The Seattle Star Newspaper, March 13, 1920, Page 5

; | } LIREETY — Marebell Nellen pre H duction, “The Rivers Bnd. REX—Ceoll DeMille’s “Male and Ve male.” STRAND—D W. Gerittion’s “The Gilet COLIS M “ON WITH THE | DANCE” (Para Sonia Varinort Peter Derwynt Ma David T WAS the dance that pretty Mae Murray the Follies. of the dance in first made a favorite ir er Inteat photo! ‘On With the in which she is featured with David Powe! As an immigrant from Russia, Miss Murray ebrates the first glimy of the Statue of Liberty by staging a wild dance in the steerage of an ocean liner. And later, ax the petted 5 ‘otege of a millionaire, # ts ; “masked dancer As the heroine of the picture, she has the role of a pleasure-loving girl sudd t with all manner of temptations, fall ing, and finally redeeming herself This picture o today CLEMMER . “THE CORSIC AN BROTHERS” : | (United Pictures) Del F ni i Dustin F ifred Ki Win Corsian villages had to be built duplicate of the famous old Paris Grand Opera How instructed, and Can murder. stances, be justifiable? Can a man ever be justified in end ing the life of another? Can a man be forgiven by the @aughter of the man he killed? The above are some of the ques tions taken up and answered un shrirkingly in “The River's End.” the new Marshall Netlan production, written by James Oliver Curwood which will be &hown at the Liberty for. the first time today. “The River's End” deals with the story of a murder, the strongest on record—one that wili play on your every emotion. And yet, counter plotting the story of this strange murder, a romantic interest of un usual design gives the production its lighter and less gripping moments STRAND — * + THE HE GREATEST QUESTION” (Pirst National) Netiie Jarvis Jimmie Hilton Lilian tah . Robert Harron Something to interest those who have invested in ofl stock is used by D. W. Griffith to relieve dramatic tension in his latest production, “The Greatest Question.” based on the) subject of eccultinm, and which will be shown at the Strand for four days beginning today. ‘The fundamental thought of the en tire production is the answer of the directing genius to the most bafMfing 4 question of the ages—"Is there a hereafter?” Mr. Griffith has located the setting of his production among) farm folk who are deprived of a son | by the great war. The entire family has all but lost faith in God and Hu-| manity in general when oil is seen bubbling and sputtering out of the ground. (Paramount) Thomas Meighan Theodore Roberts Crichton Lord Loam... A careless helmsman flirting with the serving girl wrecks a yachting party on @ desert tropical island in “% and Fema the popular Cecil . @e Mille production, which will be | ce shown at the Rex starting today | a Lovers of Sir James M. Barrie's 4 inimitable plays will be delighted to - rn that this photoplay is a screen | version of that eminent author's fa-/ gous book, “The Admirable Crich ; COLONIAL ot “THE DAY SHE PAID” (Universal) | Francelia Billington Charles Clary Marry von Meter Sessile’ Surst, ‘the Sopitde Amer | can writer, whose stories in the Cos-| mopolitan and other magazines have won her millions of admiring readers, is the author of “The Day She Paid,” the new pieture opening at the Co lonial today Francelia Billingto in “Blind Husbands,” has the leading role, She appears as a model in one of New York's leading fashion estab. Marion Lane Warren Rogers Adam Keanler ar ge cc soa i eee ye “| [ tivtie . | & * “THE GIRL ROM ou TSID (Goldwyn) writer of virile, has woven the From Outside,” ‘Movenn at the Little Sunday, red-blooded fictioi plot ‘M2 MUR % thousands of extra people employed |} " for the filming of “The Corcisan| How Sennett Picks Cast Brothers,” the photoplay version of Alexander Dumas’ wonderful story,) * in which Dustin Farnum wil! appe We Loulwe Fazenda Marie, LOUISE FAZENDA—Groterquerie at the Clemmer for a week besinnins | vost Re Turpt andland the al of «imple mely today |Jimmy