The Seattle Star Newspaper, September 1, 1919, Page 7

a en THE SEATTLE STAR—MONDAY, SEPTEMBER 1, 1919. ~~ ~ SE CL Ce ® NELSON Tae to .. SGitth Avenue “Pine Street Sixth Avenue $" a es: 9G Ons Die and the ew Millinery AS if to compensate for the waning Summer, Autumn brings in her train Hats no less colorful than the flowers of the season just passing. Importations that serve to inspire our new fashions and Agnerican originations of characteristic cleverness now make their initial appear- ance with all the assurance that authentic style confers. WA | fi Mae \ yt Ah SS Ni 4, ff (Ba ——__” ———— Here one may glimpse a hat laden with the lively, ever-stirring blondine, or baby ostrich feathers, or the equally lovely cassowary plumage—there, a model in the ostrich, burnt goose or burnt ostrich that has not been displaced by the newer favorites. Monkey fur is given opportunity to prove its adaptability to millinery uses, and many are the hats blooming with high colored flowers or modest in beaver and angora trimming. The Models Pictured: (Reading from the left, at top of page) way 0 Ww NT pe, A lovely Picture Hat for afternoon or dinner wear, joining black tulle and panne velvet, with monkey fur « overing the sheer brim and edging the bow trim. For sheer artistry of line, consider this Black Lyons Velvet Hat with its huge shower of cassowary feathers. A new role for the small hat is Introduced in this black panne velvet creation, with its high brim of dust-color cassowary plumage. ‘This sketch shows the back view of the hat described above, the cassowary feather cascad- Ing over the brim edge An authentic version of the tam idea, devel oped in African-brown velvet, with feather fancy of burnt orange: The backward-rolling tendency noted in many of the new Hats Is here illustrated in a hand some black velvet hat, with facing design em- bossed in gold, Of becoming, indefinite outline is this soft Hat in nasturtium velvet, with silver tinsel glitter in the self-toned ostrich plume. Small Hat of becoming lines, declaring its newness in turn-back brim, It is of black Lyons velvet, with beaver-color plumes. ne new tailleurs, this mbossed russet leather for beak brin and Corbeaublue velvet for its crown African-brown panne velvet and rust-color duvetyn join forces in this Afternoon Hat for the debutante. An embroidered motif forms the trimming. The wonderful suede-like fabric—duvetyn—is fashioned into ever so many smart creations, often in combination with velvet—glittering metallic cloth and hatter’s plush with its mirror-like surface are no less desirable. And such colors! Warm nasturtium shades, brilliant pomegranate and flamingo, burnt orange and jade-green (to mention those that immediately ensnare our glances) quite o’ershadow the quieter costume colorings. ~hke - —__ - + a Just to See these Autumn Introductory Displays of Millinery is to be Quickly Imbued with the Spirit of the New Season Bye f=]