The evening world. Newspaper, February 17, 1900, Page 5

a = , rn Sr a bt ue “ - me , eee ‘ : ‘THE’ WORLD: SATURDAY EVENING? FEBRUARY 17, 1900, 6 2 SOME PRETTY WOMEN LESSONS IN r aa OF THE LOCAL STAGE HOW TO BECOME AN REV. DR. TALMAGE: By Rigi? ean ESS. focommenis Dr, Greene's Nervora, Written Exclusively for The Evening World, 10 the Sick, Nervous, We ak, ie ‘tts the Bost Spring Remedy for the. Big, Nerves, Stomach, Kidneys, and Liver, — LESSON NO, 5. “Te greatest living divine, Rev. T. De Witt Bmetional Power aud Restratet. wonderful r by which ELL, yesterday we were some- wat disillusionined, were we not? What, with the stage shown up to you as a platform of ecantiing, and the spirit of Juliet revealed as & mas- terly bit of stage technique, you have lost faith in your natural impulses, If you are at all timid about your own feelings, | mean if you are afraid to use the extent of natural impulse Dorn in , there ie every hope that you will attain distinction in gome other prefes- mn than the stage. The etage 19 no place for timid people. 1 sometimes think that nerve te better than talent, for it often eseme te suc: aswell. I nope I have not mided you by say- ing too much about stage-art as against the value of stage-heart. Perhape 1 ought not to say stage- oe i, at heart, because actually there is no such vt known, ne other cler widely thing. Our hearts are always that high court to which we women appeal nearly all our best impulses, 1 only used the term stage-heart [o qualify the value of complete heart in- terest to the stage. And just here let me tell you there te a tremendous ego- ttem about che stage. It ie a masterful, commanding, exorbitant creditor, de- mandging your body end soul as ransom, a pledge of your ambition to succeed. Your bodily strength, your emotional nature, all your passionate and tender impulees, al! that you can love and all thee you can hate is absorbed by that gilttering temple of the actors’ creed— the theatre. It la not, in the aense that ladylike fe- Ulon woull deseribe |t, a sweet home life, Tt is nomadie, restless, anxious, almost soldierly in ite characteristic “fighting” qualities. Ga, much of necessary warning to sus- tain the purpose I wieh these lessons to convey. I want you to be quite sure that you ere competent to face the difficul- tes. We have come to that point in these educational talks which is most impor tant tm a self-examination for admission to the dramatic professicn. Have you emotional power? Nearly every one has an emotion or . LGA NETHBRSOLE AS PAULA IN “THE SECOND MRS, TANQUERAY.” s S twe that they are quite pros ot. ae . q every one avoids those emotions that you Rave euch a t nt, and] You see s—how . Dr. Talmage says: ‘'T commend Dr. every, one avoids 'ore res apom to im | thet ‘pu Mase oxen, crmperamment, ona Zen son whos a Gitoalt ort 1 DOW | weseds toe invigoration eter everson Tuatnee pereonate. ant You should begin to go wi hope that T have not dtsoounaged any ‘The emotional motives of great trage-| ‘only the beat, that} details, fam sare’ cond not ao 20 ft ‘The coming week Will be éull theatri- cally save for the opening of Charles Frohman's preduction of the Ceci! Raleigh melodrama “Hearts Are Trumps” at the Garden Theatre Wednes- day night, and the appearance of Mise Clesie Loftus aa Bettina in “The Mae- cot’ at the American Theatre Monday. | “Hearts Are Tramps" will unquestion- ably be the largest and mest preten- tious prodwotion ever given in this! country of Ite kind. Over 9 people will be on the stage, tncluding 87 chi!- dren and 300 eupers. Nearly 49 tons of seenery will be employed. Three traps Nave been built on the stage at a coat | of 1,00 each. Joseph Humphries, the ) |. ‘They do not occur ¥ Mare manager, has worked at an aver-| ee eee ettivey are conceived DY a competent jencbor| Crates Satt, one an Satimerate in fh y-eight hours at a stretoh in men and women who have vigor of im-| you will discov crudity of ~ getting thi There was a time when my family ing this production into chaps. The , your emotions for stage expression. a04/aheolutely forbade me to become an &- cast Je particularly streng. y ie you will be shown the first requirement | tregs, . = of