Finlayson r in th he medium of an er Farnum, who ranks as one of the}same picture production, Mack Ser most capable romantic actors now on | nett s that he Beauty, and the screen, plays the dual role of| the ntial opr ence thru the twin brothers. creation as he ur grace and adorable aera No matter, in casting his come-| youth | »— go Bidies, how he may distribute the) JIMMY FINLAYSON Comedy reer Fe RR TY | iocteeecl scien aepuing’ s theeslans the apveal ot a ee a TO eit xj | mentioned above, or others of like ished on a ref wedge “THE RIVER'S END" accomplishments and gifts, he al 1 feeling for e . (First National) ways takes pains that there shall | technic * weien | rewia stone |D% Fepresented in his story and re BEN TURPIN—Pantasy and the Comniston Mected upon the screen this quartet/appeal of that which is ludicrous Conniston’s sister “Marjorie Daw] .¢ ial euniition aaepected aid fi) eroaetains under any circum.| the way Mack Sennett bas|makes to the minds of men—and logued HAROLD HAS LOTS OF CONFIDENCE Harold Lioyd does not believe in worrying. Recently the Rolin Film company troupers were taken some 60 miles straight out to the heart of the Mojave desert for a “location” shot. “This desert isn't a bad place at all.” the comedian remarked “- Wouldn't mind bu bun. galow out here. in water and ling a little 1 could pipe How you talk,” interrupted, “Wh pipe your water from Harold looked about at the mile upon’ mile of mandy waste and re peated in a loud voice, “W-here? I should worry! That's what I'd pay the plumber for! Mildred Davies you going to | CLARA K. YOUNG GETS | OLD-FASHIONED VEIL| |CONSTANCE PLAYS THE SEATTLE STAR—SATURDAY. MARCH 18, 1920. AE MURRAY Has Role of Dancing Girl in Lavish Production at Coliseum; Clemmer Features Dusty Farnum in Dual Role; Marshall Neilan Special at Liberty Breathes Atmosphere of Canadian Wilds; Latest D. W. Griffith Romance Unfolded on Strand Screen; De Mille’ s Version of James M. }} } Barrie Story at Rex; Francelia Billington Star at Colonial; Rex Beach Story Starts Sunday at Little. 1—Winnifred Kingston and “The River's: End,” Liberty. celia Billington, s x x | ; | Film F ashion we omen HIS SCENARIO OUGHT TO BE GOOD In submitting a scenario to the AyVeelteo Corporation, for an Z Ernest Truex two CS an aspiring author ve hg “Lam " not as much as an amaturegot no edacation—can't spell, but have a wonderful emagination— this ome gete good down about the middle try and read it ali.” Clara Horton recently pur- chased this cunning little out- fit. It ia decidedly Oriental and is meant to be worn as a {lounging costume. It ia fash- jioned of soft Chinese silk, TRIPLE ROLE) flowered in roge and deft blue. Constance Rinney's second Realart picture, “The Stolen Kiss.” adapted from the book, “Little Miss by the CHICKENS WERE yay,” by Lucille Van Slyke, is no ee PEs ease “geonaes TEMPERAMENTAL Miss Binney adapts three roles on@ and Moran had occasion ti that of a little girl of eight, the two chickens—the feathered va le girl grown up at 18, and the li te for a scene in their current girl's mother at 32 comedy he Truth feature, “Every: ne birds de A wedding veil worn at the court) STORE WRECKED y more temperament than a of Napoleon and which was the prop. feminine star and Eddie and Lee erty’of Lady de Picard, will be worn IN COMEDY | were avie to get only about thirty in the production of “For the Soul of| 4 complete department store was | fect of eatiefactory film after work Rafael,” by Clara Kimball Younk.