handel, and was con-|*%d hose & her feminine deficiencies . old bachelor | cluded with Gounod's “Gallia.” in whigh | Weul@ permit, Ncnetee Tet cried” the » pate ; | Mise Sarah King Peck was the soloist, kilo Red pnyp yy A tied po up meth Precis he won't live p34 T. Burleigh was heard in several of Rosaling's i, Mandveven now Loder had no time tol ‘The audience consleted largely of] ge\\oruatnna the rmasquites indieesons lose unless he WAH notoriously ImMOr | rriendy of the singers, who did not heal- ph dager ys Ai ag Tapersenation . ' . | tat dibly to dive ith ther . Sitver 26 Wemesame Viste he lonked | the merit ot ine programy ae Wr went|, Rosalind was a woman; & fing, wall + . uc! 10 ex h ft . fet Avan ore tat he wan houe |, age is hs | an rT f i i | on disinterested listeners who really came (o hear the music. “STABAT MATER” AGAIN, n|Nordtca’s Oplendi@ ‘‘ta@ammatue” Charms o great Audience at perce! " the Metrepetitan. theres vant Lobengule he, ieas| Modesty must be a eblef characteristie pase and scared to death by the|of the management of the Metropolitan younger and more entet oon by Opera-Houve, It never seems to antiel- jhe only, doubled hig. tthhews ‘to guard | Pate a crowd, At least, that is the con- thim hourly. clusion one must reach by noting the |ticular man oman tO wre crea | beence of programmes whenever the |[Heutar, man Js, kind of cromes a pas-|Nouse ls of more than moderate olen. At isien. 4 popular@unday night concert sometwe rude began by collecting mameried [Of three weeks ago Rossini's “Stabat cr pROlOS teats Mater" was sung leone of the largest E Eg Fl itr a ri skk rE photographs, herself with play! audiences of recent times. The work | that it th ints, rare oe was repeated last night, and » large at- audience fo we iad on . Cabinet of ¢ but|tendance might reasosably have been| “1 could - sight pes hon wee i Ratiars expected, but the programmes were ex-| my i Ineort into his niche. bai long concer: a ei forgetting YiNing| erable wae wavectioed nt but u one, wi Loder, col-| in Bai %g There was ; isyfl a | : and \ove- " a ; Ae muemesy Maren i ation | pte, abet ar perfect | BRS Ss See LYN HAS {CHURCH CAMES Se See her there, DY her superb snatt “ i iH THEEDRCHE Bostece Loser’ ‘penten. i f artist, q N , Once wonld the afer, then tt was posatbte chat be might ie aria ‘com Discovery of Dr. Borne,|Mastoiditis and German Sins aon fhe "found: Lady Bontine in net own) i004 volce of pleasing quailty and alle] @. French Deputy, Re |. Measles BotherCitizens of Trolleytown. y. “Garment “Why, ave you been?’ asked | 82d -' orchestra was en- °, ware ane [her cosain <Eourvs Seon rocsting your) cored, fOr ite biyving of the “trevites| Stored Loubet! ‘s Health. os UP oeBe Taye paid Chertrude. “pm ex-| scenes, Joined i tn the * over. t in complexions.” ture. she tm i —-— ea tat at aha dere" TaSS| SeWBRICH, AS GILDA, tie'se'sl| IN VEROPS *RIGOLETTO.” you would come.” came. I really i Hi) i i ! i r i “Rigoletto” was pung for the first time this season at the Opera-House on ngy ES Chine; Saturday night to a great . Tre fg rey wy fae hte e,| Cast Was the wame as last youre Gem a dim, shadowy idea, but I want to] brich, who was the Gilda, lavished all g . / uly, De you know? the resources of her marvellous art and on eal ease Rit, camp with outposte | And of course It’s apsurd,” went on| ll the beauties of her lovely voice upon Ld yor 10 bee i tin. her the character. She fairly revelleg in it, om but ee 'e urd’ iA Scotti, who had been announced, was Parked so ‘hereely that’ raf ble Il hoarse and Campanari took the title j learned something by com: Hy aid.” | Tole at short notice, acting anu singing . a * aa ‘trude.|the part in his familiar and satisfving perhapa not. 2 what your talenttone Bee "| way. Saligna dashing Duke and, Mis re at leagt atritly honorable,” of course, he had to repeat the hackney. cere, pest) . “ and you] ed tenor solo. Mantel! wag excellent niet That ‘was Toocause Tiny _Bontine | Maddelena, Bevignant conducted, net in herself when Gertrude a oe ORE ail: Sa add blind man. what would sng| Nave been born to Mra. Burke, of La- veel,” said Tiny | day m ‘ ~ wo | M, boys and a girl, Highteen months utiles one side,” insisted ra ck ted a . Borne, {ive fables tre heaithy | Who 18 a Geputy from Doubs, and who it i i i if af i i ii iit hi I 5 t He E ut} 1 pil H it - ui rf ase it I i i peri ga i LF lif H F i E E i } i i if YW pli rad £} i | azt af rst ist j! : } tE i : i z ii i inf itt rife : i “a mo 1. The ng. f couldn't A. voice, nor do It bi _emeten | 118 Nesses st, toom without removal. Rates sh, oane om, Te i i 7am de mo stomach » ot food te promptly @igested. | ota, water brash. ’ lived 0 Drepepata Tablets act entirely | the tomach, March ‘wpen the fem eaten, digesting it com-| meals because Flemington. pletely, co that it can be assimilated inue| power, which Bleed, nerve and tissue. @temechs lack. Bvery érep Dinod. every bowe, nerve| supplied it te i Th ef : ! : it til ii i if fis ? i i i 1 f z3 kk € i i i i i ‘ Th ott “A ~ ~ A