The Seattle Star Newspaper, October 24, 1925, Page 14

THE SEATTLE STAR ‘Hearts Succumb to Parisienne’s Wiles > Follow These Sug gestions’ eae Reis Ar ii Nae ge a nl alt Vout Be a Side te Tineel eL Beauty Charms the Phantoms) al iS ieee ae , } ae — Ten Rules for Screen Success Here Outlined; 4 Look’ ’Em Over to bes . t 1 elligence, 1 ' < fur Here tm t a the sting off xth, & polee and carriag The first thing Thor 1 bearing film 4 t the 4 a ‘ " A 1 1 A t ' i All requ OLD FILM FAVORITE |HAD TO DO RESEARCH , NOW DIRECTS DAUGHTER) FOR MOLVANIAN SCENE Maur ‘ r rereen id t actually t arch as the parade of the an troops in Monta Bel ar he direct " And the f part about I 5 ( The 5 M 4 J ©, but to keep It from betr p thing else, par rey sete % ’ n ed four different ‘ an th \ numeroys flags. ' f He ar s Soares St wae ent | a shy , hams heel A ‘the MARY PHILBIN’S BEAUTY is the cause of many a fearful moment in the spectac. + age f lfilm, “The' P’ om of the Opera,” which opens its second week at the Columbia, Satur- CONSTANCE TALMADGE finds that a bit of a Frenchy manner is excellent to use| Ciar jday. Lon Chaney plays the title role. CAN'T BLAME HIM, AT THAT . on a disinterested husband. The results are more than satisfactory. The picture is 1 ve ‘g ARI LABMMLE'S Universal; devillike man known as the Oper a ) Lacmmie to gath on ante a ae Sister From Paris,” and opens at the Coliseum Saturday. ee it eb Thomas \Melgh . ie, The F i sf Se a sh nah ae cats’ | ee Riven pes tin dcntocts vat HERE «js your husba ¢ 1 f Ocala, Fin, wher Dy ' it Dk atlin color and the grand “mask ball} ¢din his pen sto d wherein most night? a a patient, meek sn An 200 ponit t M land grand ataircaée scenes are un-|0f the action takes place, Unless he's sitting qu by the 2 Luck f ! KY usually beautiful. More than 5,000) To family fireside to w ¢ h ou a fe me “extras’’ were assembled during the; BATTLE SCENES TERRIFIC There's a y George k oduction, exclusively of 54 promi-j ‘Terrific battle scenes between co} to discovér exa nore. ila nt filmsters, all of whom are 'rec-| per-colored savages and a handful. « hand's doing. an) ‘ 4 ey Franklin directed: Philbin and |ognized as stars in their respective © have just been completed madge reveals it " Phantom of|ifnes of delineation, © sequence of Joseph Con re P is,” he ; f ( e BEBE’S VACATION ENT THE SCREEN 1 by more reat story of the sea, “Lord © wi CBE INDS EA dhe . 7 comedy-drama of don ‘ ¢ nego iaathak eta ten LIMeePY— Harold Jin “The F an which Victor Fleming is @ which, opened Saturday a f Pa end, for William de Mille plans to|| COLUMBIA —t aney in "The Phantom of the! Opers ing A the Lasky: ot : s " r next at co bd t acge H Sister } . s 'y Marmo: ah Beery, Ra: as a ak Hor STHAND—"A fin Father.” by Har De ’ re it was made tn its hirley Mason ar from the far 1 : role BLUM MOOSN—Monte Hive tn "Red Hot None of tho scenes were ers in this attrac- E ‘i mt ‘ s recently added to the cast || WINTHI GANDEN—Pred DiMatas te ee filmed in Paris, the locale of the/tion, the exterior scenes, for which eon rroi s t of the eveals ro Fred Walte ATP ET | PES ch tetelmaing rea thet a sigpertets ‘fis COLONIAL—"Cheaper to “Bum Leg” ee STAMPED WITH THE APPROVAL OF LON CHANEY | Is Hit in Film Ver- sion of “Sally” The King of All Big Screen Attractions Continues to Thrill Thousands Daily MARY PHILBIN ha NORMAN KERRY EW YORK, Oct. 24.—To 50 SCREEN ARTISTS (story a ex but many groups of techn rts il| were made on a location 65 miles abroad by from Los Angeles. win repute as a scree comedian, one must devise or stumble upon some specific grimace or gesture or mem- orable piece of property work it until it is accept a ludicrous’ characteristic. In the case of Leon Errol, 5 004 OTHERS who won his spurs as a film es ‘ aries funster in “Sally,” the spe- ree cific gesture that always gets a howl of delight is a wobbly leg which gives way at most inop portune moments. It 1 fail him, this leg, in Sam Re ‘ Make the Pi " and a succeed ing First Nationa product 'Th Lunatic at Large.” Errol got his hunch for that pre elous and high-priced bit of funn business from a low-lived pet dog he once undertook to train for vaudeville act. For weeks he tried with tn patience and elaborate cajole teach the miserable cur to it up and to walk on his hind legs, But | always one of the 4d crumpled and he sagged roll was exasperated bey CARL LAEMMLE PRESENTS Never See It — Anywhere leg: but he found everyo Like You watching the wa nt spasms of laughter. whenever it See lobbed over after desperate effort at equilibrium. The comedian 4 the d to lond and adopted its funny f as gain. Thus, from a little pup huge profit grew. For audiences of stage and screen account Leot limber limb one of the choicest of drollery in the entertainme market; It Here! MILLIONS OF THRILLS TO THRILL MILLIONS! A FEW OF THE MANY REASONS WHY THE PHANTOM HAS OAPTURED ALL SEATTLE TWELVE months were GROUPS of five archi- spent In intensive prep- tects, four costume de: aration. Eleyen months — signers, and their staffs, Wero spent in actual, spent four months tn production, Europe gathering data eee and making sketches and photographs of STAFF of one hundred Paris Opera House, cos- and fifty technical ex- tumes, settings, eto. perts assisted the dl- ee Si rector. ‘Threo hundred FOUR special buildings stage hand and elec- required to hold” cos: triclans continually om: tumes, WRITES AND DIRECTS In the opinion of Harry A Pollard, the scenario and tho direc. Hon of a picture, to secure the bent results, should be fn the same hands, Ever since he started di recting Reginald Denny dn “The Leather Pushers’ he has virtually | written his own » voll na |B directing his pictures. "Two Blocks Away,” adapted from Aaron Hoft. mah's stage play, depicting the| fl drama and comedy surrounding a| Jewish and an Irish family Wild! Wierd! Wonderful! i) A Universal Super-Production THE ONLY THEATR NOW § WING POPULAR PF IN AMERICA PICTURE AT ICES ADULTS 500 Any Time ployed during produc- eae bee tees d sai © Children 2 | tlon, TON CHANEY spent Nis f@ukeup, which re- INTERIOR of tho quired three hours each opera house, more than day to! apply. ono hundred feet high, eve contains five tiers of BLOCKS of Paria balconies and seats astreots built in com: 3,000 people. ploto detail. Colleen Moore will begin work on} her next production this week, adaptation of the famous Jam Montgomery musical comed n It Is to be produced on an | A WONDER MUSICAL SCOT By 0 LONGO and ARTIST ORCHESTRA WRA COLUMB fother, brings home some of Boldt’ Milk Browd—2 tor 26e,—Advertive went,