The Seattle Star Newspaper, July 26, 1924, Page 11

saTURDAY Y “@ Menjou’s T ype Bids Fair to’ ay Replace Sheik | “BARBARA'S ENGAGED! be ~~ Fo geaates = Pet 6 + De . 5 t Niel s Oy ‘ ae Abe - 1 ure, = x > ty Nt a . Me t to BOs , . f Ar n ete by th W over x = H - and cet wn tf ety ‘ ae ~ 4 at beating . when they 1 Menjou tyT jover, the bi sued Fr » 7 og? " j gh Barbara Castleton has just received a new ring, She i Ererence t| wants everybody to know it and here she is showing it off|! to Betty Bout Gouveneur Mo With It,” starring Percy Marmont, the young English actor, who recently won fame in the Hutchinson story, “If Winter and Grace Morse The scene is from Garde n Sunday. ate | Taree Musketec ed, fim two recently completed 1 SB eet preuctions, "Oren, at! Brabin Will Miah" and “The Fas has “ © 99 ME Ge knows ac.the taoat ai Direct “So Big gemplished Frenchman of Filmdom.| Charles Brabin, who returned t But let Old y » he New York this wee torn in Pittsb LAURA LA “Butte after being | for La 4 Plante. ded by Fred Niblo in the di r has s Frederick in bis private as well as mame! which time he alm Loyd Hughes is to be “I Woman's Life,” bis present role World.” now in ‘the supervision of | \Music at the| Shoe Magnate Theaters * popular story, “You Can't Get Away ay Comes.” This new photoplay goes on view at the Winter | ; views of the grand foyer of the Million-Dollar Heilig theater, finished i in nine 8 of imported marbles and recognized as one of the finest in the country. Th Dhoto shows one of the nooks in the ladies’ retiring room, while the lower phot “conception of the grand foyer itself. The young lady is Miss Helen Harris, one attractive usherettes at the Third ave. house. he continued, “Of course, two varieties of the marble being ex- little word but one that|someone once in a while who “pulls|tinct and the remainder difficult Sa Milled success where before|the wrong way" and they secure. ‘The marbles include: Ve thee haa been failure—the ttle |£% Thety-to0, we find those smo he in the opi ee: Jour patrons’ who really seem ne Make, has spe ey es fe8 ito be satisfied.” EMM theater's organization in ny oy et cor ae tile jn -dd Dic Vereiotore nia tain | reste ee ont ee. de ile for the Meir part of'1z years. oe Meee cone theater-o Youthful manager pre “15: |the people of Seattle are the fa tion Which Jane. pre, (reasonable. and apprecta Really passed the tirst.ye rr iudienc have ever come across Me occupation of the sapnitivent (2, Our, Patrons, after ull, goes the Tine ected in May of it iS credit for the position this theate eat Considine tor the Orpheum h told & Star reporter yeater tice yt that rule and gold, olive, French light c! Mexican onyx, yellow Italian I however i! ndian red, and yellow Ita building ly a class A fireproof | {|structure, with no combustible ma- {terial whatsoever, ‘The only wood Jin the building is the ma stage floor, which, however, is set on a lid conerete, base, and the mahog any paneling in the entrance, | now occupies. If we had not had | Other interesting facts about the their support, all of our efforts| Heilig ure its perfect acoustics, would have been in vain." achieved without the use of the cus-| Altho the Hellig lms been built for|/tomary sounding board, which js un-} 13 years, it was #o far ahead. of ite ual in a building of reinforced con-} y in both mechanical and decora-| crete construction; and the fact that ‘\tive features that itis still recogni it was Seattle's first made-in- Wash. today ag one of the finest vaudeville | ington’’ structure theaters on the Pacific coast | ‘The estimated value of $1,200,000} The grand foyer, valued alone at! placed on the, structure today, and $250,000, contains nine different varl-| which aecounts for its having been| ind |eties of imported marble, together| named ‘The Million-Dollar Hell tique, Oriental red, African black htfulness | with costly French plate mirrors and| does not include the $75,000 improye- utd ren:|Monile art glass, ‘The foyer, ax it} ments made by the new management ‘6 own home,'!gtandy would be Irreplacuble today,'in the past yeur, tment that ore * Visitor in onc’ rH} EATTLI TAR Wants to Be Film Director POLA’S NEW LEADING MAN {ton Porter’ book, “A ngement™ With tine Johnston. ad. { “Forbidden Paradine attain her ambition. REGINALD DENNY the bustest be WANTS TO. Gloria Grey, the lovely Elnora Comstock, of Gene Strat- personally supervised screen version of her l of the Limberlost,” which will be shown at} | * 8h-bower -30-20, went thru the PAGE 11 PL AY JULIET | Sam Warner ee | Will Visit Takes Shot at Meighan § MEIGHAN becomes a Ket r Herbert Brenon Meigha up from a well held the bucket in his rdner’’ Jones, one of most famous marks . fired from cover at a dis- of 100 yards. The bullet, bucket, Grenching the player with the Colonial, for the first time Sund@’, wants some day to\| water play Juliet. Her big, serious blue eyes reflect a most vivid personality and easily persuade one that she will some day Both the marksman and the water bucket, held by Meighan, were in the camera lens for the entire shot. The story of a modern cave-man who wooed with tons of roses From the Book by George Randolph Chester “A Tale of THE PEOPLE TREMBLED AT THE VOICK OF BEN SLEDGE, BOSS OF THE CITY, FUL, eR OPPOSE HIS WILL! PRETTY MOLLY MARLEY TAMED HIM! (MON HOMME) ADDED ATTRACTIONS i # HAZEL LIBORIUS FAST STEPPERS” | STALLINGS HAUPTMAN BILLY SULLIVAN “The Bird Giel" ULLAL I in America’s Premiere Alb-Artist “GET-AWAY DAY" Whistler ORCHESTRA The Last of the INTERNATIONAL NEWS THAT THE YEAR’S GREATEST PICTURE RETURNS FOR A— “In the Eyes of the World You Are Mine” Shows Start at il ia. ms “3, Ks Tand m. Promptiy THE Sagat EST STAR THE SC REEN LILLIAN GISH —IN— “THE WHITE SISTER”. Here’s not only the Sarah Bernhardt of the screen in her greatest achievement, but in the greatest love story ever told from the popular book of the same name by F. MARION CRAWFORD. “Special PARK Ay Show pa An Any Day Prices Any Time Andy Ward's Nand Menrt C, Ore Here Soon