emotional power for stagework—#mc-| | am happy to say 1 have since been Anna Held in “Papa's Wife” remaing Yani ‘of tonal restraint. forgty ‘at the Manhattan Theatre, with ve clgne y ‘An emotional sctress represents the ty tr fasbentne Sica most GiMoult and exacting calling, and! olerrdgy i? °° show you what ls to be Amusements. “When We Were Twenty-One,”’ the H. | will produce their burlesque of * "Tand will be int lore com 1 must persist tn reminding you that Tete kee what grea V. Esmond play in whieh Nat Goodwin |WHth thelr customary attention to detall. | pany. myervanes} F718 4 3 por Of | these lestons will inapire only the few. scanned cote is hoe irs aap apd ate Hid Makine BMIOtt ure apneartng ne {Msg May "Robson will appear in the |""A. stage version of Anthony Hope ? Jett oityaical en-| work’ Wn is kirken Gereett | '° ‘MY site to your success om the etage aa an the Knickerbocker, atilt continues to oatng pest, bet Mine Litan, Russi! morel, Phrase, will be presented et én Siravse. 16 furvive the torture: Dra-| Emotional restraint is acquired. by CY bas 9 motte + Renparemst It have raw enormous audiences. y Pastor will have several pire Pheatre Company, A special ments] macic, situations that, won eto en: | of the stam @ necessary technique! oo” these articdes carefully Sou know Brother Officers” will remain at the} WOE Next week, Including Filson ee i be given on Washington's birth: Saleee ot bee Serie are ine duties set | You learn to apeak Metinotly, to walk, What that means oi igh Empire for an indefinite period monde ; Belle ate are Gown for an emotional actress. ly, 10 grace the stege with a | Lesson 3-Personal character, « verita- one of the solid successes of iy other attractions. : H — ‘Therefore the question to ask yourself se of mann: le pillar of stage art. Mise shall “ -ai_| The Broadwwy Burl headed by te, agony of Jultet's when you are quite eure of your! [ason 3—Stage illusions that are nec- {ics ca McAvoy and May tnd Gilbert and OPERA FOR RYBRY NIGHT, y i conael ln | stage fooling. as it were, you can begin) comer? | and | unnecessary, all iaaring ink's cannot begin te accommodate the| Goifie, will be at the Dewey Theatre th , Me [ori eis 5 | iiaiest soot a|thoalre ea yeu fave act com ite persona who try to purchase tickets. A) 6 week. — og the host of compen: Sotalle bearing (enon tt pf matinee wil be given on Washington's Pivot Opete ef ‘The mipet Shnotions when tne play is zation a Deering UPOR) ary in, which I have tried te blend fer Hirthday wagon jola ‘This ground work, which dramatic! the promise {oUF talenta may sugwest. There |» no wane in the Ring” Regine Nest Week—The | stand by imperson-| schools supply is invaluable. ;_ Lesson 5—Emotional power and ‘J popularity of | Tellier ary T cannot speak t ty of the | straint, writes to b ss the Relaeco comedy, “3 ge or * Hagnenete” to Be Heard. hes the ge of educptional tie vere | with an apalyals. ot pour ana” eoints L ony, a the tiara irqiees which will| ie" °F ae fe te we opera at the Metre- own, and her disposition, voice, Gramatic students. And there is noth | te ee Loe nain there fora much longer run than} ‘Mies Daley Lovering will mak tan Opera-House every night next passion? w Toy your talent so muc review fect tn a8 originally expected. It is now in {te| Gebut in New York vaudeville next Mone| week, the tenth week of the season. In aanataes or ctpathetic death ecene and improper teaching, that Ie, Incom-| ferns venerel Aie a etane naapaint onth. os he at areeees ave ty-third | addition to the regular subscription per-| live through it? There are one or two schools in thie] ge a with @ ¢ last week of “Chris and the|"Jimmte's Maria’ ‘Phe bill ryt Rew | formances, Mr. Grau will begin on the are questions that 1 put to you city which 1 could recat jevete my ol: ty Wonderful Lamp,” at the Vietoria. Mer. off niah from n knowled owing bi 4 vt . y oti one. nights the first of his two lee of ‘weigh hon. 4 5S \es and Edna Wallace Hopper will and Enh Hive: in She Littlest Girl,” | Wagner's “Der Ring Des Nibelungea.” know also that uniees soa ae tek rik of bi rt Ld kive way on Feb, 3410 “Mameetio ‘awk. | Amt Hillon, Burkhart wil be the head-| Judging by the demand for seats, the| the true apart of Intense purpose that | who do the stage a great deal of harm SSMONERED te ASewsese' pobtid sical comedy by Herman lee Halt next Week {lovers of the modern must drama are| ‘ity 2o pitiag thet yon | math edge to The stage aspirant |e @uring my career Tokio Japanese egg ard Carle, Mr. Sykes will| Leoni " mbre numerous than ever, and the aue- ‘becom: end example of the || ; - ‘th te ta ne ean v Vema ponent new drinking song by Sous om ct the undertaking will be more Best emotional acting at 2s imple * i“ 2. 