| created at the Vitagraph lio ining with the hens A The veil {s more than 150 years 01d | tollywood, Cal., for the production the cameras had beon folded one of and still in good condition. It waslo the big “V" special comedy. the kens laid an ese It's a presented to Miss Young by @ rela-|Maids and Muslin The store wa ty good investment after all tive of Lady de Pichard. completely stocked with an assort-| remarked Lee Moran as he handed " ie ace ment of merchandise, but James Au-| the owner of the “tra birds MODERN SALOME completely demolished it in mak-{a ten dollar b the usual pay for Hope Hampton wears 21 different the comedy two “extras.” dresses and gowns in “A Modern = Salome.” Shirley Mason has established Mollie King ts star in United's Hence, no doubt, the “modern.” | a dog hospital in Hollywood, Cal. Women Men FY i “Ss Ty i {Doug MacLean Tries to “Stump” Teddy, His i |star, and “Teddy,” |ments on the Ince “lot” Everyone who saw “ cently, scene in which he appeared. . hlonchiakilll CLASS A %) “SOLDIERS OF FORTUNE” | (Realart) | Robert Clay Norman Kerry June Campbell Clare Horton Hope Langham Pauline Stark The Curly Kid Cullen Landia oi Vive crooks loved the same girl.| “Soldiers of Fortune,” from Rich And she loved another man. Around ard Harding Davis’ story, opens at this interesting situation Rex Beach,'the Clase A Sunday. It tells the story of a young American engineer of “The Girl| who stops at nothing to accomplish a the photoplay which} job once set for him, and incidentally wines the heart of a millionaires, Canine Pal; Soon Finds It Can’t Be Done Remarkable snapshot of Douglas MacLean, Thomas H. Inc the famous movie dog, in acrobatic mo- at Culver City, Cal. 23Vy Hour. last seen here|in which Douglas MacLean and Doris May starred here re- will remember “Teddy,” | ity Leave,” the comedy drama who fairly “hogged” every BEN HANDSOME IS ENJOYING VACATION Ben Turpin is enjoying vaca When last heard the | comedy star of the Sennett Studios, | and the handsomest m in ecaptiv was floundering about in the! wilde of Ark trying to find a} way out He wae en transit to New i his natal city, whither he id he was bound in order to bask upon the street corners and give the girls a treat, a te MANTZI Carl Mantalus is starred in films | to be sent to this country by the Swedish Biograph company, } Mantsius holds the degree of Pi.D.| He made his stage debut at the! Theatre in Copenhagen in from Re 1888. He starred Richard 111." in “Shylock” ana | tarring at Colonial. PAGE 5S PPP POD LLLP LL LLL LPP PPL LPP PPL LLLP POP LP at the Clemmer. 2—Robert Harron and Lillian Gish, Gloria Swanson and Raymond Hatton, cast in “Male and Female,” 7—May Murray and David Powell, in “On With the Dance,” WE'LL SAY SO | JUDGE SUCCUMBS stars in Griffith picture, Strand. 3—Scene Rez. Hallam Cooley, at the Little. 6. Coliseum. Dustin Farnum, aad 0 Chewy, resented |KATHERINE MacDON nut any loss of time to Harold Wenstrom, movie camera TO CISSY’S WINK =: man, was in the navy during the war dies Mieiedidebs ot the .ta - robs He went across on # ship carrying m s : VERSATILE OLIVE adhe TNT mous wink—-wus pinched for speed-| Give ‘Thomas, besides acting in| She impersonates a yous ft ing in California the other day. Cieey om has just written one her girl whose family goes ban ‘Cheer up,” he said to a glum look: | was hustling to tion, fearing the Recently whe moved into a new|™akes her living as an @ in This ship has plenty of wrath of her director, A very unsat- apartme and did all the interior |@nging house parties for 1 Infactory cop came along and took | dec elf families new to fashionable Life boats,” said the sailor, “Alher before the judge. Said jud — The film adds to ship carrying this stuff ought to be however, was won over by the fa Thomas Meighan has finished “The | K atherine MacDonald's claim equipped with parachutes.” ax many others © mous smile and wink WALLACE on the WURLITZER _ “Missy”. . An Irish Fantasy, “The Shamrock” . s a CONCERT— 12:30 SUNDAY Where the. Public Knows It Sees Good Shows NOW HERE— A smashing big story of the } same author who wrote “Back to God’s Country” blooded conflict, of unending mystery, of tender loves, one of the world’s best directors! Northwest Mounted Police by the —a play of red- put on by The cast is” without a flaw i —the scenery magnificent "| | Marshall Neifan | presen ts ‘he Rivers oa James Oliver Curwood