The Seattle Star Newspaper, March 19, 1921, Page 3

ay tS bets sy tte ‘a OF REEL } x 64 TODAY'S PROGRAMS | React j : ‘ 7 Frank Maye in “The | | Hrute.” 3 | M-—-Derethy P * » « " } LIBERTY " x x ye “PAYING THE PIPER” Barbara Wyndha t y Larry a . - {{PDAYING THE PIPER,” the flim 4 : tions Ww te A r A *” aoe +4 : 1—Dorothy DeVore, leading lady, Clemmer. 2—Thelma Perey in “The Star Rover,” Colonial, $—Scene from “The Greatest Love,” Strand. 4—Dorothy Phillips, starring at the Coliseum. 5—H. B. Warner at the c. 6—Lloyd Hughes in Thomas Ince picture, Blue Mouse. 7-Mautice .Tourneur, oho directed “Paying the Piper,” Liberty {im attraction. i Ventures of a . bel i} ! - _ a ama a: . er own * 7 Bearvies the man of her own Carmel Myers Talked, but, Like John B Pays Fi c ure atteT onn barrymore rays rine the Sphinx, She Said Nothing ~ Movie Quizzes * | a 1a "BLUE MOUSE 3 pes : a a) (3 Me Covinam Meacin ribute to Griffith Star, Bert Lytell “HOMESPUN FOLKS” i one Saree Hugo Hallin is soon to «tart Lytell was born in New Youre Heden 4 Producers) ‘ ~- neneggeipess votives screening a story called “Ave Maria D. W. Griffith recently received , addressed to her she might consider! city. Began his stage career in a) 7 as sg 7 ; ‘ by oped woman w It wan written by Sister Eileen Bra | the following letter from John Bar-| impertinent. I merely wish to tel stock companys ae . “s a bs anything dy, of the of St Dominick, fymore, the famous stage star you that her performance in ‘V in that elty, Also” ¥ we me of the mals stare are She died re fy Dear Mr. Griffith: I have for| Down East’ seems to me to be the appeared with s ee ae pout divulging the of o- nd time seen your picture. | most superlatively EXQUISITE AND Irene th ne Fenwick th sn the story pad “East Lynne” hav or praise of your OIGNANTLY ENCHANTING in “Mary's Taare vie with om Mur moet Serna. tay = HING TH rm EVER * ie «pun Folks,” Thomas H.! 0004 pleted, Ballin is now con would nates THI AT 1 HAVE EVER | Ankle.” Began spate giie mn oun oe bs rake Sete he 6 ania {and a little like ear | SEEN IN MY LIFE | screen Capen is now show t I ee Newcastle I remember seeing Duse in this | with Herbert Mouse. It tells of a ¢ . Every once in so often Charles tare yarn ee e aay lhe Mpg | Breede Py . “ y bore YOu | imagine, she must have been at the ed first in struggles age Your friend Ray anno that he's going to | 4, imagine, she mu . ee and as a mode ightful photo. New Y then announces that he eat hen tinein al deal helg powers Mme Lone Wolf.” Bt town iets cho jan't. The latest news is that he | ys ; Sr as | re nee for eeae naloal with Metro com ald t to no | Dervonal an aD | borhan and great emotic pro: | th thing. inn't fraia th t ¢ feelin . : | Liey spuxhes. wh fe n eae afraid ¢ m ¢ ey tone with AN ALMOST UN. | “Hor oF epditi': de. eae ; CANNY SIMPLICITY AND SIN- om: » Folks | “Beauty of Brains,” written : ho have been | ~ CERITY of m 1, it is great fun as Jong lst of stars who have beer John Emerson A nav DOUG FAIRBANKS, nd a great stimulant to see AN vatentiaa veloped by the fai s produ | been purchased ax a ve or Con AMERICAN ARTIST IF roa “Lombardi, Lag x S saatey-aneee susie walantse BEAU BRUMMEL| AMERICAN Array : | Cc ye BA y} | | DITIONS OF THE | weight, 1553 b our movie | Some mortals have it easy! These | othe tage actors formerly were Tam not in’ the BABI OF Writhhe Rabies “THE JNIFICENT BRUTE” amare } ab, cionh the enGeita eakaaes 48 naracter and it is only eyes. Studio, Metro, Hollywood, THE MAGNIFICENT BRL Vitagraph or Doug thy pa la y rare experience that could im- | Cy (Universal) onault a motion | Mrs. Doug. . Douglas Fairbanks bgt oe ae me Frank Ma That ought to | Cha Murra 1 wonder if 14 b gional ; oere ‘ wonder if you would be good i Pe | Ben Tur _ render you would be 904) NOVELIST PRAISES © z a Rider ra marrie¢ Wally Re vy a tee 2 wihig stings 4 } ee rest premeat he * ° ow bor inte ioeatre, ‘Beieve| FILM PRODUGTINRES { Frank Mayo ee eens = o aa j Seve The Nationa M t Pieture | he me, yours very sincerely | Theodore Dreiser is a novelist) | 4 rae or today ed from Kath-] Black " - ought give weight to his opinion 4 to the Clemmer