4 oe chins Perhaps a f lastete Tierainers so Tutie, ‘W cterene =| mi even than last year. 9 I have ¥ Fmotional restratnt te ¢ y quauty|ing the dimes of hew to get | Little Cuba, Miter! Horse; emalien perieetiy | ae m eal thee ee tierce edly it 3th beet Plc gens ygael Is tebe presented on| O24 SASS Ane Totnes the, 'ime beng |that makes emotional acting safe 824) 5. one stage, will asciet you. ; diel The Oe ma the Ne u quality jay night, with Marie Brema as| degree of actual tragic o: thy with |” preeston of deep remernbe: ths season, 1 ts doing’ tremendous wil, Che fering at Kester A ial’ Pricka; Schumannfeink, Rrda; Ven] Si emotional sane You Wilt never be | git emotion would be, 8 weer Siena, my bret fensons must exist Deters pen | peer: el Bate ant rene ant ae Tuy [not to say paiaful, exhiotion without take up the Battle in garnet, Theatre. 2,° A ug elle, Yous Rooy fs a of med act French and 10a Fulle-lprietrichs, Alberich. Paur will conduet. ngs Phey never jemotiorml Tals ie Wotan; Van Dyck, Loge, and Fen Hur," one of the most remark- Ro I t spectacles ever produced Uh Pleas nl art. thet gtircagnry eld dole rat F ie Mg ay The performance will begin at 99 reer at you have emo. |old-fashioned method of “WURUNDAT concn Ts. ttwcat a at the Broadway Theatre Monday. The Tretse On Thursday night “Die Weikvere*| ‘tt i times we suggest our _Camteg—Mareh 5. Worlte Wonder -UAl1O0. |" gape smoking of * cord: ete 2» + Atami Geeemae MRED. TIE | wit ns anren, with Nertion sor presse nd tae a the stage ae, Ser sbi take eben Tee rae 1 Bijou Theatre will be closed until] Seum. hilde; Ternins, Sleglinde; Schumena ima i ba So et Saran ane, seeecnes. The ARI CARIS tae Fu, 2. when Willfm A. Brady and do- | aint? bartormange by the etudente| felon, Fricke, Van Rooy. Wotany Ves | Seay asters: thon't shoei & nouel cee ere M 50c. | ADMISSION TO PROMENADE veoh Grlemer wilt produce the musical ‘art be. on ‘Teeter awn Dyck, Siegmund, and Lempriere Pring emotional tempera: have dispensed with emotional ; Quislen ean ee ! arce-comely entitled “Aunt Hannah.”| the Brooke Fa7-|Hunding, Paur will conduct, the over-| "ue? for the stan. coremomies that GS eany practice ome- ria! Metmen, tS : "0 Show The cast will include f three ; 4 rill conduct, the over-| "tr ie only when you are quite sure! tional restraint. : . Agnes Findlay, |} fi act ture beginning at 7 o'clock wel: & fon ‘ rvederick Haslen, Bobby Gaslor, Charles! eS The me’ pete ananeeeet ‘ § aate | am a Kittin Mortet, Willen 6 Pol Tiutier, Budd Ross Belle Huektin, Louise Lehman, Louise Hilton, Mollie) Fuller, John H. Bunney, Caro Gordon Leigh. Harriet Kendall, Maud Morrison, Catherine Robinecs, Lethe Coiling, Cathertne Nellie Burbank and Miss Zelia. “The Amassador’ ts doing a large busi- ners at Daly's, and will remain there indetinitely. p29: TO Andrew Mack wil be the star west ee, rote, Choruses, will remain at the Casing un-| ss | tn 1 ' Vanity Pair fl “The Casino Girt” te ready for pre j — eon Miller, to his re : BROADWAY #0 a aw onmat svorEss, _TINEE TO-DAY DEWEY QUTH CENTURY MAIDA. MAST 16TH BT. a 3 Piziton at the ¥ next week. +3 “Around et ores AB ™ ee a if [i 7 ee i I fis: i WALUACKS wateses tins ss OLGA NETH PHO, MANHATTAN AMAAHELO" PAP, : ———"Fwas and anh on |B tis pat, Mal U_ wire. — Motiecee ) THBATRE. MATINSES TO-DAY ® THURSDAY ald. NO WEDNESDAY MA’ wi BROTHER OFFIC ijt Mi fr Pid i Yi “8 ; ie sf : i if ty Dressmakers," i i vil i i fy ii i ; i i i | Hi tT, ! | [7 i by is (Pee ee esr Brooldyn Armusenents GILLETTE ,2 2, 5 Greases |W CHARLES MADISON 8Q. insta Bow a oen a [ATLANTIC Sore comm | OS JOU oan ie oe ree MISTAKES, WILL MAB we fey aT) . ND T Bas |SHENANDOAE, & 4 io ball