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— — I: ' CISSIE LOFTUS AS BETTINA WITH FROSTY SURROUNDINGS. | is a iif tty l rte . i i as then presented, ptain and inquired: $3 “What's the matter? Everybody ecems have 8 chill.” s “Bure,” he responded; “don't you feel | | big iceberg approaching on 52 quick about it.” The American Theatre last night re-| § me yisibly of that Halifax steam- Mascot” left port in pleasant : it Weather and Miss Clasie Loftus stood on Geek a Bettina in tropical garb. The ehip had hardly pointed northward when (Gere wes apparent a decided frigidity. 3t was net one leeberg which occasioned (his change of atmosphere, but fully @we geore. As one sat in his orchestra @hair one could see these bergs ap- ria cates anciussa te athe chorus persons appeared to be the teebage-and the principale the pale, E i ef ty i j i Lj ie i abe at : ! fe if ; i had ensa: “sion Play’ at Oberammergau. There's a | port aide, Get your storm coast and "t help but feel sorry for that she had no right DORE RODE G6A5 FE ADO DARARDAD BBE AG 9-8 1-5-1 ORME PIE PHOS pay Iaat it should have been a bel, natic ability—well, sufficient! Stage ap-| thought and word to your first emo-| te “ these were not, empl afraid to implant either a chaste or rap-| ber cringes in the sight of her reputa- turous Biss upon her brow: Prince Lo + |rengo ride-nter: her @irection; » that name doe remind you of carpets the Susie Kirwin Company—all playing in Brooklyn!) treated her with great) for ten, twenty and thirty cen! led deference. and the result wae that no| luce better Rettinas as understudies | shakespeare conceived her, is net down ott of consideration for Ls <2 Sree | Shan aes theke ho wu i {ability can Induce you to famoun Queen Mab speech: t penool tencher and call her rt that could be desired’. We even have | piled by the drop-ten-centes. | hopes of her as an i ae of Shakes- | or ingenue, or whatever you may wish warian peasants would have run from lon. us didn't deserve such treat- What Clasie necded was en- t. Bhe wae » smouldering a“ the proper implements in the the Castle Square Opera Com- rae LESSON NO, r. The Meeting im the Ballroom. stage art that hae ever fallen to the lot of an emotional actress, human joy and human sorrow that is not crowded upon the frail, stim, del!- cate Juliet. As a consistent character, as @ nat- characterization, I have no hesitation in teiling you that she is without a stn- Eve or Eve's ancestors. of modern realism don't study Jullet. The poor girl is not a real character, +88 Ao 24 OECD OISITDOT ORE HEE Ee EERE OE RE DEE MO OEE ER EEES of your imagination, she sets your fancy on fire. Jullet is an tnteKectual, magic-gtving arance--ample. ‘But as a singing 90U-| sora dreamland we and pals leat fans. Bu oy ny where every mem~ Pippo was te, in & com | ton, she simply wan't do. which no doubt Shaki creat when advancing in! | have seen the Bennett and Moulton | her—to compel you to xm i *o ¥ € ce : ud Lillian Berri chow | Company. the in eur pera TOmpany. | Perhaps one ot the best explantery i#—pro-| statements about the actual Jullet, as than was the much-advertised Mies) \, line spoken by Mercutio, after his y" painted junday-| It would be unkind to remark further muolier and c ‘Zo0d. | fle” bar event nasouetie (ieee peg Aer ‘As &n impersonator, Miss C' fs all | say that the ordinary opera glasses sup- 2 drome. rand-turn-to-| So should you approach the character the-right concerns were re, under the guidance of Mme. Mod- quate to bring her into the focus. and | areams.: jeska. But as a comic-opera soubrette, | that experienced mariners sent out .or \t should have done better, The pale pink | *Uscentible. Fee eer TAM RAYMOND BILL.” | fore she must have nobility of presence wtory must be told in her face. Of course, stage tradition har always IN THE JAWS OF THE WOLF. (ese requiremenws of the part in the acting. You will remember Mercutio says to} ; Romeo, as they are on thelr way to A Story of the Brigands. the Capulet ball: itis ote AF | i CHAPTER III. The Wolf's Terms. MOMENT later we came out upoe a partially wooed plateau, sev- eral acres ia emtent. and were Aiea att i il i ? other But I te yout i li You are 6 lover; bere Cupid's wings Aed oar with thom above a common, brand. BY EDMUND ABOUT. If Romeo were not such an idea? lover, Jullet would have deteriorated to a mod- I had noticed from time to time after | ern romance, wherein there are no Ro- fi | meos, but many Jullets. our arrival in the camp a greasy, faced monk, in sandals and co gown, | don: inal ied April th tee r, fave to A eredit the f about the outskirts of | Therefore, study Romeo's lines, that] sum of $113,750. Please inv e-hale of & which nearly always SUr-| you may rise with him on cupid’s win | tte thsaaingel dl aaeccaa the y"He, It was, {t turned out, who wag| The poetry and the imagination of heard no My mind was|to be the messenger. He was Had pirovos’ man to the city. bussing with a wild scheme of deliver: irovow's regulsr postman to the city. | opportunities, LY had ger a Se Nott Sea iomard | Maret the soy. so In Juliet. Bot later than the Next day” noon. must