today | Black rt The recrow * B “The Magnificent Brute, : ‘ Lion Hunters and “What's | nj BIBLE IN 22 REELS ot movies 3 . aioe te ae via Braemer is divorced while.” bagi: a life in the Hudson bay countr _—- a rh vor a) nw Italians have succeeded in getting This is in contrast to the eole Mayo appears as Victor Raoul, a| from Edwin Morrison, an Austra eee fm. et ‘ pr teen 66 the: Sthee fate filam zt waa Z ¢ one to Wan. She ts engaged to F. C. Lowls 7 . e a ne stor of th ble into *\tempt expresse y some writers, French Canadian trapper. whose love | © ee ee Kathleen Norris hag been added no more imprenset by his spr before an American firm which | 40 eas ieatbaal re ‘ ir his pattner's daughter, a prety ree to the list of authors t {"waps than by the cut of hix|started to do it. The Italian ver-|"° an Jaatem Ses ‘ little French girl, leads him | British Star on ly for the screen for Goldwyn. susers lege and the hang of hi 1 is in 22 reels. After having a|tance with movies, and the ool 4 some thrilling adventure ° i ee cca short run in Italy it has been/dies of novelists in the pay American Screen Michael Kustoft, former captain| Fairbanks’ wardrobe t# said to| shipped to Berlin. ‘The 22 reels are |studios at Los Angeles, 6 tes: tas ai tenes VE fn the Russian imperial army, in jcoat him more than some movie | based id Testament. Vary-| “Dreiser says, “I think the F ‘aon of chan ene name ] helping to costume ball room scenes | cuties spend on che wpholstery of jing erpretations of the! New/|show more of an advance than Li pee Fenton poser in “Ser Great Moment” {tic'r electrics an! on their bate Testament by different creeds make |current books or plays. They haw en to the critics of | - = jand frocks from Paris its filming impractical as a com-|a jong way to go, but they (First se stars may Mrs. 1. N. Kornblum (Carmel Myers Jackie Coogan. boy who costars ’ mercial venture |some evidence of being on theiny . gorge, Soe fyers) | with Charley Chaplin in “The (cid WEIGHTS—Robert Warwick, [| 0 + lw. Es F or players } INX int even talk. Whither thou gorst, there go 1/8 being starred in “Peck’s Bad 175; Naomi Childers, 155; Harri Walter McGrail and Alan Forest} “They are, in the main, truer ta) eis James Kirkwood male White te among them| Myors talked, but she|alvo,” said Kornblum. But Carmel | Boy Irvin Cobb is ing the, son Ford, 160; Elaine Hammer will support Anita Stewart in “The/fact than the books and plays trom ui? She is the abining light of aide y anything about her} refused him | captions stein, 120. Invisible Fear.” which they are taken.” is A wife's struggles thru life to com | 66 Beautiful Nonsense,” whi went back to the Coast. Hel - - = i er husband that she ‘» iS |ing sent to America. ‘This IN, Kornblum a year one day, then took the first s an intellectual factor in th mation of Temple Thurston's She fell in love with | tin back to Broadway, determined) World and how, in spite of his pro” him 15 years She was four then. |‘ win her } tests, she takes up the law practic grew up in the studios of| Carmel!’s father is a rabbi in San She agreed to marry him on con-| j in order to help him in his profes h company, pioneer Brit- | Francisec dition that the marriage be kept P work, is pictured in “Man "When she wasn't playing cheas|*ecret until the first night of the f Worman—Marriage.” the latest Alan re than 20, she prefers|With her father, she was practicing | Musical comedy on which he was SEcOmD MAR SERECA 4" Holubar production , arts. upon her violin. And when she was|then working. 4 ‘iat talented young wife, Sen, curty hair and xky.| Practicing on the violin the tittle]. Well, to make « long sory shor! * rit ¥ 4 m boy was hanging ‘round. | “Blue Eyes,” Lew Field's new show The “Mother” of “Humoresque ne's of the lovely F Korn) lips, stars “ Woman—Marriage” is now + cmlhoge “ | en day when DW Gririth |opened the other night at the Cas Man . 