be spoken with absolutely no con- wat Fc ecneany: passed without @/ scious thought of the tragedy to come. “9 This opening scene is in the spirit om the first streak of dawn on ; | Thureday we aia. nothing but watch the/#ayety and fun, under the glamor Toad for him. But noon and|that dignity and courtly manner thi then two, three and four o'clock—and | helonged to thal period. ¢ Simons became voluble and deatnedbtors. She got back again to hef | any one but tuemselvos, are: rrp mete y rigs Ole Embassy, t ish Forel a : but sal Just as the oun was setting, road. It was the moni of an undying love. Bo, before Julfet speaks her first line: and we/|the emotion that governs the whol part, shat source of ali and best 11 | pulses, the emotion of love, must be A te € SF cs z Be ait without @ wo! i chief, to his own corner of the camp. Presently he reappeared, ofvansins name minted Pye Paaughter are at liberty || “You . He will hee’ the il to start for Athens whenever, you wish,” Into the trap.” he sald to . Simons. “I hope you || with furious earnestness, | Will not fae, Say pid you toe covers che ae bea bang ko on more comfortable during || Eft # tH 38 g z “i make you would have! your stay in the mountains.” inated, aa not Some toy | translated to. Mme. Simons the evaiotance. ‘enthusiasm | Had, je speech. and then turning we ngeass |. And how about me? I go with the my if Professor, we will have vantage of your learned society a longer. Your ransom is not yet my heart sinking within eae who hai ing letter, which the Had- || the end o1 his eH 7 i Eg ee h i i u ; : aif: oo Te 33 a Pi | i #s i} : l ty d a Hal ReEEATR QO ang ase : TUESDAY EVENING, FEBRUARY 20, 1900. The Kind You Have Aiways Bought, and which has been By OLGA NETHERSOLE. (Written Exclusively for The Evening World.) Peer eae HE charoter of Juttet ts the moet | 4 exacting part in its demands upon J There is hardiy an emotion known to | ural, normal or even abnormal study of | gle counterpart in life since the days of | If you are going to study for the sehoel 4 but she awakens all the latent powers Bo she thus serves the purpose for WATERBURY BROOKLYN tirely inade-|of Juliet, remembering “she talks of ‘ b stronger glasses. But she is young yet,| She ts a strange, romantic, tender to call ti fear she In a forlorn propo. Janda lonker Fealdence in this, cllmaats |gtr!: innocent of the world's ways, her tition, unless she can be surrou y | may make her visible to the naked eye. + company which fears hot the notoriety | Ap for her costumes, the taanagement [2°84 full of poetry and her heart most |she haw gained by a too-sealous enthu- | slasm on the part of her numerous press | sateen which she wore in the third act] @ho is well born, well cared for, there- ts. “Wales she has none—Just a iittle. Dra- a exquisite grace and a great deal of her Full Sets of Teeth... Gold Crowns, 22 karat do not have them extracted, but let us restore them to (heir natura! beauty with our Painless Crown and Bridge System, which is undetectable and everlasting, | The cost is small, while the results are great. e OLGA AETHERSO! ee ‘Then have my lips the Romeo ts the making of Jullet’s acting! and in the sweet gravity of your facial 80, you strike the keyn: entire performance, the ot be disturbed di that you are in in an oblong tin box and| Always study your lines with an apt ance, were inclosed Burley & Cot The very firm of which |Tinded to him soon after suctise the | knowledge of their application to other EXTRACTED WITHOUT PAIN LSO ONE FILLING To Demonstrate Our Painless Metheds and introivce our THURLO Piale—Liguess | Mow 1 work te the en-| USUally presented In this scene, forme ‘This te @ very ‘Important point in the] | study of any character, but especially} W } ‘ lous’ innocent in that Jullet’s first lines in the ball scene her lips possess render to & most perfect sacr of Jullet begins, 8 become suddenly aware of his ma =~ Good pligrim, you ¢o wrong your band too much, Which mannerly devotion shews in this; For sainte have bends that pligrima’ deeds Go | ban eyen and the face should art of expression in ti Romeo's first words to Juliet, spoken [wa se TWriiat could’ be the matter? ‘And palm to paim te holy palmors’ kias ‘hay in the crowded ballroom, unheard by old theme, about being an! «1¢ ~ profane with my wnworthy ih was pale, hothing. I| And as he touches her, the sound of se renters tee I ee not stay 18) nis voice, the physical sense of his sai one place natan i Pinall: handsome pressnce, the tenderness of| PRIS. ine simile Khakespeare ha: ‘coming leperiousty S his daring, has already sown the seed! used to represent the aiiiiude of Julle » until Homeo steals a kiss, cw-meron sms sense wa |herrusnetinlaaatSentat | SQWN TOWN BRANCH y the baleemy cee ‘Thus from my lips, by yours, m Juliet, in her ecstacy of f yi mn innate courage of her fine breeding, gearantee pag given with all work, of indispatadic OR, RANKIN'S, DEN All operators are skilled graduates ond) **mottiet «nt eaulpoet personally rated in this association. OPEN EVER SUNUAY® AND Educate your bowels? 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