1 read about oftene se “ : showing at the Coliseum you see. 1 into the rabbinical study to|im New York. Kornblum was t Carmel's fat * - y-ray ts che takes t And a slong Carmel! has said that mer STRAND: Vie. eee eee dene a png og VERA GORDON in her latest photoplay— “THE ; 4 at's to watch tHe work of other me and fortune for Carmel | ™4rriage ri 3 EG es VE” |players, And her fa Lae ed in with D. W. He sent her : “77 a - Marsh ‘? = udio school. She was @ sue HUSBAND AND WIFE— 2 BPE i Vera Gord: 3 Chriaste isan ‘enthustestic motor.| | George Walsh and Scena Owen; f ter Lantint icrirake marooreh| ist and rides a totorercle te ang | Kornblum was at once mad and| Bernard Durning and Shirley Ee Fra Yvonne Shelton | from the studio. ad. Glad to see his aweetheart suc Mason; Charles Ray and Clara ee Lorenzo Laatini,....-.#--Hugh Au jceed. Sad to see her alipping beyond) Grant; Wallace MeCutcheon and ae “The Greatest Love,” the pictu wiiTne Greataat Love.” the Bieta, |GEN. BOOTH SHOWN | ratty ory of mother lov IN LIBERTY NEWS| ts jordon, who won immec success by her clever acting as 5 SO mother in “Humoresque,” enacts an dition ef t other touching role in this story of |and Von Herberg News wil the ups and downs of an emigrant |feature of the bill a Wallace Reid, the famous film m Peart White, teow York to take a in “The Magic| “King, Queen, Joker.” That's syd Chaplin's new comedy. tells a the} At the Libe morning, a ne NOW \PLAYING Thomas H. Ince’s SPECIAL PRODUCTION amet own during his recent visit tle recently, are shown electing Another Dr i h Standing Cou tina Perey | Ballard, the United States shipping Seesuer Dore bec’ Cannon | board vessel Irona, almost fills the Maizie Marcella Daiey| great locks. Ge th, commander i : _|of the Salvation A the tale of | white in § accused of murder, | hiy organizatior Seattle girls, indulging in the near national pastime of Afr is shown ttle in the interests of man who, fa ig subjected to torture by until he sends his soul rov thru former noes, think it is great sented on th ing to the expressions registered on for the first time today. It is a Jack | tne gm. London story. "SCENIC TITLES ARE POPULAR the "10 A cross-section of life that may be met around any corner of a big city! an domi t, accord oe —* WHEN WE WERE TWENTY. | Combination of scene and sub-title Y " ONE” ' was one of the earliest experiments denies. Const agen 2s avoid interrupting sthe action of the photoplay But it was found that an audience }couldn’t read the dialogue printed in low the Phyllis Richard Aw Kara Glynesk ine ORCHESTRA Under S. K. Wineland, playing one part of the screen and f action at the same time. And the | whole idea wag shelved Few modern comedy-dramas cor tain anything lke the wea ot fine feeling and good sentiment that H MATINEES Adults ...25¢ 59 Loges ....50¢ Children .10¢ V. Esmond put into his play, “When | be tobe ws hee! ha nn vag are doy 4 We Were Twenty-One.” ‘This play pipers nese photo vs ga Overture to “Orpheus,” by which enjoyed success on the, legiti om s enough NIGH STORY that has romance and tenderness 5 mate stage, has been made into a naar from the Adults pathos and robust comedy—and that mag: Offenbach motion picture. It is now showing at but 1 what the Loges netic, masterful something that makes it @ jon pict t while the sub-titles are the Hex, with H. B. Weener featured |" " “ - Children pastoral epic in the role of Richard Carewe, who | "ing read % GAYETY COMEDY This is akin to the stage device BLUE MOUSE CONCERT OUR IMM “BLONDES” sacrifices his own love to Jot suspending the act thing important being said RECORD SUM PAID COLOR FOR CHARACTE FOR STAGE PLAY] or ner acquaintances with « color, quair tances with @ color. | John Golden has sold screen | Emil Birnbaum, Director With 4 their outstanding ehar ute to “Puen to the Right” for are of the 4 y of wor 50,000. And he retains one-half also $38 ra eaa’ : JOHN HAMRICK interest in the play. Winchell|#on should dre in the color to Smith, who with Jack Hagzzard| match personality, and not one to * wrote the stage success, will super-|™atch eyes or hair the screening. Griffith paid | ‘a " | 75,000 tor ereen rights to “Way| Joe Ryan and Elinor Field are working on the closing scenes of “The Purple Rider.” Western serial, hen some 4 youth from disgrace ORCHESTRA WURLIT: BRUCE SCENIC “VOICES OF THE SEA” a per: | National Kinograms